The King of Alsander Part 23

But meanwhile the feast was progressing, and a clamour arose that made one think more of Flanders and the north and the gross banquets of Jordaens than of southern frugality and moderation.

The King, in the dark green uniform of an Alsandrian Colonel, with Vorza, Sforelli, the n.o.bles, their ladies, our old friend the British Consul (in a c.o.c.ked hat) and his colleagues, each of whom hoped shortly to acquire the t.i.tle of Minister to so energetic a Court, were seated, together with a few very distinguished correspondents of great newspapers, who had been invited to the Royal board by special request, at a long table under the open gates, beneath the door of the castle.

Arnolfo had not reappeared. The general conversation was lively and elegant: but Norman--whose ostensible knowledge of the world had to be confined to the castle walls, a few books, a few weeks in Alsander, and a year in a "home" in England, hardly dared open his mouth. This need of caution, this forced lying masquerade, and a longing not only for Peronella, but also for the companionship of the strange young man who alone seemed to have the power of turning life into a furious and careless dream made him so gloomy that Vorza was very frightened lest in some uncanny outbreak of revived mania the King should hurl his plate at the head of his newly-appointed Lord Chamberlain. Nevertheless, this sullen reserve which the King displayed suited the part he had to play (as an interesting example of scientific progress) to perfection. When, however, at times he woke up from his pensive and melancholy meditations, he was possessed with a sort of odd! feeling that he must give the newspaper gentlemen some copy, and would talk gravely of the careful reforms he would make in; the drainage of the city, the paving of the streets and the training of the militia, or sigh for his wasted youth with intense pathos, saying, too, how glad he would be when these formalities were over and he could tour round his dominions, "which are, despite a few weeks' residence in the city itself, as strange to me, sir," he said, addressing the special correspondent of the _Daily Mail_, "as they are to you." Towards the end of the meal, he was seized by an idea which comforted him, and became suddenly so gay that the doctor trembled for his dignity and, pretending to be concerned for his still precarious health, advised him in an audible whisper not to tire himself by too much lively conversation.

After the enormous repast was at length ended, the guests scattered for a digestive interval preliminary to the splendid dance which was to end the day. The doctor regaled some ecstatic Ulmreich medicine men with tales, all in the strictest confidence, of the surprising operations that had been performed on the King, while the King walked round with Vorza, asking the delighted Duke many questions about the government and still more about the evening's ceremonial.

"Of course I rely on you, my Lord Chamberlain," he explained, "for all ceremonial details. Though, alas! you have no experience in your duties, you have, I feel sure, that exquisite tact which as the great Court historian Brasaldo says, is the exclusive birthright of ancient and honourable families."

Vorza bowed.

"Now, I believe there is to be a dance to-night as soon as the tables have been removed."

"The musicians should be here in an hour's time, your Majesty."

"They will be good musicians, I hope."

"I believe so, Sire. They are world renowned."

"Now, my Lord, when the last King was crowned, as I read once in Brasaldo's history--one of the very few books I have read all through...."

Vorza bowed again, in deference, perhaps, to such heroic perseverance.

"The last King--my father, I mean, whom I remember but faintly, for I was such a little boy when the trouble came--danced, I believe, in accordance with traditional custom with several of the fairest maidens of the town."

Vorza was quite rea.s.sured by this token of the Royal sanity, and bowed again.

"Now, of course, for me--all thoughts of woman's loveliness have no charm: I am tool inexperienced, alas! What a youth I have had!--I have had none, rather. But since the ceremony is old and picturesque I should like to; revive it."

"But, Sire, between me and your Majesty, you have not had time to learn to dance."

This was unexpected, but Norman rose to the occasion.

"You know little of England and modern curative establishments," he said. "The regime of the whip and straight waistcoat is over, thank G.o.d, or you would not have the pleasure of my company to-night. Three days'

sojourn is not quite enough for that wonderful country, my lord."

Vorza smiled, but sinister thoughts pa.s.sed through his heart.

"It must have been a marvellous place indeed, Sire, this home to which the gooch luck of Alsander sent you. But will you never tell the secret of its locality? For it would be only right, between me and your Majesty, to honour the wise director with a national tribute."

"It is not his desire," said Norman, briefly. "But with regard to this dance to-night, I want to know my people. I propose that the dance should be promiscuous, and I will join it myself."

"That is quite in accordance with the best traditions of Alsander, your Majesty," said Vorza, and he promised to make the announcement in due form.

Vorza left him, and for a moment he stood alone and looked round on the scene of revel, and at that moment the uproar of gross feeders and drinkers seemed to pause a second, drowned in the vast fullness of the jasmine night. Then the musicians began from their bower among the shadowy plane trees--glorious musicians, and so glorious a music that not a man would dare to dance to it, for all that the orders were that none should wait for the Kong. All listened immobile: only the j.a.panese lights and those further lights the stars dared to start off dancing to such a tune. All the new power and subtlety of modern music seemed to have blended with the grand traditions of olden days to make this lovely melody: yet the melody was a waltz--a waltz-tune that the simplest could understand and that set the body dancing. Another instant and the spell broke: the music became human and the whole square which the carpenters had turned into a vast dancing floor, was alive with couples, and seemed itself to turn.

And the great sense of the unreality of the world again took possession of Norman. It seemed to him that he was a King indeed but a true King, the King in a fairy story, and might do what he will. If he was to play this splendid part, he would not play as a modern King--a tired, frock-coated slave of wearisome Ministers. He would be a King of Yvetot, of Atlantis, of the Indian Isles. He would; dance with Peronella--was it not the old! custom that he should dance with the fairest of his subjects? Would he not be the more beloved for his boldness? If he were not, what matter? The girl should be his mistress that night; to his great golden room he would lead her, and for one night he would celebrate Aphrodite. Was it not for this that she had been sent by destiny to meet him--swinging her pails beside the spring on that immortal morning? Was it not for this one night that he had played the supremest farce that ever a man played?

