The Headsman Or The Abbaye des Vignerons Part 20

"We partake of them, from time to time, as the abbaye desires, and much as thou seest. The honorable Signor Grimaldi--who will pardon me that he gets no better treatment than he receives, and who will not fail to ascribe what, to all who know him, might otherwise pa.s.s for inexcusable neglect, to his own desire for privacy--he will tell us, should he be pleased to honor us with his real opinion, that the subject is none the worse for occasions to laugh and be gay. Now, there is Geneva, a town given to subtleties as ingenious and complicated as the machinery of their own watches; it can never have a merry-making without a leaven of disputation and reason, two as d.a.m.nable ingredients in the public humor as schism in religion, or two minds in a _menage_. There is not a knave in the city who does not fancy himself a better man than Calvin, and some there are who believe if they are not cardinals, it is merely because the reformed church does not relish legs cased in red stockings. By the word of a bailiff! I would not be the ruler, look ye, of such a community, for the hope of becoming Avoyer of Berne itself. Here it is different. We play our antics in the shape of G.o.ds and G.o.ddesses like sober people, and, when all is over, we go train our vines, or count our herds, like faithful subjects of the great canton. Do I state the matter fairly to our friends, Baron de Blonay?"

Roger de Blonay bit his lip, for he and his had been of Vaud a thousand years, and he little relished the allusion to the quiet manner in which his countrymen submitted to a compelled and foreign dictation. He bowed a cold acquiescence to the bailiff's statement, however, as if no farther answer were needed.

"We have other ceremonies that invite our attention," said Melchior de Willading, who had sufficient acquaintance with his friend's opinions to understand his silence.

The next group that approached was composed of those who lived by the products of the dairy. Two cowherds led their beasts, the monotonous tones of whose heavy bells formed a deep and rural accompaniment to the music that regularly preceded each party, while a train of dairy-girls, and of young mountaineers of the cla.s.s that tend the herds in the summer pasturages, succeeded, a car loaded with the implements of their calling bringing up the rear. In this little procession, no detail of equipment was wanting. The milking-stool was strapped to the body of the dairyman; one had the peculiarly constructed pail in his hand, while another bore at his back the deep wooden vessel in which milk is carried up and down the precipices to the chalet. When they reached the sodded arena, the men commenced milking the cows, the girls set in motion the different processes of the dairy, and the whole united in singing the Ranz des Vaches of the district. It is generally and erroneously believed that there is a particular air which is known throughout Switzerland by this name, whereas in truth nearly every canton has its own song of the mountains, each varying from the others in the notes, as well as in the words, and we might almost add in the language. The Ranz des Vaches of Vaud is in the patois of the country, a dialect that is composed of words of Greek and Latin origin, mingled on a foundation of Celtic. Like our own familiar tune, which was first bestowed in derision, and which a glorious history has enabled us to continue in pride, the words are far too numerous to be repeated. We shall, however, give the reader a single verse of a song which Swiss feeling has rendered so celebrated, and which is said often to induce the mountaineer in foreign service to desert the mercenary standard and the tame scenes of towns; to return to the magnificent nature that haunts his waking imagination and embellishes his dreams. It will at once be perceived that the power of this song is chiefly to be found in the recollections to which it gives birth, by recalling the simple charms of rural life, and by reviving the indelible impressions that are made by nature wherever she has laid her hand on the face of the earth with the same majesty as in Switzerland.

Le zermailli dei Colombiette De bon matin, se san leha.--

REFRAIN.

Ha, ah! ha, ah!

Liauba! Liauba! por aria.

Venide tote, Bllantz' et naire, Rodz et motaile, Dzjouvan' et etro Dezo ou tzehano, Io vo z' ario Dezo ou triembllo, Io ie triudzo, Liauba! Liauba! por aris.

[The cowherds of the Alps Arise at an early hour.

CHORUS.

Ha, ah! ha, ah!

Liauba! Liauba! in order to milk.

