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But however mysterious is nature, however ignorant the doctor, however imperfect the present state of physical science, the patronage and the success of quacks and quackeries are infinitely more wonderful than those of honest and laborious men of science and their careful experiments.
I have come about to the end of my tether for this time; and quackery is something too monstrous in dimensions as well as character to be dealt with in a paragraph. But I may with propriety put one quack at the tail of this letter; it is but just that he should let decent people go before him. I mean "Old Sands of Life." Everybody has seen his advertis.e.m.e.nt, beginning "A retired Physician whose sands of life have nearly run out," etc. And everybody--almost--knows how kind the fellow is in sending gratis his recipe. All that is necessary is (as you find out when you get the recipe) to buy at a high price from him one ingredient which (he says) you can get nowhere else. This swindling scamp is in fact a smart brisk fellow of about thirty-five years of age, notwithstanding the length of time during which--to use a funny phrase which somebody got up for him--he has been "afflicted with a loose tail-board to his mortal sand-cart." Some benevolent friend was so much distressed about the feebleness of "Old Sands of Life" as to send him one day a large parcel by express, marked "C. O. D.," and costing quite a figure. "Old Sands" paid, and opening the parcel, found half a bushel of excellent sand.
CHAPTER XXIX.
THE CONSUMPTIVE REMEDY.--E. ANDREWS, M. D.--BORN WITHOUT BIRTHRIGHTS.--HASHEESH CANDY.--ROBACK THE GREAT.--A CONJURER OPPOSED TO LYING.
There is a fellow in Williamsburg who calls himself a clergyman, and sells a "consumptive remedy," by which I suppose he means a remedy for consumption. It is a mere slop corked in a vial; but there are a good many people who are silly enough to buy it of him. A certain gentleman, during last November, earnestly sought an interview with this reverend brother in the interests of humanity, but he was as inaccessible as a chipmunk in a stone fence. The gentleman wrote a polite note to the knave asking about prices, and received a printed circular in return, stating in an affecting manner the good man's grief at having to raise his price in consequence of the cost of gold "with which I am obliged to buy my medicines" saith he, "in Paris." This was both sad and unsatisfactory; and the gentleman went over to Williamsburg to seek an interview and find out all about the prices. He reached the abode of the man of piety, but, strange to relate, he wasn't at home.
Gentleman waited.
Reverend brother kept on not being at home. When gentleman had waited to his entire satisfaction he came back.
It is understood it is practically out of the question to see the reverend brother. Perhaps he is so modest and shy that he will not encounter the clamorous grat.i.tude which would obstruct his progress through the streets, from the millions saved by his consumptive remedy.
It is a pity that the reverend man cannot enjoy the still more complete seclusion by which the state of New York testifies its appreciation of un.o.btrusive and retiring virtues like his, in the salubrious and quiet town of Sing Sing.
A quack in an inland city, who calls himself E. Andrews, M. D., prints a "semi-occasional" doc.u.ment in the form of a periodical, of which a copy is lying before me. It is an awful hodgepodge of perfect nonsense and vulgar rascality. He calls it "The Good Samaritan and Domestic Physician," and this number is called "volume twenty." Only think what a great man we have among us--unless the Doctor himself is mistaken. He says: "I will here state that I have been favored by nature and Providence in gaining access to stores of information that has _fell_ to the lot of but very few persons heretofore, during the past history of mankind." Evidently these "stores" were so vast that the great doctor's brain was stuffed too full to have room left for English Grammar.
Shortly, the Doctor thus bursts forth again with some views having their own merits, but not such as concern the healing art very directly: "The automaton powers of machinery"--there's a new style of machinery, you observe--"must be made to WORK FOR, _instead_ of _as now_, against mankind; the Land of _all nations_ must be made FREE to Actual Settlers in LIMITED quant.i.ties. No one must be born without _his birthright_ being born with him." The italics, etc., are the Doctor's. What an awful thought is this of being born without any birthright, or, as the Doctor leaves us to suppose possible, having one's birthright born first, and dodging about the world like a stray canary-bird, while the unhappy and belated owner tries in vain to put salt on its tail and catch it!
Well, this wiseacre, after his portentous introduction, fills the rest of his sixteen loosely printed double-columned octavo pages with a farrago of the most indescribable character, made up of brags, lies, promises, forged recommendations and letters, boasts of systematic charity, funny sc.r.a.ps of stuff in the form of little disquisitions, advertis.e.m.e.nts of remedies, hair-oils, cosmetics, liquors, groceries, thistle-killers, anti-bug mixtures, recipes for soap, ink, honey, and the Old Harry only knows what. The fellow gives a list of seventy-one specific diseases for which his Hasheesh Candy is a sure cure, and he adds that it is also a sure cure for all diseases of the liver, brain, throat, stomach, ear, and other internal disorders; also for "all long standing diseases"--whatever that means!--and for insanity! In this monstrous list are jumbled together the most incongruous troubles.
