The Harry Bosch Novels Vol Ii Part 12

Bosch pushed the newspaper clips aside and got up. For a long time he stood at the sliding gla.s.s door to the deck and stared at the lights across the pa.s.s. He began to consider what he knew about circ.u.mstances thirty-three years old. Conklin, according to Katherine Register, knew Marjorie Lowe. It was clear from the murder book that he had somehow reached into the investigation of her death for reasons unknown. His reach was then apparently covered up for reasons unknown. This had occurred only three months before he announced his candidacy for district attorney and less than a year before a key figure in the investigation, Johnny Fox, died while in his political employ.

Bosch thought that it was obvious that Fox would have been known to Mittel, the campaign manager. Therefore, he further concluded, whatever it was that Conklin did or knew, it was likely that Mittel, his frontman and the architect of his political run, had knowledge of it as well.

Bosch went back to the table and turned to the list of names in his notebook. Now he picked up the pen and circled Mittel's name as well. He felt like having another beer but he settled for a cigarette.

Chapter 14

In the morning Bosch called the LAPD personnel office and asked them to check whether Eno and McKittrick were still current. He doubted they were still around but knew he had to make the check. It would be embarra.s.sing if he went through a search for them only to find one or both still on the payroll. The clerk checked the roll and told him no such officers were currently on the force.

He decided he would have to put on his Harvey Pounds pose after that. He dialed the DMV in Sacramento, gave the lieutenant's name and asked for Ms. Sharp again. By the tone she inflected in the single word "h.e.l.lo" after picking up the phone, Bosch had no doubt that she remembered him.

"Is this Ms. Sharp?"

"That's who you asked for, isn't it?"

"I did, indeed."

"Then it's Ms. Sharp. What can I do for you?"

"Well, I wanted to mend our fences, so to speak. I have a few more names I need driver's license addresses for and I thought that directly working with you would expedite the matter and perhaps repair our working relationship."

"Honey, we don't have a working relationship. Hold the line, please."

She punched the b.u.t.ton before he could say anything. The line was dead for so long that he began to believe his scam to burn Pounds wasn't worth it. Finally, a different clerk picked up and said Ms. Sharp had instructed her to help. Bosch gave her Pounds's serial number and then the names Gordon Mittel, Arno Conklin, Claude Eno and Jake McKittrick. He said he needed the home addresses on their licenses.

He was put on hold again. During the time he waited he held the phone to his ear with his shoulder and fried an egg over easy in a pan on the stove. He made a sandwich out of it with two slices of white toast and cold salsa from a jar he kept in the refrigerator. He ate the dripping sandwich while leaning over the sink. He had just wiped his mouth and poured himself a second cup of coffee when the clerk finally picked back up.

"Sorry it took so long."

"No problem."

He then remembered he was Pounds and wished he hadn't said that.

The clerk explained that she had no addresses or license information on Eno or McKittrick, then gave him addresses for Conklin and Mittel. Goff had been right. Conklin lived in Park La Brea. Mittel lived above Hollywood on Hercules Drive in a development called Mount Olympus.

Bosch was too preoccupied at that point to continue the Pounds charade. He thanked the clerk without further confrontation and hung up. He thought about what his next move should be. Eno and McKittrick were either dead or out of state. He knew he could get their addresses through the department's personnel office but that might take all day. He picked up the phone again and called Robbery-Homicide, asking for Detective Leroy Ruben. Ruben had put nearly forty years in on the department, half of it in RHD. He might know something about Eno and McKittrick. He might also know Bosch was on stress leave.

"Ruben. Can I help you?"

"Leroy, it's Harry Bosch. What do you know?"

"Not much, Harry. Enjoying the good life?"

Right away he was telling Bosch he knew of his situation. Bosch knew now that his only alternative was to be straight with him. To a point.

"It ain't bad. But I'm not sleeping late every day."

"No? What're you getting up for?"

"I'm kind of freelancing on an old case, Leroy. That's why I called. I want to try to track down a couple of old d.i.c.ks. Thought maybe you'd know of them. They were out of Hollywood."

"Who are they?"

"Claude Eno and Jake McKittrick. Remember them?"

