The Kreutzer Sonata and Other Stories Part 9

"'Go away,' roared I, louder than ever, rolling my eyes wildly. 'It takes you to put me in such a fury. I do not answer for myself! Go away!'

"In abandoning myself to my anger, I became steeped in it, and I wanted to commit some violent act to show the force of my fury. I felt a terrible desire to beat her, to kill her, but I realized that that could not be, and I restrained myself. I drew back from her, rushed to the table, grasped the paper-weight, and threw it on the floor by her side.

I took care to aim a little to one side, and, before she disappeared (I did it so that she could see it), I grasped a candlestick, which I also hurled, and then took down the barometer, continuing to shout:

"'Go away! I do not answer for myself!'

"She disappeared, and I immediately ceased my demonstrations. An hour later the old servant came to me and said that my wife was in a fit of hysterics. I went to see her. She sobbed and laughed, incapable of expressing anything, her whole body in a tremble. She was not shamming, she was really sick. We sent for the doctor, and all night long I cared for her. Toward daylight she grew calmer, and we became reconciled under the influence of that feeling which we called 'love.' The next morning, when, after the reconciliation, I confessed to her that I was jealous of Troukhatchevsky, she was not at all embarra.s.sed, and began to laugh in the most natural way, so strange did the possibility of being led astray by such a man appear to her.

"'With such a man can an honest woman entertain any feeling beyond the pleasure of enjoying music with him? But if you like, I am ready to never see him again, even on Sunday, although everybody has been invited. Write him that I am indisposed, and that will end the matter. Only one thing annoys me,--that any one could have thought him dangerous. I am too proud not to detest such thoughts.'

"And she did not lie. She believed what she said. She hoped by her words to provoke in herself a contempt for him, and thereby to defend herself.

But she did not succeed. Everything was directed against her, especially that abominable music. So ended the quarrel, and on Sunday our guests came, and Troukhatchevsky and my wife again played together."

CHAPTER XXIII.

"I think that it is superfluous to say that I was very vain. If one has no vanity in this life of ours, there is no sufficient reason for living. So for that Sunday I had busied myself in tastefully arranging things for the dinner and the musical soiree. I had purchased myself numerous things for the dinner, and had chosen the guests. Toward six o'clock they arrived, and after them Troukhatchevsky, in his dress-coat, with diamond shirt-studs, in bad taste. He bore himself with ease. To all questions he responded promptly, with a smile of contentment and understanding, and that peculiar expression which was intended to mean: 'All that you may do and say will be exactly what I expected.'

Everything about him that was not correct I now noticed with especial pleasure, for it all tended to tranquillize me, and prove to me that to my wife he stood in such a degree of inferiority that, as she had told me, she could not stoop to his level. Less because of my wife's a.s.surances than because of the atrocious sufferings which I felt in jealousy, I no longer allowed myself to be jealous.

"In spite of that, I was not at ease with the musician or with her during dinner-time and the time that elapsed before the beginning of the music. Involuntarily I followed each of their gestures and looks.

The dinner, like all dinners, was tiresome and conventional. Not long afterward the music began. He went to get his violin; my wife advanced to the piano, and rummaged among the scores. Oh, how well I remember all the details of that evening! I remember how he brought the violin, how he opened the box, took off the serge embroidered by a lady's hand, and began to tune the instrument. I can still see my wife sit down, with a false air of indifference, under which it was plain that she hid a great timidity, a timidity that was especially due to her comparative lack of musical knowledge. She sat down with that false air in front of the piano, and then began the usual preliminaries,--the pizzicati of the violin and the arrangement of the scores. I remember then how they looked at each other, and cast a glance at their auditors who were taking their seats. They said a few words to each other, and the music began. They played Beethoven's 'Kreutzer Sonata.' Do you know the first presto? Do you know it? Ah!" ...

Posdnicheff heaved a sigh, and was silent for a long time.

"A terrible thing is that sonata, especially the presto! And a terrible thing is music in general. What is it? Why does it do what it does?

