The Last Days of Pompeii Part 5

'Know then...' began Lepidus.

'Let me speak,' cried Clodius; 'you drawl out your words as if you spoke tortoises.'

'And you speak stones,' muttered the c.o.xcomb to himself, as he fell back disdainfully on his couch.

'Know then, my Glaucus,' said Clodius, 'that Ione is a stranger who has but lately come to Pompeii. She sings like Sappho, and her songs are her own composing; and as for the tibia, and the cithara, and the lyre, I know not in which she most outdoes the Muses. Her beauty is most dazzling. Her house is perfect; such taste--such gems--such bronzes!

She is rich, and generous as she is rich.'

'Her lovers, of course,' said Glaucus, 'take care that she does not starve; and money lightly won is always lavishly spent.'

'Her lovers--ah, there is the enigma!--Ione has but one vice--she is chaste. She has all Pompeii at her feet, and she has no lovers: she will not even marry.'

'No lovers!' echoed Glaucus.

'No; she has the soul of Vestal with the girdle of Venus.'

'What refined expressions!' said the umbra.

'A miracle!' cried Glaucus. 'Can we not see her?'

'I will take you there this evening, said Clodius; 'meanwhile...' added he, once more rattling the dice.

'I am yours!' said the complaisant Glaucus. 'Pansa, turn your face!'

Lepidus and Sall.u.s.t played at odd and even, and the umbra looked on, while Glaucus and Clodius became gradually absorbed in the chances of the dice.

'By Pollux!' cried Glaucus, 'this is the second time I have thrown the caniculae' (the lowest throw).

'Now Venus befriend me!' said Clodius, rattling the box for several moments. 'O Alma Venus--it is Venus herself!' as he threw the highest cast, named from that G.o.ddess--whom he who wins money, indeed, usually propitiates!

'Venus is ungrateful to me,' said Glaucus, gaily; 'I have always sacrificed on her altar.'

'He who plays with Clodius,' whispered Lepidus, 'will soon, like Plautus's Curculio, put his pallium for the stakes.'

'Poor Glaucus!--he is as blind as Fortune herself,' replied Sall.u.s.t, in the same tone.

'I will play no more,' said Glaucus; 'I have lost thirty sestertia.'

'I am sorry...' began Clodius.

'Amiable man!' groaned the umbra.

'Not at all!' exclaimed Glaucus; 'the pleasure I take in your gain compensates the pain of my loss.'

The conversation now grew general and animated; the wine circulated more freely; and Ione once more became the subject of eulogy to the guests of Glaucus.

'Instead of out.w.a.tching the stars, let us visit one at whose beauty the stars grow pale,' said Lepidus.

Clodius, who saw no chance of renewing the dice, seconded the proposal; and Glaucus, though he civilly pressed his guests to continue the banquet, could not but let them see that his curiosity had been excited by the praises of Ione: they therefore resolved to adjourn (all, at least, but Pansa and the umbra) to the house of the fair Greek. They drank, therefore, to the health of Glaucus and of t.i.tus--they performed their last libation--they resumed their slippers--they descended the stairs--pa.s.sed the illumined atrium--and walking unbitten over the fierce dog painted on the threshold, found themselves beneath the light of the moon just risen, in the lively and still crowded streets of Pompeii.

They pa.s.sed the jewellers' quarter, sparkling with lights, caught and reflected by the gems displayed in the shops, and arrived at last at the door of Ione. The vestibule blazed with rows of lamps; curtains of embroidered purple hung on either aperture of the tablinum, whose walls and mosaic pavement glowed with the richest colors of the artist; and under the portico which surrounded the odorous viridarium they found Ione, already surrounded by adoring and applauding guests!

'Did you say she was Athenian?' whispered Glaucus, ere he pa.s.sed into the peristyle.

'No, she is from Neapolis.'

'Neapolis!' echoed Glaucus; and at that moment the group, dividing on either side of Ione, gave to his view that bright, that nymph-like beauty, which for months had shone down upon the waters of his memory.

Chapter IV

THE TEMPLE OF ISIS. ITS PRIEST. THE CHARACTER OF ARBACES DEVELOPS ITSELF.