"Eno and McKittrick. No ... I mean, yeah, I think I remember McKittrick. He checked out ... it must've been ten, fifteen years ago. He went back to Florida, I think. Yeah, Florida. He was here in RHD for a year or so. At the end there. The other one, Eno, I don't remember any Eno."

"Well, it was worth a try. I'll see what I can find in Florida. Thanks, Leroy."

"Hey, Harry, what gives anyway?"

"It's just an old case I had in my desk. It's giving me something to do while I see what happens."

"Any word?"

"Not yet. They got me talking to the shrink. If I can talk my way past her, I'll get back to the table. We'll see."

"Okay, well, good luck. You know, me and some of the boys here, when we heard that story we laughed our a.s.ses off. We heard about that guy Pounds. He's an a.s.shole. You done good, kid."

"Well, let's hope I didn't do so good that I lost my job."

"Ah, you'll be all right. They send you to Chinatown a few times, brush you off and send you back into the ring. You'll be okay."

"Thanks, Leroy."

After hanging up, Bosch got dressed for the day, putting on a fresh shirt and the same suit as the day before.

He headed downtown in his rented Mustang and spent the next two hours in a bureaucratic maze. He first went to the Personnel Office at Parker Center, told a clerk what he wanted and then waited half an hour for a supervisor to tell him all over again. The supervisor told him he had wasted his time and that the information he sought was at City Hall.

He walked across the street to the City Hall annex, took the stairs up and then crossed on the tramway over Main Street into the white obelisk of City Hall. He took the elevator up to the Finance Department, on nine, showed his ID card to another counter clerk and told her that, in the interest of streamlining the process, maybe he should talk to a supervisor first.

He waited on a plastic chair in a hallway for twenty minutes before he was ushered into a small office cramped with two desks, four file cabinets and several boxes on the floor. An obese woman with pale skin and black hair, sideburns and the slight hint of a mustache sat behind one of the desks. On her calendar blotter Bosch noticed a food stain from some prior mishap. There was also a reusable plastic quart soda container with a screw-on top and straw on her desk. A plastic name plate on the desk said Mona Tozzi.

"I'm Carla's supervisor. She said you are a police officer?"

"Detective."

He pulled the chair away from the empty desk and sat down in front of the fat woman.

"Excuse me, but Ca.s.sidy is probably going to need her chair when she gets back. That's her desk."

"When's she coming back?"

"Anytime. She went up for coffee."

"Well, maybe if we hurry we'll be done by then and I'll be out of here."

She gave a short who-do-you-think-you-are laugh that sounded more like a snort. She said nothing.

"I've spent the last hour and a half trying to get just a couple addresses from the city and all I get are a bunch of people who want to send me to someone else or make me wait out in the hall. And what's funny about that is that I work for the city myself and I'm trying to do a job for the city and the city isn't giving me the time of day. And, you know, my shrink tells me I've got this post-traumatic stress stuff and should take life easier. But, Mona, I gotta tell you, I'm getting pretty f.u.c.king frustrated with this."

She stared at him a moment, probably wondering if she could possibly make it out the door if he decided to go nuts on her. She then pursed her lips, which served to change her mustache from a hint to an announcement, and took a hard pull on the straw of her soda container. Bosch saw a liquid the color of blood go up through the straw into her mouth. She cleared her throat before talking in a comforting tone.

"Tell you what, Detective, why don't you tell me what it is you are trying to find?"

Bosch put on his hopeful face.

"Great. I knew there was somebody who cared. I need to get the addresses where pension checks for two different retired officers are sent each month."

Her eyebrows mated as she frowned.

"I'm sorry, but those addresses are strictly confidential. Even within the city. I couldn't give-"

"Mona, let me explain something. I'm a homicide investigator. Like you, I work for the city. I have leads on an old unsolved murder that I am following up on. I need to confer with the original case detectives. We're talking about a case more than thirty years old. A woman was killed, Mona. I can't find the two detectives that originally worked the case and the police personnel people sent me over here. I need the pension addresses. Are you going to help me?"

"Detective- is it Borsch?"

"Bosch."

"Detective Bosch, let me explain something to you. Just because you work for the city does not give you access to confidential files. I work for the city but I don't go over to Parker Center and say let me see this or let me see that. People have a right to privacy. Now, this is what I can do. And it is all I can do. If you give me the two names, I will send a letter to each person asking them to call you. That way, you get your information, I protect the files. Would that work for you? They'll go out in the mail today. I promise."

