The Island Pharisees Part 13

His companion, ignorant of this emotion, drank his wine, crumbled his roll, and blew smoke through his nostrils, glancing caustically at the rows of little tables, the cheap mirrors, the hot, red velvet, the chandeliers. His juicy lips seemed to be murmuring, "Ah! if you only knew of the dirt behind these feathers!" Shelton watched him with disgust. Though his clothes were now so nice, his nails were not quite clean, and his fingertips seemed yellow to the bone. An anaemic waiter in a shirt some four days old, with grease-spots on his garments and a crumpled napkin on his arm, stood leaning an elbow amongst doubtful fruits, and reading an Italian journal. Resting his tired feet in turn, he looked like overwork personified, and when he moved, each limb accused the sordid smartness of the walls. In the far corner sat a lady eating, and, mirrored opposite, her feathered hat, her short, round face, its coat of powder, and dark eyes, gave Shelton a shiver of disgust. His companion's gaze rested long and subtly on her.

"Excuse me, monsieur," he said at length. "I think I know that lady!"

And, leaving his host, he crossed the room, bowed, accosted her, and sat down. With Pharisaic delicacy, Shelton refrained from looking. But presently Ferrand came back; the lady rose and left the restaurant; she had been crying. The young foreigner was flushed, his face contorted; he did not touch his wine.

"I was right," he said; "she is the wife of an old friend. I used to know her well."

He was suffering from emotion, but someone less absorbed than Shelton might have noticed a kind of relish in his voice, as though he were savouring life's dishes, and glad to have something new, and spiced with tragic sauce, to set before his patron.

"You can find her story by the hundred in your streets, but nothing hinders these paragons of virtue"--he nodded at the stream of carriages--"from turning up their eyes when they see ladies of her sort pa.s.s. She came to London--just three years ago. After a year one of her little boys took fever--the shop was avoided--her husband caught it, and died. There she was, left with two children and everything gone to pay the debts. She tried to get work; no one helped her. There was no money to pay anyone to stay with the children; all the work she could get in the house was not enough to keep them alive. She's not a strong woman.

Well, she put the children out to nurse, and went to the streets. The first week was frightful, but now she's used to it--one gets used to anything."

"Can nothing be done?" asked Shelton, startled.

"No," returned his companion. "I know that sort; if they once take to it all's over. They get used to luxury. One does n't part with luxury, after tasting dest.i.tution. She tells me she does very nicely; the children are happy; she's able to pay well and see them sometimes. She was a girl of good family, too, who loved her husband, and gave up much for him. What would you have? Three quarters of your virtuous ladies placed in her position would do the same if they had the necessary looks."

It was evident that he felt the shock of this discovery, and Shelton understood that personal acquaintance makes a difference, even in a vagabond.

"This is her beat," said the young foreigner, as they pa.s.sed the illuminated crescent, where nightly the shadows of hypocrites and women fall; and Shelton went from these comments on Christianity to the station of Charing Cross. There, as he stood waiting in the shadow, his heart was in his mouth; and it struck him as odd that he should have come to this meeting fresh from a vagabond's society.

Presently, amongst the stream of travellers, he saw Antonia. She was close to her mother, who was parleying with a footman; behind them were a maid carrying a bandbox and a porter with the travelling-bags.

Antonia's figure, with its throat settled in the collar of her cape, slender, tall, severe, looked impatient and remote amongst the bustle.

Her eyes, shadowed by the journey, glanced eagerly about, welcoming all she saw; a wisp of hair was loose above her ear, her cheeks glowed cold and rosy. She caught sight of Shelton, and bending her neck, stag-like, stood looking at him; a brilliant smile parted her lips, and Shelton trembled. Here was the embodiment of all he had desired for weeks. He could not tell what was behind that smile of hers--pa.s.sionate aching or only some ideal, some chaste and glacial intangibility. It seemed to be shining past him into the gloomy station. There was no trembling and uncertainty, no rage of possession in that brilliant smile; it had the gleam of fixedness, like the smiling of a star. What did it matter? She was there, beautiful as a young day, and smiling at him; and she was his, only divided from him by a s.p.a.ce of time. He took a step; her eyes fell at once, her face regained aloofness; he saw her, encircled by mother, footman, maid, and porter, take her seat and drive away. It was over; she had seen him, she had smiled, but alongside his delight lurked another feeling, and, by a bitter freak, not her face came up before him but the face of that lady in the restaurant--short, round, and powdered, with black-circled eyes. What right had we to scorn them? Had they mothers, footmen, porters, maids? He shivered, but this time with physical disgust; the powdered face with dark-fringed eyes had vanished; the fair, remote figure of the railway-station came back again.

