The Harry Bosch Novels Vol Ii Part 87

He was ignored.

"Okay, what else?" Rider said. "Uh, Veronica also got a couple mentions in stories about movie premieres and who attended. It wasn't a lot. When you said she had fifteen minutes, I think you confused minutes with seconds. Anyway, that's it from me. Jerry?"

Edgar cleared his throat and explained that he had gone up to the gatehouse at Hidden Highlands and run into a problem when Nash insisted on a new search warrant to look at the complete gate log. Edgar said he then spent the afternoon typing up the search warrant and hunting for a judge who hadn't left early for the weekend. He eventually was successful and had a signed warrant which he planned to deliver the next morning.

"Kiz and I are goin' up there in the morning. We'll get a look at the gate log and then we're probably going to hit some of the neighbors, do some interviews. Like you said, we're hopin' the widow will look out her window and catch our act, maybe get a little spooked. Maybe panic, make a mistake."

It was then Bosch's turn, and he recounted his afternoon efforts, including his run-in with Roy Lindell and the agent's recollection that Veronica Aliso had started her show business career as a stripper in Vegas. He also discussed Salazar's finding that Tony Aliso had been hit in the face with a blast of pepper spray shortly before his death and shared the deputy coroner's hunch that it might have been a woman who sprayed him.

"Does he think she could have pulled this off by herself after hitting him with the pepper spray?" Billets asked.

"It doesn't matter, because she wasn't alone," Bosch answered.

He pulled his briefcase onto his lap and took out the copies of the shoe prints Donovan had recovered from the body and the b.u.mper of the Rolls. He slid the pages to the middle of the table so the three others could look.

"That's a size eleven shoe. It belongs to a man, Artie says. A big man. So the woman, if she was there, could have sprayed him with the pepper, but this guy finished the job."

Bosch pointed to the shoe prints.

"He put his foot right on the victim so he could lean in close and do the job point-blank. Very cool and very efficient. Probably a pro. Maybe someone she knew since her Vegas days."

"Probably the one who planted the gun in Vegas?" Billets asked.

"That's my guess."

Bosch had been keeping his eye on the front gate of the courtyard, just in case the drunk who had been tossed out decided to come back and make his point. But when he glanced over now, he didn't see the drunk. He saw Officer Ray Powers, wearing mirrored gla.s.ses despite the lateness of the day, entering the courtyard and being met halfway across by the bartender. Waving his arms in an animated fashion, the bartender told the big cop about the drunk and the threats. Powers glanced around at the tables and saw Bosch and the others. When he had disengaged from the bartender he sauntered over.

"So, the detective bureau brain trust takes five," he said.

"That's right, Powers," Edgar said. "I think the guy you're looking for is out there p.i.s.sing in the bushes."

"Yes, suh, I'll jus' go out there 'n' fetch him, boss."

Powers looked around the table at the others with a satisfied smirk on his face. He saw the copies of the shoe prints on the table and pointed at them with his chin.

"Is this what you d.i.c.ks call an investigative strategy session? Well, I'll give you a tip. Those there are what they call shoe prints."

He smiled at his remark, proud of it.

"We're off duty, Powers," Billets said. "Why don't you go do your job and we'll worry about ours."

Powers saluted her.

"Somebody's got to do the job, don't they?"

He walked away and out through the gate without waiting for a reply.

"He's got one h.e.l.l of a bug up his a.s.s," Rider said.

"He's just mad because I told his lieutenant about the fingerprint he left on our car," Billets said. "I think he got his a.s.s chewed. Anyway, back to business. What do you think, Harry? Do we have enough to take a hard run at Veronica?"

"I think we almost do. I'm going to go up there with these guys tomorrow, see what's on the gate log. Maybe we'll pay her a visit. I just wish we had something concrete to talk to her about."

Billets nodded.

"I want to be kept informed tomorrow. Call me by noon."

"Will do."

