The Lives of the Poets of Great Britain and Ireland Volume III Part 22

[Footnote 2: General Dictionary. See Article Sheffield.]

[Footnote 3: Vol, ii, p. 106.]

CHARLES COTTON, Esq;

This ingenious gentleman lived in the reigns of Charles and James II. He resided for a great part of his life at Beresford in the county of Stafford. He had some reputation for lyric poetry, but was particularly famous for burlesque verse. He translated from the French Monsieur Corneille's Horace, printed in 4to. London 1671, and dedicated to his dear sister Mrs. Stanhope Hutchinson. This play was first finished in 1665, but in his prefatory epistle he tells us,

'that neither at that time, nor for several years after, was it intended for the public view, it being written for the private divertis.e.m.e.nt of a fair young lady, and, ever since it had the honour first to kiss her hands, was so entirely hers, that the author did not reserve so much as the Brouillon to himself; however, she being prevailed upon, though with some difficulty, it was printed in 8vo. 1670.'

As to the merit of this play in the original, it is sufficient to observe, that the critics have allowed it to be the best tragedy of Corneille, and the author himself is of the same opinion, provided the three last acts had been equal to the two first. As to the translation by Mr. Cotton, we have very considerable authority to p.r.o.nounce it better than that of Mrs. Katherine Philips, who could not number versification among her qualities. The plot of this play, so far as history is concerned, may be read in Livy, Florus, Dionysius Halicarna.s.seus, &c. Our stage has lately had a play founded upon this story, added to the many it has received, called the Roman Father, by Mr. W. Whitehead.

Besides this translation, Mr. Cotton is author of many other works, such as his poem called the Wonders of the Peak, printed in 8vo. London 168; [1] His burlesque Poem, called Scarronides, or Virgil Travestie, a mock Poem, on the first and fourth Books of Virgil's aeneid, printed in 8vo. London 1678. Though the t.i.tle seems to imply as if his poem was in imitation of Scarron, who has translated eight books of Virgil in the same manner, yet they who will compare both these pieces, will possibly find, that he has not only exceeded the French, but all those who have made any attempts on that kind of poetry, the incomparable author of Hudibras excepted. Mr. Cotton likewise translated several of Lucian's Dialogues into burlesque verse, printed in 8vo. London 1675, under the t.i.tle of the Scoffer Scoff'd. In 1689 a volume of poems, with Mr. Cotton's name prefixed, was published in London: on these poems colonel Lovelace, Sir Alton c.o.c.kaine, Robert Harrick, esq; and Mr. Alexander Brome, complimented the author by copies of verses prefixed; but Mr. Langbain observes, that the truest picture of Mr. Cotton's mind is to be seen in a little piece published at the end of these poems called Retirement; but the chief of Mr. Cotton's production, seems to be his translation of Montaigne's Essays, dedicated to George Lord Saville, Marquis of Hallifax; his lordship in a letter to him, thus express his esteem for the translator, and admiration of his performance. This letter is printed amongst the other pieces of the marquis's in a thin 12mo.

'Sir, I have too long delayed my thanks to you for giving me such an obliging evidence of your remembrance: that alone would have been a welcome present, but when joined with the book in the world I am the best entertained with, it raiseth a strong desire in me to be better known, where I am sure to be much pleased. I have, 'till now, thought wit could not be translated, and do still retain so much of that opinion, that I believe it impossible, except by one, whose genius cometh up to the author. You have so kept the original strength of his thought, that it almost tempts a man to believe the transmigration of souls. He hath by your means mended his first edition. To transplant and make him ours, is not only a valuable acquisition to us, but a just censure of the critical impertinence of those French scriblers, who have taken pains to make little cavils and exceptions, to lessen the reputation of this great man, whom nature hath made too big to confine himself to the exactness of a studied stile. He let his mind have its full flight, and shewed by a generous kind of negligence, that he did not write for praise, but to give to the world a true picture of himself, and of mankind. He scorned affected periods to please the mistaken reader with an empty chime of words; he hath no affectation to set himself out, and dependeth wholly upon the natural force of what is his own, and the excellent application of what he borroweth.

