The Golden Silence Part 4

The people at the next table were telling each other that Victoria Ray's Paris engagement was only for three nights, something special, with huge pay, and that there was a "regular scramble" for seats, as the girl had been such a success in New York and London. The speakers, who were English and provincial, had already taken places, but there did not appear to be much hope that Stephen could get anything at the last minute. The little spice of difficulty gave a fillip of interest, however; and he remembered how the charming child on the boat had said that she "liked doing difficult things." He wondered what she was doing now; and as he thought of her, white and ethereal in the night and in the dawn-light, she seemed to him like the foam-flowers that had blossomed for an instant on the crests of dark waves, through which their vessel forged. "For a moment white, then gone forever." The words glittered in his mind, and fascinated him, calling up the image of the girl, pale against the night and rainy sea. "For a moment white, then gone forever," he repeated, and asked himself whence came the line. From Burns, he fancied; and thought it quaintly appropriate to the fair child whose clear whiteness had thrown a gleam into his life before she vanished.

All the seats for this second night of Victoria Ray's short engagement were sold at the Folies Bergeres, he found, from the dearest to the cheapest: but there was standing room still when Stephen arrived, and he squeezed himself in among a group of light-hearted, long-haired students from the Latin Quarter. He had an hour to wait before Victoria Ray would dance, but there was some clever conjuring to be seen, a famous singer of _chansons_ to be heard, and other performances which made the time pa.s.s well enough. Then, at last, it was the new dancer's "turn."

The curtain remained down for several minutes, as some scenic preparation was necessary before her first dance. Gay French music was playing, and people chattered through it, or laughed in high Parisian voices. A blue haze of smoke hung suspended like a thin veil, and the air was close, scented with tobacco and perfume. Stephen looked at his programme, beginning to feel bored. His elbows were pressed against his sides by the crowd. Miss Ray was down for two dances, the Dance of the Statue and the Dance of the Shadow. The atmosphere of the place depressed him. He doubted after all, that he would care for the dancing.

But as he began to wish he had not come the curtain went up, to show the studio of a sculptor, empty save for the artist's marble masterpieces.

Through a large skylight, and a high window at the back of the stage, a red glow of sunset streamed into the bare room. In the shadowy corners marble forms were grouped, but in the centre, directly under the full flood of rose-coloured light, the just finished statue of a girl stood on a raised platform. She was looking up, and held a cup in one lifted hand, as if to catch the red wine of sunset. Her draperies, confined by a Greek ceinture under the young bust, fell from shoulder to foot in long clear lines that seemed cut in gleaming stone. The illusion was perfect. Even in that ruddy blaze the delicate, draped form appeared to be of carved marble. It was almost impossible to believe it that of a living woman, and its grace of outline and pose was so perfect that Stephen, in his love of beauty, dreaded the first movement which must change, if not break, the tableau. He said to himself that there was some faint resemblance between this chiselled loveliness and the vivid charm of the pretty child he had met on the boat. He could imagine that a statue for which she had stood as model might look like this, though the features seemed to his eye more regular than those of the girl.

As he gazed, the music, which had been rich and colourful, fell into softer notes; and the rose-sunset faded to an opal twilight, purple to blue, blue to the silver of moonlight, the music changing as the light changed, until at last it was low and slumberous as the drip-drip of a plashing fountain. Then, into the dream of the music broke a sound like the distant striking of a clock. It was midnight, and all the statues in the sculptor's bare, white studio began to wake at the magic stroke which granted them a few hours of life.

There was just a shimmer of movement in the dim corners. Marble limbs stirred, marble face turned slowly to gaze at marble face; yet, as if they could be only half awakened in the shadows where the life-giving draught of moonlight might not flow, there was but the faintest flicker of white forms and draperies. It was the just finished statue of the girl which felt the full thrill of moonshine and midnight. She woke rapturously, and drained the silver moon-wine in her cup (the music told the story of her first thought and living heart-beat): then down she stepped from the platform where the sculptor's tools still lay, and began to dance for the other statues who watched in the dusk, hushed back into stillness under the new spell of her enchantments.