"Bleeding at the nose, and abortions;" "worms, fits, poisons and cramps." And the impudent liar quotes General Grant, General Mitch.e.l.l, the Rebel General Lee, General McClellan, and Doctor Mott of this city, all shouting in chorus the praises of the Hasheesh Candy! Next comes the "Secret of Beauty," a "preparation of Turkish Roses;" then a lot of forged references, and an a.s.sertion that the Doctor gives to the poor five thousand pounds of bread every winter; then some fearful denunciations of the regular doctors.
But--as the auctioneers say--"I can't dwell." I will only add that the real villainy of this fellow only appears here and there, where he advertises the means of ruining innocence, or of indulging with impunity in the foulest vices. He will sell for $3.30, the "Mystic Weird Ring."
In a chapter of infamous blatherumskite about this ring he says: "The wearer can drive from, or draw to him, any one, and for any purpose whatever." I need not explain what this scoundrel means. He also will sell the professed means of robbery and swindling; saying that he is prepared to show how to remove papers, wills, t.i.tles, notes, etc., from one place to another "by invisible means." It is a wonder that the Bank of Commerce can keep any securities in its vaults--of course!
But enough of this degraded panderer to crime and folly. He is beneath notice, so far as he himself concerned; I devote the s.p.a.ce to him, because it is well worth while to understand how base an imposture can draw a steady revenue from a nation boasting so much culture and intelligence as ours. It is also worth considering whether the authorities must not be remiss, who permit such odious deceptions to be constantly perpetrated upon the public.
I ought here to give a paragraph to the great C. W. Roback, one of whose Astrological Almanacs is before me. This erudite production is embellished in front with a picture of the doctor and his six brothers--for he is the seventh son of a seventh son. The six elder brethren--nice enough boys--stand submissively around their gigantic and bearded junior, reaching only to his waist, and gazing up at him with reverence, as the sheaves of Joseph's brethren worshipped his sheaf in his dream. At the end is a picture of Magnus Roback, the grandfather of C. W., a bull-headed, ugly old Dutchman, with a globe and compa.s.ses.
This picture, by the way, is in fact a cheap likeness of the old discoverers or geographers. Within the book we find Gustavus Roback, the father of C. W., for whom is used a cut of Jupiter--or some other heathen G.o.d--half-naked, a-straddle of an eagle, with a hook in one hand and a quadrant in the other; which is very much like the picture by one of the "Old Masters" of Abraham about to offer up Isaac, and taking a long aim at the poor boy with a flint-lock horse-pistol. Doctor Roback is good enough to tell us where his brothers are: "One, a high officer in the Empire of China, another a Catholic Bishop in the city of Rome,"
and so on. There is also a cut of his sister, whom he cured of consumption. She is represented "talking to her bird, after the fashion of her country, when a maiden is unexpectedly rescued from the jaws of death!"
Roback cures all sorts of diseases, discovers stolen property, insures children a marriage, and so on, all by means of "conjurations." He also casts nativities and foretells future events; and he shows in full how Bernadotte, Louis Philippe, and Napoleon Bonaparte either did well or would have done well by following his advice. The chief peculiarity of this impostor is, that he really avoids direct pandering to vice and crime, and even makes it a specialty to cure drunkenness and--of all things in the world--lying! On this point Roback gives in full the certificate of Mrs. Abigail Morgan, whose daughter Amanda "was sorely given to fibbing, in so much that she would rather lie than speak the truth." And the delighted mother certifies that our friend and wizard "so changed the nature of the girl that, to the best of our knowledge and belief, she has never spoken anything but the truth since."
There is a conjurer "as is a conjurer."
What an uproar the incantation of the great Roback would make, if set fairly to work among the politicians, for instance! But after all, on second thoughts, what a horrible ma.s.s of abominations would they lay bare in telling the truth about each other all round! No, no--it won't do to have the truth coming out, in politics at any rate! Away with Roback! I will not give him another word--not a single chance--not even to explain his great power over what he calls "Fits! Fits! Fits! Fits!
Fits!"
CHAPTER x.x.x.
MONSIGNORE CRISTOFORO RISCHIO; OR, IL CRESO, THE NOSTRUM-VENDER OF FLORENCE.--A MODEL FOR OUR QUACK DOCTORS.
Every visitor to Florence during the last twenty years must have noticed on the grand piazza before the Ducal Palace, the strange genius known as Monsignore Creso, or, in plain English, Mr. Croesus. He is so called because of his reputed great wealth; but his real name is Christoforo Rischio, which I may again translate, as Christopher Risk. Mrs. Browning refers to him in one of her poems--the "Casa Guidi Windows," I think--and he has also been the staple of a tale by one of the Trollope brothers.
