The Longest Journey Part 39

He was here on account of this book--at least so he told himself. It had just been published, and the Jacksons were sure that Mr. Elliot would have a copy. For a book one may go anywhere. It would not have been logical to enter Dunwood House for the purpose of seeing Rickie, when Rickie had not come to supper yesterday to see him. He was at Sawston to a.s.sure himself of his friend's grave. With quiet eyes he had intended to view the sods, with unfaltering fingers to inscribe the epitaph. Love remained. But in high matters he was practical. He knew that it would be useless to reveal it.

"Morning!" said a voice behind him.

He saw no reason to reply to this superfluous statement, and went on with his reading.

"Morning!" said the voice again.

As for the Essays, the thought was somewhat old-fashioned, and he picked many holes in it; nor was he anything but bored by the prospect of the brotherhood of man. However, Mr. Failing stuck to his guns, such as they were, and fired from them several good remarks. Very notable was his distinction between coa.r.s.eness and vulgarity (coa.r.s.eness, revealing something; vulgarity, concealing something), and his avowed preference for coa.r.s.eness. Vulgarity, to him, had been the primal curse, the shoddy reticence that prevents man opening his heart to man, the power that makes against equality. From it sprang all the things that he hated--cla.s.s shibboleths, ladies, lidies, the game laws, the Conservative party--all the things that accent the divergencies rather than the similarities in human nature. Whereas coa.r.s.eness--But at this point Herbert Pembroke had scrawled with a blue pencil: "Childish. One reads no further."

"Morning!" repeated the voice.

Ansell read further, for here was the book of a man who had tried, however unsuccessfully, to practice what he preached. Mrs. Failing, in her Introduction, described with delicate irony his difficulties as a landlord; but she did not record the love in which his name was held.

Nor could her irony touch him when he cried: "Attain the practical through the unpractical. There is no other road." Ansell was inclined to think that the unpractical is its own reward, but he respected those who attempted to journey beyond it. We must all of us go over the mountains.

There is certainly no other road.

"Nice morning!" said the voice.

It was not a nice morning, so Ansell felt bound to speak. He answered: "No. Why?" A clod of earth immediately struck him on the back. He turned round indignantly, for he hated physical rudeness. A square man of ruddy aspect was pacing the gravel path, his hands deep in his pockets. He was very angry. Then he saw that the clod of earth nourished a blue lobelia, and that a wound of corresponding size appeared on the pie-shaped bed.

He was not so angry. "I expect they will mind it," he reflected. Last night, at the Jacksons', Agnes had displayed a brisk pity that made him wish to wring her neck. Maude had not exaggerated. Mr. Pembroke had patronized through a sorrowful voice and large round eyes. Till he met these people he had never been told that his career was a failure.

Apparently it was. They would never have been civil to him if it had been a success, if they or theirs had anything to fear from him.

In many ways Ansell was a conceited man; but he was never proud of being right. He had foreseen Rickie's catastrophe from the first, but derived from this no consolation. In many ways he was pedantic; but his pedantry lay close to the vineyards of life--far closer than that fetich Experience of the innumerable tea-cups. He had a great many facts to learn, and before he died he learnt a suitable quant.i.ty. But he never forgot that the holiness of the heart's imagination can alone cla.s.sify these facts--can alone decide which is an exception, which an example.

"How unpractical it all is!" That was his comment on Dunwood House.

"How unbusiness-like! They live together without love. They work without conviction. They seek money without requiring it. They die, and nothing will have happened, either for themselves or for others." It is a comment that the academic mind will often make when first confronted with the world.

But he was becoming illogical. The clod of earth had disturbed him.

