The Goodness of St. Rocque and Other Stories Part 10

THE PRALINE WOMAN

The praline woman sits by the side of the Archbishop's quaint little old chapel on Royal Street, and slowly waves her latanier fan over the pink and brown wares.

"Pralines, pralines. Ah, ma'amzelle, you buy? S'il vous plait, ma'amzelle, ces pralines, dey be fine, ver' fresh.

"Mais non, maman, you are not sure?

"Sho', chile, ma bebe, ma pet.i.te, she put dese up hissef. He's hans'

so small, ma'amzelle, lak you's, mais brune. She put dese up dis morn'. You tak' none? No husban' fo' you den!

"Ah, ma pet.i.te, you tak'? Cinq sous, bebe, may le bon Dieu keep you good!

"Mais oui, madame, I know you etranger. You don' look lak dese New Orleans peop'. You lak' dose Yankee dat come down 'fo' de war."

Ding-dong, ding-dong, ding-dong, chimes the Cathedral bell across Jackson Square, and the praline woman crosses herself.

"Hail, Mary, full of grace--

"Pralines, madame? You buy lak' dat? Dix sous, madame, an' one lil'

piece fo' lagniappe fo' madame's lil' bebe. Ah, c'est bon!

"Pralines, pralines, so fresh, so fine! M'sieu would lak' some fo'

he's lil' gal' at home? Mais non, what's dat you say? She's daid!

Ah, m'sieu, 'tis my lil' gal what died long year ago. Misere, misere!

"Here come dat lazy Indien squaw. What she good fo', anyhow? She jes'

sit lak dat in de French Market an' sell her file, an' sleep, sleep, sleep, lak' so in he's blanket. Hey, dere, you, Tonita, how goes you'

beezness?

"Pralines, pralines! Holy Father, you give me dat blessin' sho'? Tak'

one, I know you lak dat w'ite one. It tas' good, I know, bien.

"Pralines, madame? I lak' you' face. What fo' you wear black? You'

lil' boy daid? You tak' one, jes' see how it tas'. I had one lil' boy once, he jes' grow 'twell he's big lak' dis, den one day he tak' sick an' die. Oh, madame, it mos' brek my po' heart. I burn candle in St.

Rocque, I say my beads, I sprinkle holy water roun' he's bed; he jes'

lay so, he's eyes turn up, he say 'Maman, maman,' den he die! Madame, you tak' one. Non, non, no l'argent, you tak' one fo' my lil' boy's sake.

"Pralines, pralines, m'sieu? Who mak' dese? My lil' gal, Didele, of co'se. Non, non, I don't mak' no mo'. Po' Tante Marie get too ol'.

Didele? She's one lil' gal I 'dopt. I see her one day in de strit.

He walk so; hit col' she shiver, an' I say, 'Where you gone, lil' gal?'

and he can' tell. He jes' crip close to me, an' cry so! Den I tak'

her home wid me, and she say he's name Didele. You see dey wa'nt n.o.body dere. My lil' gal, she's daid of de yellow fever; my lil' boy, he's daid, po' Tante Marie all alone. Didele, she grow fine, she keep house an' mek' pralines. Den, when night come, she sit wid he's guitar an' sing,

"'Tu l'aime ces trois jours, Tu l'aime ces trois jours, Ma coeur a toi, Ma coeur a toi, Tu l'aime ces trois jours!'

"Ah, he's fine gal, is Didele!

"Pralines, pralines! Dat lil' cloud, h'it look lak' rain, I hope no.

"Here come dat lazy I'ishman down de strit. I don't lak' I'ishman, me, non, dey so funny. One day one I'ishman, he say to me, 'Auntie, what fo' you talk so?' and I jes' say back, 'What fo' you say "Faith an' be jabers"?' Non, I don' lak I'ishman, me!

"Here come de rain! Now I got fo' to go. Didele, she be wait fo' me.

Down h'it come! H'it fall in de Meesseesip, an' fill up--up--so, clean to de levee, den we have big criva.s.se, an' po' Tante Marie float away.

Bon jour, madame, you come again? Pralines! Pralines!"

ODALIE

Now and then Carnival time comes at the time of the good Saint Valentine, and then sometimes it comes as late as the warm days in March, when spring is indeed upon us, and the greenness of the gra.s.s outvies the green in the royal standards.

Days and days before the Carnival proper, New Orleans begins to take on a festive appearance. Here and there the royal flags with their glowing greens and violets and yellows appear, and then, as if by magic, the streets and buildings flame and burst like poppies out of bud, into a glorious refulgence of colour that steeps the senses into a languorous acceptance of warmth and beauty.

On Mardi Gras day, as you know, it is a town gone mad with folly. A huge masked ball emptied into the streets at daylight; a meeting of all nations on common ground, a pot-pourri of every conceivable human ingredient, but faintly describes it all. There are music and flowers, cries and laughter and song and joyousness, and never an aching heart to show its sorrow or dim the happiness of the streets. A wondrous thing, this Carnival!

