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The Fairy Book Part 1

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The Fairy Book.

by Dinah Maria Mulock (AKA Miss Mulock).

PREFACE.

A preface is usually an excrescence on a good book, and a vain apology for a worthless one; but, in the present instance, a few explanatory words seem necessary.

This is meant to be the best collection attainable of that delight of all children, and of many grown people who retain the child-heart still--the old-fashioned, time-honored cla.s.sic Fairy-tale. It has been compiled from all sources--far-off and familiar; when familiar, the stories have been traced with care to their original form, which, if foreign, has been retranslated, condensed, and in any other needful way made suitable for modern British children. Perrault, Madame d'Aulnois, and Grimm have thus been laid under contribution. Where it was not possible to get at the original of a tale, its various versions have been collated, compared, and combined; and in some instances, when this proved still unsatisfactory, the whole story has been written afresh. The few English fairy tales extant, such as _Jack the Giant Killer, Tom Thumb_, etc., whose authorship is lost in obscurity, but whose charming Saxon simplicity of style, and intense realism of narration, make for them an ever-green immortality--these have been left intact, for no later touch would improve them. All modern stories have been excluded.

Of course, in fairy tales, instruction is not expected; we find in them only the rude moral of virtue rewarded and vice punished. But children will soon discover for themselves that in real life all beautiful people are not good, nor all ugly ones wicked; that every elder sister is not ungenerous, nor every stepmother cruel. And the tender baby-heart is often reached quite as soon by the fancy as by the reason. Nevertheless, without any direct appeal to conscience or morality, the Editor of this collection has been especially careful that there should be nothing in it which could really harm a child.

She trusts that, whatever its defects, the Fairy Book will not deserve one criticism, almost the sharpest that can be given to any work--"that it would have been better if the author had taken more pains."

THE

SLEEPING BEAUTY IN THE WOOD.

Once there was a royal couple who grieved excessively because they had no children. When at last, after long waiting, the queen presented her husband with a little daughter, his majesty showed his joy by giving a christening feast, so grand that the like of it was never known. He invited all the fairies in the land--there were seven altogether--to stand G.o.dmothers to the little princess; hoping that each might bestow on her some good gift, as was the custom of good fairies in those days.

After the ceremony, all the guests returned to the palace, where there was set before each fairy-G.o.dmother a magnificent covered dish, with an embroidered table-napkin, and a knife and fork of pure gold, studded with diamonds and rubies. But alas! as they placed themselves at table, there entered an old fairy who had never been invited, because more than fifty years since she had left the king's dominion on a tour of pleasure, and had not been heard of until this day. His majesty, much troubled, desired a cover to be placed for her, but it was of common delf, for he had ordered from his jeweller only seven gold dishes for the seven fairies aforesaid. The elderly fairy thought herself neglected, and muttered angry menaces, which were overheard by one of the younger fairies, who chanced to sit beside her. This good G.o.dmother, afraid of harm to the pretty baby, hastened to hide herself behind the tapestry in the hall. She did this, because she wished all the others to speak first--so that if any ill gift were bestowed on the child, she might be able to counteract it.

The six now offered their good wishes--which, unlike most wishes, were sure to come true. The fortunate little princess was to grow up the fairest woman in the world; to have a temper sweet as an angel; to be perfectly graceful and gracious; to sing like a nightingale; to dance like a leaf on a tree; and to possess every accomplishment under the sun. Then the old fairy's turn came. Shaking her head spitefully, she uttered the wish that when the baby grew up into a young lady, and learned to spin, she might p.r.i.c.k her finger with the spindle and die of the wound.

At this terrible prophecy all the guests shuddered; and some of the more tender-hearted began to weep. The lately happy parents were almost out of their wits with grief. Upon which the wise young fairy appeared from behind the tapestry, saying cheerfully "Your majesties may comfort yourselves; the princess shall not die. I have no power to alter the ill-fortune just wished her by my ancient sister--her finger must be pierced; and she shall then sink, not into the sleep of death, but into a sleep that will last a hundred years. After that time is ended, the son of a king will find her, awaken her, and marry her."

Immediately all the fairies vanished.

The king, in the hope of avoiding his daughter's doom, issued an edict, forbidding all persons to spin, and even to have spinning-wheels in their houses, on pain of instant death. But it was in vain. One day, when she was just fifteen years of age, the king and queen left their daughter alone in one of their castles, when, wandering about at her will, she came to an ancient donjon tower, climbed to the top of it, and there found a very old woman--so old and deaf that she had never heard of the king's edict--busy with her wheel.

"What are you doing, good old woman?" said the princess.

"I'm spinning, my pretty child."

"Ah, how charming! Let me try if I can spin also."

