The Heavenly Twins Part 62

There happened to be a tiny tenement in the Close vacant when the new lay clerk began his duties as Tenor in the choir, and this he took. It was a detached house, one of a row which faced the apse on the south side of the cathedral. One step led down from the road into the little front garden, and another from that into the house, which was thus two steps below the road in front, but was level with the garden at the back. The pa.s.sage ran right through the house, the garden door being opposite the front door; the kitchen was behind a little sitting room on the right as you entered, and on the left were two other rooms when the Tenor took the house, the one looking into the back garden, the other into the front; but these two rooms he immediately turned into one by having the dividing wall removed, and together they made a long, low, but comfortably proportioned apartment, with a French window at either end. The Tenor spent all his spare time when he first arrived in decorating this room, "_making_ work for himself," as the people said; and indeed that was just what he seemed to be doing, for he worked, as a man does who feels that he ought to be occupied, but he takes no pleasure and finds no relief in any occupation. He frescoed the walls and ceiling of his room with admirable taste and skill, making it look twice the size by cunning divisions of the pattern on the walls, and by the well-devised proportions of dado and cornice.

The dean often went to watch him at his work, and sat on a packing case (the only article which the room contained at the time) by the hour together talking to him, a circ.u.mstance which, taken with the fact that other gentlemen in the neighbourhood also called upon him and lingered long on the premises, greatly exercised the inquisitive minds of the mult.i.tude, especially when it was perceived that the Tenor, instead of being elated by their condescension, accepted it as a matter of course, and continued always the same--sad, preoccupied, impa.s.sive, seldom smiling, never surprised, taking no healthy interest in anything.

When the painting was finished, furniture began to arrive, and this was another surprise for the Close, where houses were not adorned with the designs of any one period, but were filled with a heterogeneous collection of articles, generally aged and remarkably uncouth. Everything in the Tenor's long low room, on the contrary, even down to the shape of the bra.s.s coal scuttle and including the case of the grand piano, was in harmony with the colour and design of the frescoes on the walls and ceiling; the floor, which was polished, being adorned here and there with rugs which suggested dim reflections of the tint and tone above. It was a luxurious apartment, but not effeminate. The luxury was masculine luxury, refined and significant; there was no meaningless feminine fripperies about, nor was there any evidence of sensuous self-indulgence. It was the abode of a cultivated man, but of one who was essentially manly withal.

The fame of this apartment having been noised abroad, the precentor came one day to inspect it. There is no need to describe this precentor; one knows exactly what a man must be who calls things "fishy." He was an ordained clergyman, but not at all benevolent, neither was he a Christian, for he did not love his neighbour as himself, and his visit on this occasion was anything but friendly in intention. He was determined to know something more about the Tenor, he said, and he meant to question him. His theory was that the Tenor had been a public singer, but had disgraced himself, and was unable to appear again in consequence; and on this supposition he intended to proceed.

He found the Tenor with his hat in his hand on the point of leaving the house; but the precentor was not delicate about detaining him. He walked into the sitting room without waiting to be asked, pried impertinently into everything, and then sat down. The Tenor meantime had remained standing with his hat in his hand patiently waiting, and he still stood, but the precentor did not take the hint.

"You are an opera singer, I think you said," he remarked as soon as he was seated.

The Tenor looked at him inquiringly.

"Or was it concerts?" he suggested, a trifle disconcerted.

The Tenor looked gravely amused.

"It was not the music halls, of course?" the precentor persuasively insinuated.

"Well, hardly," said the Tenor, fixing his steady eyes upon the man in a way that made him wince. "I have some business to attend to in the town,"

he added. "Pray make yourself at home so long as it pleases you to remain;" with which he brushed his hand back over his glossy hair, put on his hat, and sauntered out, leaving his gentle guest to ruminate.

The interest which the Tenor had begun by exciting in the b.r.e.a.s.t.s of the quiet inhabitants of Morningquest did not diminish all at once, as might have been expected. He was only a lay clerk, to be sure, but then he was so utterly unlike any other lay clerk. He was always so carefully dressed, for one thing, and maintained so successfully that suggestion of good breeding which had been their first impression of him; was altogether so distinguished in appearance that it was a pleasure to hear strangers exclaim: "Who _is_ that?" and to be able to surprise them with the off-hand rejoinder: "Oh, that is only our tenor."