THE story returns to the Egyptian. We left Arbaces upon the sh.o.r.es of the noonday sea, after he had parted from Glaucus and his companion. As he approached to the more crowded part of the bay, he paused and gazed upon that animated scene with folded arms, and a bitter smile upon his dark features.

'Gulls, dupes, fools, that ye are!' muttered he to himself; 'whether business or pleasure, trade or religion, be your pursuit, you are equally cheated by the pa.s.sions that ye should rule! How I could loathe you, if I did not hate--yes, hate! Greek or Roman, it is from us, from the dark lore of Egypt, that ye have stolen the fire that gives you souls. Your knowledge--your poesy--your laws--your arts--your barbarous mastery of war (all how tame and mutilated, when compared with the vast original!)--ye have filched, as a slave filches the fragments of the feast, from us! And now, ye mimics of a mimic!--Romans, forsooth! the mushroom herd of robbers! ye are our masters! the pyramids look down no more on the race of Rameses--the eagle cowers over the serpent of the Nile. Our masters--no, not mine. My soul, by the power of its wisdom, controls and chains you, though the fetters are unseen. So long as craft can master force, so long as religion has a cave from which oracles can dupe mankind, the wise hold an empire over earth. Even from your vices Arbaces distills his pleasures--pleasures unprofaned by vulgar eyes--pleasures vast, wealthy, inexhaustible, of which your enervate minds, in their unimaginative sensuality, cannot conceive or dream! Plod on, plod on, fools of ambition and of avarice! your petty thirst for fasces and quaestorships, and all the mummery of servile power, provokes my laughter and my scorn. My power can extend wherever man believes. I ride over the souls that the purple veils. Thebes may fall, Egypt be a name; the world itself furnishes the subjects of Arbaces.'

Thus saying, the Egyptian moved slowly on; and, entering the town, his tall figure towered above the crowded throng of the forum, and swept towards the small but graceful temple consecrated to Isis.

That edifice was then but of recent erection; the ancient temple had been thrown down in the earthquake sixteen years before, and the new building had become as much in vogue with the versatile Pompeians as a new church or a new preacher may be with us. The oracles of the G.o.ddess at Pompeii were indeed remarkable, not more for the mysterious language in which they were clothed, than for the credit which was attached to their mandates and predictions. If they were not dictated by a divinity, they were framed at least by a profound knowledge of mankind; they applied themselves exactly to the circ.u.mstances of individuals, and made a notable contrast to the vague and loose generalities of their rival temples. As Arbaces now arrived at the rails which separated the profane from the sacred place, a crowd, composed of all cla.s.ses, but especially of the commercial, collected, breathless and reverential, before the many altars which rose in the open court. In the walls of the cella, elevated on seven steps of Parian marble, various statues stood in niches, and those walls were ornamented with the pomegranate consecrated to Isis. An oblong pedestal occupied the interior building, on which stood two statues, one of Isis, and its companion represented the silent and mystic Orus. But the building contained many other deities to grace the court of the Egyptian deity: her kindred and many-t.i.tled Bacchus, and the Cyprian Venus, a Grecian disguise for herself, rising from her bath, and the dog-headed Anubis, and the ox Apis, and various Egyptian idols of uncouth form and unknown appellations.

But we must not suppose that among the cities of Magna Graecia, Isis was worshipped with those forms and ceremonies which were of right her own.

The mongrel and modern nations of the South, with a mingled arrogance and ignorance, confounded the worships of all climes and ages. And the profound mysteries of the Nile were degraded by a hundred meretricious and frivolous admixtures from the creeds of Cephisus and of Tibur. The temple of Isis in Pompeii was served by Roman and Greek priests, ignorant alike of the language and the customs of her ancient votaries; and the descendant of the dread Egyptian kings, beneath the appearance of reverential awe, secretly laughed to scorn the puny mummeries which imitated the solemn and typical worship of his burning clime.

Ranged now on either side the steps was the sacrificial crowd, arrayed in white garments, while at the summit stood two of the inferior priests, the one holding a palm branch, the other a slender sheaf of corn. In the narrow pa.s.sage in front thronged the bystanders.

