The God of Love Part 4

"What sacrifice, lady?" Guido asked of Vittoria; and whenever Guido spoke to a woman, he spoke as if all the pleasures and destinies of the world depended upon that one woman's interest and caprice.

Madonna Vittoria smiled, self-satisfied, as all women smiled when Guido so addressed them. "Why, the sacrifice of the pearl to the pig," she answered; and she still smiled as she spoke, but there was a kind of anger in her eyes. "The sacrifice of a clean child to a coa.r.s.e churl, the sacrifice of Folco Portinari's little Beatrice to my big Simone, that I do not choose to lose."

Here I broke in, laughing, for I took the drift of her meaning, and was wishful to prove myself alert. "Most allegorical lady," I protested, "I take you very clearly when you explain your own fable." And I rubbed my hands, instantly pleased with myself and my nimbleness.

But Messer Guido still looked thoughtful. "If the ladies of Florence,"

he said, slowly, "make Madonna Beatrice their May-queen, that dainty deed does not deliver her to Simone of the Bardi."

Madonna Vittoria turned upon him with a sharpness seldom seen on a woman's face when it bent toward Messer Guido of the Cavalcanti. Her smooth forehead wrinkled with an unfamiliar frown; her full lips seemed to tighten and narrow to a red thread; her eyes were as a cat's eyes are when the cat is very, very angry.

"Who goes by her side," she asked, sourly, "as she goes through the city?" And she answered her own question with a name. "Simone dei Bardi." She went on: "Who is her father's faithful friend? Simone dei Bardi." She glanced from one to the other of us--Messer Guido and I, I mean, for Dante took no heed of her and she seemed to take no heed of him. "I will tell you," she said, fiercely, "the trap is baited for the prey, and, as things go, it seems as if I were like to lose my emerald, that I can spare ill, as well as a husband, that I could spare very readily were it not that I had a mind to marry him."

Now at this there was a pause, and in a little while I turned to Dante, thinking that it was high time he took a share in our parley.

"Is not," I said, "Monna Vittoria much to be pitied?"

Being thus questioned, Dante seemed to shake himself free from his lethargy, or his disdain, or whatever you may call it, and he answered very indifferently, as one that speaks of another that is not present, "I do not know the cause of her sorrow."

Monna Vittoria turned to him now very directly and faced him, and there was a kind of challenge in her carriage.

"Messer Dante," she said, "if you know nothing of me, I know something of you, for Messer Brunetto, your philosopher, is one of my very good friends. I had this trinket of him a week ago." And as she spoke she fingered an enamelled and jewelled pendant against her neck that must have cost the scholar a merry penny. "Well, Messer Dante, you who are young and of high spirit, would you have a queen of beauty married to a king of beasts?"

Dante shrugged his shoulders a little, feigning no interest in the handsome creature that addressed him. "The alliance sounds unnatural,"

he answered, carelessly, and looked as if he would be glad that the matter should end.

But Vittoria would not have it so. "Well, now," she said, "when all Florence is luting and fluting for the queen of beauty, the king of beasts walks warden by her side."

Still Dante showed no interest. "Who is this queen of beauty?" he asked, listlessly. And when Guido made answer that she was Folco Portinari's daughter Beatrice, he only shook his head a little and declared that he did not know her.

"She is new to Florence," I explained.

And Vittoria went on. "I will give her this credit, that she is a comely piece. Let us go and see the girl in her triumph." She addressed herself directly to Guido, but she had an after-glance for me as well.

Guido turned toward his new-made friend. "Will you come with us, Messer Dante?" he asked.

But Dante denied him. "Not I, by your leave," he replied. "I find folly enough here in my book without tramping the highways to face it in its pageant."

Now I felt a little vexed at his churlishness, for Madonna Vittoria was a lovely lady, and very pleasant company, and one worth obliging. So I spoke to the others, saying, "Well, well, let us not starve because Dante has no appet.i.te." And therewith I caught a hand of Guido and a hand of Vittoria, and made to lead them from the place. And they both responded well enough to my summons.

But Monna Vittoria checked me a little and paused, and spoke again to Dante. "Farewell, Messer Dante," she said, sweetly. "Will you come visit me one of these days?"

But Dante, who had poked that hooked nose of his now in his book again, shook his head and made her no very civil answer. "Madonna," he said, "I have little money and less l.u.s.t. G.o.d be with you."

So, lapped in that mood, we left him, and went our ways toward the Signory, and our Dante was soon out of sight, and, if truth be told, out of mind.

IV

THE WORDS OF THE IMAGE

Now I proceed to tell under all caution what happened to our Dante, sitting there alone in the shady angle of that sunny place, after we had left him to go to the Signory. For, indeed, I did not see it, although I heard it from his lips, that had the gift, even then, to make the strangest things seem as real as, say, the door of a house. The tale was so told, in such twists of thought and turns of phrase, that it might, if you chose, be taken as an allegory or the vision of a dream; but, for my own part, I prefer to believe that it came about just as I shall set it down, for the world is merrier for a spice of the marvellous in its composition, and, for myself, I could believe anything of that same painted image.