'You see, sir, I have kindness enough for Monsieur de Montaigne to be your rival, but n.o.body can pretend to be in equal compet.i.tion with you. I do willingly yield, which is no small matter for a man to do to a more prosperous lover, and if you will repay this piece of justice with another, pray believe, that he who can translate such an author without doing him wrong, must not only make me glad, but proud of being his

most humble servant,' * * *.

Thus far the testimony of the marquis of Hallifax in favour of our author's performance, and we have good reason to conclude, that the translation, is not without great merit, when so accomplished a judge has praised it.

We cannot be certain in what year our author died, but it was probably some time about the revolution. He appears to have been a man of very considerable genius, to have had an extraordinary natural vein of humour, and an uncommon flow of pleasantry: he was certainly born a poet, and wrote his verses easily, but rather too loosely; his numbers being frequently harsh, and his stile negligent, and unpolished. The cause of his Life being inserted out of chronological order, was an accident, the particulars of which are not of importance enough to be mentioned.

[Footnote 1: M. Cotton's works are printed together in one volume, 12mo.

The thirteenth edition is dated 1751.]

The Right Honourable Joseph Addison, Esq;

This elegant writer, to whom the world owes so many obligations, was born at Milton near Ambrosbury in the county of Wilts (of which place his father, Mr. Lancelot Addison, was then rector) on the 6th of May 1672; and being not thought likely to live, was baptized on the same day, as appears from the church register. When he grew up to an age fit for going to school, he was put under the care of the rev. Mr. Naish at Ambrosbury. He afterwards removed to a school at Salisbury, taught by the rev. Mr. Taylor, thence to the Charter-house, where he was under the tuition of the learned Dr. Ellis, and where he contracted an intimacy with Mr. Steel, afterwards Sir Richard, which continued as long as Mr. Addison lived. He was not above fifteen years old when he was entered of Queen's College, Oxford, in which his father had been placed: where he applied himself so closely to the study of cla.s.sical learning, that in a very short time he became master of a very elegant Latin stile, even before he arrived at that age when ordinary scholars begin to write good English.

In the year 1687 a copy of his verses in that tongue fell into the hands of Dr. Lancaster dean of Magdalen College, who was so pleased with them, that he immediately procured their author's election into that house [1]; where he took the degrees of bachelor, and matter of arts. In the course of a few years his Latin poetry was justly admired at both the universities, and procured him great reputation there, before his name was so much as known in London. When he was in the 22d year of his age, he published a copy of verses addressed to Mr. Dryden, which soon procured him the notice of some of the poetical judges in that age. The verses are not without their elegance, but if they are much removed above common rhimes, they fall infinitely short of the character Mr. Addison's friends bestowed upon them. Some little s.p.a.ce intervening, he sent into the world a translation of the 4th Georgic of Virgil, of which we need not say any more, than that it was commended by Mr. Dryden. He wrote also that discourse on the Georgics, prefixed to them by way of preface in Mr. Dryden's translation, and chose to withhold his name from that judicious composition, because it contained an untried strain of criticism, which bore hard upon the old professors of that art, and therefore was not so fit for a young man to take upon himself; and Mr. Dryden, who was above the meanness of fathering any one's work, owns the Essay on the Georgics to have come from a friend, whose name is not mentioned, because he desired to have it concealed.

