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The Ghost: A Modern Fantasy Part 10

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"That is emotional cause enough, isn't it, to account for any mysterious depression that any man is ever likely to have?"

"You are mistaken," she said softly. "You don't know Alresca. You don't know his strength of mind. I can a.s.sure you that it is something more than unreturned love that is destroying him."

"Destroying him?"

"Yes, destroying him. Alresca is capable of killing a futile pa.s.sion.

His soul is too far removed from his body, and even from his mind, to be seriously influenced by the mistakes and misfortunes of his mind and body. Do you understand me?"

"I think so."

"What is the matter with Alresca is something in his most secret soul."

"And you can form no idea of what it is?"

She made no reply.

"Doctors certainly can't cure such diseases as that," I said.

"They can try," said Rosetta Rosa.

"You wish me to try?" I faced her.

She inclined her head.

"Then I will," I said with sudden pa.s.sionateness, forgetting even that I was not Alresca's doctor.

The carriage stopped. In the s.p.a.ce of less than a quarter of an hour, so it seemed to me, we had grown almost intimate--she and I.

Alresca's man was awaiting us in the portico of the Devonshire, and without a word he led us to his master. Alresca lay on his back on a couch in a large and luxuriously littered drawing-room. The pallor of his face and the soft brilliance of his eyes were infinitely pathetic, and again he reminded me of the tragic and gloomy third act of "Tristan." He greeted us kindly in his quiet voice.

"I have brought the young man," said Rosa, "and now, after I have inquired about your health, I must go. It is late. Are you better, Alresca?"

"I am better now that you are here," he smiled. "But you must not go yet. It is many days since I heard a note of music. Sing to me before you go."

"To-night?"

"Yes, to-night."

"What shall I sing?"

"Anything, so that I hear your voice."

"I will sing 'Elsa's Dream.' But who will accompany? You know I simply can't play to my own singing."

I gathered together all my courage.

"I'm an awful player," I said, "but I know the whole score of 'Lohengrin.'"

"How clever of you!" Rosa laughed. "I'm sure you play beautifully."

Alresca rewarded me with a look, and, trembling, I sat down to the piano. I was despicably nervous. Before the song was finished I had lost everything but honor; but I played that accompaniment to the most marvellous soprano in the world.

And what singing! Rosa stood close beside me. I caught the golden voice at its birth. Every vibration, every shade of expression, every subtlety of feeling was mine; and the experience was unforgettable.

Many times since then have I heard Rosa sing, many times in my hearing has she excited a vast audience to overwhelming enthusiasm; but never, to my mind, has she sung so finely as on that night. She was profoundly moved, she had in Alresca the ideal listener, and she sang with the magic power of a G.o.ddess. It was the summit of her career.

"There is none like you," Alresca said, and the praise of Alresca brought the crimson to her cheek. He was probably the one person living who had the right to praise her, for an artist can only be properly estimated by his equals.

"Come to me, Rosa," he murmured, as he took her hand in his and kissed it. "You are in exquisite voice to-night," he said.

"Am I?"

"Yes. You have been excited; and I notice that you always sing best under excitement."

"Perhaps," she replied. "The fact is, I have just met--met some one whom I never expected to meet. That is all. Good night, dear friend."

"Good night."

She pa.s.sed her hand soothingly over his forehead.

When we were alone Alresca seemed to be overtaken by la.s.situde.

"Surely," I said, "it is not by Toddy--I mean Dr. Todhunter MacWhister's advice that you keep these hours. The clocks are striking two!"

"Ah, my friend," he replied wearily, in his precise and rather elaborate English, "ill or well, I must live as I have been accustomed to live. For twenty years I have gone to bed promptly at three o'clock and risen at eleven o'clock. Must I change because of a broken thigh?

In an hour's time, and not before, my people will carry this couch and its burden to my bedroom. Then I shall pretend to sleep; but I shall not sleep. Somehow of late the habit of sleep has left me. Hitherto, I have scorned opiates, which are the refuge of the weak-minded, yet I fear I may be compelled to ask you for one. There was a time when I could will myself to sleep. But not now, not now!"

"I am not your medical adviser," I said, mindful of professional etiquette, "and I could not think of administering an opiate without the express permission of Dr. MacWhister."

"Pardon me," he said, his eyes resting on me with a quiet satisfaction that touched me to the heart, "but you are my medical adviser, if you will honor me so far. I have not forgotten your neat hand and skilful treatment of me at the time of my accident. To-day the little Scotchman told me that my thigh was progressing quite admirably, and that all I needed was nursing. I suggested to him that you should finish the case. He had, in fact, praised your skill. And so, Mr.

Foster, will you be my doctor? I want you to examine me thoroughly, for, unless I deceive myself, I am suffering from some mysterious complaint."

I was enormously, ineffably flattered and delighted, and all the boy in me wanted to caper around the room and then to fall on Alresca's neck and dissolve in grat.i.tude to him. But instead of these feats, I put on a vast seriousness (which must really have been very funny to behold), and then I thanked Alresca in formal phrases, and then, quite in the correct professional style, I began to make gentle fun of his idea of a mysterious complaint, and I asked him for a catalogue of his symptoms. I perceived that he and Rosa must have previously arranged that I should be requested to become his doctor.

"There are no symptoms," he replied, "except a gradual loss of vitality. But examine me."

I did so most carefully, testing the main organs, and subjecting him to a severe cross-examination.

"Well?" he said, as, after I had finished, I sat down to cogitate.

"Well, Monsieur Alresca, all I can say is that your fancy is too lively. That is what you suffer from, an excitable fan--"

"Stay, my friend," he interrupted me with a firm gesture. "Before you go any further, let me entreat you to be frank. Without absolute candor nothing can be done. I think I am a tolerable judge of faces, and I can read in yours the fact that my condition has puzzled you."

I paused, taken aback. It had puzzled me. I thought of all that Rosetta Rosa had said, and I hesitated. Then I made up my mind.

"I yield," I responded. "You are not an ordinary man, and it was absurd of me to treat you as one. Absolute candor is, as you say, essential, and so I'll confess that your case does puzzle me. There is no organic disease, but there is a quite unaccountable organic weakness--a weakness which fifty broken thighs would not explain. I must observe, and endeavor to discover the cause. In the meantime I have only one piece of advice. You know that in certain cases we have to tell women patients that a successful issue depends on their own willpower: I say the same thing to you."

"Receive my thanks," he said. "You have acted as I hoped. As for the willpower, that is another matter," and a faint smile crossed his handsome, melancholy face.

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The Ghost: A Modern Fantasy Part 10 summary

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