The Lives of the Poets of Great Britain and Ireland Volume V Part 24

About a year before Mr. Miller's death, which happened in 1743, he was presented by Mr. Cary of Dorsetshire, to the profitable living of Upsun, his father had before possess'd, but which this worthy man lived not long to enjoy; nor had he ever an opportunity of making that provision for his family he so much sollicited; and which he even disdained to do at the expence of his honour.

Mr. Miller's dramatic works are,

I. Humours of Oxford, which we have already mentioned.

II. The Mother-in-Law, or the Doctor the Disease; a Comedy, 1733.

III. The Man of Taste, a Comedy; acted in the year 1736, which had a run of 30 nights[2].

IV. Universal Pa.s.sion, a Comedy, 1736.

V. Art and Nature, a Comedy, 1737.

VI. The Coffee-House, a Farce, 1737.

VII. An Hospital for Fools, a Farce, 1739.

VIII. The Picture, or Cuckold in Conceit.

IX. Mahomet the Impostor, a Tragedy; during the run of this play the author died.

X. Joseph and his Brethren; a sacred Drama.

Mr. Miller was author of many occasional pieces in poetry, of which his Harlequin Horace is the most considerable. This Satire is dedicated to Mr. Rich, the present manager of Covent-Garden Theatre, in which with an ironical severity he lashes that gentleman, in consequence of some offence Mr. Rich had given him.

Mr. Miller likewise published a volume of Sermons, all written with a distinguished air of piety, and a becoming zeal for the interest of true religion; and was princ.i.p.ally concerned in the translation of Moliere's comedies, published by Watts.

Our author left behind him a son, whose profession is that of a sea surgeon. Proposals for publishing his Poems have been inserted in the Gentleman's Magazine, with a specimen, which does him honour. The profits of this subscription, are to be appropriated to his mother, whom he chiefly supported, an amiable instance of filial piety.

FOOTNOTES:

[1] The account of this gentleman is taken from the information of his widow.

[2] These two pieces were brought on the stage, without the author's name being known; which, probably, not a little contributed to their success; the care of the rehearsals being left to Mr. Theo. Cibber, who played the characters of the Man of Taste, and Squire Headpiece.

Mr. NICHOLAS AMHURST.

This gentleman, well known to the world, by the share he had in the celebrated anti-court paper called The Craftsman, was born in Marden in Kent, but in what year we cannot be certain. Mr. Amhurst's grandfather was a clergyman, under whose protection and care he received his education at Merchant-Taylors school. Having received there the rudiments of learning, he was removed to St. John's College, Oxford, from which, on account of the libertinism of his principles, and some offence he gave to the head of that college, it appears, he was ejected. We can give no other account of this affair, than what is drawn from Mr. Amhurst's dedication of his poems to Dr. Delaune, President of St. John's College in Oxford. This dedication abounds with mirth and pleasantry, in which he rallies the Dr. with very pungent irony, and hints at the causes of his disgrace in that famous college. In page 10, of his dedication, he says,

'You'll pardon me, good sir, if I think it necessary for your honour to mention the many heinous crimes for which I was brought to shame. None were indeed publicly alledged against me at that time, because it might as well be done afterwards; sure old Englishmen can never forget that there is such a thing as hanging a man for it, and trying him afterwards: so fared it with me; my prosecutors first proved me, by an undeniable argument, to be no fellow of St. John's College, and then to be-the Lord knows what.

'My indictment may be collected out of the faithful annals of common fame, which run thus,

'Advices from Oxford say, that on the 29th of June, 1719, one Nicholas Amhurst of St. John's College was expelled for the following reasons; 'Imprimis, For loving foreign turnips and Presbyterian bishops.

'Item, For ingrat.i.tude to his benefactor, that spotless martyr, Sir William Laud.

'Item, For believing that steeples and organs are not necessary to salvation.

'Item, For preaching without orders, and praying without a commission.

'Item, For lampooning priestcraft and petticoatcraft.

'Item, For not lampooning the government and the revolution.

'Item, For prying into secret history.

'My natural modesty will not permit me, like other apologists, to Vindicate myself in any one particular, the whole charge is so artfully drawn up, that no reasonable person would ever think the better of me, should I justify myself 'till doomsday.' Towards the close of the dedication, he takes occasion to complain of some severities used against him, at the time of his being excluded the college. 'But I must complain of one thing, whether reasonable or not, let the world judge. When I was voted out of your college, and the nusance was thereby removed, I thought the resentments of the holy ones would have proceeded no further; I am sure the cause of virtue and sound religion I was thought to offend, required no more; nor could it be of any possible advantage to the church, to descend to my private affairs, and stir up my creditors in the university to take hold of me at a disadvantage, before I could get any money returned; but there are some persons in the world, who think nothing unjust or inhuman in the prosecution of their implacable revenge.'

It is probable, that upon this misfortune happening to our author, he repaired to the capital, there to retrieve his ruined affairs. We find him engaged deeply in the Craftsman, when that paper was in its meridian, and when it was more read and attended to than any political paper ever published in England, on account of the a.s.sistance given to it by some of the most ill.u.s.trious and important characters of the nation. It is said, that ten thousand of that paper have been sold in one day.

The Miscellanies of Mr. Amhurst, the greatest part of which were written at the university, consist chiefly of poems sacred and profane, original, paraphrased, imitated, and translated; tales, epigrams, epistles, love-verses, elegies, and satires. The Miscellany begins with a beautiful paraphrase on the Mosaic Account of the Creation; and ends with a very humorous tale upon the discovery of that useful utensil, A Bottle-Screw.

