The Flirt Part 25

"It's--it's Laura," he said. "Cora will be all right. She looks out for--herself. I'm--I'm afraid for--Laura. Aren't you?"

"No, no," she protested. "I'm not afraid for either of them." But she was: the mother had always been afraid for Cora.

. . . . At the dance, the two girls, attended up the stairway to the ballroom by a chattering covey of black-coats, made a sensational entrance to a gallant fanfare of music, an effect which may have been timed to the premonitory tuning of instruments heard during the ascent; at all events, it was a great success; and Cora, standing revealed under the wide gilt archway, might have been a lithe and shining figure from the year eighteen-hundred-and-one, about to dance at the Luxembourg. She placed her hand upon the sleeve of Richard Lindley, and, glancing intelligently over his shoulder into the eyes of Valentine Corliss, glided rhythmically away.

People looked at her; they always did. Not only the non-dancers watched her; eyes everywhere were upon her, even though the owners gyrated, glided and dipped on distant orbits. The other girls watched her, as a rule, with a profound, an almost pa.s.sionate curiosity; and they were prompt to speak well of her to men, except in trustworthy intimacy, because they did not enjoy being wrongfully thought jealous. Many of them kept somewhat aloof from her; but none of them ever nowadays showed "superiority" in her presence, or snubbed her: that had been tried and proved disastrous in rebound. Cora never failed to pay her score--and with a terrifying interest added, her native tendency being to take two eyes for an eye and the whole jaw for a tooth. They let her alone, though they asked and asked among themselves the never-monotonous question: "Why do men fall in love with girls like that?" a riddle which, solved, makes wives condescending to their husbands.

Most of the people at this dance had known one another as friends, or antagonists, or indifferent acquaintances, for years, and in such an a.s.sembly there are always two worlds, that of the women and that of the men. Each has its own vision, radically different from that of the other; but the greatest difference is that the men are unaware of the other world, only a few of them--usually queer ones like Ray Vilas--vaguely perceiving that there are two visions, while all the women understand both perfectly. The men splash about on the surface; the women keep their eyes open under water. Or, the life of the a.s.sembly is like a bright tapestry: the men take it as a picture and are not troubled to know how it is produced; but women are weavers. There was a Beauty of far-flung renown at Mrs. Villard's to-night: Mary Kane, a creature so made and coloured that young men at sight of her became as water and older men were apt to wonder regretfully why all women could not have been made like Mary. She was a kindly soul, and never intentionally outshone her sisters; but the perfect sumptuousness of her had sometimes tried the amiability of Cora Madison, to whom such success without effort and without spark seemed unfair, as well as bovine. Miss Kane was a central figure at the dance, shining tranquilly in a new triumph: that day her engagement had been announced to Mr. George Wattling, a young man of no special attainments, but desirable in his possessions and suitable to his happiness. The pair radiated the pardonable, gay importance of newly engaged people, and Cora, who had never before bestowed any notice upon Mr. Wattling, now examined him with thoughtful attention.

Finding him at her elbow in a group about a punch bowl, between dances, she offered warm felicitations. "But I don't suppose you care whether _I_ care for you to be happy or not," she added, with a little plaintive laugh;--"you've always hated me so!"

Mr. Wattling was startled: never before had he imagined that Cora Madison had given him a thought; but there was not only thought, there was feeling, in this speech. She seemed to be concealing with bravery an even deeper feeling than the one inadvertently expressed. "Why, what on earth makes you think that?" he exclaimed.

"Think it? I _know_ it!" She gave him a strange look, luminous yet mysterious, a curtain withdrawn only to show a shining mist with something undefined but dazzling beyond. "I've always known it!"

And she turned away from him abruptly.

He sprang after her. "But you're wrong. I've never----"

"Oh, yes, you have." They began to discuss it, and for better consideration of the theme it became necessary for Cora to "cut"

the next dance, promised to another, and to give it to Mr.

Wattling. They danced several times together, and Mr. Wattling's expression was serious. The weavers of the tapestry smiled and whispered things the men would not have understood--nor believed.

Ray Vilas, seated alone in a recessed and softly lighted gallery, did not once lose sight of the flitting sorceress. With his elbows on the railing, he leaned out, his head swaying slowly and mechanically as she swept up and down the tumultuously moving room, his pa.s.sionate eyes gaunt and brilliant with his hunger. And something very like a general thrill pa.s.sed over the a.s.sembly when, a little later, it was seen that he was dancing with her.

Laura, catching a glimpse of this couple, started and looked profoundly disturbed.

The extravagance of Vilas's pa.s.sion and the depths he sounded, in his absurd despair when discarded, had been matters of almost public gossip; he was accounted a somewhat scandalous and unbalanced but picturesque figure; and for the lady whose light hand had wrought such havoc upon him to be seen dancing with him was sufficiently startling to elicit the universal remark--evidently considered superlative--that it was "just like Cora Madison!" Cora usually perceived, with an admirably clear head, all that went on about her; and she was conscious of increasing the sensation, when after a few turns round the room, she allowed her partner to conduct her to a secluding grove of palms in the gallery. She sank into the chair he offered, and, fixing her eyes upon a small lamp of coloured gla.s.s which hung overhead, ostentatiously looked bored.

"At your feet, Cora," he said, seating himself upon a stool, and leaning toward her. "Isn't it appropriate that we should talk to music--we two? It shouldn't be that quick step though--not dance-music--should it?"

"Don't know 'm sure," murmured Cora.

"You were kind to dance with me," he said huskily. "I dared to speak to you----"

She did not change her att.i.tude nor the direction of her glance.

"I couldn't cut you very well with the whole town looking on. I'm tired of being talked about. Besides, I don't care much who I dance with--so he doesn't step on me."

