The Five Jars Part 1

The Five Jars.

by Montague Rhodes James.

I

THE DISCOVERY

My Dear Jane,

You remember that you were puzzled when I told you I had heard something from the owls--or if not puzzled (for I know you have some experience of these things), you were at any rate anxious to know exactly how it happened. Perhaps the time has now come for you to be told.

It was really luck, and not any skill of mine, that put me in the way of it; luck, and also being ready to believe more than I could see. I have promised not to put down on paper the name of the wood where it happened: that can keep till we meet; but all the rest I can tell exactly as it came about.

It is a wood with a stream at the edge of it; the water is brown and clear. On the other side of it are flat meadows, and beyond these a hillside quite covered with an oak wood. The stream has alder-trees along it, and is pretty well shaded over; the sun hits it in places and makes flecks of light through the leaves.

The day I am thinking of was a very hot one in early September. I had come across the meadows with some idea of sitting by the stream and reading. The only change in my plans that I made was that instead of sitting down I lay down, and instead of reading I went to sleep.

You know how sometimes--but very, very seldom--you see something in a dream which you are quite sure is real. So it was with me this time. I did not dream any story or see any people; I only dreamt of a plant. In the dream no one told me anything about it: I just saw it growing under a tree: a small bit of the tree root came into the picture, an old gnarled root covered with moss, and with three sorts of eyes in it, round holes trimmed with moss--you know the kind. The plant was not one I should have thought much about, though certainly it was not one that I knew: it had no flowers or berries, and grew quite squat in the ground; more like a yellow aconite without the flower than anything else. It seemed to consist of a ring of six leaves spread out pretty flat with nine points on each leaf. As I say, I saw this quite clearly, and remembered it because six times nine makes fifty-four, which happens to be a number which I had a particular reason for remembering at that moment.

Well, there was no more in the dream than that: but, such as it was, it fixed itself in my mind like a photograph, and I was sure that if ever I saw that tree root and that plant, I should know them again. And, though I neither saw nor heard anything more of them than I have told you, it was borne in upon my mind that the plant _was_ worth finding.

When I woke up I still lay, feeling very lazy, on the gra.s.s with my head within a foot or two of the edge of the stream and listened to its noise, until in five or six minutes--whether I began to doze off again or not does not much matter--the water-sound became like words, and said, "_Trickle-up, trickle-up_," an immense number of times. It pleased me, for though in poetry we hear a deal about babbling brooks, and though I am particularly fond of the noise they make, I never was able before to pretend that I could hear any words. And when I did finally get up and shake myself awake I thought I would anyhow pay so much attention to what the water said as to stroll up the stream instead of down. So I did: it took me through the flat meadows, but still along the edge of the wood, and still every now and then I heard the same peculiar noise which sounded like _Trickle-up_.

Not so very long after, I came to a place where another stream ran out of the wood into the one I had been following, and just below the place where the two joined there was--not a bridge, but a pole across, and another pole to serve as a rail, by which you could cross, without trouble. I did cross, not thinking much about it, but with some idea of looking at this new little stream, which went at a very quick pace and seemed to promise small rapids and waterfalls a little higher up. Now when I got to the edge of it, there was no mistake: it was saying "_Trickle-up_," or even "_Track-up_," much plainer than the old one. I stepped across it and went a few yards up the old stream. Before the new one joined it, it was saying nothing of the kind. I went back to the new one: it was talking as plain as print. Of course there were no two words about what must be done now. Here was something quite new, and even if I missed my tea, it had got to be looked into. So I went up the new stream into the wood.

Though I was well on the look-out for unusual things--in particular the plant, which I could not help thinking about--I cannot say there was anything peculiar about the stream or the plants or the insects or the trees (except the words which the water kept saying) so long as I was in the flat part of the wood. But soon I came to a steepish bank--the land began to slope up suddenly and the rapids and waterfalls of the brook were very gay and interesting. Then, besides _Track-up_, which was now its word always instead of _Trickle_, I heard every now and then _All right_, which was encouraging and exciting. Still, there was nothing out of the way to be seen, look as I might.

The climb up the slope or bank was fairly long. At the top was a kind of terrace, pretty level and with large old trees growing upon it, mainly oaks. Behind there was a further slope up and still more woodland: but that does not matter now. For the present I was at the end of my wanderings. There was no more stream, and I had found what of all natural things I think pleases me best, a real spring of water quite untouched.

Five or six oaks grew in something like a semicircle, and in the middle of the flat ground in front of them was an almost perfectly round pool, not more than four or five feet across. The bottom of it in the middle was pale sand which was continually rising up in little egg-shaped mounds and falling down again. It was the clearest and strongest spring of the kind I had ever seen, and I could have watched it for hours. I did sit down by it and watch it for some time without thinking of anything but the luck I had had to find it. But then I began to wonder if it would say anything. Naturally I could not expect it to say "_Track-up_" any more, for here I was at the end of it. So I listened with some curiosity. It hardly made so much noise as the stream: the pool was deeper. But I thought it must say something, and I put my head down as close as I could to the surface of the water. If I am not mistaken (and as things turned out I am sure I was right) the words were: _Gather gather, pick pick_, or _quick quick_.