Come all of you, Black and white, Red and mottled, Young and old; Beneath this oak I am about to milk you.

Beneath this poplar, I am about to press, Liauba! Liauba! in order to milk.]

The music of the mountains is peculiar and wild, having most probably received its inspiration from the grandeur of the natural objects. Most of the sounds partake of the character of echoes, being high-keyed but false notes; such as the rocks send back to the valleys, when the voice is raised above its natural key in order to reach the caverns and savage recesses of inaccessible precipices. Strains like these readily recall the glens and the magnificence amid which they were first heard, and hence, by an irresistible impulse, the mind is led to indulge in the strongest of all its sympathies, those which are mixed with the unalloyed and unsophisticated delights of buoyant childhood.

The herdsmen and dairymaids no sooner uttered the first notes of this magic song, than a deep and breathing stillness pervaded the crowd. As the peculiar strains of the chorus rose on the ear, murmuring echoes issued from among the spectators, and ere the wild intonations could be repeated which accompanied the words "Liauba! Liauba!" a thousand voices were lifted simultaneously, as it were, to greet the surrounding mountains with the salutations of their children. From that moment the remainder of the Ranz des Vaches was a common burst of enthusiasm, the offspring of that national fervor, which forms so strong a link in the social chain, and which is capable of recalling to the bosom that, in other respects, has been hardened by vice and crime, a feeling of some of the purest sentiments of our nature.

The last strain died amid this general exhibition of healthful feeling.

The cowherds and the dairy-girls collected their different implements, and resumed their march to the melancholy music of the bells, which formed a deep contrast to the wild notes that had just filled the square.

To these succeeded the followers of Ceres, with the altar, the priestess, and the enthroned G.o.ddess, as has been already described in the approach of Flora. Cornucopiae ornamented the chair of the deity, and the canopy was adorned with the gifts of autumn. The whole was surmounted by a sheaf of wheat. She held the sickle as her sceptre, and a tiara composed of the bearded grain covered her brow. Reapers followed, bearing emblems of the season of abundance, and gleaners closed the train. There was the halt, the chant, the chorus, and the song in praise of the beneficent G.o.ddess of autumn, as had been done by the votaries of the deity of flowers. A dance of the reapers and gleaners followed, the threshers flourished their flails, and the whole went their way.

After these came the grand standard of the abbaye and the vine-dressers the real objects of the festival, succeeded. The laborers of the spring led the advance, the men carrying their picks and spades, and the women vessels to contain the cuttings of the vines. Then came a train bearing baskets loaded with the fruit, in its different degrees of perfection and of every shade of color. Youths holding staves topped with miniature representations of the various utensils known in the culture of the grape, such as the laborer with the tub on his back, the b.u.t.t, and the vessel that first receives the flowing juice, followed. A great number of men, who brought forward the forge that is used to prepare the tools, closed this part of the exhibition. The song and the dance again succeeded, when the whole disappeared at a signal given by the approaching music of Bacchus. As we now touch upon the most elaborate part of the representation, we seize the interval that is necessary to bring it forward, in order to take breath ourselves.

Chapter XV.

And thou, O wall, O sweet, O lovely wall, That stand'st between her father's ground and mine Thou wall, O wall, O sweet and lovely wall, Show me thy c.h.i.n.k, to blink through with mine eyne.

_Midsummer Night's Dream._

"'Odds my life, but this goes off with a grace, brother Peter!" exclaimed the Baron de Willading, as he followed the vine-dressers in their retreat, with an amused eye--"If we have much more like it, I shall forget the dignity of the burgerschaft, and turn mummer with the rest, though my good for wisdom were the forfeit of the folly."

"That is better said between ourselves than performed before the vulgar eye, honorable Melchior It would sound ill, of a truth, were these Vaudois to boast that a n.o.ble of thy estimation in Berne were thus to forget himself!"