The next year Mr. Addison wrote several poems of different kinds; amongst the rest, one addressed to Henry Sacheverel, who became afterwards so exceedingly famous. The following year he wrote a poem to King William on one of his Campaigns, addressed to the Lord Keeper (Sir John Somers.) That excellent statesman received this mark of a young author's attachment with great humanity, admitted Mr. Addison into the number of his friends, and gave him on all occasions distinguishing proofs of a sincere esteem [2]. While he was at the university, he had been pressingly sollicited to enter into holy orders, which he seemed once resolved on, probably in obedience to his father's authority; but being conscious of the importance of the undertaking, and deterred by his extreme modesty, he relinquished, says Mr. Tickell, all views that way; but Sir Richard Steel in his letter to Mr. Congreve prefixed to the Drummer, who had a quarrel with Tickell, on account of an injurious treatment of him, says, that those were not the reasons which made Mr. Addison turn his thoughts to the civil world, 'and as you were the inducement (says he) of his becoming acquainted with my lord Hallifax, I doubt not but you remember the warm instances that n.o.ble lord made to the head of the college, not to insist on Mr. Addison's going into orders; his arguments were founded on the general pravity and corruption of men of business, who wanted liberal education; and I remember, as if I had read the letter yesterday, that my lord ended with a compliment, that however he might be represented as no friend to the church, he would never do it any other injury than by keeping Mr. Addison out of it.'

Mr. Addison having discovered an inclination to travel, the abovementioned patron, out of zeal, as well to his country, as our author, procured him from the crown an annual pension of 300 l. which enabled him to make a tour to Italy the latter end of 1699. His Latin poems dedicated to Mr. Montague, then Chancellor of the Exchequer, were printed before his departure, in the Musaae Anglicanae, and were as much esteemed in foreign countries, as at home, particularly by that n.o.ble wit of France, Boileau. It is from Mr. Tickell we learn this circ.u.mstance in relation to Boileau, and we shall present it to the reader in his own words; 'his country owes it to Mr. Addison, that the famous Monsieur Boileau first conceived an opinion of the English genius for poetry, by perusing the present he made him of the Musae Anglicanae. It has been currently reported, that this famous French poet, among the civilities he shewed Mr. Addison on that occasion, affirmed, that he would not have written against Perrault, had he before seen such excellent pieces by a modern hand. The compliment he meant, was, that these books had given him a very new idea of the English politeness, and that he did not question, but there were excellent compositions in the native language of a country, which possessed the Roman genius in so eminent a degree.'

In 1701 Mr. Addison wrote an epistolary poem from Italy to lord Hallifax, which is much admired as a finished piece in its kind, and indeed some have p.r.o.nounced it the best of Mr. Addison's performances. It was translated by the Abbot Antonio Mario Salvini, Greek Professor at Florence into Italian verse, which translation is printed with the original in Mr. Tickell's 4to. edition of Mr. Addison's works. This poem is in the highest esteem in Italy, because there are in it the best turned compliments on that country, that, perhaps, are to be found any where: and the Italians, on account of their familiarity with the objects it describes, must have a higher relish of it. This poem likewise shews his grat.i.tude to lord Hallifax, who had been that year impeached by the Commons in Parliament, for procuring exorbitant grants from the crown to his own use; and further charged with cutting down, and wasting the timber in his Majesty's forests, and with holding several offices in his Majesty's Exchequer, that were inconsistent, and designed as checks upon each other: The Commons had likewise addressed the King to remove him from his councils, and presence for ever. These were the causes of his retiring, and Mr. Addison's address at this time, was a n.o.ble instance of his fidelity, and stedfastness to his friends. On his return to England, he published an account of his travels, dedicated to lord Somers; he would have returned earlier than he did, had not he been thought of as a proper person to attend prince Eugene, who then commanded for the emperor in Italy, which employment would much have pleased him; but the death of king William intervening caused a cessation of his pension and his hopes.