Now I had not been thinking about the plant for a little time; but, as you may suppose, this brought it back to my mind and I got up and began to look about at the roots of the old oaks which grew just round the spring. No, none of the roots on this side which faced towards the water were like that which I had seen--still, the feeling was strong upon me that this, if any, was the kind of place, and even the very place, where the plant must be. So I walked to the back of the trees, being careful to go from right to left, according to the course of the sun.

Well, I was not mistaken. At the back of the middlemost oak-tree there were the roots I had dreamt of with the moss and the holes like eyes, and between them was the plant. I think the only thing which was new to me in the look of it was that it was so extraordinarily _green_. It seemed to have in it all the greenness that was possible or that would be wanted for a whole field of gra.s.s.

I had some scruples about touching it. In fact, I actually went back to the spring and listened, to make sure that it was still saying the same thing. Yes, it was: "_Gather gather, pick_." But there was something else every now and then which I could _not_ for the life of me make out at first. I lay down, put my hand round my ear and held my breath. It might have been _bark tree_ or _dark tree_ or _cask free_. I got impatient at last and said:

"Well, I'm very sorry, but do what I will I _cannot_ make out what you are trying to say."

Instantly a little spirt of water hit me on the ear, and I heard, as clear as possible, what it was: "_Ask tree_."

I got up at once. "I _beg_ your pardon," I said, "of course. Thank you very much;" and the water went on saying "_Gather gather, all right, dip dip_."

After thinking how best to greet it, I went back to the oak, stood in front of it and said (of course baring my head):

"Oak, I humbly desire your good leave to gather the green plant which grows between your roots. If an acorn falls into this my right hand"

(which I held out) "I will count it that you answer yes--and give you thanks." The acorn fell straight into the palm of my hand. I said, "I thank you, Oak: good growth to you. I will lay this your acorn in the place whence I gather the plant."

Then very carefully I took hold of the stalk of the plant (which was very short, for, as I said, it grew rather flat on the ground) and pulled, and to my surprise it came up as easily as a mushroom. It had a clean round bulb without any rootlets and left a smooth neat hole in the ground, in which, according to promise, I laid the acorn, and covered it in with earth. I think it very likely that it will turn into a second plant.

Then I remembered the last word of the spring and went back to dip the plant in it. I had a shock when I did so, and it was lucky I was holding it firm, for when it touched the water it struggled in my hand like a fish or a newt and almost slipped out. I dipped it three times and thought I felt it growing smaller in my hand: and indeed when I looked at it I found it had shut up its leaves and curled them in quite close, so that the whole thing was little more than a bulb. As I looked at it I thought the water changed its note and said, "_That'll do, that'll do_."

I thought it was time to thank the spring for all it had done for me, though, as you may suppose, I did not yet know in the least what was to be done with the plant, or what use it was going to be.

So I went over and said in the politest words I could how much I was obliged, and if there was anything I had or could do which would be agreeable, how glad I should be. Then I listened carefully, for it seemed by this time quite natural that I should get some sort of answer.

It came. There was a sudden change in the sound, and the water said clearly and rapidly, "_Silver silver silver silver_." I felt in my pocket. Luckily I had several shillings, sixpences and half-crowns. I thought the best way was to offer them all, so I put them in the palm of my right hand and held it under the water, open, just over the dancing sand. For a few seconds the water ran over the silver without doing anything: only the coins seemed to grow very bright and clean. Then one of the shillings was very neatly and smoothly slid off, and then another and a sixpence. I waited, but no more happened, and the water seemed to draw itself down and away from my hand, and to say "_All right_." So I got up.

The three coins lay on the bottom of the pool looking brighter than even the newest I have ever seen, and gradually as they lay there they began to appear larger. The shillings looked like half-crowns and the sixpence like a shilling. I thought for a moment that it was because water magnifies, but I soon saw that this could not be the reason, for they went on growing larger, and of course thinner, until they finally spread into a kind of silver film all over the bottom of the pool; and as they did so the water began to take on a musical sound, much like the singing that comes when you wet your finger and draw it round the edge of a finger gla.s.s at dessert (which some people's idea of table manners allows them to do). It was a pretty sight and sound, and I listened and looked for a long time.

But all this time what had become of the plant? Why, when I gave the silver to the spring I had wrapped the plant carefully in a silk handkerchief and put it safe in my breast pocket. I took the handkerchief out now, and for a moment I was afraid the plant was gone; but it was not. It had shrunk to a very small whity-green ball. Now what was to be done with it, or rather what could it do? It was plain to me that it must have a strange and valuable property or virtue, since I had been put on its track in such a remarkable way. I thought I could not do better than ask the spring. I said, "O Spring of water, have I your good leave to ask what I should do with this precious plant to put it to the best use?" The silver lining of the spring made its words much easier to catch when it said anything--for I should tell you that for the most part now it did not speak, or not in any language that I could understand, but rather sang--and it now said, "_Swallow swallow, drink, swallow_."

