The Heart of Princess Osra Part 19

Giraldo looked into her softened eyes; suddenly giving a little cry, as if a great joy had come to him unexpectedly and contrary to all likelihood, he dropped M. de Merosailles' letter, and sprang to where his brushes lay on the floor; seizing them and his palette, he gave another swift glance at the Princess, and then, turning to the picture, began to paint with marvellous dexterity and deftness and with the sudden confidence of a man inspired to the work. As he worked, his brow grew smoother, the tension of his strained face relaxed, happiness dawned in his eyes, and a smile broke on his lips; and Osra watched him with a tender sorrowful gaze. Still he painted, and he was painting when the King burst in from the other room in a great rage, carrying his sword drawn in his hand; for he had sworn by Our Lady and St. Peter to kill the rogue who had done the Princess such wrong and so slandered her beauty. And his gentlemen came in with him, all very ready to see Giraldo killed, but each eager that the King should leave the task to him. Yet when they entered and saw Giraldo painting as though he were rapt by some ecstasy and had forgotten all that had pa.s.sed, nay, even their very presence, they paused in unwilling and constrained hesitation. Osra raised her hand to bid them stay still where they were, and not interfere with Giraldo's painting. For now she desired above all things on earth that he should be left to finish his task. For he thought that he had read more than pity and more than tenderness in Osra's eyes; he had seemed to see love there, and thus he had cried out in joy, and thus he was now painting as never had even he, for all his skill, painted before. His unerring hand, moving lightly to and fro, imparted the sweetness of his delusive vision to the canvas, so that the eyes of the portrait glowed with wonderful and beautiful love and gentleness. Presently Giraldo began to sing very softly to himself a sweet happy old song, that peasants sang to peasant girls in the fields outside his native Verona on summer evenings. His head was thrown back in triumph and exultation as he sang and worked, tasting the luxury of love, and glorying in the tribute that his genius paid to her whom he loved. Thus came a moment of great joy to the soul of Giraldo the painter; for a man's love and a man's work are, when they seem to prosper, of all things the sweetest, and their union in one his life's consummation.

It was done. He laid down the brush, and drew back a step, looking at what he had done. The Princess came softly and slowly, as though attracted against her will, and she stood by him; for she saw that this picture was now, beyond all compare, the most perfect and beautiful of all that he or any other man had painted of her; and she loved him for thus glorifying her. But, before many moments had gone by, a sudden start and shiver ran through Giraldo's body. The spell of his entranced ecstasy broke; his eyes fell from the masterpiece that he had made, and wandered to those who stood about him--to the gentlemen who did not know whether to wonder or to laugh, to the angry face of the King and the naked sword in his hand, at last to Osra, whose eyes were still on the picture. His exultation vanished, and with it went, as it seemed to them, his madness. Reason dawned for a moment in his eyes, but was quenched in an instant by shame and despair. For he knew that all there had seen that other picture and knew now what he had done; and suddenly with a stifled cry he flung himself full length on the floor at Osra's feet.

"Let us wait," said she gently. "He will be himself again soon."

But the King was too angry to listen.

"He has made us fools before half Europe," he cried angrily, "and he shall not live to talk of it. And you--have you seen the picture yonder?"

"Yes, I have seen it," said she. "But he does not now think that picture like me, but this one." And she turned to the gentlemen, and desired them to raise Giraldo and lay him on a couch, and they obeyed. Then she knelt by his head; and, after a while he opened his eyes, seeming sound of sense in everything except that he believed she loved him, so that he began to whisper to her as lovers whisper to their loves, very tenderly and low. And the King, with his gentlemen, stood a little way off. But the Princess said nothing to Giraldo, neither refusing his love, nor yet saying what was false; yet she suffered him to talk to her, and to reach up his hand and gently touch a lock of hair that strayed on her forehead. And he, sighing in utter happiness and contentment, closed his eyes again, and lay back very quietly on the couch.

"Let us go," said she rising. "I will send a physician." And she bade one of the gentlemen lock the inner room, and give her the key, and she and the King and they all then departed, and sent his servants to tend Giraldo; and Osra caused the King's physician also to be summoned. But Giraldo did no more than linger some few days alive; for the most of them he was in a high fever, his brain being wild; and he raved about the Princess, sometimes railing at her, sometimes praising her; yet once or twice he awoke, calm and happy as he had been when she knelt by him, and having for his only delusion the thought that she still knelt there and was breathing words of love into his ear. And in this last merciful error, in respect of which the physicians humoured him, one day a week later, he pa.s.sed away and was at peace.

Then the Princess came, attended by one gentleman in whom she placed confidence, and she destroyed the evil picture that Giraldo had painted, and having caused a fire to be made, burnt up the pieces of it, and all the ruins of the pictures that Giraldo had destroyed. But that on which he had last worked so happily, and with such a triumph of art, she carried with her to the palace; and presently she caused copies to be made of it, and sent one to each of the Princes by whom Giraldo had been commanded to paint her picture, and with it the money he had received, the whole of which was found untouched in a cabinet in his house. But the picture itself she hung in her own chamber, and would often look at it, feeling great sorrow for the fate of Giraldo the painter.

Yet King Rudolf could not be prevailed upon to pity the young man, saying that for his part he should have to be mad before the love of a woman should drive him mad; and he cursed Giraldo for an insolent knave, declaring that he did well to die of his own accord. And because M. de Merosailles had gallantly defended his sister's beauty in three duels, he sent him by the hand of a high officer his Order of the Red Rose, which M. de Merosailles wore with great pride at the Court of Versailles.