Mr. Amhurst died of a fever at Twickenham, April 27, 1742. Our poet had a great enmity to the exorbitant demands, and domineering spirit of the High-Church clergy, which he discovers by a poem of his, called, The convocation, in five cantos; a kind of satire against all the writers, who shewed themselves enemies of the bishop of Bangor. He translated The Resurrection, and some other of Mr. Addison's Latin pieces.

He wrote an epistle (with a pet.i.tion in it) to Sir John Blount, Bart. one of the directors of the South-Sea Company, 1726.

Oculus Britanniae, an Heroi-panegyrical Poem, on the University of Oxford, 8vo. 1724.

In a poem of Mr. Amhurst's, called, An Epistle from the Princess Sobiesky to the Chevalier de St. George, he has the following nervous lines, strongly expressive of the pa.s.sion of love.

Relentless walls and bolts obstruct my way, And, guards as careless, and as deaf as they; Or to my James thro' whirlwinds I would, go, Thro' burning deserts, and o'er alps of snow, Pa.s.s s.p.a.cious roaring, oceans undismay'd, And think the mighty dangers well repaid.

Mr. GEORGE LILLO.

Was by profession a jeweller. He was born in London, on the 4th of Feb. 1693. He lived, as we are informed, near Moorgate, in the same neighbourhood where he received his birth, and where he was always esteemed as a person of unblemished character. 'Tis said, he was educated in the principles of the dissenters: be that as it will, his morals brought no disgrace on any sect or party. Indeed his princ.i.p.al attachment was to the muses.

His first piece, brought on the stage, was a Ballad Opera, called Sylvia; or, The Country Burial; performed at the Theatre Royal in Lincoln's-Inn Fields, but with no extraordinary success, in the year 1730. The year following he brought his play, called The London Merchant; or, The True Story of George Barnwell, to Mr. Cibber junior; (then manager of the summer company, at the Theatre Royal in Drury-Lane) who originally played the part of Barnwell.-The author was not then known. As this was almost a new species of tragedy, wrote on a very uncommon subject, he rather chose it should take its fate in the summer, than run the more hazardous fate of encountering the winter criticks. The old ballad of George Barnwell (on which the story was founded) was on this occasion reprinted, and many thousands sold in one day. Many gaily-disposed spirits brought the ballad with them to the play, intending to make their pleasant remarks (as some afterwards owned) and ludicrous comparisons between the antient ditty and the modern drama. But the play was very carefully got up, and universally allowed to be well performed. The piece was thought to be well conducted, and the subject well managed, and the diction proper and natural; never low, and very rarely swelling above the characters that spoke. Mr. Pope, among other persons, distinguished by their rank, or particular publick merit, had the curiosity to attend the performance, and commended the actors, and the author; and remarked, if the latter had erred through the whole play, it was only in a few places, where he had unawares led himself into a poetical luxuriancy, affecting to be too elevated for the simplicity of the subject. But the play, in general, spoke so much to the heart, that the gay persons before mentioned confessed, they were drawn in to drop their ballads, and pull out their handkerchiefs. It met with uncommon success; for it was acted above twenty times in the summer season to great audiences; was frequently bespoke by some eminent merchants and citizens, who much approved its moral tendency: and, in the winter following, was acted often to crowded houses: And all the royal family, at several different times, honoured it with their appearance. It gained reputation, and brought money to the poet, the managers, and the performers. Mr. Cibber, jun. not only gave the author his usual profits of his third days, &c. but procured him a benefit-night in the winter season, which turned out greatly to his advantage; so that he had four benefit-nights in all for that piece; by the profits whereof, and his copy-money, he gained several hundred pounds. It continued a stock-play in Drury-Lane Theatre till Mr. Cibber left that house, and went to the Theatre in Covent-Garden. It was often acted in the Christmas and Easter holidays, and judged a proper entertainment for the apprentices, &c. as being a more instructive, moral, and cautionary drama, than many pieces that had been usually exhibited on those days, with little but farce and ribaldry to recommend them.

A few years after, he brought out his play of The Christian Hero at the Theatre Royal in Drury-Lane.

And another Tragedy called Elmerick.

His tragedy of three acts, called Fatal Curiosity, founded on an old English story, was acted with success at the Hay-Market, in 1737.

He wrote another tragedy, never yet acted, called Arden of Feversham.

He was a man of strict morals, great good-nature, and sound sense, with an uncommon share of modesty.

He died Sept. 3. 1739. and was buried in the vault of Sh.o.r.editch church.

Mr. CHARLES JOHNSON.

Mr. Charles Johnson was designed for the law; but being an admirer of the muses, turned his thoughts to dramatic writing; and luckily being an intimate of Mr. Wilks, by the a.s.sistance of his friendship, Mr. Johnson had several plays acted, some of which met with success. He was a constant attendant at Will's and b.u.t.ton's coffee houses, which were the resort of most of the men of taste and literature, during the reigns of queen Anne and king George the first. Among these he contracted intimacy enough to int.i.tle him to their patronage, &c on his benefit-nights; by which means he lived (with oeconomy) genteelly. At last he married a young widow, with a tolerable fortune, and set up a tavern in Bow-street, which he quitted on his wife's dying, and lived privately on the small remainder of his fortune.

He died about the year 1744. His parts were not very brilliant; but his behaviour was generally thought inoffensive; yet he escaped not the satire of Mr. Pope, who has been pleased to immortalize him in his Dunciad.