He started to find her, motioning away those that would accompany him.

He soon caught sight of her, a little way off seated alone on a bench, as though she awaited him, and looking towards him with her eyes shining in the light of the lamp. His heart beat, and he trembled as he had never done through all his play-acting. He knew still that to steal a maiden's honour was a greater enterprise than to ravish a throne. He knew he had but one step further to take toward the girl, who sat there trembling with love to receive him. His foot was light on the ground to take that step--for what to a King is all the world?

Yet at that moment a hand was laid on his arm to arrest him. He looked round, and saw Arnolfo. The boy was clothed as ever in Alsandrian dress but of a darker hue: he was cloaked, and the silver buckles of his belt gleamed beneath the rich and sombre mantle. In this raiment, at such an hour, he looked paler than the moon, and strangely moved, yet resolute as death.

Norman knew why Arnolfo had laid the hand on his arm: he saw the will and determination on the boy's face: he knew that his scheme was known, and that it was to be frustrated. He swung round on his heel. "Leave me!" he said with pa.s.sion, but his voice was not that of a King who rules the world, but of an angry boy.

"Did I not tell you to keep from women, my King," pursued Arnolfo.

"Surely I am only just in time."

"It is too late! Your dramatic interventions are useless. I go where I please. You should not have left me in the lurch all these days if you wished to remain my mentor. I am master now. Leave me: we are not un.o.bserved: you are making me ridiculous before my subjects."

"My Bang, I implore you as a friend, come away with me," said Arnolfo in a voice strangely pa.s.sionate.

"A friend are you? You have made a fool of me for ever. I have got to play-act all my life. You have stolen from me my love, my liberty and my youth. You have left me alone to carry through the most perilous portion of this mad enterprise, and now, when I want to rescue a few moments of joy from the ruin of my life, you say, 'Friend! Friend!' Let me go, I tell you! Let me enjoy the glory of existence for one hour before you shut me in your dismal prison of lies for ever!"

And Norman pointed to the grim, dark, towering walls of the palace of Kradenda.

But Arnolfo, with that magic power that never failed to influence Norman--to influence him so deeply that it seemed able at times to sap his very manhood and honour--for, after all, he had suffered the utmost degradation at this boy's command--Arnolfo had already drawn Norman away and Norman was following him, why, he knew not, towards the palace.

"Come, Norman," said Arnolfo, in that low and honeyed voice of his, "a friend is better than a lover, as love is better than l.u.s.t."

"For Kings!" exclaimed Norman, but whether as a question or in bitter acquiescence was not certain from the sound of his voice.

"O come with me a minute," said Arnolfo, pretending still to plead and drawing Norman further and further at each step from Briseis. "All your happiness may depend on that. Will you ruin yourself and Alsander for a pretty face? Are you going to play tyrant and drag her from the arms of her lover?"

"d.a.m.nation on duty and on you and all this farce!" replied the King, muttering low as he turned for a last look at the girl who, still visible, was now standing with bowed head, her arm around a young sapling--and still alone. "Were it not for your fool's mummery I might have had that girl in my arms. Look at her: is she not beautiful enough for you, my artist? Are not these lips red enough for the Sultan of the Indies? Where is the lover from whose arms I should drag her? Leave me, Arnolfo. Must I forget my youth."

"Give me one half-hour--alone--in the palace. After that, you shall be free of my interference for ever and return to your love If you so desire. I swear it. But come now. There is ... danger. Ah, Norman, can you not read sincerity in the eyes?"

Involuntarily Norman looked at the boy and saw in his eyes a light so strange that he was troubled. The charm of Arnolfo had already compelled him: but now his very pa.s.sion surrendered to it. Without more complaint, he broke with him through the crowd, which opened to let him pa.s.s.

None ventured to attend them. The guards seemed to Norman to show as much deference in their salutes to Arnolfo as to himself. They went alone together to a little room in the tower, where a lamp was hanging--simply to aid in the general illumination, for the room was empty and unfurnished.

"Well," said Norman turning on his friend with some fierceness, "tell me your story."

The boy flushed a little. "There is no story," he said.

"But you said there was danger in what I intended to do. Not that I mind, but tell me what you meant."

"You neither were nor are in any danger."

"Then why, in G.o.d's name," cried Norman "did you bring me Here?"

Arnolfo put a finger to his lips and leant over the stone window-sill to gaze at the crowded square. "You ask why I brought you here, King of Alsander," he whispered toi Norman, who stood over him. "Oh, can you not yourself discover why? Can you draw no inspirations from the world around you? Will nothing but brutal speech make you understand? Cannot music suggest to you the truth, or the rustle of leaves, or the murmur of men down there that makes audible the silence of the stars? Is there no subtler essence in nature or your own soul ready to vibrate? Has not the Universe a dumb but smiling mouth to say why I brought you here?"

"Heavens, what weird nonsense you are talking," said Norman, catching the boy's arm, "Can you not speak straight? Or what new web of perplexity are you weaving for my destruction?"

"Leave me," said the boy with a gasp, as though Norman's clutch on his arm had hurt him. "Leave me: I will go: you shall never see me again.

Keep your peasant girl, Norman Price: who shall blame you? Real kings have fared far worse."

"I want to know what you meant about the silence," said Norman looking curiously into his friend's pale face and expressive eyes. "And what my peasant girl has got to do with you."