"Cora," he said, "it is the prelude to 'L'Arlesienne' that they should play for you and me. Yes, I think it should be that."

"Never heard of it."

"It's just a rustic tragedy, the story of a boy in the south of France who lets love become his whole life, and then--it kills him."

"Sounds very stupid," she commented languidly.

"People do sometimes die of love, even nowadays," he said, tremulously--"in the South."

She let her eyes drift indifferently to him and perceived that he was trembling from head to foot; that his hands and knees shook piteously; that his lips quivered and twitched; and, at sight of this agitation, an expression of strong distaste came to her face.

"I see." Her eyes returned to the lamp. "You're from the South, and of course it's going to kill you."

"You didn't speak the exact words you had in your mind.'"

"Oh, what words did I have 'in my mind'?" she asked impatiently.

"What you really meant was: 'If it does kill you, what of it?'"

She laughed, and sighed as for release.

"Cora," he said huskily, "I understand you a little because you possess me. I've never--literally never--had another thought since the first time I saw you: nothing but you. I think of you--actually every moment. Drunk or sober, asleep or--awake, it's nothing but you, you, _you_! It will never be different: I don't know why I can't get over it--I only know I can't. You own me; you burn like a hot coal in my heart. You're through with me, I know.

You drained me dry. You're like a child who eats so heartily of what he likes that he never touches it again. And I'm a dish you're sick of. Oh, it's all plain enough, I can tell you. I'm not exciting any more--no, just a nauseous slave!"

"Do you want people to hear you?" she inquired angrily, for his voice had risen.

He tempered his tone. "Cora, when you liked me you went a pretty clipping gait with me," he said, trembling even more than before.

"But you're infinitely more infatuated with this Toreador of a Corliss than you were with me; you're lost in him; you're slaving for him as I would for you. How far are you going with----"

"Do you want me to walk away and leave you?" she asked, suddenly sitting up straight and looking at him with dilating eyes. "If you want a 'scene'----"

"It's over," he said, more calmly. "I know now how dangerous the man is. Of course you will tell him I said that." He laughed quietly. "Well--between a dangerous chap and a desperate one, we may look for some lively times! Do you know, I believe I think about as continuously of him, lately, as I do of you. That's why I put almost my last cent into his oil company, and got what may be almost my last dance with you!"

"I wouldn't call it 'almost' your last dance with me!" she returned icily. "Not after what you've said. I had a foolish idea you could behave--well, at least decently."

"Did Corliss tell you that I insulted him in his rooms at the hotel?"

"You!" She laughed, genuinely. "I see him letting you!"

"He did, however. By manner and in speech I purposely and deliberately insulted him. You'll tell him every word of this, of course, and he'll laugh at it, but I give myself the pleasure of telling you. I put the proposition of an 'investment' to him in a way n.o.body not a crook would have allowed to be smoothed over--and he allowed it to be smoothed over. He ate it! I felt he was a swindler when he was showing Richard Lindley his maps and papers, and now I've proved it to myself, and it's worth the price."

Often, when they had danced, and often during this interview, his eyes lifted curiously to the white flaming crescent in her hair; now they fixed themselves upon it, and in a flash of divination he cried: "You wear it for me!"

She did not understand. "Finished raving?" she inquired.

"I gave Corliss a thousand dollars," he said, slowly. "Considering the fact that it was my last, I flatter myself it was not unhandsomely done--though I may never need it. It has struck me that the sum was about what a man who had just cleaned up fifty thousand might regard as a sort of 'extra'--'for lagniappe'--and that he might have thought it an appropriate amount to invest in a present some jewels perhaps--to place in the hair of a pretty friend!"

She sprang to her feet, furious, but he stood in front of her and was able to bar the way for a moment.

"Cora, I'll have a last word with you if I have to hold you," he said with great rapidity and in a voice which shook with the intense repression he was putting upon himself. "We do one thing in the South, where I came from. We protect our women----"

"This looks like it! Keeping me when----"

"I love you," he said, his face whiter than she had ever seen it.

"I love you! I'm your dog! You take care of yourself if you want to take care of anybody else! As sure as----"

"My dance, Miss Madison." A young gentleman on vacation from the navy had approached, and, with perfect unconsciousness of what he was interrupting, but with well-founded certainty that he was welcome to the lady, urged his claim in a confident voice. "I thought it would never come, you know; but it's here at last and so am I." He laughed propitiatingly.

Ray yielded now at once. She moved him aside with her gloved forearm as if he were merely an awkward stranger who unwittingly stood between her and the claiming partner. Carrying the gesture farther, she took the latter's arm, and smilingly, and without a backward glance, pa.s.sed onward and left the gallery. The lieutenant, who had met her once or twice before, was her partner for the succeeding dance as well, and, having noted the advantages of the place where he had discovered her, persuaded her to return there to sit through the second. Then without any fatiguing preamble, he proposed marriage. Cora did not accept, but effected a compromise, which, for the present, was to consist of an exchange of photographs (his to be in uniform) and letters.

She was having an evening to her heart. Ray's attack on Corliss had no dimming effect; her thought of it being that she was "used to his raving"; it meant nothing; and since Ray had prophesied she would tell Corliss about it, she decided not to do so.

The naval young gentleman and Valentine Corliss were the greatest of all the lions among ladies that night; she had easily annexed the lieutenant, and Corliss was hers already; though, for a purpose, she had not yet been seen in company with him. He was visibly "making an impression." His name, as he had said to Richard Lindley, was held in honour in the town; and there was a flavour of fancied romance in his absence since boyhood in unknown parts, and his return now with a 'foreign air' and a bow that almost took the breath of some of the younger recipients. He was, too, in his way, the handsomest man in the room; and the smiling, open frankness of his look, the ready cordiality of his manner, were found very winning. He caused plenty of flutter.