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"No!" said the lady; "What message should she give?"
"An answer to my note," said the jeweler.
Madame remembered a note which the Queen had received from Boehmer a little while before, along with some ornaments sent by his hands to her as a present from the King. It congratulated her on having the finest diamonds in Europe, and hoped she would remember him. The Queen could make nothing of it, and destroyed it. Madame Campan therefore replied,
"There is no answer, the Queen burned the note. She does not even understand what you meant by writing that note."
This statement very quickly elicited from the now startled German a story which astounded the lady. He said the Queen owed him the first instalment of the money for the diamond necklace; that she had bought it after all; that the story about the Sultana was a lie told by her directions to hide the fact; since the Queen meant to pay by instalments, and did not wish the purchase known. And Boehmer said, she had employed the Cardinal de Rohan to buy the necklace for her, and it had been delivered to him for her, and by him to her.
Now the Queen, as Madame Campan knew very well, had always strongly disliked this Cardinal; he had even been kept from attending at Court in consequence, and she had not so much as spoken to him for years. And so Madame Campan told Boehmer, and further she told him he had been imposed upon.
"No," said the man of sparklers decisively, "It is you who are deceived.
She is decidedly friendly to the cardinal. I have myself the doc.u.ments with her own signature authorizing the transaction, for I have had to let the bankers see them in order to get a little time on my own payments."
Here was a monstrous mystification for the lady of honor, who told Boehmer to instantly go and see his official superior, the chief of the king's household. She herself being very soon afterwards summoned to the Queen's presence, the affair came up, and she told the Queen all she knew about it. Marie Antoinette was profoundly distressed by the evident existence of a great scandal and swindle, with which she was plainly to be mixed up through the forged signatures to the doc.u.ments which Boehmer had been relying on.
Now for the Cardinal.
Louis de Rohan, a scion of the great house of Rohan, one of the proudest of France, was descended of the blood royal of Brittany; was a handsome, proud, dissolute, foolish, credulous, unprincipled n.o.ble, now almost fifty years old, a thorough rake, of large revenues, but deeply in debt.
He was Peer of France, Archbishop of Strasburg, Grand Almoner of France, Commander of the Order of the Holy Ghost, Commendator of the benefice of St. Wast d'Arras, said to be the most wealthy in Europe, and a Cardinal. He had been amba.s.sador at Vienna a little after Marie Antoinette was married to the Dauphin, and while there had taken advantage of his official station to do a tremendous quant.i.ty of smuggling. He had also further and most deeply offended the Empress Maria Theresa, by outrageous debaucheries, by gross irreligion, and above all by a rather flat but in effect stingingly satirical description of her conduct about the part.i.tion of Poland. This she never forgave him, neither did her daughter Marie Antoinette; and accordingly, when he presented himself at Paris soon after she became Queen, he received a curt repulse, and an intimation that he had better go to--Strasburg.
Now in those days a sentence of exclusion from Court was to a French n.o.ble but just this side of a banishment to Tophet; and de Rohan was just silly enough to feel this infliction most intensely. He went however, and from that time onward, for year after year, lived the life of a persevering Adam thrust out of his paradise, hanging about the gate and trying all possible ways to sneak in again. Once, for instance, he had induced the porter at the palace of the Trianon to let him get inside the grounds during an illumination, and was recognized by the glow of his cardinal's red stockings from under his cloak. But he was only laughed at for his pains; the porter was turned off, and the poor silly miserable cardinal remained "out in the cold," breaking his heart over his exclusion from the most tedious mess of conventionalities that ever was contrived--except those of the court of Spain.
About 1783, this great fool fell in with an equally great knave, who must be spoken of here, where he begins to converge along with the rest, towards the explosion of the necklace swindle. This was Cagliostro, who at that time came to Strasburg and created a tremendous excitement with his fascinating Countess, his Egyptian masonry, his Spagiric Food (a kind of Brandreth's pill of the period,) which he fed out to poor sick people, his elixir of life, and other humbugs.
The Cardinal sent an intimation that he would like to see the quack. The quack, whose impudence was far greater than the Cardinal's pride, sent back this sublime reply: "If he is sick let him come to me, and I will cure him. If he is well, he does not need to see me, nor I him."
This piece of impudence made the fool of a cardinal more eager than ever. After some more affected shyness, Cagliostro allowed himself to be seen. He was just the man to captivate the Cardinal, and they were quickly intimate personal friends, practising trans.m.u.tation, alchemy, masonry, and still more particularly conducting a great many experiments on the Cardinal's remarkably fine stock of Tokay wine. Whatever poor de Rohan had to do, he consulted Cagliostro about it, and when the latter went to Switzerland, his dupe maintained a constant communication with him in cipher.