Stephen had never seen anything like that dance. Many pretty _premieres danseuses_ he had admired and applauded, charming and clever young women of France, of Russia, of Italy, and Spain: and they had roused him and all London to enthusiasm over dances eccentric, original, exquisite, or wild. But never had there been anything like this. Stephen had not known that a dance could move him as this did. He was roused, even thrilled by its poetry, and the perfect beauty of its poses, its poises. It must, he supposed, have been practised patiently, perhaps for years, yet it produced the effect of being entirely unstudied. At all events, there was nothing in the ordinary sense "professional" about it. One would say--not knowing the supreme art of supreme grace--that a joyous child, born to the heritage of natural grace, might dance thus by sheer inspiration, in ecstasy of life and worship of the newly felt beauty of earth. Stephen did know something of art, and the need of devotion to its study; yet he found it hard to realize that this awakened marble loveliness had gone through the same performance week after week, month after month, in America and England. He preferred rather to let himself fancy that he was dreaming the whole thing; and he would gladly have dreamed on indefinitely, forgetting the smoky atmosphere, forgetting the long-haired students and all the incongruous surroundings. The gracious dream gave him peace and pleasure such as he had not known since the beginning of the Northmorland case.

Through the house there was a hush, unusual at the Folies Bergeres.

People hardly knew what to make of the dances, so different from any ever seen in a theatre of Paris. Stephen was not alone in feeling the curious dream-spell woven by music and perfection of beauty. But the light changed. The moonlight slowly faded. Dancer and music faltered, in the falling of the dark hour before dawn. The charm was waning. Soft notes died, and quavered in apprehension. The magic charm of the moon was breaking, had broken: a crash of cymbals and the studio was dark.

Then light began to glimmer once more, but it was the chill light of dawn, and growing from purple to blue, from blue to rosy day, it showed the marble statues fast locked in marble sleep again. On the platform stood the girl with uplifted arm, holding her cup, now, to catch the wine of sunrise; and on the delicately chiselled face was a faint smile which seemed to hide a secret. When the first ray of yellow sunshine gilded the big skylight, a door up-stage opened and the sculptor came in, wearing his workman's blouse. He regarded his handiwork, as the curtain came down.

When the music of the dream had ceased and suddenly became ostentatiously puerile, the audience broke into a tumult of applause.

Women clapped their hands furiously and many men shouted "brava, brava,"

hoping that the curtain might rise once more on the picture; but it did not rise, and Stephen was glad. The dream would have been vulgarized by repet.i.tion.

For fully five minutes the orchestra played some gay tune which every one there had heard a hundred times; but abruptly it stopped, as if on a signal. For an instant there was a silence of waiting and suspense, which roused interest and piqued curiosity. Then there began a delicate symphony which could mean nothing but spring in a forest, and on that the curtain went up. The prophecy of the music was fulfilled, for the scene was a woodland in April, with young leaves a-flicker and blossoms in birth, the light song of the flutes and violins being the song of birds in love. All the trees were brocaded with dainty, gold-green lace, and daffodils sprouted from the moss at their feet.

The birds sang more gaily, and out from behind a silver-trunked beech tree danced a figure in spring green. Her arms were full of flowers, which she scattered as she danced, curtseying, mocking, beckoning the shadow that followed her along the daisied gra.s.s. Her little feet were bare, and flitted through the green folding of her draperies like white night-moths fluttering among rose leaves. Her hair fell over her shoulders, and curled below her waist. It was red hair that glittered and waved, and she looked a radiant child of sixteen. Victoria Ray the dancer, and the girl on the Channel boat were one.