They say that music stirs the soul. Stupidity! A lie! It acts, it acts frightfully (I speak for myself), but not in an enn.o.bling way. It acts neither in an enn.o.bling nor a debasing way, but in an irritating way. How shall I say it? Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. I become confounded with his soul, and with him I pa.s.s from one condition to another. But why that? I know nothing about it? But he who wrote Beethoven's 'Kreutzer Sonata' knew well why he found himself in a certain condition. That condition led him to certain actions, and for that reason to him had a meaning, but to me none, none whatever. And that is why music provokes an excitement which it does not bring to a conclusion. For instance, a military march is played; the soldier pa.s.ses to the sound of this march, and the music is finished. A dance is played; I have finished dancing, and the music is finished. A ma.s.s is sung; I receive the sacrament, and again the music is finished. But any other music provokes an excitement, and this excitement is not accompanied by the thing that needs properly to be done, and that is why music is so dangerous, and sometimes acts so frightfully.

"In China music is under the control of the State, and that is the way it ought to be. Is it admissible that the first comer should hypnotize one or more persons, and then do with them as he likes? And especially that the hypnotizer should be the first immoral individual who happens to come along? It is a frightful power in the hands of any one, no matter whom. For instance, should they be allowed to play this 'Kreutzer Sonata,' the first presto,--and there are many like it,--in parlors, among ladies wearing low necked dresses, or in concerts, then finish the piece, receive the applause, and then begin another piece? These things should be played under certain circ.u.mstances, only in cases where it is necessary to incite certain actions corresponding to the music. But to incite an energy of feeling which corresponds to neither the time nor the place, and is expended in nothing, cannot fail to act dangerously.

On me in particular this piece acted in a frightful manner. One would have said that new sentiments, new virtualities, of which I was formerly ignorant, had developed in me. 'Ah, yes, that's it! Not at all as I lived and thought before! This is the right way to live!'

"Thus I spoke to my soul as I listened to that music. What was this new thing that I thus learned? That I did not realize, but the consciousness of this indefinite state filled me with joy. In that state there was no room for jealousy. The same faces, and among them HE and my wife, I saw in a different light. This music transported me into an unknown world, where there was no room for jealousy. Jealousy and the feelings that provoke it seemed to me trivialities, nor worth thinking of.

"After the presto followed the andante, not very new, with commonplace variations, and the feeble finale. Then they played more, at the request of the guests,--first an elegy by Ernst, and then various other pieces.

They were all very well, but did not produce upon me a tenth part of the impression that the opening piece did. I felt light and gay throughout the evening. As for my wife, never had I seen her as she was that night.

Those brilliant eyes, that severity and majestic expression while she was playing, and then that utter languor, that weak, pitiable, and happy smile after she had finished,--I saw them all and attached no importance to them, believing that she felt as I did, that to her, as to me, new sentiments had been revealed, as through a fog. During almost the whole evening I was not jealous.

"Two days later I was to start for the a.s.sembly of the Zemstvo, and for that reason, on taking leave of me and carrying all his scores with him, Troukhatchevsky asked me when I should return. I inferred from that that he believed it impossible to come to my house during my absence, and that was agreeable to me. Now I was not to return before his departure from the city. So we bade each other a definite farewell. For the first time I shook his hand with pleasure, and thanked him for the satisfaction that he had given me. He likewise took leave of my wife, and their parting seemed to me very natural and proper. All went marvellously. My wife and I retired, well satisfied with the evening. We talked of our impressions in a general way, and we were nearer together and more friendly than we had been for a long time."

CHAPTER XXIV.

"Two days later I started for the a.s.sembly, having bid farewell to my wife in an excellent and tranquil state of mind. In the district there was always much to be done. It was a world and a life apart. During two days I spent ten hours at the sessions. The evening of the second day, on returning to my district lodgings, I found a letter from my wife, telling me of the children, of their uncle, of the servants, and, among other things, as if it were perfectly natural, that Troukhatchevsky had been at the house, and had brought her the promised scores. He had also proposed that they play again, but she had refused.

"For my part, I did not remember at all that he had promised any score.

It had seemed to me on Sunday evening that he took a definite leave, and for this reason the news gave me a disagreeable surprise. I read the letter again. There was something tender and timid about it. It produced an extremely painful impression upon me. My heart swelled, and the mad beast of jealousy began to roar in his lair, and seemed to want to leap upon his prey. But I was afraid of this beast, and I imposed silence upon it.