Twice every week, he comes into the city in a strange vehicle, drawn by two fine Lombardy ponies, and unharnesses them in the very centre of the square. His a.s.sistant, a capital vocalist, begins to sing immediately, and a crowd soon collects around the wagon. Then Monsignore takes from the box beneath his seat a splendidly jointed human skeleton, which he suspends from a tall rod and hook, and also a number of human skulls.
The latter are carefully arranged on an adjustable shelf, and Creso takes his place behind them, while in his rear a perfect chemist's shop of flasks, bottles, and pillboxes is disclosed. Very soon his singer ceases, and in the purest Tuscan dialect--the very utterance of which is music--the Florentine quack-doctor proceeds to address the a.s.semblage.
Not being conversant with the Italian, I am only able to give the substance of his harangue, and p.r.o.nounce indifferently upon the merit of his elocution. I am a.s.sured, however, that not only the common people, who are his chief patrons, but numbers of the most intelligent citizens, are always entertained by what he has to say; and certainly his gestures and style of expressions seem to betray great excellence of oratory.
Having turned the skeleton round and round on its pivot, and minutely explained the various anatomical parts, in order to show his proficiency in the basis of medical science, he next lifts the skulls, one by one, and descants upon their relative perfection, throwing in a shrewd anecdote now and then, as to the life of the original owner of each cranium.
One skull, for example, he a.s.serts to have belonged to a lunatic, who wandered for half a lifetime in the Val d'Ema, subsisting precariously upon entirely vegetable food--roots, herbs, and the like; another is the superior part of a convict, hung in Arezzo for numerous offences; a third is that of a very old man who lived a celibate from his youth up, and by his abstinence and goodness exercised an almost priestly influence upon the borghesa. When, by this miscellaneous lecture, he has both amused and edified his hearers, he ingeniously turns the discourse upon his own life, and finally introduces the subject of the marvellous cures he has effected. The story of his medical preparations alone, their components and method of distillation, is a fine piece of popularized art, and he gives a practical exemplification of his skill and their virtues by calling from the crowd successively, a number of invalid people, whom he examines and prescribes for on the spot. Whether these subjects are provided by himself or not, I am unable to decide; but it is very possible that by long experience, Christoforo--who has no regular diploma--has mastered the simpler elements of Materia Medica, and does in reality effect cures. I cla.s.s him among what are popularly known as humbugs, however, for he is a pretender to more wisdom than he possesses. It was to me a strange and suggestive scene--the bald, beak-nosed, coal-eyed charlatan, standing in the market-place, so celebrated in history, peering through his gold spectacles at the upturned faces below him, while the bony skeleton at his side swayed in the wind, and the grinning skulls below, made grotesque faces, as if laughing at the gullibility of the people. Behind him loomed up the ma.s.sive Palazzo Vecchio, with its high tower, sharply cut, and set with deep machicolations; to the left, the splendid Loggia of Orgagna, filled with rare marbles, and the long picture-gallery of the Uffizi, heaped with the rarest art-treasures of the world; to his right, the Giant Fountain of Ammanato, throwing jets of pure water--one drop of which outvalues all the nostrums in the world; and in front, the Post Office, built centuries before, by Pisan captives. If any of these things moved the imperturbable Creso, he showed no feeling of the sort; but for three long hours, two days in the week, held his hideous clinic in the open daylight.
Seeing the man so often, and interested always in his manner--as much so, indeed, as the peasants or contadini, who bought his vials and pillboxes without stint--I became interested to know the main features of his life; and, by the aid of a friend, got some clues which I think reliable enough to publish. I do so the more willingly, because his career is ill.u.s.trative, after an odd fashion, of contemporary Italian life.
He was the son of a small farmer, not far from Sienna, and grew up in daily contact with vine-dressers and olive-gatherers, living upon the hard Tuscan fare of macaroni and maroon-nuts, with a cutlet of lean mutton once a day, and a pint of sour Tuscan wine. Being tolerably well educated for a peasant-boy, he imbibed a desire for the profession of an actor, and studied Alfieri closely.
Some little notoriety that he gained by recitations led him, in an evil hour, to venture an appearance _en grand role_, in Florence, at a third-rate theatre. His father had meanwhile deceased and left him the property; but to make the debut referred to, he sold almost his entire inheritance. As may be supposed, his failure was signal. However easy he had found it to amuse the rough, untutored peasantry of his neighborhood, the test of a large and polished city was beyond his merit.