_Prompt_ obedience, dear Jane, has always been my motto, as it is doubtless yours, and I at once laid myself down, drank a mouthful of water from the spring, and put the little bulb in my mouth. It instantly grew soft and slipped down my throat. How prosaic! I have no idea what it tasted like.

And again I addressed the spring: "Is there anything more for me to do?"

"_No no, no no, you'll see, you'll see--good-bye, good-bye_," was the answer which came at once.

Accordingly I once more thanked the spring, wished it clear water, no mud, no tramplings of cattle, and bade it farewell. But, I said, I should hope to visit it again.

Then I turned away and looked about me, wondering whether, now that I had swallowed the mysterious plant, I should see anything different. The only thing I noticed was due, I suppose, not to the plant, but to the spring; but it was odd enough. All the trees hard by were crowded with little birds of all kinds sitting in rows on the branches as they do on telegraph wires. I have no doubt they were listening to the silver bell in the spring. They were quite still, and did not take any notice when I began to walk away.

I said, you will remember, that the ground I was on was a sort of flat terrace at the top of a steep slope. Now at one end this terrace just went down into the wood, but at the other end there was a little mound or hillock with thick underwood behind it. I felt a curiosity, an inclination, to walk that way: I have very little doubt that the plant was at the bottom of it. As I walked I looked at the ground, and noticed a curious thing: the roots of the plants and gra.s.ses seemed to show more than I was accustomed to see them.

It was not a great way to the hillock. When I got to it I wondered why I had gone, for there was nothing odd about it. Still I stepped on to the top, and then I did see something, namely, a square flat stone just in front of my feet. I poked at it with my walking-stick, but somehow I did not seem to touch it, nor was there any sc.r.a.ping noise. This was funny.

I tried again, and now I saw that my stick was not touching it at all; there was something in between. I felt with my hands, and they met with what seemed like gra.s.s and earth, certainly not like stone. _Then_ I understood. The plant was the one which makes you able to see what is under the ground!

I need not tell you all I thought, or how surprising and delightful it was. The first thing was to get at the flat stone and find out what was underneath it.

Accordingly, what with a knife and what with my fingers, I soon had it uncovered: it was four or five inches under the surface. There were no marks on it; it measured more than a foot each way. I lifted it. It was the cover of a sort of box with bottom and sides each made of a slab just like the lid. In this box was another, made of some dark metal, which I took to be lead. I pulled it out and found that the lid of the box was all of one piece with the rest, like a sardine tin. Evidently I could not open it there and then. It was rather heavy, but I did not care, and I managed without too much inconvenience to carry it home to the place I was lodging in. Of course I put back the stone neatly and covered it up with earth and gra.s.s again.

I was late for tea, but I had found what was better than tea.

II

THE FIRST JAR

That night I waited till the moon was up before trying to open the box.

I do not well know why, but it seemed the right thing, and I followed my instinct, feeling that it might be the plant that made me think as I did. I drew up the blind and laid the box on a table near the window, where the moon shone full on it, and waited to see if anything else occurred to me. Suddenly I heard a sort of metallic snap. I went and looked at the box. Nothing appeared on the side nearest to me--but when I turned it round I saw that all along the side which the moon had shone upon there was a line along the metal. I turned another side to the moonlight, and another snap came in two or three minutes. Of course I went on. When the moon had made a groove on all four sides, I tried the lid. It would not come off yet, so there was nothing to be done but continue the process. Three times I did it: every side I turned to the moon thrice, and when that was done the lid was free. I lifted it, and what did I see in the box? All this writing would be very little use if I did not tell you, so it must be done.

There were five compartments in the box: in each of them was a little jar or vase of gla.s.s with a round body, a narrow neck, and spreading out a little at the top. The top of each was covered with a plate of metal and on each plate was a word or two in capital letters. On the one in the middle there were the words _unge oculos_, the other jars had one word apiece, _aures_, _linguam_, _frontem_, _pectus_.

Now, years ago, I took great pains to learn the Latin language, and on many occasions I have found it _most useful_, whatever you may see to the contrary in the newspaper: but seldom or never have I found it more useful than now. I saw at once that the words meant _anoint the eyes_, _the ears_, _the tongue_, _the forehead_, _the chest_. What would be the result of my doing this, of course I knew no more than you: but I was pretty sure that it would not do to try them all at once, and another thing I felt, that it would be better to wait till next day before trying any of them. It was past midnight now, so I went to bed: but first I locked up the box in a cupboard, for I did not want anyone to see it as yet.