Brushing the dirt off his back, he returned to the book. What a curious affair was the essay on "Gaps"! Solitude, star-crowned, pacing the fields of England, has a dialogue with Seclusion. He, poor little man, lives in the choicest scenery--among rocks, forests, emerald lawns, azure lakes. To keep people out he has built round his domain a high wall, on which is graven his motto--"Procul este profani." But he cannot enjoy himself. His only pleasure is in mocking the absent Profane. They are in his mind night and day. Their blemishes and stupidities form the subject of his great poem, "In the Heart of Nature." Then Solitude tells him that so it always will be until he makes a gap in the wall, and permits his seclusion to be the sport of circ.u.mstance. He obeys. The Profane invade him; but for short intervals they wander elsewhere, and during those intervals the heart of Nature is revealed to him.

This dialogue had really been suggested to Mr. Failing by a talk with his brother-in-law. It also touched Ansell. He looked at the man who had thrown the clod, and was now pacing with obvious youth and impudence upon the lawn. "Shall I improve my soul at his expense?" he thought. "I suppose I had better." In friendly tones he remarked, "Were you waiting for Mr. Pembroke?"

"No," said the young man. "Why?"

Ansell, after a moment's admiration, flung the Essays at him. They hit him in the back. The next moment he lay on his own back in the lobelia pie.

"But it hurts!" he gasped, in the tones of a puzzled civilization. "What you do hurts!" For the young man was nicking him over the shins with the rim of the book cover. "Little brute-ee--ow!"

"Then say Pax!"

Something revolted in Ansell. Why should he say Pax? Freeing his hand, he caught the little brute under the chin, and was again knocked into the lobelias by a blow on the mouth.

"Say Pax!" he repeated, pressing the philosopher's skull into the mould; and he added, with an anxiety that was somehow not offensive, "I do advise you. You'd really better."

Ansell swallowed a little blood. He tried to move, and he could not.

He looked carefully into the young man's eyes and into the palm of his right hand, which at present swung unclenched, and he said "Pax!"

"Shake hands!" said the other, helping him up. There was nothing Ansell loathed so much as the hearty Britisher; but he shook hands, and they stared at each other awkwardly. With civil murmurs they picked the little blue flowers off each other's clothes. Ansell was trying to remember why they had quarrelled, and the young man was wondering why he had not guarded his chin properly. In the distance a hymn swung off--

"Fight the good. Fight with. All thy. Might."

They would be across from the chapel soon.

"Your book, sir?"

"Thank you, sir--yes."

"Why!" cried the young man--"why, it's 'What We Want'! At least the binding's exactly the same."

"It's called 'Essays,'" said Ansell.

"Then that's it. Mrs. Failing, you see, she wouldn't call it that, because three W's, you see, in a row, she said, are vulgar, and sound like Tolstoy, if you've heard of him."

Ansell confessed to an acquaintance, and then said, "Do you think 'What We Want' vulgar?" He was not at all interested, but he desired to escape from the atmosphere of pugilistic courtesy, more painful to him than blows themselves.

"It IS the same book," said the other--"same t.i.tle, same binding." He weighed it like a brick in his muddy hands.

"Open it to see if the inside corresponds," said Ansell, swallowing a laugh and a little more blood with it.

With a liberal allowance of thumb-marks, he turned the pages over and read, "'the rural silence that is not a poet's luxury but a practical need for all men.' Yes, it is the same book." Smiling pleasantly over the discovery, he handed it back to the owner.

"And is it true?"

"I beg your pardon?"

"Is it true that rural silence is a practical need?"

"Don't ask me!"

"Have you ever tried it?"

"What?"

"Rural silence."

"A field with no noise in it, I suppose you mean. I don't understand."

Ansell smiled, but a slight fire in the man's eye checked him. After all, this was a person who could knock one down. Moreover, there was no reason why he should be teased. He had it in him to retort "No. Why?"

He was not stupid in essentials. He was irritable--in Ansell's eyes a frequent sign of grace. Sitting down on the upturned seat, he remarked, "I like the book in many ways. I don't think 'What We Want' would have been a vulgar t.i.tle. But I don't intend to spoil myself on the chance of mending the world, which is what the creed amounts to. Nor am I keen on rural silences."

"Curse!" he said thoughtfully, sucking at an empty pipe.

"Tobacco?"

"Please."

"Rickie's is invariably--filthy."

"Who says I know Rickie?"