"What an abominable sentiment is jealousy! 'What could be more natural than what she has written?' said I to myself. I went to bed, thinking myself tranquil again. I thought of the business that remained to be done, and I went to sleep without thinking of her.

"During these a.s.semblies of the Zemstvo I always slept badly in my strange quarters. That night I went to sleep directly, but, as sometimes happens, a sort of sudden shock awoke me. I thought immediately of her, of my physical love for her, of Troukhatchevsky, and that between them everything had happened. And a feeling of rage compressed my heart, and I tried to quiet myself.

"'How stupid!' said I to myself; 'there is no reason, none at all. And why humiliate ourselves, herself and myself, and especially myself, by supposing such horrors? This mercenary violinist, known as a bad man,--shall I think of him in connection with a respectable woman, the mother of a family, MY wife? How silly!' But on the other hand, I said to myself: 'Why should it not happen?'

"Why? Was it not the same simple and intelligible feeling in the name of which I married, in the name of which I was living with her, the only thing I wanted of her, and that which, consequently, others desired, this musician among the rest? He was not married, was in good health (I remember how his teeth ground the gristle of the cutlets, and how eagerly he emptied the gla.s.s of wine with his red lips), was careful of his person, well fed, and not only without principles, but evidently with the principle that one should take advantage of the pleasure that offers itself. There was a bond between them, music,--the most refined form of sensual voluptuousness. What was there to restrain them?

Nothing. Everything, on the contrary, attracted them. And she, she had been and had remained a mystery. I did not know her. I knew her only as an animal, and an animal nothing can or should restrain. And now I remember their faces on Sunday evening, when, after the 'Kreutzer Sonata,' they played a pa.s.sionate piece, written I know not by whom, but a piece pa.s.sionate to the point of obscenity.

"'How could I have gone away?' said I to myself, as I recalled their faces. 'Was it not clear that between them everything was done that evening? Was it not clear that between them not only there were no more obstacles, but that both--especially she--felt a certain shame after what had happened at the piano? How weakly, pitiably, happily she smiled, as she wiped the perspiration from her reddened face! They already avoided each other's eyes, and only at the supper, when she poured some water for him, did they look at each other and smile imperceptibly.'

"Now I remember with fright that look and that scarcely perceptible smile. 'Yes, everything has happened,' a voice said to me, and directly another said the opposite. 'Are you mad? It is impossible!' said the second voice.

"It was too painful to me to remain thus stretched in the darkness.

I struck a match, and the little yellow-papered room frightened me. I lighted a cigarette, and, as always happens, when one turns in a circle of inextricable contradiction, I began to smoke. I smoked cigarette after cigarette to dull my senses, that I might not see my contradictions. All night I did not sleep, and at five o'clock, when it was not yet light, I decided that I could stand this strain no longer, and that I would leave directly. There was a train at eight o'clock. I awakened the keeper who was acting as my servant, and sent him to look for horses. To the a.s.sembly of Zemstvo I sent a message that I was called back to Moscow by pressing business, and that I begged them to subst.i.tute for me a member of the Committee. At eight o'clock I got into a taranta.s.s and started off."

CHAPTER XXV.

"I had to go twenty-five versts by carriage and eight hours by train.

By carriage it was a very pleasant journey. The coolness of autumn was accompanied by a brilliant sun. You know the weather when the wheels imprint themselves upon the dirty road. The road was level, and the light strong, and the air strengthening. The taranta.s.s was comfortable.

As I looked at the horses, the fields, and the people whom we pa.s.sed, I forgot where I was going. Sometimes it seemed to me that I was travelling without an object,--simply promenading,--and that I should go on thus to the end of the world. And I was happy when I so forgot myself. But when I remembered where I was going, I said to myself: 'I shall see later. Don't think about it.'

