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The First Violin Part 22

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A gentleman wished to speak to me.

"Bring him in then," said I, somewhat testily.

She turned and requested some one to come forward. There entered a tall and stately man, with one of those rare faces, beautiful in feature, bright in expression, which one meets sometimes, and, having once seen, never forgets. He carried what I took at first for a bundle done up in a dark-green plaid, but as I stood up and looked at him I perceived that the plaid was wrapped round a child. Lost in astonishment, I gazed at him in silence.

"I beg you will excuse my intruding upon you thus," said he, bowing, and I involuntarily returned his bow, wondering more and more what he could be. His accent was none of the Elberthal one; it was fine, refined, polished.

"How can I serve you?" I asked, impressed by his voice, manner, and appearance; agreeably impressed. A little masterful he looked--a little imperious, but not unapproachable, with nothing ungenial in his pride.

"You could serve me very much by giving me one or two pieces of information. In the first place let me introduce myself; you, I think, are Herr Helfen?" I bowed. "My name is Eugen Courvoisier. I am the new member of your _stadtisches Orchester_."

"_O, was!_" said I, within myself. "That our new first violin!"

"And this is my son," he added, looking down at the plaid bundle, which he held very carefully and tenderly. "If you will tell me at what time the opera begins, what it is to-night, and finally, if there is a room to be had, perhaps in this house, even for one night. I must find a nest for this _Vogelein_ as soon as I possibly can."

"I believe the opera begins at seven," said I, still gazing at him in astonishment, with open mouth and incredulous eyes. Our orchestra contained among its sufficiently varied specimens of nationality and appearance nothing in the very least like this man, beside whom I felt myself blundering, clumsy, and unpolished. It was not mere natural grace of manner. He had that, but it had been cultivated somewhere, and cultivated highly.

"Yes?" he said.

"At seven--yes. It is 'Tannhauser' to-night. And the rooms--I believe they have rooms in the house."

"Ah, then I will inquire about it," said he, with an exceedingly open and delightful smile. "I thank you for telling me. Adieu, _mein Herr_."

"Is he asleep?" I asked, abruptly, and pointing to the bundle.

"Yes; _armes Kerlchen_! just now he is," said the young man.

He was quite young, I saw. In that half light I supposed him even younger than he really was. He looked down at the bundle again and smiled.

"I should like to see him," said I, politely and gracefully, seized by an impulse of which I felt ashamed, but which I yet could not resist.

With that I stepped forward and came to examine the bundle. He moved the plaid a little aside and showed me a child--a very young, small, helpless child, with closed eyes, immensely long, black, curving lashes, and fine, delicate black brows. The small face was flushed, but even in sleep this child looked melancholy. Yet he was a lovely child--most beautiful and most pathetic to see.

I looked at the small face in silence, and a great desire came upon me to look at it oftener--to see it again, then up at that of the father.

How unlike the two faces! Now that I fairly looked at the man I found he was different from what I had thought; older, sparer, with more sharply cut features. I could not tell what the child's eyes might be--those of the father were piercing as an eagle's; clear, open, strange. There was sorrow in the face, I saw, as I looked so earnestly into it; and it was worn as if with a keen inner life. This glance was one of those which penetrate deep, not the glance of a moment, but a revelation for life.

"He is very beautiful," said I.

"_Nicht wahr?_" said the other, softly.

"Look here," I added, going to a sofa which was strewn with papers, books, and other paraphernalia; "couldn't we put him here, and then go and see about the rooms? Such a young, tender child must not be carried about the pa.s.sages, and the house is full of draughts."

I do not know what had so suddenly supplied me with this wisdom as to what was good for a "young, tender child," nor can I account for the sudden deep interest which possessed me. I dashed the things off the sofa, beat the dust from it, desired him to wait one moment while I rushed to my bed to ravish it of its pillow. Then with the sight of the bed (I was buying my experience) I knew that that, and not the sofa, was the place for the child, and said so.

"Put him here, do put him here!" I besought, earnestly. "He will sleep for a time here, won't he?"

"You are very good," said my visitor, hesitating a moment.

"Put him there!" said I, flushed with excitement, and with the hitherto unknown joy of being able to offer hospitality.

Courvoisier looked meditatively at me for a short time then laid the child upon the bed, and arranged the plaid around it as skillfully and as quickly as a woman would have done it.

"How clever he must be," I thought, looking at him with awe, and with little less awe contemplating the motionless child.

"Wouldn't you like something to put over him?" I asked, looking excitedly about. "I have an overcoat. I'll lend it you." And I was rushing off to fetch it, but he laughingly laid his hand upon my arm.

"Let him alone," said he; "he's all right."

"He won't fall off, will he?" I asked, anxiously.

"No; don't be alarmed. Now, if you will be so good, we will see about the rooms."

"Dare you leave him?" I asked, still with anxiety, and looking back as we went toward the door.

"I dare because I must," replied he.

He closed the door, and we went down-stairs to seek the persons in authority. Courvoisier related his business and condition, and asked to see rooms. The woman hesitated when she heard there was a child.

"The child will never trouble you, madame," said he, quietly, but rather as if the patience of his look were forced.

"No, never!" I added, fervently. "I will answer for that, Frau Schmidt."

A quick glance, half grat.i.tude, half amus.e.m.e.nt, shot from his eyes as the woman went on to say that she only took gentlemen lodgers, and could not do with ladies, children, and nurse-maids. They wanted so much attending to, and she did not profess to open her house to them.

"You will not be troubled with either lady or nurse-maid," said he. "I take charge of the child myself. You will not know that he is in the house."

"But your wife--" she began.

"There will be no one but myself and my little boy," he replied, ever politely, but ever, as it seemed, to me, with repressed pain or irritation.

"So!" said the woman, treating him to a long, curious, unsparing look of wonder and inquiry, which made me feel hot all over. He returned the glance quietly and unsmilingly. After a pause she said:

"Well, I suppose I must see about it, but it will be the first child I ever took into the house, in that way, and only as a favor to Herr Helfen."

I was greatly astonished, not having known before that I stood in such high esteem. Courvoisier threw me a smiling glance as we followed the woman up the stairs, up to the top of the house, where I lived. Throwing open a door, she said there were two rooms which must go together.

Courvoisier shook his head.

"I do not want two rooms," said he, "or rather, I don't think I can afford them. What do you charge?"

She told him.

"If it were so much," said he, naming a smaller sum, "I could do it."

"_Nie!_" said the woman, curtly, "for that I can't do it. _Um Gotteswillen!_ One must live."

She paused, reflecting, and I watched anxiously. She was going to refuse. My heart sunk. Rapidly reviewing my own circ.u.mstances and finances, and making a hasty calculation in my mind, I said:

"Why can't we arrange it? Here is a big room and a little room. Make the little room into a bedroom, and use the big room for a sitting-room. I will join at it, and so it will come within the price you wish to pay."

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The First Violin Part 22 summary

You're reading The First Violin. This manga has been translated by Updating. Author(s): Jessie Fothergill. Already has 417 views.

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