But the old cronies down in Frenchtown, who know everything, and can recite you many a story, tell of one sad heart on Mardi Gras years ago.

It was a woman's, of course; for "Il est toujours les femmes qui sont malheureuses," says an old proverb, and perhaps it is right. This woman--a child, she would be called elsewhere, save in this land of tropical growth and precocity--lost her heart to one who never knew, a very common story, by the way, but one which would have been quite distasteful to the haughty judge, her father, had he known.

Odalie was beautiful. Odalie was haughty too, but gracious enough to those who pleased her dainty fancy. In the old French house on Royal Street, with its quaint windows and Spanish courtyard green and cool, and made musical by the plashing of the fountain and the trill of caged birds, lived Odalie in convent-like seclusion. Monsieur le Juge was determined no hawk should break through the cage and steal his dove; and so, though there was no mother, a stern duenna aunt kept faithful watch.

Alas for the precautions of la Tante! Bright eyes that search for other bright eyes in which lurks the spirit of youth and mischief are ever on the look-out, even in church. Dutifully was Odalie marched to the Cathedral every Sunday to ma.s.s, and Tante Louise, nodding devoutly over her beads, could not see the blushes and glances full of meaning, a whole code of signals as it were, that pa.s.sed between Odalie and Pierre, the impecunious young clerk in the courtroom.

Odalie loved, perhaps, because there was not much else to do. When one is shut up in a great French house with a grim sleepy tante and no companions of one's own age, life becomes a dull thing, and one is ready for any new sensation, particularly if in the veins there bounds the tempestuous Spanish-French blood that Monsieur le Juge boasted of.

So Odalie hugged the image of her Pierre during the week days, and played tremulous little love-songs to it in the twilight when la Tante dozed over her devotion book, and on Sundays at ma.s.s there were glances and blushes, and mayhap, at some especially remembered time, the touch of finger-tips at the holy-water font, while la Tante dropped her last genuflexion.

Then came the Carnival time, and one little heart beat faster, as the gray house on Royal Street hung out its many-hued flags, and draped its grim front with glowing colours. It was to be a time of joy and relaxation, when every one could go abroad, and in the crowds one could speak to whom one chose. Unconscious plans formulated, and the pet.i.te Odalie was quite happy as the time drew near.

"Only think, Tante Louise," she would cry, "what a happy time it is to be!"

But Tante Louise only grumbled, as was her wont.

It was Mardi Gras day at last, and early through her window Odalie could hear the jingle of folly bells on the maskers' costumes, the tinkle of music, and the echoing strains of songs. Up to her ears there floated the laughter of the older maskers, and the screams of the little children frightened at their own images under the mask and domino. What a hurry to be out and in the motley merry throng, to be pacing Royal Street to Ca.n.a.l Street, where was life and the world!

They were tired eyes with which Odalie looked at the gay pageant at last, tired with watching throng after throng of maskers, of the unmasked, of peering into the cartsful of singing minstrels, into carriages of revellers, hoping for a glimpse of Pierre the devout. The allegorical carts rumbling by with their important red-clothed horses were beginning to lose charm, the disguises showed tawdry, even the gay-hued flags fluttered sadly to Odalie.

Mardi Gras was a tiresome day, after all, she sighed, and Tante Louise agreed with her for once.

Six o'clock had come, the hour when all masks must be removed. The long red rays of the setting sun glinted athwart the many-hued costumes of the revellers trooping unmasked homeward to rest for the night's last mad frolic.

Down Toulouse Street there came the merriest throng of all. Young men and women in dainty, fairy-like garb, dancers, and dresses of the picturesque Empire, a b.u.t.terfly or two and a dame here and there with powdered hair and graces of olden time. Singing with unmasked faces, they danced toward Tante Louise and Odalie. She stood with eyes l.u.s.trous and tear-heavy, for there in the front was Pierre, Pierre the faithless, his arms about the slender waist of a b.u.t.terfly, whose tinselled powdered hair floated across the lace ruffles of his Empire coat.

"Pierre!" cried Odalie, softly. No one heard, for it was a mere faint breath and fell unheeded. Instead the laughing throng pelted her with flowers and candy and went their way, and even Pierre did not see.

You see, when one is shut up in the grim walls of a Royal Street house, with no one but a Tante Louise and a grim judge, how is one to learn that in this world there are faithless ones who may glance tenderly into one's eyes at ma.s.s and pa.s.s the holy water on caressing fingers without being madly in love? There was no one to tell Odalie, so she sat at home in the dull first days of Lent, and nursed her dear dead love, and mourned as women have done from time immemorial over the faithlessness of man. And when one day she asked that she might go back to the Ursulines' convent where her childish days were spent, only to go this time as a nun, Monsieur le Juge and Tante Louise thought it quite the proper and convenient thing to do; for how were they to know the secret of that Mardi Gras day?