For a considerable s.p.a.ce of time he remained at home, and as his friends were out of the ministry, he had no opportunity to display his abilities, or to meet a competent regard for the honour his works had already done his country. He owed both to an accident: In the year 1704 lord treasurer G.o.dolphin happened to complain to the lord Hallifax, that the duke of Marlborough's victory at Blenheim, had not been celebrated in verse, in the manner it deserved, and told him, that he would take it kind, if his lordship, who was the patron of the poets, would name a gentleman capable of writing upon so elevated a subject. Lord Hallifax replied with some quickness, that he was well acquainted with such a person, but that he would not name him; and observed, that he had long seen with indignation, men of little or no merit, maintained in pomp and luxury, at the expence of the public, while persons of too much modesty, with great abilities, languished in obscurity. The treasurer answered, very coolly, that he was sorry his lordship had occasion to make such an observation; but that in the mean time, he would engage his honour, that whoever his lordship should name, might venture upon this theme, without fear of losing his time. Lord Hallifax thereupon named Mr. Addison, but insisted the treasurer should send to him himself, which he promised. Accordingly he prevailed upon Mr. Boyle, then chancellor of the exchequer, to go in his name to Mr. Addison, and communicate to him the business, which he did in so obliging a manner, that he readily entered upon the task [3]. The lord treasurer saw the Poem before it was finished, when the author had written no farther than the celebrated simile of the Angel, and was so much pleased with it, that he immediately made him commissioner of appeals, in the room of Mr. Locke, who was promoted to be one of the lords commissioners for trade, &c.

His Poem, ent.i.tled the Campaign, was received with loud and general applause: It is addressed to the duke of Marlborough, and contains a short view of the military transactions in the year 1704, and a very particular description of the two great actions at Sch.e.l.lemberg and Blenheim.

In 1705 Mr. Addison attended the lord Hallifax to Hanover; and in the succeeding year he was made choice of for under-secretary to Sir Charles Hedges, then appointed secretary of state. In the month of December, in the same year, the earl of Sunderland, who succeeded Sir Charles in that office, continued Mr. Addison in the post of under secretary.

Operas being now much in fashion, many people of distinction and true taste, importuned him to make a trial, whether sense and sound were really so incompatible, as some admirers of the Italian pieces would represent them. He was at last prevailed upon to comply with their request, and composed his Rosamond: This piece was inscribed to the d.u.c.h.ess of Marlborough, and met with but indifferent success on the stage. Many looked upon it as not properly an Opera; for considering what numbers of miserable productions had born that t.i.tle, they were scarce satisfied that so superior a piece should appear under the same denomination About this time our author a.s.sisted Sir Richard Steel, in a play called the Tender Husband; to which he wrote a humorous Prologue. Sir Richard, whose grat.i.tude was as warm and ready as his wit, surprized him with a dedication, which may be considered as one of the few monuments of praise, not unworthy the great person to whose honour it was raised.

In 1709 he went over to Ireland, as secretary to the marquis of Wharton, appointed lord lieutenant of that kingdom. Her majesty also, was pleased, as a mark of her peculiar favour, to augment the salary annexed to the keeper of the records in that nation, and bestow it upon him. While he was in Ireland, his friend Sir Richard Steel published the Tatler, which appeared for the first time, on the 12th of April 1709: Mr. Addison (says Tickell) discovered the author by an observation on Virgil he had communicated to him. This discovery led him to afford farther a.s.sistance, insomuch, that as the author of the Tatler well exprest it, he fared by this means, like a distrest prince, who calls in a powerful neighbour to his aid: that is, he was undone by his auxiliary.

The superiority of Mr. Addison's papers in that work is universally admitted; and being more at leisure upon the change of the ministry, he continued a.s.sisting in the Tatler till 1711, when it was dropt.

No sooner was the Tatler laid down, but Sir Richard Steel, in concert with Mr. Addison, formed the plan of the Spectator. The first paper appeared on the first of March 1711, and in the course of that great work, Mr. Addison furnished all the papers marked with any Letters of the Muse CLIO; and which were generally most admired. Tickell, who had no kindness for Sir Richard Steel, meanly supposes that he marked his paper out of precaution against Sir Richard; which was an ill-natur'd insinuation; for in the conclusion of the Spectators, he acknowledges to Mr. Addison, all he had a right to; and in his letter to Congreve, he declares that Addison's papers were marked by him, out of tenderness to his friend, and a warm zeal for his fame. Steel was a generous grateful friend; it therefore ill became Mr. Tickell in the defence of Mr. Addison's honour, which needed no such stratagem, to depreciate one of his dearest friends; and at the expence of truth, and his reputation, raise the character of his Hero. Sir Richard had opposed Mr. Addison, in the choice of Mr. Tickell as his secretary; which it seems he could never forget nor forgive.

