The Man Who Laughs Part 79

He apostrophized himself,--

"May the fever strangle you, with your eyebrows like the beard of rye."

And he replied,--

"Honourable gentlemen, let the rye alone. It is impious to insult the vegetables, by likening them either to human creatures or animals.

Besides, the fever does not strangle. 'Tis a false metaphor. For pity's sake, keep silence. Allow me to tell you that you are slightly wanting in the repose which characterizes the true English gentleman. I see that some amongst you, who have shoes out of which their toes are peeping, take advantage of the circ.u.mstance to rest their feet on the shoulders of those who are in front of them, causing the ladies to remark that the soles of shoes divide always at the part at which is the head of the metatarsal bones. Show more of your hands and less of your feet. I perceive scamps who plunge their ingenious fists into the pockets of their foolish neighbours. Dear pickpockets, have a little modesty. Fight those next to you if you like; do not plunder them. You will vex them less by blackening an eye, than by lightening their purses of a penny.

Break their noses if you like. The shopkeeper thinks more of his money than of his beauty. Barring this, accept my sympathies, for I am not pedantic enough to blame thieves. Evil exists. Every one endures it, every one inflicts it. No one is exempt from the vermin of his sins.

That's what I keep saying. Have we not all our itch? I myself have made mistakes. _Plaudite, cives_."

Ursus uttered a long groan, which he overpowered by these concluding words,--

"My lords and gentlemen, I see that my address has unluckily displeased you. I take leave of your hisses for a moment. I shall put on my head, and the performance is going to begin."

He dropt his oratorical tone, and resumed his usual voice.

"Close the curtains. Let me breathe. I have spoken like honey. I have spoken well. My words were like velvet; but they were useless. I called them my lords and gentlemen. What do you think of all this sc.u.m, Gwynplaine? How well may we estimate the ills which England has suffered for the last forty years through the ill-temper of these irritable and malicious spirits! The ancient Britons were warlike; these are melancholy and learned. They glory in despising the laws and contemning royal authority. I have done all that human eloquence can do. I have been prodigal of metonymics, as gracious as the blooming cheek of youth.

Were they softened by them? I doubt it. What can affect a people who eat so extraordinarily, who stupefy themselves by tobacco so completely that their literary men often write their works with a pipe in their mouths?

Never mind. Let us begin the play."

The rings of the curtain were heard being drawn over the rod. The tambourines of the gipsies were still. Ursus took down his instrument, executed his prelude, and said in a low tone: "Alas, Gwynplaine, how mysterious it is!" then he flung himself down with the wolf.

When he had taken down his instrument, he had also taken from the nail a rough wig which he had, and which he had thrown on the stage in a corner within his reach. The performance of "Chaos Vanquished" took place as usual, minus only the effect of the blue light and the brilliancy of the fairies. The wolf played his best. At the proper moment Dea made her appearance, and, in her voice so tremulous and heavenly, invoked Gwynplaine. She extended her arms, feeling for that head.

Ursus rushed at the wig, ruffled it, put it on, advanced softly, and holding his breath, his head bristled thus under the hand of Dea.

Then calling all his art to his aid, and copying Gwynplaine's voice, he sang with ineffable love the response of the monster to the call of the spirit. The imitation was so perfect that again the gipsies looked for Gwynplaine, frightened at hearing without seeing him.

Govic.u.m, filled with astonishment, stamped, applauded, clapped his hands, producing an Olympian tumult, and himself laughed as if he had been a chorus of G.o.ds. This boy, it must be confessed, developed a rare talent for acting an audience.

Fibi and Vinos, being automatons of which Ursus pulled the strings, rattled their instruments, composed of copper and a.s.s's skin--the usual sign of the performance being over and of the departure of the people.

Ursus arose, covered with perspiration. He said, in a low voice, to h.o.m.o, "You see it was necessary to gain time. I think we have succeeded.

I have not acquitted myself badly--I, who have as much reason as any one to go distracted. Gwynplaine may perhaps return to-morrow. It is useless to kill Dea directly. I can explain matters to you."

He took off his wig and wiped his forehead.

"I am a ventriloquist of genius," murmured he. "What talent I displayed!

I have equalled Brabant, the engastrimist of Francis I. of France. Dea is convinced that Gwynplaine is here."

"Ursus," said Dea, "where is Gwynplaine?"

Ursus started and turned round. Dea was still standing at the back of the stage, alone under the lamp which hung from the ceiling. She was pale, with the pallor of a ghost.

She added, with an ineffable expression of despair,--

"I know. He has left us. He is gone. I always knew that he had wings."

And raising her sightless eyes on high, she added,--

"When shall I follow?"

CHAPTER III.

COMPLICATIONS.

Ursus was stunned.

He had not sustained the illusion.

Was it the fault of ventriloquism? Certainly not. He had succeeded in deceiving Fibi and Vinos, who had eyes, although he had not deceived Dea, who was blind. It was because Fibi and Vinos saw with their eyes, while Dea saw with her heart. He could not utter a word. He thought to himself, _Bos in lingua_. The troubled man has an ox on his tongue.

In his complex emotions, humiliation was the first which dawned on him.

Ursus, driven out of his last resource, pondered.

"I lavish my onomatopies in vain." Then, like every dreamer, he reviled himself. "What a frightful failure! I wore myself out in a pure loss of imitative harmony. But what is to be done next?"

He looked at Dea. She was silent, and grew paler every moment, as she stood perfectly motionless. Her sightless eyes remained fixed in depths of thought.

Fortunately, something happened. Ursus saw Master Nicless in the yard, with a candle in his hand, beckoning to him.

Master Nicless had not a.s.sisted at the end of the phantom comedy played by Ursus. Some one had happened to knock at the door of the inn. Master Nicless had gone to open it. There had been two knocks, and twice Master Nicless had disappeared. Ursus, absorbed by his hundred-voiced monologue, had not observed his absence.

On the mute call of Master Nicless, Ursus descended.

He approached the tavern-keeper. Ursus put his finger on his lips.

Master Nicless put his finger on his lips.

The two looked at each other thus.

Each seemed to say to the other, "We will talk, but we will hold our tongues."

The tavern-keeper silently opened the door of the lower room of the tavern. Master Nicless entered. Ursus entered. There was no one there except these two. On the side looking on the street both doors and window-shutters were closed.

The tavern-keeper pushed the door behind him, and shut it in the face of the inquisitive Govic.u.m.

Master Nicless placed the candle on the table.

A low whispering dialogue began.

"Master Ursus?"

"Master Nicless?"