The Glory of English Prose Part 11

Read this portion of an old letter.

"'If for my consolation Monseigneur would grant me, for the sake of G.o.d and the Most Blessed Trinity, that I could have news of my dear wife; were it only her name on a card, to show that she is alive! It were the greatest consolation I could receive; and I should for ever bless the greatness of Monseigneur.'

"Poor prisoner, who namest thyself Queret-Demery, and hast no other history,--she is dead, that dear wife of thine, and thou art dead! Tis fifty years since thy breaking heart put this question; to be heard now first, and long heard, in the hearts of men."

In the reign of Louis XV. alone, there were no less than fifteen thousand _lettres de cachet_ issued, by which anyone could be suddenly arrested, and, without trial, and, heedless of protest, imprisoned perhaps for life in the Bastille.

In the excesses of the Reign of Terror three or four thousand persons perished. Their deaths were spectacular, and have covered with execrations their dreadful executioners.

But it is right that we should remember, Antony, the life-long agony and the unutterable despair of the victims of that remorselessly cruel system which the Revolution overthrew.

The chapter on the "Everlasting Yea," in _Sartor Resartus_, seems to me to come nearer to the above excerpts than anything else in Carlyle, though at a perceptible distance:--

"O thou that pinest in the imprisonment of the Actual, and criest bitterly to the G.o.ds for a kingdom wherein to rule and create, know this of a truth: the thing thou seekest is already with thee, 'here or nowhere,' couldst thou only see!

"But it is with man's Soul as it was with Nature: the beginning of Creation is--Light. Till the eye have vision the whole members are in bonds. Divine moment, when over the tempest-tossed Soul, as once over the wild-weltering Chaos, it is spoken: 'Let there be Light!' Even to the greatest that has felt such moment is it not miraculous and G.o.d-announcing; even as, under simpler figures, to the simplest and least. The mad primeval Discord is hushed; the rudely-jumbled conflicting elements bind themselves into separate Firmaments: deep, silent rock-foundations are built beneath, and the skyey vault, with its everlasting Luminaries, above; instead of a dark, wasteful Chaos, we have a blooming, fertile, heaven-encompa.s.sed World.

"I, too, could now say to myself: 'Be no longer a Chaos, but a World, or even Worldkin. Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in G.o.d's name! 'Tis the utmost thou hast in thee; out with it then.

Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called to-day; for the night cometh wherein no man can work.'"

There is another pa.s.sage in _Sartor Resartus_ which I have always held in veneration, though the field labourer is not now so "hardly-entreated" as when Carlyle wrote of him:--

"Two men I honour, and no third. First the toilworn Craftsman that with earth-made implement laboriously conquers the earth, and makes her man's.

"Venerable to me is the hard hand; crooked, coa.r.s.e; wherein notwithstanding lies a cunning virtue indefeasibly royal, as of the sceptre of this planet. Venerable too is the rugged face, all weather-tanned, besoiled, with its rude intelligence; for it is the face of a man living manlike. Oh, but the more venerable for thy rudeness, and even because we must pity as well as love thee!

Hardly-entreated brother! For us was thy back so bent, for us were thy straight limbs and fingers so deformed; thou wert our conscript, on whom the lot fell, and fighting our battles wert so marred. For in thee too lay a G.o.d-created form, but it was not to be unfolded; encrusted must it stand with the thick adhesions and defacements of labour; and thy body, like thy soul, was not to know freedom. Yet toil on, toil on; _thou_ art in thy duty, be out of it who may: thou toilest for the altogether indispensable, for daily bread.

"A second man I honour, and still more highly: him who is seen toiling for the spiritually indispensable; not daily bread, but the bread of life. Is not he too in his duty; endeavouring towards inward harmony; revealing this, by act or by word, through all his outward endeavours, be they high or low? Highest of all, when his outward and his inward endeavour are one: when we can name him artist; not earthly craftsman only, but inspired thinker, who with heaven-made implement conquers heaven for us! If the poor and humble toil that we have food, must not the high and glorious toil for him in return, that he have light, have guidance, freedom, immortality? These two, in all their degrees, I honour; all else is chaff and dust, which let the wind blow whither it listeth.