"None of this!--are we not here to be merry and to laugh, and to be pleased with any folly that offers? A truce, then, to thy official distrusts and superabundant dignity, honest Peterchen," for such was the good-natured name by which the worthy bailiff was most commonly addressed by his friend; "let the tongue freely answer to the heart, as if we were boys rioting together, as was once the case, long ere thou wert thought of for this office, or I knew a sorrowful hour."

"The Signor Grimaldi shall judge between us: I maintain that restraint is necessary to those in high trusts."

"I will decide when the actors have all played their parts," returned the Genoese, smiling; "at present, here cometh one to whom all old soldiers pay homage. We will not fail of respect in so great a presence, on account of a little difference in taste."

Peter Hofmeister was not a small drinker, and as the approach of the G.o.d of the cup was announced by a flourish from some twenty instruments made to speak on a key suited to the vault of heaven, he was obliged to reserve his opinions for another time. After the pa.s.sage of the musicians, and a train of the abbaye's servants, for especial honors were paid to the ruby deity, there came three officials of the sacrifice, one leading a goat with gilded horns, while the two others bore the knife and the hatchet. To these succeeded the altar adorned with vines, the incense-bearers, and the high-priest of Bacchus, who led the way for the appearance of the youthful G.o.d himself. The deity was seated astride on a cask, his head encircled with a garland of generous grapes, bearing a cup in one hand, and a vine entwined and fruit-crowned sceptre in the other. Four Nubians carried him on their shoulders, while others shaded his form with an appropriate canopy; fauns wearing tiger-skins, and playing their characteristic antics, danced in his train, while twenty laughing and light-footed Bacchantes flourished their instruments, moving in measure in the rear.

A general shout in the mult.i.tude preceded the appearance of Silenus, who was sustained in his place on an a.s.s by two blackamoors. The half-empty skin at his side, the vacant laugh, the foolish eye, the lolling tongue, the bloated lip, and the idiotic countenance, gave reason to suspect that there was a better motive for their support than any which belonged to the truth of the representation. Two youths then advanced, bearing on a pole a cl.u.s.ter of grapes that nearly descended to the ground, and which was intended to represent the fruit brought from Canaan by the messengers of Joshua--a symbol much affected by the artists and mummers of the other hemisphere, on occasions suited to its display. A huge vehicle, ycleped the ark of Noah, closed the procession. It held a wine-press, having its workmen embowered among the vines, and it contained the family of the second father of the human race. As it rolled past, traces of the rich liquor were left in the tracks of its wheels.

Then came the sacrifice, the chant, and the dance, as in most of the preceding exhibitions, each of which, like this of Bacchus, had contained allusions to the peculiar habits and attributes of the different deities.

The baccha.n.a.l that closed the scene was performed in character; the trumpets flourished, and the procession departed in the order in which it had arrived.

Peter relented a little from his usual political reserve, as he witnessed these games in honor of a deity to whom he so habitually did practical homage, for it was seldom that this elaborate functionary, who might be termed quite a doctrinaire in his way, composed his senses in sleep, without having pretty effectually steeped them in the liquor of the neighboring hills; a habit that was of far more general use among men of his cla.s.s in that age than in this of ours, which seems so eminently to be the season of sobriety.

"This is not amiss, of a verity;" observed the contented bailiff, as the Fauns and Bacchantes moved off the sward, capering and cutting their cla.s.sical antics with far more agility and zeal than grace. "This looks like the inspiration of good wine, Signior Genoese, and were the truth known, it would be found that the rogue who plays the part of the fat person on the a.s.s--how dost call the knave, n.o.ble Melchior?"

"Body o' me! if I am wiser than thyself, worthy bailiff; it is clearly a rogue who can never have done his mummery so expertly, without some aid from the flask."

"Twill be well to know the fellow's character, for there may be the occasion to commend him to the gentlemen of the abbaye, when all is over.