Lastly is to be mentioned Jeanne de St. Remi, Countess de Lamotte de Valois de France, the chief scoundrel, if the term may be used of a woman--of the necklace affair. She seems to have been really a descendant of the royal house of Valois, to which Francis I. belonged; through an illegitimate son of Henry II. created Count de St. Remi. The family had run down and become poor and rascally, one of Jeanne's immediate ancestors having practiced counterfeiting for a living. She herself had been protected by a certain kind hearted Countess de Boulainvilliers; was receiving a small pension from the Court of about $325 a year; had married a certain tall soldier named Lamotte; had come to Paris, and was living in poverty in a garret, hovering about as it were for a chance to better her circ.u.mstances. She was a quick-witted, bright-eyed, brazen-faced hussy, not beautiful, but with lively pretty ways, and indeed somewhat fascinating.
Her protectress, the countess de Boulainvilliers, was now dead; while she was alive Jeanne had once visited her at de Rohan's palace of Saverne, and had thus sc.r.a.ped a slight acquaintance with the gay Cardinal, which she resumed during her abode at Paris.
Everybody at Paris knew about the Diamond Necklace, and about de Rohan's desire to get into court favor. This sharp-witted female swindler now came in among the elements I have thus far been describing, to frame necklace, jeweller, cardinal, queen, and swindler, all together into her plot, just as the key-stone drops into an arch and locks it up tight.
No mortal knows where ideas come from. Suddenly a conception is in the mind, whence, or how, we do not know, any more than we know Life. The devil himself might have furnished that which now popped into the cunning, wicked mind of this adventuress. This is what she saw all at once:
Boehmer is crazy to sell his necklace. De Rohan is crazy after the Queen's favor. I am crazy after money. Now if I can make De Rohan think that the Queen wants the necklace, and will become his friend in return for his helping her to it; if I can make him think I am her agent to him, then I can steal the diamonds in their transit.
A wonderfully cunning and hardy scheme! And most wonderful was the cool, keen prompt.i.tude with which it was executed.
The countess began to hint to the cardinal that she was fast getting into the Queen's good graces, by virtue of being a capital gossip and story-teller; and that she had frequent private audiences. Soon she added intimations that the Queen was far from being really so displeased with the cardinal, as he supposed. At this the old fool bit instantly, and showed the keenest emotions of hope and delight. On a further suggestion, he presently drew up a letter or memoir humbly and plaintively stating his case, which the countess undertook to put into the Queen's hands. It was the first of over _two hundred_ notes from him, notes of abas.e.m.e.nt, beseeching argument, expostulation, and so on, all entrusted to Jeanne. She burnt them, I suppose.
In order to make her dupe sure that she told the truth about her access to the Queen, Jeanne more than once made him go and watch her enter a side gate into the grounds of the Trianon palace, to which she had somehow obtained a key; and after waiting he saw her come out again, sometimes under the escort of a man, who was, she said one Desclos, a confidential valet of the Queen. This was Villette de Retaux, a "pal"
of Jeanne's and of her husband Lamotte, who had, by the way, become a low-cla.s.s gambler and swindler by occupation.
Next Jeanne talked about the Queen's charities; and on one occasion, told how much the amiable Marie Antoinette longed to expend certain sums for benevolent purposes if she only had them--but she was out of funds, and the King was so close about money!
The poor cardinal bit again--"If the Queen would only allow him the honor to furnish the little amount!"
The countess evidently hadn't thought of that. She reflected--hesitated.
The cardinal urged. She consented--it was not much--and was so kind as to carry the cash herself. At their next meeting she reported that the Queen was delighted, telling a very nice story about it. The cardinal would only be too happy to do so again. And sure enough he did, and quite a number of times too; contributing in all to the funds of the countess in this manner, about $25,000.
Well: after a time the cardinal is at Strasburg, when he receives a note from the countess that brings him back again as quick as post-horses can carry him. It says that there is something very important, very secret, very delicate, that the queen wants his help about. He is overflowing with zeal. What is it? Only let him know--his life, his purse, his soul, are at the service of his liege lady.
His purse is all that is needed. With infinite shyness and circ.u.mspection, the countess gradually, half unwillingly, lets him find out that it is the diamond necklace that the Queen wants. By diabolical ingenuities of talk she leads de Rohan to the full conviction that if he secures the Queen that necklace, he will thenceforward bask in all the sunshine of court favor that she can show or control.
And at proper times sundry notes from the Queen are bestowed upon the enraptured noodle. These are written in imitation of the Queen's handwriting, by that Villette de Retaux who personated the Queen's valet, and who was an expert at counterfeiting.