It seems, then, that when Dante was left alone he turned to his book again, and set himself very resolutely to reading of the loves of Lancelot and Guinevere, in the hope, most like, to still that stirring of the spirit occasioned by our talk. And when the fall of our footsteps and the babble of our voices could be heard no more, he confessed that at first he felt grateful for the silence and the peace. But of a sudden it appeared to him that the silence was greater than there was any need or reason for it to be, that it seemed to him as if all Florence held its breath in the suspense of a great hush which lapped the world in its embrace--such a hush as might perchance occur before the coming of Doom.

Then, after an interval that seemed too age-long to be endured, out of the very core of the silence Dante heard a voice calling to him that he had never heard before, and that spoke to him with such a sweet imperiousness that he was as physically and spiritually bound to obey and attend as ever Moses was on the holy hill. And the commanding voice cried to him, "Dante, behold a deity stronger than thou, who comes to govern thee."

Then it seemed to Dante that at the sound of that voice his consciousness returned to him, and, looking up from his book, he called aloud, "Who speaks to me?" And as he spoke he saw, or thought he saw--but I give it to you as he gave it to me--to his amazement, how the painted image of the beautiful youth that stood above the fountain seemed slowly to quicken into being, and how all the gaudy colors and gilding of the figure seemed to soften to the exquisite and tender hues of a life that was more marvellous than life. The hair of the youth was radiantly sunny, his cheeks flamed and paled with a divine white and red, his perfect limbs and perfect body seemed moulded with such exquisite rounded flesh as the immortal G.o.ds a.s.sumed long ago when they deigned to descend from Olympus or appear in Cytherea, and speak to men and love them. And the pagan boy that stood above the plashing fountain lifted a hand toward Dante and parted his lips and spoke, and this was what he said: "The G.o.d Love speaks to you, Dante, and to none but you.

Lift up your heart, for soon your happiness shall be made manifest unto you."

At this Dante, though, as he told me thereafter, he felt no fear, was full of a great astonishment, and he strove to speak and could not for an instant, and at last he cried out, "Must I believe you?" For it seemed to him as if the image uttered the very voice of truth, but that he, listening, rebelled against it.

Then the beautiful, breathing boy, that had been the beautiful, silent image, stretched out a hand to him in command, and said, "You that denied me must now believe me, for henceforth I shall govern your soul."

At these words Dante crossed himself, for all this seemed strange work for commonplace Florence in full day, and he tried to repeat a prayer, but wonderfully could remember none, and only his ears buzzed with the words of all the love-songs he had ever heard, and he entreated, "Leave me in peace." And as he spoke he stretched out his hands in supplication to the quickened image.

Now it is to be said that it seemed to Dante as if a kind of pale flame appeared to blaze all about the living image, and to spread from him in fine and delicate rays till it seemed to play on Dante's body and burn through the armor of the flesh and lurk about his naked heart. And the agony of that burning was beyond words, yet there was a kind of joy in it that was beyond thought.

And the G.o.d that was Love cried out again: "You pray in vain for peace who shall ever be peaceless from this time forth. For the unavoidable hour is at hand when you shall know my power. Farewell awhile." As the figure spoke those last words it seemed slowly to stiffen into stone again, and the beautiful, vital coloring faded away, and the pale, leaping flames vanished, and Dante found himself sitting and staring at the painted image above the lisping water that he had looked at unmoved a thousand times, as he pa.s.sed it going to and fro on his way through the city.

Dante rubbed his forehead and wondered. "I have been dreaming," he murmured, "and the love-tale in the book colored my thoughts."

Now, though all this vision, or whatever you may please to call it, seemed brief enough, it took longer than the telling, for Messer Dante told me that the next thing he knew was that he heard my voice calling to him. Wherefore, the most will probably say that Messer Dante had fallen asleep in the heat of the day and dreamed a dream, but I do not think so. Now, Guido and I and Monna Vittoria had gone on our ways to the Signory, thinking to witness the crowning of the lady Beatrice of the Portinari, but we had not travelled very far when we heard the noise of many people mixed with the sound of music, and we knew that the procession was coming our way and that the ceremony at the Signory was over and done with. Then it seemed a shame to me that my friend should lose all the pleasure, and I said I would go back for him, and Messer Guido came with me because Monna Vittoria had found other friends and stayed in speech with them. And when Guido and I came back to the place where we had left Dante, I found him, as I say, seated upon the stone seat. His closed book lay by his side, and he was staring straight before him, as a man that is newly awakened from a trance. But I, taking little notice of his state at the moment, ran toward him and clapped him on the shoulder, calling to him: "They are moving this way!" I cried.

