The Harry Bosch Novels Vol Ii Part 16

"What were you?"

"I don't know. I pretty much kept to myself. But when some older, bigger kid took my shoes, I was a submissive. It was a way of surviving."

"Your mother was unhappy about this?"

"Well, yeah, but she didn't know the score. She wanted to go complain or something. She didn't know that if she did that it would only make it worse for me there. Then she suddenly did realize what the deal was. She started crying."

Bosch was silent, picturing the scene perfectly in his mind. He remembered the dampness in the air and the smell of the orange blossoms from the nearby groves.

Hinojos cleared her throat before breaking into his memory.

"What did you do when she started crying?"

"I probably started crying, too. I usually did. I didn't want her to feel bad but there was a comfort in knowing she knew what was happening to me. Only mothers can do that, you know? Make you feel good when you're sad ..."

Bosch still had his eyes closed and was seeing only the memory.

"What did she tell you?"

"She ... she just told me she was going to get me out. She said that her lawyer was going to go to court soon to appeal the custody ruling and the unfit mother finding. She said there were other things she could do, too. The point was, she was getting me out."

"That lawyer was your father?"

"Yes, but I didn't know it ... Anyway, what I'm saying is that the courts were wrong about her. That's the thing that bothers me. She was good to me and they didn't see that ... Anyway, I remember she promised me that she would do what she had to do, but she would get me out."

"But she never did."

"No. Like I said, she ran out of time."

"I'm sorry."

Bosch opened his eyes and looked at her.

"So am I."

Chapter 18

Bosch had parked in a public lot off Hill Street. It cost him twelve dollars for his car. He then got onto the 101 and headed north toward the hills. As he drove, he occasionally looked over at the blue box on the seat next to him. But he didn't open it. He knew that he had to but he would wait for home.

He turned the radio on and listened as the DJ introduced a song by Abbey Lincoln. Bosch had never heard it before but he immediately liked the words and the woman's smoky voice.

Bird alone, flying high Flying through a clouded sky Sending mournful, soulful sounds Soaring over troubled grounds

After he got to Woodrow Wilson and followed his usual routine of parking a half block away from his home, Bosch brought the box inside and placed it on the dining room table. He lit a cigarette and paced the room, looking down occasionally at the box. He knew what was in it. He had the evidence list from the murder book. But he couldn't overcome a feeling that by opening the box he was invading some secret privacy, committing a sin that he didn't understand.

Finally, he took his keys out. There was a small pen knife on the ring and he used it to slice through the red tape that sealed the box. He put the knife down and without thinking about it any further lifted the top off the box.

The victim's clothes and other belongings were wrapped individually in plastic bags, which Bosch took out of the box one by one and placed on the table. The clear plastic was yellowed but he could see through it. He did not remove anything from the bags but instead just held each piece of evidence up and studied it in its sterile covering.

He opened the murder book to the evidence list and made sure nothing was missing. It was all there. He held the small bag containing the gold earrings up to the light. They were like frozen tear drops. He put the bag back down and at the bottom of the box he saw the blouse, folded neatly in plastic, the spot of blood exactly where the evidence sheet said it was, on the left breast, about two inches from the center b.u.t.ton.

Bosch ran his finger over the plastic where the spot was. It was then that he realized something. There was no other blood. He knew that it was the thing that had bothered him as he read the murder book but he had been unable to get ahold of the thought then. Now he had it. The blood. No blood on the undergarments, the skirt or the stockings, or pumps. Only on the blouse.

Bosch also knew the autopsy had described a body with no lacerations. Then where had the blood come from? He wanted to look at the crime scene and autopsy photos but knew that he couldn't. There was no way he would open that envelope.

Bosch pulled the bag containing the blouse from the box and read the evidence tag and other markings. Nowhere did it mention or give any reference code for any a.n.a.lysis ever being done on the blood.

This invigorated him. There was a good chance that the blood spot came from the killer, not the victim. He had no idea whether blood that old could still be typed or even submitted for DNA a.n.a.lysis but he intended to find out. The problem, he knew, was comparison. It didn't matter if the blood could still be a.n.a.lyzed if there was nothing to compare it to. To get blood from Conklin or Mittel or anyone, for that matter, he would need a court order. And to get that, he needed evidence. Not just suspicions and hunches.