A last and sublime summit of impudent pretension is reached by a secret interview which the Queen, says the countess, desires to grant to her beloved servant the cardinal. This suggestion was rendered practicable by one of those mere coincidences which are found though rarely in history, and which are too improbable to put into a novel--the casual discovery of a young woman of loose character who looked much like the Queen. Whether her name was d'Essigny or Gay d'Oliva, is uncertain; she is usually called by the latter. She was hired and taught; and with immense precautions, this ostrich of a cardinal was one night introduced into the gardens of the Trianon, and shown a little nook among the thickets where a stately female in the similitude of the Queen received him with soft spoken words of kindly greeting, allowed him to kneel and kiss a fair and shapely hand, and showed no particular timidity of any kind. Yet the interview had scarcely more than begun before steps were heard. "Some one is coming," exclaimed the lady, "it is Monsieur and Madame d'Artois--We must part. There"--she gave him a red rose--"You know what that means! Farewell!" And away they went--Mademoiselle d'Oliva to report to her employers, and the cardinal, in a seventh heaven of ineffable tomfoolery, to his hotel.
But the interview, and the lovely little notes that came sometimes, "fixed" the necklace business! And if further encouragement had been needed, Cagliostro gave it. For the cardinal now consulted him about the future of the affair, having indeed kept him fully informed about it for a long time, as he did of all matters of interest. So the quack set up his tabernacles of mummery in a parlor of the cardinal's hotel, and conducted an Egyptian Invocation there all night long in solitude and pomp; and in the morning he decreed (in substance) "go ahead." And the cardinal did so. Boehmer and Ba.s.sange were only too happy to bargain with the great and wealthy church and state dignitary. A memorandum of terms and time of payment was drawn up, and was submitted to the Queen.
That is, swindling Jeanne carried it off, and brought it back, with an entry made by Villette de Retaux in the margin, thus: "_Bon, bon--Approuve, Marie Antoinette de France_." That is, "Good, good--I approve. Marie Antoinette de France." The payment was to be by instalments, at six months, and quarterly afterwards; the Queen to furnish the money to the cardinal, while he remained ostensibly holden to the jewellers, she thus keeping out of sight.
So the jewels were handed over to the cardinal de Rohan; he took them one evening in great state to the lodgings of the countess, where with all imaginable formality there came a knock at the door, and when it was open a tall valet entered who said solemnly "On the part of the Queen!"
De Rohan _knew_ it was the Queen's confidential valet, for he saw with his own eyes that it was the same man who had escorted the countess from the side gate at the Trianon! And so it was; to wit, Villette de Retaux, who, calmly receiving the fifteen hundred thousand franc treasure, marched but as solemnly as he had come in.
As that counterfeiting rascal goes out of the door, the diamond necklace itself disappears from our knowledge. The swindle was consummated, but there is no whisper of the disposition of the spoils. Villette, and Jeanne's husband Lamotte, went to London and Amsterdam, and had some money there; but seemingly no more than the previous pillages upon the cardinal might have supplied; nor did the countess' subsequent expenditures show that she had any of the proceeds.
But that is not the last of the rest of the parties to the affair, by any means. Between this scene and the time when the anxious Boehmer, having a little bill to meet, beset Madame Campan about his letter and the money the Queen was to pay him, there intervened six months. During that time countess Jeanne was smoothing as well as she could, with endless lies and contrivances, the troubles of the perplexed cardinal, who "couldn't seem to see" that he was much better off in spite of his loyal performance of his part of the bargain.
But this application by Boehmer, and the enormous swindle which it was instantly evident had been perpetrated on somebody or other, of course waked up a commotion at once. The baron de Breteuil, a deadly enemy of de Rohan, got hold of it all, and in his overpowering eagerness to ruin his foe, quickly rendered the matter so public that it was out of the question to hush it up. It seems probable that Jeanne de Lamotte expected that the business would be kept quiet for the sake of the Queen, and that thus any very severe or public punishments would be avoided and perhaps no inquiries made. It is clear that this would have been the best plan, but de Breteuil's officiousness prevented it, and there was nothing for it but legal measures. De Rohan was arrested and put in the Bastile, having barely been able to send a message in German to his hotel to a trusty secretary, who instantly destroyed all the papers relating to the affair. Jeanne was also imprisoned, and Miss Gay d'Oliva and Villette de Retaux, being caught at Brussels and Amsterdam, were in like manner secured. As for Cagliostro, he was also imprisoned, some accounts saying that he ostentatiously gave himself up for trial.
This was a public trial before the Parliament of Paris, with much form.
