The Judgment House Part 6

"I didn't say anything about wanting to go. I said I'd go because one of us--or two of us--ought to go. There's plenty to do here; but if I can be any more use out there, why, Wallstein can stay here, and--"

He got no further, for Wallstein, to whom he had just referred, and who had been sitting strangely impa.s.sive, with his eyes approvingly fixed on Byng, half rose from his chair and fell forward, his thick, white hands sprawling on the mahogany table, his fat, pale face striking the polished wood with a thud. In an instant they were all on their feet and at his side.

Barry Whalen lifted up his head and drew him back into the chair, then three of them lifted him upon a sofa. Barry's hand felt the breast of the prostrate figure, and Byng's fingers sought his wrist. For a moment there was a dreadful silence, and then Byng and Whalen looked at each other and nodded.

"Brandy!" said Byng, peremptorily.

"He's not dead?" whispered some one.

"Brandy--quick," urged Byng, and, lifting up the head a little, he presently caught the gla.s.s from Whalen's hand and poured some brandy slowly between the bluish lips. "Some one ring for Krool," he added.

A moment later Krool entered. "The doctor--my doctor and his own--and a couple of nurses," Byng said, sharply, and Krool nodded and vanished.

"Perhaps it's only a slight heart-attack, but it's best to be on the safe side."

"Anyhow, it shows that Wallstein needs to let up for a while,"

whispered Fleming.

"It means that some one must do Wallstein's work here," said Barry Whalen. "It means that Byng stays in London," he added, as Krool entered the room again with a rug to cover Wallstein.

Barry saw Krool's eyes droop before his words, and he was sure that the servant had reasons for wishing his master to go to South Africa. The others present, however, only saw a silent, magically adept figure stooping over the sick man, adjusting the body to greater ease, arranging skilfully the cushion under the head, loosening and removing the collar and the boots, and taking possession of the room, as though he himself were the doctor; while Byng looked on with satisfaction.

"Useful person, eh?" he said, meaningly, in an undertone to Barry Whalen.

"I don't think he's at home in England," rejoined Barry, as meaningly and very stubbornly: "He won't like your not going to South Africa."

"Am I not going to South Africa?" Byng asked, mechanically, and looking reflectively at Krool.

"Wallstein's a sick man, Byng. You can't leave London. You're the only real politician among us. Some one else must go to Johannesburg."

"You--Barry?"

"You know I can't, Byng--there's my girl. Besides, I don't carry enough weight, anyhow, and you know that too."

Byng remembered Whalen's girl--stricken down with consumption a few months before. He caught Whalen's arm in a grip of friendship. "All right, dear old man," he said, kindly. "Fleming shall go, and I'll stay. Yes, I'll stay here, and do Wallstein's work."

He was still mechanically watching Krool attend to the sick man, and he was suddenly conscious of an arrest of all motion in the half-caste's lithe frame. Then Krool turned, and their eyes met. Had he drawn Krool's eyes to his--the master-mind influencing the subservient intelligence?

"Krool wants to go to South Africa," he said to himself with a strange, new sensation which he did not understand, though it was not quite a doubt. He rea.s.sured himself. "Well, it's natural he should. It's his home.... But Fleming must go to Johannesburg. I'm needed most here."

There was grat.i.tude in his heart that Fate had decreed it so. He was conscious of the perfume from Jasmine's cloak searching his senses, even in this hour when these things that mattered--the things of Fate--were so enormously awry.

CHAPTER V

A WOMAN TELLS HER STORY

"Soon he will speak you. Wait here, madame."

Krool pa.s.sed almost stealthily out.

Al'mah looked round the rather formal sitting-room, with its somewhat incongruous furnishing--leopard-skins from Bechua.n.a.land; lion-skins from Matabeleland; silver-mounted tusks of elephants from Eastern Cape Colony and Portuguese East Africa; statues and statuettes of cla.s.sical subjects; two or three Holbeins, a Rembrandt, and an El Greco on the walls; a piano, a banjo, and a cornet; and, in the corner, a little roulette-table. It was a strange medley, in keeping, perhaps, with the incongruously furnished mind of the master of it all; it was expressive of tastes and habits not yet settled and consistent.

Al'mah's eyes had taken it all in rather wistfully, while she had waited for Krool's return from his master; but the wistfulness was due to personal trouble, for her eyes were clouded and her motions languid.

But when she saw the banjo, the cornet, and the roulette-table, a deep little laugh rose to her full red lips.

"How like a subaltern, or a colonial civil servant!" she said to herself.

She reflected a moment, then pursued the thought further: "But there must be bigness in him, as well as presence of mind and depth of heart--yes, I'm sure his nature is deep."

She remembered the quick, protecting hands which had wrapped her round with Jasmine Grenfel's cloak, and the great arms in which she had rested, the danger over.

"There can't be much wrong with a nature like his, though Adrian hates him so. But, of course, Adrian would. Besides, Adrian will never get over the drop in the mining-stock which ruined him--Rudyard Byng's mine.... It's natural for Adrian to hate him, I suppose," she added with a heavy sigh.