He had gathered the evidence bags together to replace in the box when he stopped to study one he had not considered closely before. It contained the belt that had been used to strangle the victim.

Bosch studied it a few moments as if it were a snake he was trying to identify before cautiously reaching into the box and picking it up. He could see the evidence tag tied through one of the belt holes. On the smooth silver sea sh.e.l.l buckle there was black powder. He could see that part of the ridge lines from a thumbprint were still there.

He held the belt up to the light. It pained him to look at it but he did. The belt was an inch in width, made of black leather. The sea sh.e.l.l buckle was the largest ornamentation but smaller silver sh.e.l.ls were attached along its length. Looking at it brought back the memory. He hadn't really chosen it. Meredith Roman had taken him to the May Co. on Wilshire. She had seen the belt on a rack with many others and told him his mother would like it. She paid for it and allowed him to give it to his mother as a birthday present. Meredith had been right. His mother wore the belt often, including every time she visited him after the court took him away. And including the night she was murdered.

Bosch read the evidence tag but all it said was the case number and McKittrick's name. On the tongue he noticed that the second and fourth holes were imperfect circles, distended by the spoke of the buckle during wear. He guessed that maybe his mother wore it tighter at times, maybe to impress someone, or looser at times, over bulkier clothing. He now knew everything about the belt except who had used it last to kill her.

He realized then that whoever had held this belt, this weapon, before the police had been responsible for taking a life and indelibly changing his own. He carefully replaced it in the box and put the other clothing in on top of it. He then put the lid back on top.

Bosch couldn't stay in the house after that. He felt he had to get out. He didn't bother changing his clothes. He just got in the Mustang and started driving. It was dark now and he took Cahuenga down into Hollywood. He told himself he didn't know or care where he was going but that was a lie. He knew. When he got to Hollywood Boulevard he turned east.

The car took him to Vista, where he turned north and then cut into the first alley. The headlights sliced through the darkness and he saw a small homeless encampment. A man and woman huddled under a cardboard lean-to. Two other bodies, wrapped in blankets and newspapers, lay nearby. A small glow from dying flames came from the rim of a trash can. Bosch cruised by slowly, his eyes further down the alley, to the spot he knew from the crime scene drawing that was in the murder book.

The Hollywood souvenir store was now an adult book and video store. There was an alley entrance for shy customers and several cars were parked alongside the rear of the building. Bosch stopped near the door and killed the lights. He just sat in the car, feeling no need to get out. He had never been to the alley, to the spot, before. He just wanted to sit and watch and feel for a few moments.

He lit a cigarette and watched as a man carrying a bag walked quickly out the door of the adult shop to a car parked at the end of the alley.

Bosch thought about a time when he was a small boy and still with his mother. They'd had a small apartment on Camrose then and during the summer they'd sit in the back courtyard on the nights she wasn't working or on Sunday afternoons and listen to the music coming over the hill from the Hollywood Bowl. The sound was bad, attacked by traffic and the white noise of the city before it got to them, but the high notes were clear. What he liked about it wasn't the music but that she was there. It was their time together. She always told him that she would take him one day to the bowl to hear "Scheherazade." It was her favorite. They never got the chance. The court took him away from her and she was dead before she could get him back.

Bosch finally heard the philharmonic perform "Scheherazade" the year he spent with Sylvia. When she saw tears welling in the corners of his eyes, she thought it was because of the pure beauty of the music. He never got around to telling her it was something else.

A blur of motion caught his attention and someone banged a fist on the driver's side window. Bosch's left hand instinctively went under his jacket to his waist, but there was no gun there. He turned and looked into the face of an old woman whose years were etched like hash marks on her face. It looked like she was wearing three sets of clothes. When she was done knocking on the window, she opened her palm and held it out. Still startled, Bosch quickly reached into his pocket and pulled out a five. He started the car so he could put the window down and handed the money out to her. She said nothing. She just took it and walked away. Bosch watched her go and wondered how had she ended up in this alley. How had he?

Bosch drove out of the alley and back out to Hollywood Boulevard. He started cruising again. At first aimlessly but soon he found his purpose. He wasn't yet ready to confront Conklin or Mittel but he knew where they were and he wanted to see their homes, their lives, the places they had ended up.