IV

The Shadow Dance was even more beautiful than the Dance of the Statue, but Stephen had lost pleasure in it. He was supersensitive in these days, and he felt as if the girl had deliberately made game of him, in order that he should make a fool of himself. Of course it was a pose of hers to travel without chaperon or maid, and dress like a school girl from a provincial town, in cheap serge, a sailor hat, and a plait of hair looped up with ribbon. She was no doubt five or six years older than she looked or admitted, and probably her manager shrewdly prescribed the "line" she had taken up. Young women on the stage--actresses, dancers, or singers, it didn't matter which--must do something unusual, in order to be talked about, and get a good free advertis.e.m.e.nt. Nowadays, when professionals vied with each other in the expensiveness of their jewels, the size of their hats, or the smallness of their waists, and the eccentricity of their costumes, it was perhaps rather a new note to wear no jewels at all, and appear in ready-made frocks bought in bargain-sales; while, as for the young woman's air of childlike innocence and inexperience, it might be a tribute to her cleverness as an actress, but it was not a tribute to his intelligence as a man, that he should have been taken in by it. Always, he told himself, he was being taken in by some woman. After the lesson he had had, he ought to have learned wisdom, but it seemed that he was as gullible as ever. And it was this romantic folly of his which vexed him now; not the fact that a simple child over whose fate he had sentimentalized, was a rich and popular stage-dancer. Miss Ray was probably a good enough young woman according to her lights, and it was not she who need be shamed by the success of the Channel boat comedy.

He had another day and night in Paris, where he did more sightseeing than he had ever accomplished before in a dozen visits, and then travelled on to Ma.r.s.eilles. The slight damage to the _Charles Quex_ had been repaired, and at noon the ship was to sail. Stephen went on board early, as he could think of nothing else which he preferred to do, and he was repaid for his promptness. By the time he had seen his luggage deposited in the cabin he had secured for himself alone, engaged a deck chair, and taken a look over the ship--which was new, and as handsome as much oak, fragrant cedar-wood, gilding, and green brocade could make her--many other pa.s.sengers were coming on board. Travelling first cla.s.s were several slim French officers, and stout Frenchmen of the commercial cla.s.s; a merry theatrical company going to act in Algiers and Tunis; an English clergyman of grave aspect; invalids with their nurses, and two or three dignified Arabs, evidently of good birth as well as fortune.

Arab merchants were returning from the Riviera, and a party of German students were going second cla.s.s.

Stephen was interested in the lively scene of embarkation, and glad to be a part of it, though still more glad that there seemed to be n.o.body on board whom he had ever met. He admired the harbour, and the shipping, and felt pleasantly exhilarated. "I feel very young, or very old, I'm not sure which," he said to himself as a faint thrill ran through his nerves at the grinding groan of the anchor, slowly hauled out of the deep green water.

It was as if he heard the creaking of a gate which opened into an unknown garden, a garden where life would be new and changed. Nevill Caird had once said that there was no sharp, dividing line between phases of existence, except one's own moods, and Stephen had thought this true; but now it seemed as if the sea which silvered the distance was the dividing line for him, while all that lay beyond the horizon was mysterious as a desert mirage.

He was not conscious of any joy at starting, yet he was excited, as if something tremendous were about to happen to him. England, that he knew so well, seemed suddenly less real than Africa, which he knew not at all, and his senses were keenly alert for the first time in many days.

He saw Ma.r.s.eilles from a new point of view, and wondered why he had never read anything fine written in praise of the ancient Phoenician city. Though he had not been in the East, he imagined that the old part of the town, seen from the sea, looked Eastern, as if the traffic between east and west, going on for thousands of years, had imported an Eastern taste in architecture.

The huge, mosque-like cathedral bubbled with domes, where fierce gleams of gold were hammered out by strokes of the noonday sun. A background of wild mountain ranges, whose tortured peaks shone opaline through long rents in mist veils, lent an air of romance to the scene, and Notre Dame de la Garde loomed n.o.bly on her bleached and arid height. "Have no fear: I keep watch and ward over land and sea," seemed to say the majestic figure of gold on the tall tower, and Stephen half wished he were of the Catholic faith, that he might take comfort from the a.s.surance.