"The more time that goes by on this, the harder it will be to keep this investigation among just us. I think by Monday we're going to have to take stock and decide whether to turn what we have over to the bureau."

"I don't see that," Bosch said, shaking his head. "Whatever we give them, they're just going to sit on. If you want to clear this, you've got to let us alone, keep the bureau off us."

"I will try, Harry, but there will come a point where that will be impossible. We're running a full-scale investigation off the books here. Word's going to get out. It has to. And all I'm saying is that it will be better if that word comes from me and can be controlled."

Bosch nodded reluctantly. He knew she was right but he had to fight her suggestion. The case belonged to them. It was his. And all that had happened to him in the last week made it all the more personal. He didn't want to give it up.

He gathered up the copies of the shoe prints and put them back in his briefcase. He finished the last of his gla.s.s of beer and asked who and what he owed for it.

"It's on me," Billets said. "The next one, after we clear this, is on you."

"It's a deal."

When Bosch got to his house he found the door locked, but the key he had given Eleanor Wish was under the front mat. The first thing he checked when he got inside was the Hopper print. It was still there on the wall. But she was gone. He made a quick scan of the rooms and found no note. He checked the closet and her clothes were gone. So was her suitcase.

He sat on the bed and thought about her leaving. That morning they had left things open. He had risen early and, while she was still in bed, watching him get ready for the day, he'd asked her what she was going to do during the day. She had told him she didn't know.

Now she was gone. He rubbed a hand over his face. He was already beginning to feel the loss of her and he replayed in his mind their conversations of the night before. He had played it wrong, he decided. It had cost her something to tell him of her complicity. And he had only evaluated it in terms of what it meant to him and to his case. Not to her. Not to them.

Bosch leaned back until he was lying across the bed. He spread his arms and stared up at the ceiling. He could feel the beer working inside him, making him tired.

"Okay," he said out loud.

He wondered if she would call or if another five years would go by before he saw her again by happenstance. He thought about how much had happened to him in the past five years and how long a wait that had been. His body ached. He closed his eyes.

"Okay."

He fell asleep and dreamed about being alone in a desert with no roads and miles of open, desolate country ahead of him in every direction he looked.

VI

Bosch picked up two containers of coffee and two glazed doughnuts from Bob's in the farmers market at seven Sat.u.r.day morning, then drove to the clearing where Tony Aliso's body had been found in the trunk of his car. As he ate and drank, he looked out on the marine layer shrouding the quiet city below. The sun rising behind the towers of downtown cast them as opaque monoliths in the haze. It was beautiful but Bosch felt as though he were the only one in the world seeing it.

When he had finished eating, he used a napkin he had wet in the water fountain at the farmers market to clean the sticky residue of sugar off his fingers. He then stuffed all the papers and the first empty coffee cup back into the doughnut bag and started the car.

Bosch had fallen asleep early Friday evening and awakened in his clothes before sunrise. He felt the need to get out of the house and do something. He had always believed that you could make things happen in an investigation by staying busy and with hard work. He decided that he would use the morning to try to find the spot where Tony Aliso's Rolls-Royce was intercepted and pulled over by his killers.

He concluded for a couple of reasons that the abduction had to have taken place on Mulholland Drive near the entrance to Hidden Highlands. First, the clearing where the car had been found was off Mulholland. If the abduction had taken place near the airport, it was likely the car would have been dumped near the airport, not fifteen miles away. And second, the abduction could be done more easily and quietly up on Mulholland in the dark. The airport and the surrounding area were always congested with traffic and people and would have presented too much of a risk.

The next question was whether Aliso had been followed from the airport or his killers simply waited for him at the abduction spot on Mulholland. Bosch decided on the latter, figuring that it was a small operation-two people, tops-and a tail and vehicle stop would be too iffy a proposition, particularly in Los Angeles, where every owner of a Rolls-Royce would be acutely aware of the danger of carjackings. He thought that they had waited on Mulholland and somehow created a trap or scene that made Aliso stop his car, even though he was carrying $480,000 in cash in his briefcase. And Bosch guessed that the only way Aliso would make such a stop was if that scenario involved his wife. In his mind Bosch saw the headlights of the Rolls-Royce sweeping around a curve and illuminating a frantically waving Veronica Aliso. Tony would stop for that.