He sat long over dinner, drinking, dreaming; he sat long after, smoking, dreaming, and when at length he drove away, wine and dreams fumed in his brain. The dance of lamps, the cream-cheese moon, the rays of clean wet light on his horse's harness, the jingling of the cab bell, the whirring wheels, the night air and the branches--it was all so good! He threw back the hansom doors to feel the touch of the warm breeze. The crowds on the pavement gave him strange delight; they were like shadows, in some great illusion, happy shadows, thronging, wheeling round the single figure of his world.

CHAPTER XII

ROTTEN ROW

With a headache and a sense of restlessness, hopeful and unhappy, Shelton mounted his hack next morning for a gallop in the Park.

In the sky was mingled all the languor and the violence of the spring.

The trees and flowers wore an awakened look in the gleams of light that came stealing down from behind the purple of the clouds. The air was rain-washed, and the pa.s.sers by seemed to wear an air of tranquil carelessness, as if anxiety were paralysed by their responsibility of the firmament.

Thronged by riders, the Row was all astir.

Near to Hyde Park Corner a figure by the rails caught Shelton's eye.

Straight and thin, one shoulder humped a little, as if its owner were reflecting, clothed in a frock-coat and a brown felt hat pinched up in lawless fashion, this figure was so detached from its surroundings that it would have been noticeable anywhere. It belonged to Ferrand, obviously waiting till it was time to breakfast with his patron. Shelton found pleasure in thus observing him unseen, and sat quietly on his horse, hidden behind a tree.

It was just at that spot where riders, unable to get further, are for ever wheeling their horses for another turn; and there Ferrand, the bird of pa.s.sage, with his head a little to one side, watched them cantering, trotting, wheeling up and down.

Three men walking along the rails were s.n.a.t.c.hing off their hats before a horsewoman at exactly the same angle and with precisely the same air, as though in the modish performance of this ancient rite they were satisfying some instinct very dear to them.

Shelton noted the curl of Ferrand's lip as he watched this sight. "Many thanks, gentlemen," it seemed to say; "in that charming little action you have shown me all your souls."

What a singular gift the fellow had of divesting things and people of their garments, of tearing away their veil of shams, and their phylacteries! Shelton turned and cantered on; his thoughts were with Antonia, and he did not want the glamour stripped away.

He was glancing at the sky, that every moment threatened to discharge a violent shower of rain, when suddenly he heard his name called from behind, and who should ride up to him on either side but Bill Dennant and--Antonia herself!

They had been galloping; and she was flushed--flushed as when she stood on the old tower at Hyeres, but with a joyful radiance different from the calm and conquering radiance of that other moment. To Shelton's delight they fell into line with him, and all three went galloping along the strip between the trees and rails. The look she gave him seemed to say, "I don't care if it is forbidden!" but she did not speak. He could not take his eyes off her. How lovely she looked, with the resolute curve of her figure, the glimpse of gold under her hat, the glorious colour in her cheeks, as if she had been kissed.

"It 's so splendid to be at home! Let 's go faster, faster!" she cried out.

"Take a pull. We shall get run in," grumbled her brother, with a chuckle.

They reined in round the bend and jogged more soberly down on the far side; still not a word from her to Shelton, and Shelton in his turn spoke only to Bill Dennant. He was afraid to speak to her, for he knew that her mind was dwelling on this chance forbidden meeting in a way quite different from his own.

Approaching Hyde Park Corner, where Ferrand was still standing against the rails, Shelton, who had forgotten his existence, suffered a shock when his eyes fell suddenly on that impa.s.sive figure. He was about to raise his hand, when he saw that the young foreigner, noting his instinctive feeling, had at once adapted himself to it. They pa.s.sed again without a greeting, unless that swift inquisition; followed by unconsciousness in Ferrand's eyes, could so be called. But the feeling of idiotic happiness left Shelton; he grew irritated at this silence.

It tantalised him more and more, for Bill Dennant had lagged behind to chatter to a friend; Shelton and Antonia were alone, walking their horses, without a word, not even looking at each other. At one moment he thought of galloping ahead and leaving her, then of breaking the vow of muteness she seemed to be imposing on him, and he kept thinking: "It ought to be either one thing or the other. I can't stand this." Her calmness was getting on his nerves; she seemed to have determined just how far she meant to go, to have fixed cold-bloodedly a limit. In her happy young beauty and radiant coolness she summed up that sane consistent something existing in nine out of ten of the people Shelton knew. "I can't stand it long," he thought, and all of a sudden spoke; but as he did so she frowned and cantered on. When he caught her she was smiling, lifting her face to catch the raindrops which were falling fast. She gave him just a nod, and waved her hand as a sign for him to go; and when he would not, she frowned. He saw Bill Dennant, posting after them, and, seized by a sense of the ridiculous, lifted his hat, and galloped off.

The rain was coming down in torrents now, and every one was scurrying for shelter. He looked back from the bend, and could still make out Antonia riding leisurely, her face upturned, and revelling in the shower. Why had n't she either cut him altogether or taken the sweets the G.o.ds had sent? It seemed wicked to have wasted such a chance, and, ploughing back to Hyde Park Corner, he turned his head to see if by any chance she had relented.