Then he was a stranger from n.o.body knew where; he went by the name of "Jones," which was not believed to be his; he had a magnificent voice, and he remained in Morningquest in an obscure position, making nothing of it.

True, he must have means; but what after all were the means which he appeared to possess compared with the means which he might be enjoying?

And further--and this was considered the most extraordinary circ.u.mstance of all--there was his att.i.tude in the cathedral. He followed the services devoutly; and such a thing as attention, let alone devotion, on the part of a lay clerk had never been heard of in Morningquest. There was not even a remote tradition in existence to prepare anybody's mind for such a contingency.

So that altogether the man was a mystery; a mystery, however, toward which the kindly people were well-disposed. And no wonder. For the Tenor's manners were as attractive as his appearance, and his ways were not at all mysterious when considered apart from the points already indicated, but, on the contrary, simple in the extreme: the ways of one who is kindly courteous and considerate on all occasions, paying proper respect to every man, and also rigorously exacting from each the respect that was due to himself. He would always see people who called upon him, and though it was believed that he would rather not have been disturbed, he was too much of a gentleman to show it. In fact, it was agreed that he was a gentleman before everything, and not at all like a "Jones"; and therefore, acting on some instinctive perception of the fitness of things, the citizens dropped the offensive appellation altogether and called him "the Tenor" simply, as they might have called him "the Duke."

There was at first a good deal of wonder as to where the money came from with which he furnished his little house in the Close. How did he manage to buy so many books and pictures? and how could he afford to give so much away in charity? For it was known beyond a doubt that he had on more than one occasion relieved the families of the other singers, and had relieved them, too, in a most substantial way. It was evident that he had means; but if he had means, why did he sing in the choir? This question was the Alpha and Omega of ail that concerned him.

It was asked everywhere and by everybody; but no one could answer it save the dean, who was not to be approached upon the subject. Finally, however, people grew tired of forming conjectures which were neither denied nor affirmed, and, becoming accustomed to the Tenor's presence amongst them, they ceased as a regular thing to discuss his affairs.

But this was not the case until a story had been circulated about him which was generally believed, although n.o.body knew from whence it emanated. He was, according to the story, the illegitimate son of an actress, and some great--in-the-sense-of-having-a-t.i.tle--man, from whom he inherited his aristocratic appearance and a small income. His mother, it was said, had been an opera singer, which accounted for his voice; and shame, they declared, on the discovery of his birth, had driven him into his present retirement, and caused him to renounce the world. As this story accounted in the most satisfactory manner for all that was strange about him, it was regarded in every respect as authentic; and, after the wickedness of t.i.tled men and the frailty of acting women had been freely commented upon with much sage shaking of the head, as if only t.i.tled men were wicked and acting women frail, and Morningquest itself was a saintly city, innocent of any deed not strictly in accordance with its word, the matter was allowed to drop, and the Tenor was left to "gang his ain gait,"

which he would have done in any case, probably, but which he continued to do in a quiet, earnest, regular way that won him a friendly feeling from most men, and more than his share of sympathy and attention from the good women who had not self-love enough to be wounded by his indifference.

Unsophisticated little maidens, just budding into womanhood, would peep after him shyly from the old-fashioned houses sometimes, and would feel in their tender little hearts a gentle pity for one who was so handsome and so unfortunate. Like the true hero of romance, he was believed by them to be supremely unhappy, and all they asked was to be allowed to comfort him; but he noticed none of them. And so the little maidens blushed at first for having thought of him at all, and then forgot him for somebody else; or, if the somebody else did not come quickly, they began to regard the Tenor with a totally different feeling--almost as if he had wronged them in some way. But the Tenor continued to "gang his ain gait," and was alike indifferent to their pity or their spite.

His little house, like most of those in the Close, had an old walled garden behind it, a large garden for the size of the house, and so sheltered that many things grew there which would not grow elsewhere in the open. The house itself was picturesque on that side, having a bright south aspect favourable to the growth of creepers, with which it was thickly covered, jasmine, clematis, honeysuckle, and roses succeeding each other in their regular order; and the garden was always full of flowers.