"Unspeakably touching is it, however, when I find both dignities united; and he that must toil outwardly for the lowest of man's wants, is also toiling inwardly for the highest. Sublimer in this world know I nothing than a peasant saint, could such now anywhere be met with. Such a one will take thee back to Nazareth itself; thou wilt see the splendour of heaven spring forth from the humblest depths of earth, like a light shining in great darkness."

_Sartor Resartus_ has long taken its place among the greatest prose works of the nineteenth century, and it is a strange commentary on this mandate to us all to "produce, produce!" to find that for eleven years Carlyle could find no publisher who would give it in book form to the world!

It is a solemn reflection to think that there may be many books of eloquence and splendour that have never seen the light of publicity.

Publishers concern themselves less with what is finely written than with what will best sell; and in their defence it may be acceded that some of the masterpieces of literature have at their first appearance before the world fallen dead from the press.

The first edition of FitzGerald's _Omar Khayyam_, issued at one shilling, was totally unrecognised, and copies of it might have been bought for twopence in the trays and boxes of trash on the pavement outside old bookshops!

But if once a work is published, time will with almost irresistible force place it ultimately in the station it deserves in the literature of the world.

Instant acceptance not seldom preludes final rejection. In the middle of the last century Martin Tupper's _Proverbial Philosophy_ garnished every drawing-room table; and now, where is it?

Your loving old G.P.

_P.S._--Do not look for the pa.s.sage on Marie Antoinette in the _French Revolution_, for you will not find it there, but in the "Essay of the Diamond Necklace."

24

MY DEAR ANTONY,

You and I once had a cousin, Henry Nelson Coleridge, who, had he lived, would very certainly have left a brilliant addition to the l.u.s.tre of the name he bore. He was born in 1798, and only lived forty-five years, dying when his powers were leading him to high fortune in that legal profession which so many of the family have pursued.

He was a scholar of Eton; a Fellow of King's College, Cambridge; he won the Greek and Latin Odes in 1820, and the Greek Ode again in 1821.

To him, therefore, the cla.s.sic spirit was inborn, and a training that omitted the study of Latin and Greek the very negation of education.

He would have had something very trenchant to say of what is now known as "the modern side." He wrote a very rich and splendid prose, and it is no fond family partiality that leads me to quote to you his eloquent and precious defence of the cla.s.sical languages:--

"I am not one whose lot it has been to grow old in literary retirement, devoted to cla.s.sical studies with an exclusiveness which might lead to an overweening estimate of these two n.o.ble languages. Few, I will not say evil, were the days allowed to me for such pursuits; and I was constrained, still young and an unripe scholar to forego them for the duties of an active and laborious profession. They are now amus.e.m.e.nts only, however delightful and improving. For I am far from a.s.suming to understand all their riches, all their beauty, or all their power; yet I can profoundly feel their immeasurable superiority in many important respects to all we call modern; and I would fain think that there are many even among my younger readers who can now, or will hereafter, sympathise with the expression of my ardent admiration.

"Greek--the shrine of the genius of the old world; as universal as our race, as individual as ourselves; of infinite flexibility, or indefatigable strength, with the complication and the distinctness of Nature herself; to which nothing was vulgar, from which nothing was excluded; speaking to the ear like Italian, speaking to the mind like English; with words like pictures, with words like the gossamer films of the summer; at once the variety and picturesqueness of Homer; the gloom and the intensity of aeschylus; not compressed to the closest by Thucydides, nor fathomed to the bottom by Plato; not sounding with all its thunders, nor lit up with all its ardours even under the Promethean touch of Demosthenes!

"And Latin--the voice of empire and of war, of law and of the state, inferior to its half-parent and rival in the embodying of pa.s.sion and in the distinguishing of thought, but equal to it in sustaining the measured march of history; and superior to it in the indignant declamation of moral satire; stamped with the mark of an imperial and despotising republic; rigid in its construction, parsimonious in its synonyms; reluctantly yielding to the flowery yoke of Horace, although opening glimpses of Greek-like splendour in the occasional inspirations of Lucretius; proved indeed, to the uttermost, by Cicero, and by him found wanting; yet majestic in its bareness, impressive in its conciseness; the true language of history, instinct with the spirit of nations and not with the pa.s.sions of individuals; breathing the maxims of the world, and not the tenets of the schools; one and uniform in its air and spirit, whether touched by the stern and haughty Sall.u.s.t, by the open and discursive Livy, by the reserved and thoughtful Tacitus.

