The Girl on the Boat Part 10

"Oh no, Bream is going to sit down below and look after poor Pinky."

"Does he--does he know he is?"

"Not yet," said Billie. "I'm going to tell him at lunch."

CHAPTER IV

SAM CLICKS

-- 1

It was the fourth morning of the voyage. Of course, when this story is done in the movies they won't be satisfied with a bald statement like that; they will have a Spoken t.i.tle or a Cut-Back Sub-Caption or whatever they call the thing in the low dens where motion-picture scenario-lizards do their dark work, which will run:--

AND SO, CALM AND GOLDEN, THE DAYS WENT BY, EACH FRAUGHT WITH HOPE AND YOUTH AND SWEETNESS, LINKING TWO YOUNG HEARTS IN SILKEN FETTERS FORGED BY THE LAUGHING LOVE-G.o.d.

and the males in the audience will shift their chewing gum to the other cheek and take a firmer grip of their companion's hands and the man at the piano will play "Everybody wants a key to my cellar," or something equally appropriate, very soulfully and slowly, with a wistful eye on the half-smoked cigarette which he has parked on the lowest octave and intends finishing as soon as the picture is over. But I prefer the plain frank statement that it was the fourth day of the voyage. That is my story and I mean to stick to it.

Samuel Marlowe, m.u.f.fled in a bathrobe, came back to the state-room from his tub. His manner had the offensive jauntiness of the man who has had a cold bath when he might just as easily have had a hot one. He looked out of the porthole at the shimmering sea. He felt strong and happy and exuberant.

It was not merely the spiritual pride induced by a cold bath that was uplifting this young man. The fact was that, as he towelled his glowing back, he had suddenly come to the decision that this very day he would propose to Wilhelmina Bennett. Yes, he would put his fortune to the test, to win or lose it all. True, he had only known her for four days, but what of that?

Nothing in the way of modern progress is more remarkable than the manner in which the att.i.tude of your lover has changed concerning proposals of marriage. When Samuel Marlowe's grandfather had convinced himself, after about a year and a half of respectful aloofness, that the emotion which he felt towards Samuel Marlowe's grandmother-to-be was love, the fashion of the period compelled him to approach the matter in a roundabout way. First, he spent an evening or two singing sentimental ballads, she accompanying him on the piano and the rest of the family sitting on the side-lines to see that no rough stuff was pulled. Having noted that she drooped her eyelashes and turned faintly pink when he came to the "Thee--only thee!" bit, he felt a mild sense of encouragement, strong enough to justify him in taking her sister aside next day and asking if the object of his affections ever happened to mention his name in the course of conversation. Further _pour-parlers_ having pa.s.sed with her aunt, two more sisters, and her little brother, he felt that the moment had arrived when he might send her a volume of Sh.e.l.ley, with some of the pa.s.sages marked in pencil. A few weeks later, he interviewed her father and obtained his consent to the paying of his addresses. And finally, after writing her a letter which began "Madam, you will not have been insensible to the fact that for some time past you have inspired in my bosom feelings deeper than those of ordinary friendship...." he waylaid her in the rose-garden and brought the thing off.

How different is the behaviour of the modern young man. His courtship can hardly be called a courtship at all. His methods are those of Sir W. S. Gilbert's Alphonso.

"Alphonso, who for cool a.s.surance all creation licks, He up and said to Emily who has cheek enough for six: 'Miss Emily, I love you. Will you marry? Say the word!'

And Emily said: 'Certainly, Alphonso, like a bird!'"

Sam Marlowe was a warm supporter of the Alphonso method. He was a bright young man and did not require a year to make up his mind that Wilhelmina Bennett had been set apart by Fate from the beginning of time to be his bride. He had known it from the moment he saw her on the dock, and all the subsequent strolling, reading, talking, soup-drinking, tea-drinking, and shuffle-board-playing which they had done together had merely solidified his original impression. He loved this girl with all the force of a fiery nature--the fiery nature of the Marlowes was a by-word in Bruton Street, Berkeley Square--and something seemed to whisper that she loved him. At any rate she wanted somebody like Sir Galahad, and, without wishing to hurl bouquets at himself, he could not see where she could possibly get anyone liker Sir Galahad than himself. So, wind and weather permitting, Samuel Marlowe intended to propose to Wilhelmina Bennett this very day.

He let down the trick basin which hung beneath the mirror and, collecting his shaving materials, began to lather his face.

"I am the Bandolero!" sang Sam blithely through the soap. "I am, I am the Bandolero! Yes, yes, I am the Bandolero!"

The untidy heap of bedclothes in the lower berth stirred restlessly.

"Oh, G.o.d!" said Eustace Hignett thrusting out a tousled head.

Sam regarded his cousin with commiseration. Horrid things had been happening to Eustace during the last few days, and it was quite a pleasant surprise each morning to find that he was still alive.

"Feeling bad again, old man?"

"I was feeling all right," replied Hignett churlishly, "until you began the farmyard imitations. What sort of a day is it?"

"Glorious! The sea...."

"Don't talk about the sea!"

"Sorry! The sun is shining brighter than it has ever shone in the history of the race. Why don't you get up?"

"Nothing will induce me to get up."

"Well, go a regular buster and have an egg for breakfast."

Eustace Hignett shuddered. He eyed Sam sourly. "You seem devilish pleased with yourself this morning!" he said censoriously.

Sam dried the razor carefully and put it away. He hesitated. Then the desire to confide in somebody got the better of him.

"The fact is," he said apologetically, "I'm in love!"

"In love!" Eustace Hignett sat up and b.u.mped his head sharply against the berth above him. "Has this been going on long?"

"Ever since the voyage started."

"I think you might have told me," said Eustace reproachfully. "I told you my troubles. Why did you not let me know that this awful thing had come upon you?"

"Well, as a matter of fact, old man, during these last few days I had a notion that your mind was, so to speak, occupied elsewhere."

"Who is she?"

"Oh, a girl I met on board."

"Don't do it!" said Eustace Hignett solemnly. "As a friend I entreat you not to do it. Take my advice, as a man who knows women, and don't do it!"

"Don't do what?"

"Propose to her. I can tell by the glitter in your eye that you are intending to propose to this girl--probably this morning."

"Not this morning--after lunch. I always think one can do oneself more justice after lunch."

"Don't do it. Women are the devil, whether they marry you or jilt you.

Do you realise that women wear black evening dresses that have to be hooked up in a hurry when you are late for the theatre, and that, out of sheer wanton malignity, the hooks and eyes on those dresses are also made black? Do you realise...?"

"Oh, I've thought it all out."

"And take the matter of children. How would you like to become the father--and a mere glance around you will show you that the chances are enormously in favour of such a thing happening--of a boy with spectacles and protruding front teeth who asks questions all the time? Out of six small boys whom I saw when I came on board, four wore spectacles and had teeth like rabbits. The other two were equally revolting in different styles. How would you like to become the father...?"

"There is no need to be indelicate," said Sam stiffly. "A man must take these chances."

"Give her the miss in baulk," pleaded Hignett. "Stay down here for the rest of the voyage. You can easily dodge her when you get to Southampton. And, if she sends messages, say you're ill and can't be disturbed."