The result was that the cardinal, appearing to be only fool, not knave, was acquitted. Gay d'Oliva appeared to have known nothing except that she was to play a part, and she had been told that the Queen wanted her to do so, so she was let go. Villette was banished for life. Lamotte, the countess' husband, had escaped to England, and was condemned to the galleys in his absence, which didn't hurt him much. Cagliostro was acquitted. But Jeanne was sentenced to be whipped, branded on the shoulder with the letter V for _Voleuse_ (thief), and banished.
This sentence was executed in full, but with great difficulty; for the woman turned perfectly furious on the public scaffold, flew at the hangman like a tiger, bit pieces out of his hands, shrieked, cursed, rolled on the floor, kicked, squirmed and jumped, until they held her by brute force, tore down her dress, and the red hot iron going aside as she struggled, plunged full into her snowy white breast, planting there indelibly the horrible black V, while she yelled like a fiend under the torment of the smoking brand. She fled away to England, lived there some time in dissolute courses, and is said to have died in consequence of falling out of a window when drunk, or as another account states, of being flung out by the companions of her orgy, whom she had stung to fury by her frightful scolding. Before her death she put forth one or two memoirs,--false, scandalous things.
The unfortunate Queen never entirely escaped some shadow of disrepute from the necklace business. For to the very last, both on the trial and afterwards, Jeanne de Lamotte impudently stuck to it that at least the Queen had known about the trick played on the Cardinal at the Trianon, and had in fact been hidden close by and saw and laughed heartily at the whole interview. So sore and morbid was the condition of the public mind in France in those days, when symptoms of the coming Revolution were breaking out on every side, that this odious story found many and willing believers.
CHAPTER LXII.
THE COUNT DE ST. GERMAIN, SAGE, PROPHET, AND MAGICIAN.
Superior to Cagliostro, even in accomplishments, and second to him in notoriety only, was that human nondescript, the so-called Count de St.
Germain, whom Fredrick the Great called, "a man no one has ever been able to make out."
The Marquis de Crequy declares that St. Germain was an Alsatian Jew, Simon Wolff by name, and born at Strasburg about the close of the seventeenth or the beginning of the eighteenth century; others insist that he was a Spanish Jesuit named Aymar; and others again intimate that his true t.i.tle was the Marquis de Betmar, and that he was a native of Portugal. The most plausible theory, however, makes him the natural son of an Italian princess, and fixes his birth at San Germano, in Savoy, about the year 1710; his ostensible father being one Rotondo, a tax-collector of that district.
This supposition is borne out by the fact that he spoke all his many languages with an Italian accent. It was about the year 1750 that he first began to be heard of in Europe as the Count St. Germain, and put forth the astounding pretensions that soon gave him celebrity over the whole continent. The celebrated Marquis de Belleisle made his acquaintance about that time in Germany, and brought him to Paris, where he was introduced to Madame de Pompadour, whose favor he very quickly gained. The influence of that famous beauty was just then paramount with Louis XV, and the Count was soon one of the most eminent men at court.
He was remarkably handsome--as an old portrait at Friersdorf, in Saxony, in the rooms he once occupied, sufficiently indicated; and his musical accomplishments, added to the ineffable charm of his manners and conversation, and the miracles he performed, rendered him an irresistible attraction, especially to the ladies, who appear to have almost idolized him. Endowed with an enchanting voice, he could also play every instrument then in vogue, but especially excelled upon the violin, which he could handle in such a manner as to give it the effect of a small orchestra. Cotemporary writers declare that, in his more ordinary performances, a connoisseur could distinctly hear the separate tones of a full quartet when the count was extemporizing on his favorite Cremona. His little work, ent.i.tled "La Musique Raisonnee," published in England, for private circulation only, bears testimony to his musical genius, and to the wondrous eccentricity, as well as beauty, of his conceptions. But it was in alectromancy, or divination by signs and circles; hydromancy, or divination by water; cleidomancy, or divination by the key, and dactylomancy, or divination by the fingers, that the count chiefly excelled, although he, at the same time, professed alchemy, astrology, and prophecy in the higher branches.
The fortunes of the Count St. Germain rose so rapidly in France, that in 1760 he was sent by Louis XV, to the Court of England, to a.s.sist in negotiations for a peace. M. de Choiseul, then Prime Minister of France, however, greatly feared and detested the Count; and secretly wrote to Pitt, begging the latter to have that personage arrested, as he was certainly a Russian spy. But St. Germain, through his attendant sprites, of course, received timely warning, and escaped to the Continent. In England, he was the inseparable friend of Prince Lobkowitz--a circ.u.mstance that gave some color to his alleged connection with the Russians. His sojourn there was equally distinguished by his devotion to the ladies, and his unwavering success at the gaming-table, where he won fabulous sums, which were afterward dispensed with imperial munificence.