His irritation was soon gone, but his longing stayed. Was ever anything so beautiful as she had looked with her face turned to the rain? She seemed to love the rain. It suited her--suited her ever so much better than the sunshine of the South. Yes, she was very English! Puzzling and fretting, he reached his rooms. Ferrand had not arrived, in fact did not turn up that day. His non-appearance afforded Shelton another proof of the delicacy that went hand in hand with the young vagrant's cynicism.

In the afternoon he received a note.

. . . You see, d.i.c.k [he read], I ought to have cut you; but I felt too crazy--everything seems so jolly at home, even this stuffy old London.

Of course, I wanted to talk to you badly--there are heaps of things one can't say by letter--but I should have been sorry afterwards. I told mother. She said I was quite right, but I don't think she took it in.

Don't you feel that the only thing that really matters is to have an ideal, and to keep it so safe that you can always look forward and feel that you have been--I can't exactly express my meaning.

Shelton lit a cigarette and frowned. It seemed to him queer that she should set more store by an "ideal" than by the fact that they had met for the first and only time in many weeks.

"I suppose she 's right," he thought--"I suppose she 's right. I ought not to have tried to speak to her!" As a matter of fact, he did not at all feel that she was right.

CHAPTER XIII

AN "AT HOME"

On Tuesday morning he wandered off to Paddington, hoping for a chance view of her on her way down to Holm Oaks; but the sense of the ridiculous, on which he had been nurtured, was strong enough to keep him from actually entering the station and lurking about until she came.

With a pang of disappointment he retraced his steps from Praed Street to the Park, and once there tried no further to waylay her. He paid a round of calls in the afternoon, mostly on her relations; and, seeking out Aunt Charlotte, he dolorously related his encounter in the Row. But she found it "rather nice," and on his pressing her with his views, she murmured that it was "quite romantic, don't you know."

"Still, it's very hard," said Shelton; and he went away disconsolate.

As he was dressing for dinner his eye fell on a card announcing the "at home" of one of his own cousins. Her husband was a composer, and he had a vague idea that he would find at the house of a composer some quite unusually free kind of atmosphere. After dining at the club, therefore, he set out for Chelsea. The party was held in a large room on the ground-floor, which was already crowded with people when Shelton entered. They stood or sat about in groups with smiles fixed on their lips, and the light from balloon-like lamps fell in patches on their heads and hands and shoulders. Someone had just finished rendering on the piano a composition of his own. An expert could at once have picked out from amongst the applauding company those who were musicians by profession, for their eyes sparkled, and a certain acidity pervaded their enthusiasm. This freemasonry of professional intolerance flew from one to the other like a breath of unanimity, and the faint shrugging of shoulders was as harmonious as though one of the high windows had been opened suddenly, admitting a draught of chill May air.

Shelton made his way up to his cousin--a fragile, grey-haired woman in black velvet and Venetian lace, whose starry eyes beamed at him, until her duties, after the custom of these social gatherings, obliged her to break off conversation just as it began to interest him. He was pa.s.sed on to another lady who was already talking to two gentlemen, and, their volubility being greater than his own, he fell into the position of observer. Instead of the profound questions he had somehow expected to hear raised, everybody seemed gossiping, or searching the heart of such topics as where to go this summer, or how to get new servants. Trifling with coffee-cups, they dissected their fellow artists in the same way as his society friends of the other night had dissected the fellow--"smart"; and the varnish on the floor, the pictures, and the piano were reflected on all the faces around. Shelton moved from group to group disconsolate.

A tall, imposing person stood under a j.a.panese print holding the palm of one hand outspread; his unwieldy trunk and thin legs wobbled in concert to his ingratiating voice.

"War," he was saying, "is not necessary. War is not necessary. I hope I make myself clear. War is not necessary; it depends on nationality, but nationality is not necessary." He inclined his head to one side, "Why do we have nationality? Let us do away with boundaries--let us have the warfare of commerce. If I see France looking at Brighton"--he laid his head upon one side, and beamed at Shelton,--"what do I do? Do I say 'Hands off'? No. 'Take it,' I say--take it!'" He archly smiled. "But do you think they would?"

And the softness of his contours fascinated Shelton.

"The soldier," the person underneath the print resumed, "is necessarily on a lower plane--intellectually--oh, intellectually--than the philanthropist. His sufferings are less acute; he enjoys the compensations of advertis.e.m.e.nt--you admit that?" he breathed persuasively. "For instance--I am quite impersonal--I suffer; but do I talk about it?" But, someone gazing at his well-filled waistcoat, he put his thesis in another form: "I have one acre and one cow, my brother has one acre and one cow: do I seek to take them away from him?"