It was here that the Tenor spent much of his time, hard at work. He had evidently a pa.s.sion for flowers, and was a most successful gardener, the conservatory and orchid house, which he had had built soon after his arrival, being always lovely even in the winter. The building of these two houses was considered an extravagance, and had caused the Close to point the finger at him for a while; but when someone declared that the unfortunate Tenor had probably inherited much of his mother's recklessness, and was not therefore responsible as other people were, the suggestion was considered reasonable enough, and from that time forward the Tenor's expensive tastes were held to be separate matter for commiseration; the truth being that Morningquest could not bear to be on bad terms with the Tenor, and would have found an excuse for him had he outraged the best preserved prejudices it ever held.

It was only necessary to glance at the Tenor's books to perceive that he was a student. Many valuable works in many languages were scattered about his house, and it was a well-known fact that he spent much of his leisure in poring over these. To what end his studies might be directed no one, of course, could tell, but it was a.s.sumed that he had acquired a respectable amount of knowledge from the fact that the dean, himself a learned man, delighted not a little in his conversation. When this fact had been fully ascertained by careful observation, smouldering curiosity blazed up afresh, and surmise was once more busy with the Tenor's name. Did he write for the magazines, they wondered? It seemed likely enough, for it was notorious in Morningquest that people who did that kind of thing were not like the rest of the world; and it soon came to pa.s.s that certain articles relating to various things, such as drainage, deep sea fishery, the coinage of Greece, compet.i.tive examinations in China, and essays on other subjects likely to interest an artistic man, were confidently a.s.sumed to be his. And the shy little girls in the old-fashioned houses, who never looked at anything in the magazines but the pictures and the poetry, were wont to credit him with certain pa.s.sionate lays from which they got quite new ideas of eyes and dies and sighs, and other striking rhymes to musical metres which made their little hearts throb pleasurably. But nothing more definite was known of the Tenor's labours than was known of anything else concerning him; and, fortunately for himself, there was that in his bearing which preserved him from being personally annoyed by impertinent curiosity, so that he was most probably pretty nearly the only person in the city who had no idea of the interest he himself excited.

Two years had glided by in great apparent tranquillity since the day the Tenor entered the choir; two years, during which he had trodden the path of life so uprightly, and so purely, that not even a suspicion of wrong-doing was ever breathed against him by gentle or simple, good or bad. It was a calm and pa.s.sionless existence that he led, the life of an ascetic, but of a cultivated ascetic, devoted to the highest intellectual pursuits, and actuated by the belief that their value consisted, not in their market price, nor in the amount of attention called fame, which they might attract to himself, but in the pleasure they gave and in the good they did. Many a weary man whose life had been wasted in the toil of bringing himself before the world, when he had reached the summit of his ambition, might well have envied the Tenor his placid countenance and untroubled lot; some might even have perceived that there was more of poetry than of commonplace in the quiet life which glided on so evenly, soothed by the cathedral services, cheered by the chime, and guarded by the shadow of its gray protecting walls.

The Tenor's cheeks had been haggard and worn when he first settled in Morningquest, and dark circles round his eyes had betokened sleepless nights, and the ceaseless gnawing ache of a great grief. But all that had pa.s.sed as the days wore on, giving place to a settled expression of peace-- peace tinged with a certain sadness, but dignified by resignation.

Gradually, too, although he remained slender, he ceased to be emaciated, and his cheeks a.s.sumed a healthy hue that very well became them.

CHAPTER II.

It was thought at first that the dean's intimacy with the new Tenor arose from a sense of duty sharpened by the feeling of self-reproach with which he had regarded his fancied neglect of the old one; but, however that might have been, it was continued from a genuine liking for the man himself. No one in Morningquest knew the Tenor half so well as the dean did, no one could have had a truer regard for him, or watched the pa.s.sing of his trouble with more affectionate interest, or noted the change for the better which had been wrought by the regular occupation of those peaceful days with greater satisfaction, The dean knew the Tenor's story, so that their relations might be called confidential; but for two years no allusion had been made by either of them to the past, neither had any plans been formed for the future.

At the end of that time, however, the dean noticed signs of awakening energy in his friend. The Tenor performed his duties less mechanically.