As the _Charles Quex_ steamed farther and farther away, the church on the mountainous hill appeared to change in shape. Notre Dame de la Garde looked no longer like a building made by man, but like a great sacred swan crowned with gold, and nested on a mountain-top. There she sat, with shining head erect on a long neck, seated on her nest, protecting her young, and gazing far across the sea in search of danger. The sun touched her golden crown, and dusky cloud-shadows grouped far beneath her eyrie, like mourners kneeling below the height to pray. The rock-shapes and island rocks that cut the blue glitter of the sea, suggested splendid tales of Phoenician mariners and Saracenic pirates, tales lost forever in the dim mists of time; and so Stephen wandered on to thoughts of Dumas, wishing he had brought "Monte Cristo," dearly loved when he was twelve. Probably not a soul on board had the book; people were so stupid and prosaic nowadays. He turned from the rail on which he had leaned to watch the fading land, and as he did so, his eyes fell upon a bright red copy of the book for which he had been wishing.

There was the name in large gold lettering on a scarlet cover, very conspicuous on the dark blue serge lap of a girl. It was the girl of the Channel boat, and she wore the same dress, the same sailor hat tied on with a blue veil, which she had worn that night crossing from England to France.

While Stephen had been absorbed in admiration of Ma.r.s.eilles harbour, she had come up on deck, and settled herself in a canvas chair. This time she had a rug of her own, a thin navy blue rug which, like her frock, might have been chosen for its cheapness. Although she held a volume of "Monte Cristo," she was not reading, and as Stephen turned towards her, their eyes met.

Hers lit up with a pleased smile, and the pink that sprang to her cheeks was the colour of surprise, not of self-consciousness.

"I _thought_ your back looked like you, but I didn't suppose it would turn out to be you," she said.

Stephen's slight, unreasonable irritation could not stand against the azure of such eyes, and the youth in her friendly smile. Since the girl seemed glad to see him, why shouldn't he be glad to see her? At least she was not a link with England.

"I thought your statue looked like you," he retorted, standing near her chair, "but I didn't suppose it would turn out to be you until your shadow followed."

"Oh, you saw me dance! Did you like it?" She asked the question eagerly, like a child who hangs upon grown-up judgment of its work.

"I thought both dances extremely beautiful and artistic," replied Stephen, a little stiffly.

She looked at him questioningly, as if puzzled. "No, I don't think you did like them, really," she said. "I oughtn't to have asked in that blunt way, because of course you would hate to hurt my feelings by saying no!"

Her manner was so unlike that of a spoiled stage darling, that Stephen had to remind himself sharply of her "innocent pose," and his own soft-hearted lack of discrimination where pretty women were concerned.

By doing this he kept himself armed against the clever little actress laughing at him behind the blue eyes of a child. "You must know that there can't be two opinions of your dancing," said he coolly. "You have had years and years of flattery, of course; enough to make you sick of it, if a woman ever----" He stopped, smiling.

"Why, I've been dancing professionally for only a few months!" she exclaimed. "Didn't you know?"

"I'm ashamed to say I was ignorant," Stephen confessed. "But before the dancing, there must have been something else equally clever.

Floating--or flying--or----"

She laughed. "Why don't you suggest fainting in coils? I'm certain you would, if you'd ever read 'Alice.'"

"As a matter of fact, I was brought up on 'Alice,'" said Stephen. "Do children of the present day still go down the rabbit hole?"

"I'm not sure about children of the _present_ day. Children of my day went down," she replied with dignity. "I loved Alice dearly. I don't know much about other children, though, for I never had a chance to make friends as a child. But then I had my sister when I was a little girl, so nothing else mattered."

"If you don't think me rude to say so," ventured Stephen, "you would seem to me a little girl now, if I hadn't found out that you're an accomplished star of the theatres, admired all over Europe."

"Now you're making fun of me," said the dancer. "Paris was only my third engagement; and it's going to be my last, anyway for ever so long, I hope."

This time Stephen was really surprised, and all his early interest in the young creature woke again; the personal sort of interest which he had partly lost on finding that she was of the theatrical world.

"Oh, I see!" he e.j.a.c.u.l.a.t.ed, before stopping to reflect that he had no right to put into words the idea which jumped into his mind.

"You see?" she echoed. "But how can you see, unless you know something about me already?"

"I beg your pardon," he apologized. "It was only a thought. I----"

"A thought about my dancing?"

"Not exactly that. About your not dancing again."

"Then please tell me the thought."

"You may be angry. I rather think you'd have a right to be angry--not at the thought, but the telling of it."