Your skilful ruler has two great instruments that he need use with discretion, Baron de Willading, and these are, fear and flattery; and Berne hath no servant more ready to apply both, or either, as there may be necessity, than one of her poor bailiffs that hath not received all his dues from the general opinion, if truth were spoken. But it is well to be prepared to speak these good people of the abbaye fairly, touching their exploits. Harkee master halberdier; thou art of Vevey, I think, and a warm citizen in thy every-day character, or my eyes do us both injustice."

"I am, as you have said, Monsieur le Bailli, a Vevaisan, and one that is well known among our artisans."

"True, that was visible, spite of thy halberd. Thou art, no doubt, rarely gifted, and taught to the letter in these games. Wilt name the character that has just ridden past on the a.s.s--he that hath so well enacted the drunkard, I mean? His name hath gone out of our minds for the moment, though his acting never can, for a better performance of one overcome by liquor is seldom seen."

"Lord keep you! worshipful bailiff, that is Antoine Giraud, the fat butcher of La Tour de Peil, and a better at the cup there is not in all the country of Vaud! No wonder that he hath done his part so readily; for, while the others have been reading in books, or drilling like so many awkward recruits under the school-master, Antoine hath had little more to perform than to dip into the skin at his elbow. When the officers of the abbaye complain, lest he should disturb the ceremonies, he bids them not to make fools of themselves, for every swallow he gives is just so much done in honor of the representation; and he swears, by the creed of Calvin! that there shall be more truth in his acting than in that of any other of the whole party."

"'Odds my life! the fellow hath humor as well as good acting in him--this Antoine Giraud! Will you look into the written order they have given as, fair Adelheid, that we may make sure this artisan-halberdier hath not deceived us? We in authority must not trust a Vevaisan too lightly."

"It will be vain, I fear, Herr Bailiff, since the characters, and not the names of the actors, appear in the lists. The man in question represents Silenus I should think, judging from his appearance and all the other circ.u.mstances."

"Well, let it be as thou wilt. Silenus himself could not play his own part better than it hath been done by this Antoine Giraud. The fellow would gain gold like water at the court of the emperor as a mime, were he only advised to resort thither. I warrant you, now, he would do Pluto or Minerva, or any other G.o.d, just as well as he hath done this rogue Silenus!"

The honest admiration of Peter, who, sooth to say, had not much of the learning of the age, as the phrase is, raised a smile on the lip of the beauteous daughter of the baron, and she glanced a look to catch the eye of Sigismund, towards whom all her secret sympathies, whether of sorrow or of joy, so naturally and so strongly tended. But the averted head, the fixed attention, and the nearly immovable and statue-like att.i.tude in which he stood, showed that a more powerful interest drew his gaze to the next group. Though ignorant of the cause of his intense regard, Adelheid instantly forgot the bailiff, his dogmatism, and his want of erudition, in the wish to examine those who approached.

The more cla.s.sical portion of the ceremonies was now duly observed. The council of the abbaye intended to close with an exhibition that was more intelligible to the ma.s.s of the spectators than anything which had preceded it, since it was addressed to the sympathies and habits of every people, and in all conditions of society. This was the spectacle that so engrossingly attracted the attention of Sigismund. It was termed the procession of the nuptials, and it was now slowly advancing to occupy the s.p.a.ce left vacant by the retreat of Antoine Giraud and his companions.

There came in front the customary band, playing a lively air which use has long appropriated to the festivities of Hymen. The lord of the manor, or, as he was termed, the baron, and his lady-partner led the train, both apparelled in the rich and quaint attire of the period. Six ancient couples, the representatives of happy married lives, followed by a long succession of offspring of every age, including equally the infant at the breast and the husband and wife in the flower of their days, walked next to the n.o.ble pair. Then appeared the section of a dwelling, which was made to portray the interior of domestic economy, having its kitchen, its utensils, and most of the useful and necessary objects that may be said to compose the material elements of an humble _menage_. Within this moiety of a house, one female plied the wheel, and another was occupied in baking.