His apathy was broken by fits of restlessness. He had found the mornings long lately; he had thought the afternoons objectless; and when evening came and the lamps were lighted, he wearied of his books and music, and chafed a little for something, not change exactly; but he was conscious of a desire--and this he only felt at times--a desire for some trifling human interest which should make the life he was leading fuller. He had awakened, in fact, from his long lethargy, and found himself alone.

The Dean of Morningquest was a remarkable man. He had the fine physique, the high-breeding, and the scholarly reputation common to that order of divines who keep up the dignity of the Church without doing much for Christianity. In person he was tall, but stooped from the shoulders. He had white hair, a fine intellectual face; fresh, and with that young look in it which has been called saint-like, and is only seen on the faces of those in whom pa.s.sion has not died a natural death as the vital powers decay, but has been brought into subjection, and made to do good work instead of evil. No man consorted more habitually with his equals, or seldomer entertained the notion that there were such people in the world as his inferiors. He practised his religion to the last letter of church law, and worshipped Christ the Son of G.o.d; but there is no doubt that he would have turned his exclusive back on Christ the carpenter's son, and had him prosecuted for an impostor had he presented himself with no better pedigree. He could tell the story of the Saviour's sufferings with infinite pathos because he knew who the Saviour was; but he could not have told the same story with the same power had the hero of it been merely one common man sacrificing his life for others. What affected the dean was the enormous condescension. It was the greatness of the Man, not the greatness of the deed, that appealed to him. A poor tradesman might sacrifice his life n.o.bly also; but, then, what is the life of a tradesman comparatively speaking?

People called the dean proud and worldly wise, but this was not true of him. He may have believed that all the people of Palestine belonged to county families, and were therefore called the chosen people, but he never said so. A certain gentle humility of demeanour always distinguished him, no matter to whom he spoke; and he was without doubt a thoroughly good nineteenth century churchman, living at his own level, of course, and true to his caste, toward the weaknesses of which he exercised much charity and forbearance, while he expressed his condemnation of its sins by rigorously excluding from his family circle any member of it who had been openly convicted of disgraceful conduct, just as he excluded professional men and other common citizens when they held no official position which he was obliged to recognize, and were not connected with the landed gentry. But these were the characteristics of his position, for as a dean he was required to be the slave of precedent; as a man, however, he was known to be just and generous, and an excellent good friend to all who had any claim upon him, from the bishop who governed him down to the humblest chorister in the cathedral which he governed.

It was in the early spring when the dean first noticed what he took to be a change for the better in the Tenor's att.i.tude toward life at large. The dean was susceptible himself to kindly changes in the season; so much so, indeed, that, contrary to all precedent, he allowed himself to be tempted out after dark one night into the Close by the balmy mildness of the weather: His mind had been running all day upon the Tenor, and, noticing as he pa.s.sed his little house that the blind was up, and the sitting room window wide open, showing the lamplit interior, and the object of his thoughts pacing restlessly to and fro, he determined to go in and have a chat. The Tenor received him cordially, but his manner was somewhat absent, and for a wonder the conversation flagged.

"Are you well?" the dean asked at last. "You look somewhat fatigued, I think, and pale."

"Yes, I am well, thank you," the Tenor answered, brushing his hand back over his forehead and hair, a gesture which was habitual. "But I fancy,"

he added smiling, "that I am beginning to be a little"--he did not know what.

"Ah!" said the dean, looking at him with the grave, critical air of an anxious physician, and ruminating before he p.r.o.nounced his diagnosis, "You have shown most extraordinary perseverance in the course of life you marked out for yourself," he finally observed; "and I trust your resolution is well recompensed by having obtained for you that peace of mind which you sought. But there is one thing I should like to be permitted to point out to you. I do not venture to advise, because, in the first place, it is always a difficult matter to decide on What would be best for another man's welfare; and, in the second"--the dean always spoke with great deliberation--"a man who has proved himself so capable of acting with prudence and determination, so competent to judge, and so firm in carrying out his convictions as you have been, might well consider advice from anyone presumptuous. And, therefore, I am merely going to observe that, lately, it has seemed to me to be a pity that your life should continue much longer to be a life of inaction. I hope, and indeed I think, that the years you have spent so well in this quiet way have been even more beneficial than you yourself imagine; that they have not only reconciled you to life, but have given you back the confidence and energy which should belong to your character and abilities, and the ambition to succeed in the world which should belong to your age. For some time past it has seemed to me that you are more restless than you used to be; and I have fancied, indeed I may say I have hoped, that you are at last beginning to long for change."