But when the copies of the last picture reached the Courts to which they were addressed, together with the money and a brief history of Giraldo's mad doings, the Princes turned their thoughts again to the matter of the alliance, and several emba.s.sies set out for Strelsau; so that Princess Osra said, with a smile that was half-sad, half-amused, and very whimsical:

"I am much troubled by reason of the loss of Signor Giraldo my painter."

CHAPTER VII.

The Indifference of the Miller of Hofbau.

There is a swift little river running by the village of Hofbau, and on the river is a mill, kept in the days of King Rudolf III. by a st.u.r.dy fellow who lived there all alone; the King knew him, having alighted at his house for a draught of beer as he rode hunting, and it was of him the King spoke when he said to the Queen, "There is, I believe, but one man in the country whom Osra could not move, and he is the Miller of Hofbau." But although he addressed the Queen, it was his sister at whom he aimed his speech. The Princess herself was sitting by, and when she heard the King she said:

"In truth I do not desire to move any man. What but trouble comes of it?

Yet who is this miller?"

The King told her where the miller might be found, and he added: "If you convert him to the love of women you shall have the finest bracelet in Strelsau."

"There is nothing, sire, so remote from my thoughts or desires as to convert your miller," said Osra scornfully.

In this, at the moment, she spoke truthfully; but being left alone for some days at the Castle of Zenda, which is but a few miles from Hofbau, she found the time hang very heavy on her hands; indeed she did not know what to do with herself for weariness; and for this reason, and none other at all, one day she ordered her horse and rode off with a single groom into the forest. Coming, as the morning went on, to a wide road, she asked the groom where it led. "To Hofbau, madame," he answered. "It is not more than a mile further on." Osra waited a few moments, then she said: "I will ride on and see the village, for I have been told that it is pretty. Wait here till I return," and she rode on, smiling a little, and with a delicate tint of colour in her cheeks.

Before long she saw the river and the mill on the river; and, coming to the mill, she saw the miller sitting before his door, smoking a long pipe. She called out to him, asking him to sell her a gla.s.s of milk.

"You can have it for the asking," said the miller. He was a good-looking fair fellow, and wore a scarlet cap. "There is a pail of it just inside the door behind me." Yet he did not rise, but lay there, lolling luxuriously in the sun. For he did not know Osra, never having been to Strelsau in his life, and to Zenda three or four times only, and that when the Princess was not there. Moreover--though this, as must be allowed, is not to the purpose--he had sworn never again to go so far afield.

Being answered in this manner, and at the same time desiring the milk, the Princess had no choice but to dismount.

This she did, and pa.s.sed by the miller, pausing a moment to look at him with bright curious eyes, that flashed from under the brim of her wide-rimmed feathered hat; but the miller blinked lazily up at the sun and took no heed of her.

Osra pa.s.sed on, found the pail, poured out a cup of milk, and drank it.

Then, refilling the cup, she carried it to the miller.

"Will you not have some?" said she with a smile.

"I was too lazy to get it," said the miller; and he held out his hand, but did not otherwise change his position.

Osra's brow puckered and her cheek flushed as she bent down, holding the cup of milk so that the miller could reach it. He took and drained it, gave it back to her, and put his pipe in his mouth again. Osra sat down by him and watched him. He puffed and blinked away, never so much as looking at her.

[Ill.u.s.tration: "HE TOOK IT AND DRAINED IT."--_Page 204._]

"What have you for dinner?" asked she presently.

"A piece of cold pie," said he. "There's enough for two, if you're hungry."

"Would you not like it better hot?"

"Oh, aye; but I cannot weary myself with heating it."

"I'll heat it," said the Princess; and, rising, she went into the house, and made up the fire, which was almost burnt out; then she heated the pie, and set the room in order, and laid the table, and drew a large jug of beer from the cask. Next she placed an arm-chair ready for the miller, and put the jug by it; then she filled the pipe from the bowl of tobacco and set a cushion in the chair. All this while she hummed a tune, and from time to time smiled gayly. Lastly, she arranged a chair by the elbow of the miller's chair; then she went out and told him that his dinner was ready; and he stumbled to his feet with a sigh of laziness, and walked before her into the house.

"May I come?" cried she.

"Aye, there is enough for two," said the Miller of Hofbau without looking round.

So she followed him in. He sank into the arm-chair and sat there, for a moment surveying the room which was so neat, and the table so daintily laid, and the pie so steaming hot. And he sighed, saying:

"It was like this before poor mother died." And he fell to on a great portion of pie with which Osra piled his plate.

When he had finished eating--which thing did not happen for some time--she held the jug while he took a long draught; then she brought a coal in the tongs and held it while he lit his pipe from it; then she sat down by him. For several moments he puffed, and then at last he turned his head and looked at Princess Osra; she drooped her long lashes and cast down her eyes; next she lifted her eyes and glanced for an instant at the miller; and, finally, she dropped her eyes again and murmured shyly: "What is it, sir? Why do you look at me?"

"You seem to be a handy wench," observed the miller. "The pie was steaming hot and yet not burnt, the beer was well frothed but not shaken nor thickened, and the pipe draws well. Where does your father dwell?"

"He is dead, sir," said Princess Osra very demurely.

"And your mother?" pursued the miller.

"She also is dead."

"There is small harm in that," said the miller thoughtfully; and Osra turned away her head to hide her smile.

"Are you not very lonely, living here all by yourself?" she asked a moment later.

"Indeed I have to do everything for myself," said the miller sadly.

"And there is n.o.body to--to care for you?"

"No, nor to look after my comfort," said the miller. "Have you any kindred?"

"I have two brothers, sir; but they are married now, and have no need of me."