So, poor and abashed, he sank to the lower walks of dramatic art, singing in choruses at the opera, playing minor parts in show-pieces, and all the while feeling the sting of disappointed ambition and half-deserved penury.
One day found him, at the beginning of winter, without work, and without a soldo in his pocket. Pa.s.sing a druggist's shop, he saw a placard asking for men to sell a certain new preparation. The druggist advanced him a small sum for travelling expenses, and he took to peripatetic lectures at once, going into the country and haranguing at all the villages.
Here he found his dramatic education available. Though not good enough for an actor, he was sufficiently clever for a nomadic eulogizer of a patent-medicine. His vocal abilities were also of service to him in gathering the people together. The great secret of success in anything is to get a hearing. Half the object is gained when the audience is a.s.sembled.
Well! poor, vagabond, peddling Christopher Risk, selling so much for another party, conceived the idea of becoming his own capitalist. He resolved to prepare a medicine of his own; and, profiting by the a.s.sistance of a young medical student, obtained bona fide prescriptions for the commonest maladies. These he had made up in gross, originated labels for them, and concealing the real essences thereof by certain harmless adulterations, began to advertise himself as the discoverer of a panacea.
To gain no ill-will among the priests, whose influence is paramount with the peasantry, he dexterously threw in a reverent word for them in his nomadic harangues, and now and then made a sounding present to the Church.
He profited also by the superst.i.tions abroad, and to the skill of Hippocrates added the roguery of Simon Magus. By report, he was both a magician and physician, and a knack that he had of slight-of-hand was not the least influential of his virtues.
His bodily prowess was as great as his suppleness. One day, at Fiesole, a foreign doctor presumed to challenge Monsignore to a debate, and the offer was accepted. While the two stood together in Cristoforo's wagon, and the intruder was haranguing the people, the quack, without a movement of his face or a twitch of his body, jerked his foot against his rival's leg and threw him to the ground. He had the effrontery to proclaim the feat as magnetic entirely, accomplished without bodily means, and by virtue of his black-art acquirements.
An awe fell upon the listeners, and they refused to hear the checkmated disputant further.
As soon as Cristoforo began to thrive, he indulged his dramatic taste by purchasing a superb wagon, team, and equipments, and hired a servant.
Such a turnout had never been seen in Tuscany since the Medician days.
It gained for him the name of Creso straightway, and, enabling him to travel more rapidly, enlarged his business sphere, and so vastly increased his profits.
He arranged regular days and hours for each place in Tuscany, and soon became as widely known as the Grand Duke himself. When it was known that he had bought an old castle at Ponta.s.sieve on the banks of the Arno, his reputation still further increased. He was now so prosperous that he set the faculty at defiance. He proclaimed that they were jealous of his profounder learning, and threatened to expose the banefulness of their systems.
At the same time, his talk to the common people began to savor of patronage, and this also enhanced his reputation. It is much better, as a rule, to call attention up to you rather than charity down to you. The shrewd impostor became also more absolute now. It was known that the Grand Duke had once asked him to dine, and that Monsignore had the hardihood to refuse. Indeed, he sympathized too greatly with the aroused Italian spirit of unity and progress to compromise himself with the house of Austria. When at last the revolution came, Cristoforo was one of its best champions in Tuscany. His cantante sang only the march of Garibaldi and the victories of Savoy. His own speeches teemed with the gospel of Italy regenerated; and for a whole month he wasted no time in the sale of his bottighias and pillolas, but threw all his vehement, persuasive, and dramatic eloquence into the popular cause.
The end we know. Tuscany is a dukedom no longer, but a component part of a great peninsular kingdom with "Florence the Beautiful" for its capital.
And still before the ducal palace, where the deputies of Italy are to a.s.semble, poor, vain Cristoforo Rischio makes his harangue every Tuesday and Sat.u.r.day. He is now--or was four years ago--upward of sixty years of age, but spirited and athletic as ever, and so rich that it would be superfluous for him to continue his peripatetic career.
His life is to me noteworthy, as showing what may be gained by concentrating even humble energies upon a paltry thing. Had Creso persevered as well upon the stage, I do not doubt that he would have made a splendid actor. If he did so well with a mere nostrum, why should he not have gained riches and a less grotesque fame by the sale of a better article? He understood human nature, its credulities and incredulities, its superst.i.tions, tastes, changefulness, and love of display and excitement. He has done no harm, and given as much amus.e.m.e.nt as he has been paid for. Indeed, I consider him more an ornamental and useful character than otherwise. He has brightened many a traveler's recollections, relieved the tedium of many a weary hour in a foreign city, and, with all his deception, has never severed himself from the popular faith, nor sold out the popular cause. I dare say his death, when it occurs, will cause more sensation and evoke more tears, than that of any better physician in Tuscany.