Mentally she took to comparing this room with Adrian Fellowes'

sitting-room overlooking the Thames Embankment, where everything was in perfect taste and order, where all was modulated, harmonious, soigne and artistic. Yet, somehow, the handsome chambers which hung over the muddy river with its wonderful lights and shades, its mists and radiance, its ghostly softness and greyness, lacked in something that roused imagination, that stirred her senses here--the vital being in her.

It was power, force, experience, adventure. They were all here. She knew the signs: the varied interests, the primary emotions, music, art, hunting, prospecting, fighting, gambling. They were mixed with the solid achievement of talent and force in the business of life. Here was a model of a new mining-drill, with a picture of the stamps working in the Work-and-Wonder mine, together with a model of the Kaffir compound at Kimberley, with the busy, teeming life behind the wire boundaries.

Thus near was Byng to the ways of a child, she thought, thus near to the everlasting intelligence and the busy soul of a constructive and creative Deity--if there was a Deity. Despite the frequent laughter on her tongue and in her eyes, she doubted bitterly at times that there was a Deity. For how should happen the awful tragedies which encompa.s.sed men and peoples, if there was a Deity. No benign Deity could allow His own created humanity to be crushed in bleeding ma.s.ses, like the grapes trampled in the vats of a vineyard. Whole cities swallowed up by earthquake; islands swept of their people by a tidal wave; a vast ship pierced by an iceberg and going down with its thousand souls; provinces spread with the vile elements of a plague which carpeted the land with dead; mines flooded by water or devastated by fire; the little new-born babe left without the rightful breast to feed it; the mother and her large family suddenly deprived of the breadwinner; old men who had lived like saints, giving their all to their own and to the world, driven to the degradation of the poorhouse in the end--ah, if one did not smile, one would die of weeping, she thought.

Al'mah had smiled her way through the world; with a quick word of sympathy for any who were hurt by the blows of life or time; with an open hand for the poor and miserable,--now that she could afford it--and hiding her own troubles behind mirth and bonhommie; for her humour, as her voice, was deep and strong like that of a man. It was sometimes too p.r.o.nounced, however, Adrian Fellowes had said; and Adrian was an acute observer, who took great pride in her. Was it not to Adrian she had looked first for approval the night of her triumph at Covent Garden--why, that was only a few days ago, and it seemed a hundred days, so much had happened since. It was Adrian's handsome face which had told her then of the completeness of her triumph.

The half-caste valet entered again. "Here come, madame," he said with something very near a smile; for he liked this woman, and his dark, sensual soul would have approved of his master liking her.

"Soon the Baas, madame," he said as he placed a chair for her, and with the gliding footstep of a native left the room.

"Sunny creature!" she remarked aloud, with a little laugh, and looked round. Instantly her face lighted with interest. Here was nothing of that admired disorder, that medley of incongruous things which marked the room she had just left; but perfect order, precision, and balance of arrangement, the most peaceful equipoise. There was a great carved oak-table near to sun-lit windows, and on it were little regiments of things, carefully arranged--baskets with papers in elastic bands; cla.s.sified and inscribed reference-books, scales, clips, pencils; and in one clear s.p.a.ce, with a bunch of violets before it, the photograph of a woman in a splendid silver frame--a woman of seventy or so, obviously Rudyard Byng's mother.

Al'mah's eyes softened. Here was insight into a nature of which the world knew so little. She looked further. Everywhere were signs of disciplined hours and careful hands--cabinets with initialed drawers, shelves filled with books. There is no more impressive and revealing moment with man or woman than when you stand in a room empty of their actual presence, but having, in every inch of it, the pervasive influences of the absent personality. A strange, almost solemn quietness stole over Al'mah's senses. She had been admitted to the inner court, not of the man's house, but of his life. Her eyes travelled on with the gratified reflection that she had been admitted here. Above the books were rows of sketches--rows of sketches!

Suddenly, as her eyes rested on them, she turned pale and got to her feet. They were all sketches of the veld, high and low; of natives; of bits of Dutch architecture; of the stoep with its Boer farmer and his vrouw; of a kopje with a dozen horses or a herd of cattle grazing; of a spruit, or a Kaffir's kraal; of oxen leaning against the disselboom of a cape-wagon; of a herd of steinboks, or a little colony of meerkats in the karoo.

Her hand went to her heart with a gesture of pain, and a little cry of misery escaped her lips.

Now there was a quick footstep, and Byng entered with a cordial smile and an outstretched hand.

"Well, this is a friendly way to begin the New Year," he said, cheerily, taking her hand. "You certainly are none the worse for our little unrehea.r.s.ed drama the other night. I see by the papers that you have been repeating your triumph. Please sit down. Do you mind my having a little toast while we talk? I always have my pet.i.t dejeuner here; and I'm late this morning."

"You look very tired," she said as she sat down.

Krool here entered with a tray, placing it on a small table by the big desk. He was about to pour out the tea, but Byng waved him away.

"Send this note at once by hand," he said, handing him an envelope. It was addressed to Jasmine Grenfel.

"Yes, I'm tired--rather," he added to his guest with a sudden weariness of manner. "I've had no sleep for three nights--working all the time, every hour; and in this air of London, which doesn't feed you, one needs plenty of sleep. You can't play with yourself here as you can on the high veld, where an hour or two of sleep a day will do. On-saddle and off-saddle, in-span and outspan, plenty to eat and a little sleep; and the air does the rest. It has been a worrying time."