In the Spectators, Sir Roger de Coverly was Mr. Addison's favourite character; and so tender was he of it, that he went to Sir Richard, upon his publishing a Spectator, in which he made Sir Roger pick up a woman in the temple cloisters, and would not part with his friend, until he promised to meddle with the old knight's character no more. However, Mr. Addison to make sure, and to prevent any absurdities the writers of the subsequent Spectators might fall into, resolved to remove that character out of the way; or, as he pleasantly expressed it to an intimate friend, killed Sir Roger, that no body else might murther him. When the old Spectator was finished, a new one appeared; but, though written by men of wit and genius, it did not succeed, and they were wise enough not to push the attempt too far. Posterity must have a high idea of the taste and good sense of the British nation, when they are informed, that twenty-thousand of these papers were sometimes sold in a day. [4]

The Guardian, a paper of the same tendency, entertained the town in the years 1713 and 1714, in which Mr. Addison had likewise a very large share; he also wrote two papers in the Lover.

In the year 1713 appeared his famous Cato. He entered into a design of writing a Tragedy on that subject, when he was very young; and when he was on his travels he actually wrote four acts of it: However, he retouched it on his return, without any design of bringing it on the stage; but some friends of his imagining it might be of service to the cause of liberty, he was prevailed upon to finish it for the theatre, which he accordingly did. When this play appeared, it was received with boundless admiration; and during the representation on the first night, on which its fate depended, it is said that Mr. Addison discovered uncommon timidity; he was agitated between hope and fear, and while he remained retired in the green-room, he kept a person continually going backwards and forwards, from the stage to the place where he was, to inform him how it succeeded, and till the whole was over, and the success confirmed, he never ventured to move.

When it was published, it was recommended by many Copies of Verses prefixed to it, amongst which the sincerity of Mr. Steele, and the genius of Eusden, deserve to be distinguished: But, as I would not omit any particulars relative to this renowned play, and its great author, I shall insert a letter of Mr. Pope's to Sir William Turnbull, dated the 30th of April 1713, in which are some circ.u.mstances that merit commemoration.

SIR,

'As to poetical affairs, I am content at present to be a bare looker on, and from a pract.i.tioner turn an admirer; which as the world goes, is not very usual. Cato was not so much the wonder of Rome in his Days, as he is of Britain in ours; and though all the foolish industry possible had been used to make it thought a party play, yet what the author once said of another, may the most properly in the world be applied to him on this occasion.

Envy itself is dumb, in wonder lost, And factions strive who shall applaud him most.

The numerous and violent claps of the Whig party, on the one side of the theatre, were ecchoed back by the Tories on the other; while the author sweated behind the scenes, with concern to find their applause proceeding more from the hand than the head. This was the case too with the Prologue writer, who was clapp'd into a staunch Whig at the end of every two lines. I believe you have heard, that after all the applauses of the opposite faction, my lord Bolingbroke sent for Booth, who played Cato, into the box, between one of the acts, and presented him with fifty guineas, in acknowledgment as he expressed it, for defending the cause of liberty so well against a perpetual dictator. The Whigs are unwilling to be distanced this way, and therefore design a present to the same Cato very speedily; in the mean time, they are getting ready as good a sentence as the former on their side, so betwixt them it is probable, that Cato (as Dr. Garth exprest it) may have something to live upon after he dies.'

Immediately after the publication of this Tragedy, there came abroad a pamphlet, ent.i.tled, Observations on Cato; written by the ingenious Dr. Sewel: The design of this piece was to show that the applause this Tragedy met with was founded on merit. It is a very accurate and entertaining criticism, and tends to secure the poet the hearts of his readers, as well as of his audience.

Our author was not however without enemies, amongst whom was Mr. Dennis, who attacked it, first in a pamphlet, and then in a subsequent work, in which he employed seven letters in pulling it to pieces: In some of his remarks he is candid, and judicious enough, in others he is trifling and ill natur'd, and I think it is pretty plain he was agitated by envy; for as the intent of that play was to promote the Whig interest, of which Mr. Dennis was a zealous abettor, he could not therefore disesteem it from party principles.