She had no sooner taken up the spindle than, being lively and obstinate, she handled it so awkwardly and carelessly that the point pierced her finger. Though it was so small a wound, she fainted away at once, and dropped silently down on the floor. The poor frightened old woman called for help; shortly came the ladies in waiting, who tried every means to restore their young mistress, but all their care was useless. She lay, beautiful as an angel, the colour still lingering in her lips and cheeks; her fair bosom softly stirred with her breath: only her eyes were fast closed. When the king her father and the queen her mother beheld her thus, they knew regret was idle--all had happened as the cruel fairy meant. But they also knew that their daughter would not sleep for ever, though after one hundred years it was not likely they would either of them behold her awakening. Until that happy hour should arrive, they determined to leave her in repose. They sent away all the physicians and attendants, and themselves sorrowfully laid her upon a bed of embroidery, in the most elegant apartment of the palace. There she slept and looked like a sleeping angel still.

When this misfortune happened, the kindly young fairy who had saved the princess by changing her sleep of death into this sleep of a hundred years, was twelve thousand leagues away in the kingdom of Mataquin. But being informed of everything, she arrived speedily, in a chariot of fire drawn by dragons. The king was somewhat startled by the sight, but nevertheless went to the door of his palace, and, with a mournful countenance, presented her his hand to descend.

The fairy condoled with his majesty, and approved of all he had done.

Then, being a fairy of great common sense and foresight, she suggested that the princess, awakening after a hundred years in this ancient castle, might be a good deal embarra.s.sed, especially with a young prince by her side, to find herself alone. Accordingly, without asking any one's leave, she touched with her magic wand the entire population of the palace--except the king and queen; governesses, ladies of honour, waiting-maids, gentlemen ushers, cooks, kitchen-girls, pages, footmen--down to the horses that were in the stables, and the grooms that attended them, she touched each and all. Nay, with kind consideration for the feelings of the princess, she even touched the little fat lap-dog, Puffy, who had laid himself down beside his mistress on her splendid bed. He, like all the rest, fell fast asleep in a moment. The very spits that were before the kitchen-fire ceased turning, and the fire itself went out, and everything became as silent as if it were the middle of the night, or as if the palace were a palace of the dead.

The king and queen--having kissed their daughter and wept over her a little, but not much, she looked so sweet and content--departed from the castle, giving orders that it was to be approached no more. The command was unnecessary; for in one quarter of an hour there sprung up around it a wood so thick and th.o.r.n.y that neither beasts nor men could attempt to penetrate there. Above this dense ma.s.s of forest could only be perceived the top of the high tower where the lovely princess slept.

A great many changes happen in a hundred years. The king, who never had a second child, died, and his throne pa.s.sed into another royal family. So entirely was the story of the poor princess forgotten, that when the reigning king's son, being one day out hunting and stopped in the chase by this formidable wood, inquired what wood it was and what were those towers which he saw appearing out of the midst of it, no one could answer him. At length an old peasant was found who remembered having heard his grandfather say to his father, that in this tower was a princess, beautiful as the day, who was doomed to sleep there for one hundred years, until awakened by a king's son, her destined bridegroom.

At this, the young prince, who had the spirit of a hero, determined to find out the truth for himself. Spurred on by both generosity and curiosity, he leaped from his horse and began to force his way through the thick wood. To his amazement the stiff branches all gave way, and the ugly thorns sheathed themselves of their own accord, and the brambles buried themselves in the earth to let him pa.s.s. This done, they closed behind him, allowing none of his suite to follow: but, ardent and young, he went boldly on alone. The first thing he saw was enough to smite him with fear. Bodies of men and horses lay extended on the ground; but the men had faces, not death-white, but red as peonies, and beside them were gla.s.ses half filled with wine, showing that they had gone to sleep drinking. Next he entered a large court, paved with marble, where stood rows of guards presenting arms, but motionless as if cut out of stone; then he pa.s.sed through many chambers where gentlemen and ladies, all in the costume of the past century, slept at their ease, some standing, some sitting. The pages were lurking in corners, the ladies of honour were stooping over their embroidery frames, or listening apparently with polite attention to the gentlemen of the court, but all were as silent as statues and as immoveable. Their clothes, strange to say, were fresh and new as ever: and not a particle of dust or spider-web had gathered over the furniture, though it had not known a broom for a hundred years.

Finally the astonished prince came to an inner chamber, where was the fairest sight his eyes had ever beheld.

A young girl of wonderful beauty lay asleep on an embroidered bed, and she looked as if she had only just closed her eyes. Trembling, the prince approached and knelt beside her. Some say he kissed her, but as n.o.body saw it, and she never told, we cannot be quite sure of the fact. However, as the end of the enchantment had come, the princess awakened at once, and looking at him with eyes of the tenderest regard, said drowsily, "Is it you, my prince? I have waited for you very long."

Charmed with these words, and still more with the tone in which they were uttered, the prince a.s.sured her that he loved her more than his life. Nevertheless, he was the most embarra.s.sed of the two; for, thanks to the kind fairy, the princess had plenty of time to dream of him during her century of slumber, while he had never even heard of her till an hour before. For a long time did they sit conversing, and yet had not said half enough. Their only interruption was the little dog Puffy, who had awakened with his mistress, and now began to be exceedingly jealous that the princess did not notice him as much as she was wont to do.