'And what,' whispered Arbaces to one of the bystanders, who was a merchant engaged in the Alexandrian trade, which trade had probably first introduced in Pompeii the worship of the Egyptian G.o.ddess--'what occasion now a.s.sembles you before the altars of the venerable Isis? It seems, by the white robes of the group before me, that a sacrifice is to be rendered; and by the a.s.sembly of the priests, that ye are prepared for some oracle. To what question is it to vouchsafe a reply?'

'We are merchants,' replied the bystander (who was no other than Diomed) in the same voice, 'who seek to know the fate of our vessels, which sail for Alexandria to-morrow. We are about to offer up a sacrifice and implore an answer from the G.o.ddess. I am not one of those who have pet.i.tioned the priest to sacrifice, as you may see by my dress, but I have some interest in the success of the fleet--by Jupiter! yes. I have a pretty trade, else how could I live in these hard times?

The Egyptian replied gravely--'That though Isis was properly the G.o.ddess of agriculture, she was no less the patron of commerce.' Then turning his head towards the east, Arbaces seemed absorbed in silent prayer.

And now in the centre of the steps appeared a priest robed in white from head to foot, the veil parting over the crown; two new priests relieved those hitherto stationed at either corner, being naked half-way down to the breast, and covered, for the rest, in white and loose robes. At the same time, seated at the bottom of the steps, a priest commenced a solemn air upon a long wind-instrument of music. Half-way down the steps stood another flamen, holding in one hand the votive wreath, in the other a white wand; while, adding to the picturesque scene of that eastern ceremony, the stately ibis (bird sacred to the Egyptian worship) looked mutely down from the wall upon the rite, or stalked beside the altar at the base of the steps.

At that altar now stood the sacrificial flamen.

The countenance of Arbaces seemed to lose all its rigid calm while the aruspices inspected the entrails, and to be intent in pious anxiety--to rejoice and brighten as the signs were declared favorable, and the fire began bright and clearly to consume the sacred portion of the victim amidst odorous of myrrh and frankincense. It was then that a dead silence fell over the whispering crowd, and the priests gathering round the cella, another priest, naked save by a cincture round the middle, rushed forward, and dancing with wild gestures, implored an answer from the G.o.ddess. He ceased at last in exhaustion, and a low murmuring noise was heard within the body of the statue: thrice the head moved, and the lips parted, and then a hollow voice uttered these mystic words:

There are waves like chargers that meet and glow, There are graves ready wrought in the rocks below, On the brow of the future the dangers lour, But blest are your barks in the fearful hour.

The voice ceased--the crowd breathed more freely--the merchants looked at each other. 'Nothing can be more plain,' murmured Diomed; 'there is to be a storm at sea, as there very often is at the beginning of autumn, but our vessels are to be saved. O beneficent Isis!'

'Lauded eternally be the G.o.ddess!' said the merchants: 'what can be less equivocal than her prediction?'

Raising one hand in sign of silence to the people, for the rites of Isis enjoined what to the lively Pompeians was an impossible suspense from the use of the vocal organs, the chief priest poured his libation on the altar, and after a short concluding prayer the ceremony was over, and the congregation dismissed. Still, however, as the crowd dispersed themselves here and there, the Egyptian lingered by the railing, and when the s.p.a.ce became tolerably cleared, one of the priests, approaching it, saluted him with great appearance of friendly familiarity.

The countenance of the priest was remarkably unprepossessing--his shaven skull was so low and narrow in the front as nearly to approach to the conformation of that of an African savage, save only towards the temples, where, in that organ styled acquisitiveness by the pupils of a science modern in name, but best practically known (as their sculpture teaches us) amongst the ancients, two huge and almost preternatural protuberances yet more distorted the unshapely head--around the brows the skin was puckered into a web of deep and intricate wrinkles--the eyes, dark and small, rolled in a muddy and yellow orbit--the nose, short yet coa.r.s.e, was distended at the nostrils like a satyr's--and the thick but pallid lips, the high cheek-bones, the livid and motley hues that struggled through the parchment skin, completed a countenance which none could behold without repugnance, and few without terror and distrust: whatever the wishes of the mind, the animal frame was well fitted to execute them; the wiry muscles of the throat, the broad chest, the nervous hands and lean gaunt arms, which were bared above the elbow, betokened a form capable alike of great active exertion and pa.s.sive endurance.