Bosch knew that the waiting spot had to be on a place on Mulholland they were sure Tony would pa.s.s. There were only two logical routes from the airport to Mulholland Drive and then to the gatehouse at Hidden Highlands. One way would be to go north on the 405 freeway and simply take the Mulholland Drive exit. The other way would have been to take La Cienega Boulevard from the airport north to Laurel Canyon and up the hill to Mulholland.

The two routes had only a one-mile stretch of Mulholland in common. And since there was no way of knowing for sure which route Aliso would take home that night, it seemed obvious to Bosch that the car stop and abduction would have been somewhere along that one mile of road. It was here that Bosch came, and for nearly an hour he drove back and forth along the stretch, finally settling on the spot he would have chosen for the abduction if it had been his plan. The location was at the bend in a hairpin curve a half mile from the Hidden Highlands gatehouse. It was in an area with few homes and those that were there were built on the south side on a promontory well above the road. On the north side, the undeveloped land dropped steeply away from the road into a heavily wooded arroyo where eucalyptus and acacia trees crowded one another. It was the perfect spot. Secluded, out of sight.

Once again Bosch envisioned Tony Aliso coming around the curve and the lights of his Rolls coming upon his own wife in the road. Aliso stops, confused-what is she doing there? He gets out and from the north side of the road her accomplice emerges. She hits her husband with the spray, the accomplice goes to the Rolls and pops the trunk. Aliso's hands are clawing at his eyes when he is roughly thrown into the trunk and his hands tied behind him. All they had to worry about was a car coming around the curve and throwing its lights on them. But at that late hour on Mulholland, it didn't seem likely. The whole thing could have been done in fifteen seconds. That's why the spray was used. Not because it was a woman, but because it would make it fast.

Bosch pulled off the road, got out and looked around. The spot had the right feel to him. It was as quiet as death. He decided that he would come back that night to see it in darkness, to further confirm what he felt in his gut to be true.

He crossed the street and looked down into the arroyo where her accomplice would have hidden and waited. Looking down he tried to find a spot just off the road where a man could have ducked down and been concealed. He noticed a dirt trail going into the woods and stepped down to it, looking for shoe prints. There were many prints and he squatted down to study them. The ground here was dusty and some of the prints were fully recognizable. He found prints from two distinctly different sets of shoes, an old pair of shoes with worn heels and a much newer pair with heels that left sharp lines in the dirt. Neither pair was what he was looking for, the work-shoe pattern with the cut in the sole that Donovan had noticed.

Bosch's eyes looked up from the ground and followed the trail into the brush and trees. He decided to take a few more steps in, lifted a branch of an acacia and ducked under it. After his eyes adjusted to the darkness under the canopy of foliage, they were drawn to a blue object he could see but not identify about twenty yards further into the dense growth. He would have to leave the trail to get to it, but he decided to investigate.

After slowly moving ten feet into the brush, he could see that the blue object was part of a plastic tarp, the kind you saw on roofs all over the city after an earthquake knocked down chimneys and opened up the seams of buildings. Bosch stepped closer and saw that two corners of the tarp were tied to trees and it was hung over the branch of a third, creating a small shelter on a level portion of the hillside. He watched for a few moments but saw no movement.

It was impossible to come up on the shelter quietly. The ground was covered with a thick layer of dead and dried leaves and twigs that crackled under Bosch's feet. When he was ten feet from the canvas tarp, a man's hoa.r.s.e voice stopped him.

"I've got a gun, you f.u.c.kers!"