"Come and see!"

But Dante did not seem to hear me, and sat gazing at that painted image that was such an old friend of mine and his, as if he had never seen it before. But presently, partly by persuasion, and partly by pushing and urging, we got him to turn from the statue and accompany us a little ways till we came to a stand in the neighborhood of the Palace of the Portinari, toward which the procession of the May-day was making its way.

The open s.p.a.ce of the Piazza of the Santa Felicita was now pretty well filled with the curious and the seekers for amus.e.m.e.nt, and all the air was full of sweet noises, and all the smiling faces shone in the warm sunlight. And Guido and I, piloting our Dante, pushed our way to the inner circle of the loiterers, and paused there, waiting for the coming of the merrymakers. And even as we paused the folk that we expected came upon us. They were a gallant company of youths and maidens, dressed all in their best and brightest, and there were excellent musicians with them that made the most n.o.ble of cheerful music, and the comely girls scattered flowers on the cobbles, and the comely youths laughed and shouted, and in the midst of the throng a dozen of the strongest lads were tugging at a chariot that carried a gilded throne, and on that throne was seated Madonna Beatrice of the Portinari. She was dressed in a robe of crimson silk, and she carried red roses in her hand, and I think that all who looked upon her held her as the loveliest maid in all Florence. I know that, for my part, I frankly admitted to myself that none of the girls that I was in love with at that time could hold a candle to her. Yet I knew for my sins that I could never be in love with Madonna Beatrice of the Portinari. Standing by her side was a big, thick-set, fierce-looking man, with a s.h.a.g of black hair and a black beard like a spade, whom I knew well enough and whom all there knew well enough to be Messer Simone dei Bardi, the man of whom Guido and I had talked that morning. There was a great crowd behind the chariot, Reds and many Yellows, seemingly at peace that day, friends of Guido, and followers of Simone, and revellers of many kinds and townsfolk of many cla.s.ses. I could see that Monna Vittoria was in the thick of the crowd that followed the Car of Triumph, and presently she made her way beneath the shelter of the arcade, and stood there hard by one of the pillars, watching the lady Beatrice on her throne and Simone dei Bardi keeping so close beside her. And Simone, as I believe, had no knowledge of Vittoria's presence.

Now, when that brave company came into the place where we stood, Dante, that had stood by our sides listlessly enough, turned away from us as suddenly and sharply as if he had received an order. So he turned, and, turning, he saw in full view the face of the lady Beatrice as she sat on her car of triumph; and, at the sight of her, he gave a great cry, and then stood silent and stiff as if spellbound.

Guido, delighted by the girl's beauty, cried to him, not looking at him, "Is she not fair?"

But I saw what strange case our Dante was in, and pulled at Guide's sleeve and jerked his attention to my friend, saying, "Our Dante stands at gaze as if he were sun-dazzled."

Guido turned to Messer Dante and saw the rapture in his face, and, seeing, questioned him. "Is she not fair?" he asked, and his glance travelled again to where the May-queen sat.

And Dante answered him, speaking very slowly, as a man might speak in some sweet sleep when he dreamed a dear dream, "She is the loveliest woman in the world." He paused for a moment, and then added, in a lower tone, "She is the child I worshipped."

Now, I could plainly read amazement and doubt on Messer Guido's face when he heard Dante speak thus strangely, and he caught at his arm and shook it a little gently, as one would do that wishes to wake a sleeping man. "You are dreaming, for sure," he said.

But Dante only answered him very quietly, still keeping his rapturous face fixed on the girl as she and her company came nearer. "She is the lady of my dreams."

Now I, that was glancing in much bewilderment from Dante, where he stood at gaze so radiant, to the fair girl on her gilded car, saw, or thought I saw, all of a sudden, a look in the girl's eyes that betokened more knowledge of Dante than merely the knowledge that a man stood in the roadway and stared at her beauty. So I whispered to Guido in his ear, "See, she seems to note him, and, as I think, with recognition."

Now, even as I said this, the little company that carried the Queen of Beauty came to a halt some yards from the gate of the gray palace, and Messer Simone dei Bardi, quitting the side of her chariot, advanced toward the Palace of the Portinari to give the formal summons that the Queen of May demanded admittance, all of which was part and parcel of the ceremonial of the pretty sport. At the same instant Dante, quitting Guido's side, advanced a little nearer to the girl, who did not descend from her chair, but sat still in her chariot as if waiting for his coming, and the little crowd of juvenals about her fluttered aside before his resolute advance, and I thought even then how strong his young face looked, and how purposeful, for all his youth, that grim nose of his and the steady eyes above it, in contrast with the pink-and-white prettiness of the many slim lads that were the Queen of Beauty's satellites.