He stayed on the Boulevard until Alvarado and then took that down to Third, where he started west. The drive took him from the Third World poverty of the area known as Little Salvador past the faded mansions of Hanc.o.c.k Park and then to Park La Brea, a huge complex of apartments, condominiums and attendant rest homes.

Bosch found Ogden Drive and cruised slowly down it until he saw the Park La Brea Lifecare Center. There's another irony, he thought. Lifecare. The only thing the place probably cared about was when you were going to die, so your s.p.a.ce could be sold to the next one.

It was a nondescript twelve-story building of concrete and gla.s.s. Through the gla.s.s facade of the lobby Bosch could see a security guard at a post. In this town, even the elderly and infirm weren't safe. He glanced up the front of the building and saw most of the windows were dark. Only nine o'clock and the place was already dead. Someone honked at him from behind and he sped up and away, thinking about Conklin and what his life might be like. He wondered if the old man in his room up there ever gave a thought to Marjorie Lowe after so many years.

Bosch's next stop was Mount Olympus, the gaudy outcropping of modern Roman-style homes above Hollywood. The look was supposed to be neocla.s.sical but he had heard it referred to more than once as neocra.s.sical. The huge, expensive homes were jammed side by side as close as teeth. There were ornate columns and statues but the only thing that seemed cla.s.sic about most of the place was the kitsch. Bosch took Mount Olympus Drive off Laurel Canyon, turned on Electra and then went to Hercules. He was driving slowly, looking for addresses on curbs to match the one he had written in his notebook that morning.

When he found Mittel's house, he stopped on the street, stunned. It was a house that he knew. He had never been inside it, of course, but everyone knew it. It was a circular mansion that sat atop one of the most recognizable promontories in the Hollywood Hills. Bosch looked at the place with awe, imagining its interior size and its exterior ocean-to-mountain views. Its rounded walls lit from the outside with white lights, it looked like a s.p.a.ceship that had alighted on a mountaintop and was poised to take to the air once again. Cla.s.sic kitsch it wasn't. This was a home that bespoke its owner's power and influence.

An iron gate guarded a long driveway that went up a hill to the house. But tonight the gate was open and Bosch could see several cars and at least three limousines parked along one side of the drive. Other cars were parked in the circle at the top. It only dawned on Bosch that there was a party underway at the house when a red blur pa.s.sed the car window and the door was suddenly sprung open. Bosch turned and looked into the face of a swarthy Latino man in a white shirt and red vest.

"Good evening, sir. We will take your car here. If you could walk up the drive on the left side, the greeters will find you."

Bosch stared at the man unmoving, thinking.

"Sir?"

Bosch tentatively stepped out of the Mustang and the man in the vest gave him a slip of paper with a number on it. He then slipped into the car and drove away. Bosch stood there, aware that he was about to let events control him, something he knew he should avoid. He hesitated and looked back at the tail lights of the Mustang gliding away. He let the temptation take him.

Bosch fastened his top b.u.t.ton and pulled his tie back into place as he walked up the driveway. He pa.s.sed a small army of men in red vests and as he came all the way up past the limousines, a startling view of the lighted city came into view. He stopped and just looked for a moment. He could see from the moonlit Pacific in one direction to the towers of downtown in the other. The view alone was worth the price of the house, no matter how many millions that was.

The sound of soft music, laughter and conversation came from his left. He followed it down a stone path that curved along the form of the house. The drop-off to the houses down the hill was steep and deadly. He finally came to a flat yard that was lighted and full of people milling about beneath a tent as white as the moon. Bosch guessed there were at least a hundred and fifty well-dressed people sipping c.o.c.ktails and taking small hors d'oeuvres off trays carried by young women wearing short black dresses, sheer stockings and white ap.r.o.ns. He wondered where the red vests were putting all the cars.

Bosch immediately felt underdressed and was sure he would be identified in seconds as a gate-crasher. But there was something so otherworldly about the scene that he held his ground.

A surfer in a suit approached him. He was about twenty-five, with short, sun-bleached hair and a dark tan. He wore a custom-fitted suit that looked as if it had cost more than every piece of clothing Bosch owned combined. It was light brown but the wearer probably described it as cocoa. He smiled the way enemies smile.