She smiled but it was the phoniest smile Bosch had seen in days.

"No, that wouldn't work at all, Mona. You know, I'm really disappointed."

"I can't help that."

"But you can, don't you see?"

"I have work to do, Detective. If you want me to send the letter, give me the names. If not, that's your decision."

He nodded that he understood and brought his briefcase up from the floor to his lap. He saw her jump when he angrily unsnapped the locks. He opened it and took out his phone. He flipped it open and dialed his home number, then waited for the machine to pick up.

Mona looked annoyed.

"What are you doing?"

He held his hand up for silence.

"Yes, can you transfer me to Whitey Springer?" he said to his tape.

He watched her reaction while acting like he wasn't. He could tell, she knew the name. Springer was the City Hall columnist for the Times. Times. His specialty was writing about the small bureaucratic nightmares, the little guy against the system. Bureaucrats could largely create these nightmares with impunity, thanks to civil service protections, but politicians read Springer's column and they wielded tremendous power when it came to patronage jobs, transfers and demotions at City Hall. A bureaucrat vilified in print by Springer might be safe in his or her job but there likely would never be advancement, and there was nothing stopping a city council member from calling for an audit on an office or a council observer to sit in the corner. The word to the wise was to stay out of Springer's column. Everybody knew that, including Mona. His specialty was writing about the small bureaucratic nightmares, the little guy against the system. Bureaucrats could largely create these nightmares with impunity, thanks to civil service protections, but politicians read Springer's column and they wielded tremendous power when it came to patronage jobs, transfers and demotions at City Hall. A bureaucrat vilified in print by Springer might be safe in his or her job but there likely would never be advancement, and there was nothing stopping a city council member from calling for an audit on an office or a council observer to sit in the corner. The word to the wise was to stay out of Springer's column. Everybody knew that, including Mona.

"Yeah, I can hold," Bosch said into the phone. Then to Mona, he said, "He's gonna love this one. He's got a guy trying to solve a murder, the victim's family waiting for thirty-three years to know who killed her, and some bureaucrat sitting in her office sucking on a quart of fruit punch isn't giving him the addresses he needs just to talk to the other cops who worked the case. I'm not a newspaper man but I think that's a column. He'll love it. What do you think?"

He smiled and watched her face flush almost as red as her fruit punch. He knew it was going to work.

"Okay, hang up the phone," she said.

"What? Why?"

"HANG UP! Hang up and I'll get the information."

Bosch flipped the phone closed.

"Give me the names."

He gave her the names and she got up angrily and silently to leave the room. She could barely fit around the desk but made the maneuver like a ballerina, the pattern instilled in her body's memory by repeated practice.

"How long will this take?" he asked.

"As long as it takes," she answered, regaining some of her bureaucratic bl.u.s.ter at the door.

"No, Mona, you got ten minutes. That's all. After that, you better not come back 'cause Whitey's gonna be sitting here waiting for you."

She stopped and looked at him. He winked.

After she left he got up and went around the side of the desk. He pushed it about two inches closer to the opposite wall, narrowing her path back to her chair.

She was back in seven minutes, carrying a piece of paper. But Bosch could see it was trouble. She had a triumphant look on her face. He thought of that woman who had been tried a while back for cutting off her husband's p.e.n.i.s. Maybe it was the same face she had when she ran out the door with it.

"Well, Detective Borsch, you've got a little problem."

"What is it?"

She started around the desk and immediately rammed her thick thigh into its Formica-topped corner. It looked more embarra.s.sing than painful. She had to flail her arms for balance and the impact of the collision shook the desk and knocked her container over. The red liquid began leaking out of the straw onto the blotter.

"s.h.i.t!"

She quickly moved the rest of the way around the desk and righted the container. Before sitting down she looked at the desk, suspicious that it had been moved.

"Are you all right?" Bosch asked. "What is the problem with the addresses?"

She ignored his first question, forgot her embarra.s.sment and looked at Bosch and smiled. She sat down. She spoke as she opened a desk drawer and took out a wad of napkins stolen from the cafeteria.

"Well, the problem is you won't be talking to former detective Claude Eno anytime soon. At least, I don't think you will."

"He's dead."

She started wiping up the spill.