Bosch stood stock-still and stared at the tarp. Because it was draped over the long branch of an acacia tree, he was in a blind spot. He could not see whoever it was who had yelled. And the man who yelled probably couldn't see him. Bosch decided to take a chance.

"I've got one, too," he called back. "And a badge."

"Police? I didn't call the police!"

There was a hysterical tinge to the voice now, and Bosch suspected he was dealing with one of the homeless wanderers who were dumped out of mental inst.i.tutions during the ma.s.sive cutbacks in public a.s.sistance in the 1980s. The city was teeming with them. They stood at almost every major intersection holding their signs and shaking their change cups, they slept under overpa.s.ses or burrowed like termites into the woods on the hillsides, living in makeshift camps just yards from million-dollar mansions.

"I'm just pa.s.sing through," Bosch yelled. "You put down yours, I'll put down mine."

Bosch guessed that the man behind the scared voice didn't even have a gun.

"Okay. It's a deal."

Bosch unsnapped the holster under his arm but left his gun in place. He walked the final few steps and came slowly around the trunk of the acacia. A man with long gray hair and beard flowing over a blue silk Hawaiian shirt sat cross-legged on a blanket under the tarp. There was a wild look in his eyes. Bosch quickly scanned the man's hands and the surroundings within his immediate reach and saw no weapon. He eased up a bit and nodded at the man.

"h.e.l.lo," he said.

"I didn't do nothin'."

"I understand."

Bosch looked around. There were folded clothes and towels under the shelter of the tarp. There was a small folding card table with a frying pan on it along with some candles and Sterno cans, two forks and a spoon, but no knife. Bosch figured the man had the knife under his shirt or maybe hidden in the blanket. There was also a bottle of cologne on the table, and Bosch could tell that it had been liberally sprinkled about the shelter. Also under the tarp were an old tar bucket filled with crushed aluminum cans, a stack of newspapers and a dog-eared paperback copy of Stranger in a Strange Land. Stranger in a Strange Land.

He stepped to the edge of the man's clearing and squatted like a baseball catcher so they could face each other on the same level. He took a look around the outer edge of the clearing and saw that this was where the man discarded what he didn't need. There were bags of trash and remnants of clothing. By the base of another acacia there was a brown-and-green suit bag. It was unzipped and lying open like a gutted fish. Bosch looked back at the man. He could see he wore two other Hawaiian shirts beneath the blue one on top, which had a pattern of hula girls on surfboards. His pants were dirty but had a sharper crease in them than a homeless man's pants would usually have. His shoes were too well polished for a man of the woods. Bosch guessed that the pair he wore had made some of the prints up on the trail, the ones with the sharp-edged heels.

"That's a nice shirt," Bosch said.

"It's mine."

"I know. I just said it was nice. What's your name?"

"Name's George."

"George what?"

"George whatever the h.e.l.l you want it to be."

"Okay, George whatever the h.e.l.l you want it to be, why don't you tell me about that suit bag over there and those clothes you're wearing? The new shoes. Where did it all come from?"

"It was delivered. It's mine now."

"What do you mean by delivered?"

"Delivered. That's what I mean. Delivered. They gave it all to me."

Bosch took out his cigarettes, took one and offered the pack to the man. He waved them away.

"Can't afford it. Take me half a day to find enough cans to buy a pack of smokes. I quit."

Bosch nodded.

"How long you been livin' up here, George?"

"All my life."

"When did they kick you out of Camarillo?"

"Who told you that?"

It had been an educated guess, Camarillo being the nearest state inst.i.tution.

"They did. How long ago was that?"

"If they told you about me, then they would've told you that. I'm not stupid, you know."

"You got me there, George. About the bag and the clothes, when was it all delivered?"

"I don't know."

Bosch got up and went over to the suit bag. There was an identification tag attached to the handle. He turned it over and read Anthony Aliso's name and address. He noticed the bag was lying on top of a cardboard box that was damaged from a tumble down the hill. Bosch tipped the box with his foot and read the markings on the side.