"Yes, sir, how are we doing tonight?"

"I'm doing fine. I don't know about you, yet."

The surfer in a suit smiled a little more brightly at that.

"I'm Mr. Johnson and I'm providing security for the benefit tonight. Might I inquire if you brought your invitation with you?"

Bosch hesitated for only a moment.

"Oh, I'm sorry. I didn't realize I needed to bring that along. I didn't think Gordon would need security at a benefit like this."

He hoped dropping Mittel's first name would give the surfer pause before he did anything rash. The surfer frowned for only a moment.

"Then could I ask you just to sign in for me?"

"Of course."

Bosch was led to a table to the side of the entrance area. Taped across the front of it was a red, white and blue banner that said ROBERT SHEPHERD NOW ROBERT SHEPHERD NOW! It told Bosch all he needed to know about the affair.

There was a guest registry on the table and a woman sat behind it in a black crushed-velvet c.o.c.ktail dress that did little to camouflage her b.r.e.a.s.t.s. Mr. Johnson seemed more intent on these two items than on Bosch as he signed the name Harvey Pounds in the registry.

As he signed, Bosch noticed a stack of pledge cards and a champagne goblet filled with pencils on the table. He picked up an information sheet and started to read about the unannounced candidate. Johnson finally pulled his eyes away from the table hostess and checked the name Bosch had written.

"Thank you, Mr. Pounds. Enjoy yourself."

He disappeared into the crowd then, probably to check on whether a Harvey Pounds was on the list of invitees. Bosch decided he'd stay a few minutes, see if he could spot Mittel and then leave before the surfer came looking for him.

He stepped away from the entrance and out from beneath the tent. After crossing a short lawn to a retainer wall, he tried to act like he was just enjoying the view. And it was a view; the only higher one would have been from a jet coming in to LAX. But on the jet you wouldn't have the breadth of vision, the cool breeze, or the sounds from the city below.

Bosch turned around and looked back at the crowd under the tent. He studied the faces but could not spot Gordon Mittel. There was no sign of him. There was a large knot of people beneath the center of the tent and Bosch realized that it was a grouping of people trying to reach their hands toward the unannounced candidate, or at least the man Bosch a.s.sumed was Shepherd. Harry noticed that while the crowd seemed to exhibit solidarity in terms of wealth, it cut across all age lines. He guessed that many were there to see Mittel as much as Shepherd.

One of the women in black-and-white came out from under the white canopy and toward him with a tray of champagne gla.s.ses. He took one, thanked her, and turned back to the view. He sipped at it and supposed that it was top quality, but he wouldn't be able to tell the difference. He decided he should gulp it and go when a voice from his left interrupted.

"Wonderful view, isn't it? Better than a movie. I could stand here for hours."

Bosch turned his head to acknowledge the speaker but didn't look at him. He didn't want to get involved.

"Yeah, it's nice. But I'll take the mountains I have."

"Really? Where is that?"

"The other side of the hill. On Woodrow Wilson."

"Oh, yes. There are some very nice properties there."

Not mine, Bosch thought. Unless you like neoearthquake cla.s.sic.

"The San Gabriels are brilliant in the sun," the conversationalist said. "I looked there but then I bought here."

Bosch turned. He was looking at Gordon Mittel. The host put out his hand.

"Gordon Mittel."

Bosch hesitated but then figured Mittel was used to people losing a step or stuttering in his presence.

"Harvey Pounds," Bosch said, taking his hand.

Mittel was wearing a black tuxedo. He was as overdressed for the crowd as Bosch was underdressed. His gray hair was cropped short and he had a smooth machine tan. He was as trim and tight as a rubber band stretched around a stack of hundreds and looked at least five to ten years younger than he was.

"Glad to meet you, glad you could come," he said. "Did you meet Robert yet?"

"No, he's kind of in the middle of the pack there."

"Yes, that's true. Well, he'll be happy to meet you when he gets the chance."

"I guess he'll be happy to take my check as well."

"That, too." Mittel smiled. "Seriously, though, I hope you can help us out. He's a good man and we need people like him in office."

His smile seemed so phony that Harry wondered if Mittel had already pegged him as a crasher. Bosch smiled back and patted the right breast of his jacket.

"I've got the checkbook right here."