"When half way, an incident happened to distract me still further. The taranta.s.s, though new, broke down, and had to be repaired. The delays in looking for a telegue, the repairs, the payment, the tea in the inn, the conversation with the dvornik, all served to amuse me. Toward nightfall all was ready, and I started off again. By night the journey was still pleasanter than by day. The moon in its first quarter, a slight frost, the road still in good condition, the horses, the sprightly coachman, all served to put me in good spirits. I scarcely thought of what awaited me, and was gay perhaps because of the very thing that awaited me, and because I was about to say farewell to the joys of life.

"But this tranquil state, the power of conquering my preoccupation, all ended with the carriage drive. Scarcely had I entered the cars, when the other thing began. Those eight hours on the rail were so terrible to me that I shall never forget them in my life. Was it because on entering the car I had a vivid imagination of having already arrived, or because the railway acts upon people in such an exciting fashion? At any rate, after boarding the train I could no longer control my imagination, which incessantly, with extraordinary vivacity, drew pictures before my eyes, each more cynical than its predecessor, which kindled my jealousy.

And always the same things about what was happening at home during my absence. I burned with indignation, with rage, and with a peculiar feeling which steeped me in humiliation, as I contemplated these pictures. And I could not tear myself out of this condition. I could not help looking at them, I could not efface them, I could not keep from evoking them.

"The more I looked at these imaginary pictures, the more I believed in their reality, forgetting that they had no serious foundation. The vivacity of these images seemed to prove to me that my imaginations were a reality. One would have said that a demon, against my will, was inventing and breathing into me the most terrible fictions.

A conversation which dated a long time back, with the brother of Troukhatchevsky, I remembered at that moment, in a sort of ecstasy, and it tore my heart as I connected it with the musician and my wife. Yes, it was very long ago. The brother of Troukhatchevsky, answering my questions as to whether he frequented disreputable houses, said that a respectable man does not go where he may contract a disease, in a low and unclean spot, when one can find an honest woman. And here he, his brother, the musician, had found the honest woman. 'It is true that she is no longer in her early youth. She has lost a tooth on one side, and her face is slightly bloated,' thought I for Troukhatchevsky. 'But what is to be done? One must profit by what one has.'

"'Yes, he is bound to take her for his mistress,' said I to myself again; 'and besides, she is not dangerous.'

"'No, it is not possible' I rejoined in fright. 'Nothing, nothing of the kind has happened, and there is no reason to suppose there has. Did she not tell me that the very idea that I could be jealous of her because of him was humiliating to her?' 'Yes, but she lied,' I cried, and all began over again.

"There were only two travellers in my compartment: an old woman with her husband, neither of them very talkative; and even they got out at one of the stations, leaving me all alone. I was like a beast in a cage. Now I jumped up and approached the window, now I began to walk back and forth, staggering as if I hoped to make the train go faster by my efforts, and the car with its seats and its windows trembled continually, as ours does now."

And Posdnicheff rose abruptly, took a few steps, and sat down again.

"Oh, I am afraid, I am afraid of railway carriages. Fear seizes me. I sat down again, and I said to myself: 'I must think of something else.

For instance, of the inn keeper at whose house I took tea.' And then, in my imagination arose the dvornik, with his long beard, and his grandson, a little fellow of the same age as my little Basile. My little Basile!

My little Basile! He will see the musician kiss his mother! What thoughts will pa.s.s through his poor soul! But what does that matter to her! She loves.

"And again it all began, the circle of the same thoughts. I suffered so much that at last I did not know what to do with myself, and an idea pa.s.sed through my head that pleased me much,--to get out upon the rails, throw myself under the cars, and thus finish everything. One thing prevented me from doing so. It was pity! It was pity for myself, evoking at the same time a hatred for her, for him, but not so much for him.

Toward him I felt a strange sentiment of my humiliation and his victory, but toward her a terrible hatred.

"'But I cannot kill myself and leave her free. She must suffer, she must understand at least that I have suffered,' said I to myself.

"At a station I saw people drinking at the lunch counter, and directly I went to swallow a gla.s.s of vodki. Beside me stood a Jew, drinking also.

He began to talk to me, and I, in order not to be left alone in my compartment, went with him into his third-cla.s.s, dirty, full of smoke, and covered with peelings and sunflower seeds. There I sat down beside the Jew, and, as it seemed, he told many anecdotes.