The notary, bearing the register beneath an arm, with hat in hand, and dressed in an exaggerated costume of his profession, strutted in the rear of the two industrious housemaids. His appearance was greeted with a general laugh, for the spectators relished the humor of the caricature with infinite gout. But this sudden and general burst of merriment was as quickly forgotten in the desire to behold the bride and bridegroom, whose station was next to that of the officer of the law. It was understood that these parties were not actors, but that the abbaye had sought out a couple, of corresponding rank and means, who had consented to join their fortunes in reality on the occasion of this great jubilee, thereby lending to it a greater appearance of that genuine joy and festivity which it was the desire of the heads of the a.s.sociation to represent. Such a search had not been made without exciting deep interest in the simple communities which surrounded Vevey. Many requisites had been proclaimed to be necessary in the candidates--such as beauty, modesty, merit, and the submission of her s.e.x, in the bride; and in her partner those qualities which might fairly ent.i.tle him to be the repository of the happiness of a maiden so endowed.

Many had been the speculations of the Vevaisans touching the individuals who had been selected to perform these grave and important characters which, for fidelity of representation, were to outdo that of Silenus himself; but so much care had been taken by the agents of the abbaye to conceal the names of those they had selected, that, until this moment, when disguise was no longer possible, the public was completely in the dark on the interesting point. It was so usual to make matches of this kind on occasions of public rejoicing, and marriages of convenience, as they are not unaptly termed, enter so completely into the habits of all European communities--perhaps we might say of all old communities--that common opinion would not have been violently outraged had it been known that the chosen pair saw each other for the second or third time in the procession, and that they had now presented themselves to take the nuptial vow, as it were, at the sound of the trumpet or the beat of drum. Still, it was more usual to consult the inclinations of the parties, since it gave greater zest to the ceremony, and these selections of couples on public occasions were generally supposed to have more than the common interest of marriages, since they were believed to be the means of uniting, through the agency of the rich and powerful, those whom poverty or other adverse circ.u.mstances had hitherto kept asunder. Rumor spoke of many an inexorable father who had listened to reason from the mouths of the great, rather than balk the public humor; and thousands of pining hearts, among the obscure and simple, are even now gladdened at the approach of some joyous ceremony, which is expected to throw open the gates of the prison to the debtor and the criminal, or that of Hymen to those who are richer in constancy and affection than in any other stores.

A general murmur and a common movement betrayed the lively interest of the spectators, as the princ.i.p.al and real actors in this portion of the ceremonies drew near. Adelheid felt a warm glow on her cheek, and a gentler flow of kindness at her heart, when her eye first caught a view of the bride and bridegroom, whom she was fain to believe a faithful pair that a cruel fortune had hitherto kept separate, and who were now willing to brave such strictures as all must encounter who court public attention, in order to receive the reward of their enduring love and self-denial.

This sympathy, which was at first rather of an abstract and vague nature, finding its support chiefly in her own peculiar situation and the qualities of her gentle nature, became intensely heightened, however, when she got a better view of the bride. The modest mien, abashed eye, and difficult breathing of the girl, whose personal charms were of an order much superior to those which usually distinguish rustic beauty in those countries in which females are not exempted from the labors of the field, were so natural and winning as to awaken all her interest; and, with instinctive quickness, the lady of Willading bent her look on the bridegroom, in order to see if one whose appearance was so eloquent in her favor was likely to be happy in her choice. In age, personal appearance, and apparently in condition of life, there was no very evident unfitness, though Adelheid fancied that the mien of the maiden announced a better breeding than that of her companion--a difference which she was willing to ascribe, however, to a greater apt.i.tude in her own s.e.x to receive the first impress of the moral seal, than that which belongs to man.

"She is fair," whispered Adelheid, slightly bending her head towards Sigismund, who stood at her side, "and must deserve her happiness."

"She is good, and merits a better fate!" muttered the youth, breathing so hard as to render his respiration audible.