Another gentleman, who called himself a scholar at Oxford, considered the play in a very different light; and endeavoured to serve his party by turning the cannon upon the enemy. The t.i.tle of this pamphlet is, Mr. Addison turned Tory: It is written with great spirit and vivacity. Cato was speedily translated into French by Mr. Boyer, but with no spirit: It was translated likewise into Italian.

Voltaire has commended, and condemned Mr. Addison by turns, and in respect to Cato, he admires, and censures it extravagantly. The princ.i.p.al character he allows superior to any before brought upon the stage, but says, that all the love-scenes are absolutely insipid: He might have added unnecessary, as to the plot; and the only reason that can be a.s.signed for the poet's introducing them was, the prevalence of custom; but it must be acknowledged, that his lovers are the most sensible, and address each other in the best language, that is to be found in any love dialogues of the British stage: It will be difficult to find a more striking line, or more picturesque of a lover's pa.s.sion. than this pathetic exclamation;

A lover does not live by vulgar time.

Queen Anne was not the last in doing justice to our author and his performance; she was pleased to signify an inclination of having it dedicated to her, but as he intended that compliment to another, it came into the world without any dedication.

If in the subsequent part of his life, his leisure had been greater, we are told, he would probably have written another tragedy on the death of Socrates; but the honours accruing from what he had already performed deprived posterity of that production.

This subject was still drier, and less susceptible of poetical ornament than the former, but in the hands of so great a writer, there is no doubt but genius would have supplied what was wanting in the real story, and have covered by shining sentiments, and n.o.ble language, the simplicity of the plot, and deficiency in business.

Upon the death of the Queen, the Lords Justices appointed Mr. Addison their secretary. This diverted him from the design he had formed of composing an English Dictionary upon the plan of a famous Italian one: that the world has much suffered by this promotion I am ready to believe, and cannot but regret that our language yet wants the a.s.sistance of so great a master, in fixing its standard, settling its purity, and ill.u.s.trating its copiousness, or elegance.

In 1716 our author married the countess of Warwick; and about that time published the Freeholder, which is a kind of political Spectator. This work Mr. Addison conducted without any a.s.sistance, upon a plan of his own forming; he did it in consequence of his principles, out of a desire to remove prejudices, and contribute all he could to make his country happy; however it produced his own promotion, in 1717, to be one of the princ.i.p.al secretaries of state. His health, which had been before impaired by an asthmatic disorder, suffered exceedingly by an advancement so much to his honour, but attended with such great fatigue: Finding, that he was not able to manage so much business as his station led him to, he resigned, and in his leisure hours began a work of a religious nature, upon the Evidence of the Christian religion; which he lived not to finish. He likewise intended a Paraphrase on some of the Psalms of David: but a long and painful relapse broke all his designs, and deprived the world of one of its brightest ornaments, June 17, 1719, when he was entering the 54th year of his age. He died at Holland-house near Kensington, and left behind him an only daughter by the countess of Warwick.

After his decease, Mr. Tickell, by the authority and direction of the author, collected and published his works, in four volumes 4to. In this edition there are several pieces, as yet unmentioned, which I shall here give account of in order; the first is a Dissertation upon Medals, which, though not published 'till after his death; was begun in 1702, when he was at Vienna.

In 1707 there came abroad a pamphlet, under the t.i.tle of The Present State of the War, and the Necessity of an Augmentation Considered. The Whig Examiner came out September 14 1710, for the first time: there were five papers in all attributed to Mr. Addison; these are by much the tartest things he ever wrote; Dr. Sacheverel, Mr. Prior, and many other persons are severely treated. The Examiner had done the same thing on the part of the Tories, and the avowed design of this paper was to make reprisals.

In the year 1713 was published a little pamphlet, called The Late Trial, and Conviction of Count Tariff; it was intended to expose the Tory ministry on the head of the French Commerce Bill: This is also a severe piece.

The following have likewise been ascribed to our author;