"These inestimable advantages, which no modern skill can wholly counterpoise, are known and felt by the scholar alone. He has not failed, in the sweet and silent studies of his youth, to drink deep at those sacred fountains of all that is just and beautiful in human language.

"The thoughts and the words of the master-spirits of Greece and of Rome, are inseparably blended in his memory; a sense of their marvellous harmonies, their exquisite fitness, their consummate polish, has sunk for ever in his heart, and thence throws out light and fragrancy upon the gloom and the annoyance of his maturer years. No avocations of professional labour will make him abandon their wholesome study; in the midst of a thousand cares he will find an hour to recur to his boyish lessons--to reperuse them in the pleasurable consciousness of old a.s.sociations, and in the clearness of manly judgment, and to apply them to himself and to the world with superior profit.

"The more extended his sphere of learning in the literature of modern Europe, the more deeply, though the more wisely, will he reverence that of cla.s.sical antiquity; and in declining age, when the appet.i.te for magazines and reviews, and the ten-times repeated trash of the day, has failed, he will retire, as it were, within a circle of school-fellow friends, and end his secular studies as he began them, with his Homer, his Horace, and his Shakespeare."

Ah, what an echo, Antony, every word of this beautiful pa.s.sage finds in my own heart, only saddened with the poignant regret that the necessary business and occupation of the pa.s.sing years have dulled for me such unpolished facility, as I may once have possessed, for perusing my Homer and my Horace!

It is, indeed, rare in these days to find gentlemen as familiar as were their forebears with Latin and Greek. You, Antony, will probably find yourself as you grow up in like case with myself, but there will remain for your unending instruction and delight all the glories of English literature, to give you a taste for which these few letters of mine are written, plucking only a single flower here and there from the most wonderful garden in the world.

Your loving old G.P.

25

MY DEAR ANTONY,

Cardinal Newman, of whom I shall write to-day, was the first of the great writers born in the nineteenth century, and he lived from 1801 to 1890. Besides being a master of English prose he was no mean poet; but above all else he was a man of immense personal power, which was strangely a.s.sociated with a manifest saintliness which compelled diffidence from those admitted to his intimacy.

I have described him as I knew him in my _Memories_;[1] and now will quote to you his utterance on music and its effect upon the heart of man, which has always seemed to me too precious to leave buried in a sermon:--

"Let us take an instance, of an outward and earthly form, or economy, under which great wonders unknown seem to be typified; I mean musical sounds as they are exhibited most perfectly in instrumental harmony.

"There are seven notes in the scale; make them fourteen; yet what a slender outfit for so vast an enterprise! What Science brings so much out of so little? out of what poor elements does some great master in it create his new world!

"Shall we say that all this exuberant inventiveness is a mere ingenuity or trick of art, like some game or fashion of the day, without reality, without meaning? We may do so; and then, perhaps, we shall also account theology to be a matter of words; yet, as there is a divinity in the theology of the Church, which those who feel cannot communicate, so is there also in the wonderful creation of sublimity and beauty of which I am speaking. To many men the very names which the Science employs are utterly incomprehensible. To speak of an idea or a subject seems to be fanciful or trifling, to speak of the views which it opens upon us to be childish extravagance; yet is it possible that that inexhaustible evolution and disposition of notes, so rich yet so simple, so intricate yet so regulated, so various yet so majestic, should be a mere sound, which is gone and perishes?

"Can it be that those mysterious stirrings of heart, and keen emotions, and strange yearnings after we know not what, and awful impressions from we know not whence, should be wrought in us by what is unsubstantial, and comes and goes, and begins and ends in itself? It is not so; it cannot be. No; they have escaped from some higher sphere, they are the outpourings of eternal harmony in the medium of created sound; they are echoes from our home; they are the voice of angels or the magnificat of Saints, or the living laws of Divine Governance, or the Divinic attributes; something are they besides themselves, which we cannot compa.s.s, which we cannot utter,--though mortal man, and he perhaps not otherwise distinguished above his fellows, has the gift of eliciting them."

Of quite another order is the Cardinal's description of a gentleman.

Here there is no flight of poetical imagination, but a manifestation of felicitous intuition and penetrating insight as rare as it is convincing, and the generous wide vision of a man of the world, undimmed by the faintest trace of prejudice:--