The Tenor sat silent and thoughtful for a while.

"No," he began at last, "I do not even yet long for change, as you would understand the longing. I have begun to feel a want, though I scarcely know of what--of companionship, perhaps, of some new interest; but I have no inclination for any change that would take me away from here. After the storm I pa.s.sed through, this place has been for me a perfect haven of rest; and now that my peace of mind has returned to me, do you think it would be wise, by any voluntary act, to alter the present course of my life, seeing that it is so well with me as it is? When a man is content it does not seem to me that any change can be for the better; and, trifles apart, I really am content."

"G.o.d grant it may last," the dean responded earnestly. "Only I would warn you to be ready for change in case it comes to you in spite of yourself. I would warn you not to feel too secure. For I have noticed this, that, for some mysterious reason which no mortal can fathom, it appears to be the will of Heaven that when a man is able to say sincerely, 'I am happy'; when he is most confident, believing his happiness to be as firmly placed as earthly happiness can be, then is the time for him to be most watchful, for then is change most likely to be at hand. Indeed, it has seemed to me that this feeling of security, or rather of content with things as they are, is in itself an indication of coming change."

As he finished speaking the cathedral clock above them began to strike the hour. Slowly the mellow notes followed each other, filling the night with sound, and dying away in a long reverberation when the twelfth had struck.

Then came silence, then the chime, voicelike, clear, and resonant:

[Ill.u.s.tration: (musical notation); lyrics: He, watch-ing o-ver Is--ra--el, slumbers not, nor sleeps.]

After which all was so still that the Tenor, looking up through the open window at the moonlit cathedral, towering above him, gray, shadowy, and mysterious, felt as if the world itself had stopped, and all the life in it had been resolved into a moment of intense self-consciousness, of illimitable pa.s.sionate yearning for something not to be expressed.

The next day was Sat.u.r.day, and in the afternoon the Tenor had to sing.

CHAPTER III.

There is human nature, both literally and figuratively speaking, in Wagner's method of setting a character to a tune of its own; for, although our lives can hardly be said to order themselves to one consistent measure, our days often do.

For months now, "When the orb of day departs," Schubert's song, had accompanied the Tenor. It had soothed him, it had irritated him; it had expressed pa.s.sionate longing, it had been the utterance of despairing apathy; it had marked the vainest regret, and it had Suggested hope; it had wearied him, it had comforted him; but it had never left him. That Sat.u.r.day morning, however, when he awoke, his mind was set to another measure. Schubert's song had gone as it had come, without conscious effort on his part; but it had left a subst.i.tute, for the Tenor, as he lingered over his morning's work, found himself continually murmuring whole phrases of a chant which he had heard once upon a time when he was staying in an old town in France, It was the Litany of the Blessed Virgin sung at Benediction by some unseen singer with a wonderfully sympathetic mezzo-soprano voice. The Tenor had gone again and again to hear her in this chant, the music of which suited her as well as it did the theme. The words of adoration, "Sancta Maria, Sancta Dei Genetrix, Sancta Virgo virginum," were uttered evenly on notes that admitted of the tenderest expression, while the supplication, the "Ora pro n.o.bis," rose to the full compa.s.s of the singer's voice, and was delivered in tones of pa.s.sionate entreaty. At the end, in the "Agnus Dei," the music changed, dropping into the minor with impressive effect, the effect of earnestness wearied by effort but still unshaken; and it was this final appeal in all its pathetic beauty that now recurred to the Tenor. He had not thought of the chant for years, nor had there been anything apparently to recall it now; but all that day it possessed him, and at intervals he caught himself involuntarily singing it aloud:

"Agnus Dei, qui tollis peccata mundi, parce n.o.bis Domine, Agnus Dei, qui tollis peccata mimdi, exaudi nos Domine, Agnus Dei, qui tollis peccata mundi, miserere n.o.bis."