Meantime all the attendants, whose enchantment was also broken, not being in love, were ready to die of hunger after their fast of a hundred years. A lady of honour ventured to intimate that dinner was served; whereupon the prince handed his beloved princess at once to the great hall. She did not wait to dress for dinner, being already perfectly and magnificently attired, though in a fashion somewhat out of date. However, her lover had the politeness not to notice this, nor to remind her that she was dressed exactly like her royal grandmother, whose portrait still hung on the palace walls.

During the banquet a concert took place by the attendant musicians, and considering they had not touched their instruments for a century they played extremely well. They ended with a wedding march: for that very evening the marriage of the prince and princess was celebrated, and though the bride was nearly one hundred years older than the bridegroom, it is remarkable that the fact would never have been discovered by any one unacquainted therewith.

After a few days they went together out of the castle and enchanted wood, both of which immediately vanished, and were never more beheld by mortal eyes. The princess was restored to her ancestral kingdom, but it was not generally declared who she was, as during a hundred years people had grown so very much cleverer that n.o.body then living would ever have believed the story. So nothing was explained, and n.o.body presumed to ask any questions about her, for ought not a prince be able to marry whomsoever he pleases?

Nor--whether or not the day of fairies was over--did the princess ever see anything further of her seven G.o.dmothers. She lived a long and happy life, like any other ordinary woman, and died at length, beloved, regretted, but, the prince being already no more, perfectly contented.

HOP-O'-MY-THUMB.

There once lived in a village a f.a.ggot-maker and his wife, who had seven children, all boys; the eldest was no more than ten years old, and the youngest was only seven.

It was odd enough, to be sure, that they should have so many children in such a short time; but the truth is, the wife always brought him two and once three at a time. This made him very poor, for not one of these boys was old enough to get a living, and what was still worse, the youngest was a puny little fellow who hardly ever spoke a word.

Now this, indeed, was a mark of his good sense, but it made his father and mother suppose him to be silly, and they thought that at last he would turn out quite a fool. This boy was the least size ever seen; for when he was born he was no bigger than a man's thumb, which made him be christened by the name of Hop-o'-my-thumb. The poor child was the drudge of the whole house and always bore the blame of everything that was done wrong. For all this, Hop-o'-my-thumb was far more clever than any of his brothers; and though he spoke but little, he heard and knew more than people thought. It happened just at this time, that for want of rain the fields had grown but half as much corn and potatoes as they used to grow; so that the f.a.ggot-maker and his wife could not give the boys the food they had before, which was always either bread or potatoes.

After the father and mother had grieved some time, they thought that as they could contrive no other way to live, they must somehow get rid of their children. One night when the boys were gone to bed, and the f.a.ggot-maker and his wife were sitting over a few lighted sticks, to warm themselves, the husband sighed deeply, and said, "You see, my dear, we cannot maintain our children any longer, and to see them die of hunger before my eyes is what I could never bear. I will, therefore, to-morrow morning take them to the forest, and leave them in the thickest part of it, so that they will not be able to find their way back: this will be very easy; for while they amuse themselves with tying up the f.a.ggots, we need only slip away when they are looking some other way."

"Ah! husband," cried the poor wife, "you cannot, no, you never can consent to be the death of your own children."

The husband in vain told her to think how very poor they were.

The wife replied "that this was true, to be sure; but if she was poor, she was still their mother;" and then she cried as if her heart would break. At last she thought how shocking it would be to see them starved to death before their eyes; so she agreed to what her husband had said, and then went sobbing to bed.

Hop-o'-my-thumb had been awake all the time; and when he heard his father talk very seriously, he slipped away from his brothers' side, and crept under his father's bed, to hear all that was said without being seen.

When his father and mother had left off talking, he got back to his own place, and pa.s.sed the night in thinking what he should do the next morning.

He rose early, and ran to the river's side, where he filled his pockets with small white pebbles, and then went back home. In the morning they all set out, as their father and mother had agreed on; and Hop-o'-my-thumb did not say a word to any of his brothers about what he had heard. They came to a forest that was so very thick that they could not see each other a few yards off. The f.a.ggot-maker set to work cutting down wood; and the children began to gather the twigs, to make f.a.ggots of them.

When the father and mother saw that the young ones were all very busy, they slipped away without being seen. The children soon found themselves alone, and began to cry as loud as they could.

Hop-o'-my-thumb let them cry on, for he knew well enough how to lead them safe home, an he had taken care to drop the white pebbles he had in his pocket along all the way he had come. He only said to them, "Never mind it, my lads: father and mother have left us here by ourselves, but only take care to follow me, and I will lead you back again."

When they heard this they left off crying, and followed Hop-o'-my-thumb, who soon brought them to their father's house by the very same path which they had come along. At first they had not the courage to go in; but stood at the door to hear what their parents were talking about. Just as the f.a.ggot-maker and his wife had come home without their children, a great gentleman of the village sent to pay them two guineas, for work they had done for him, which he had owed them so long that they never thought of getting a farthing of it.

This money made them quite happy; for the poor creatures were very hungry, and had no other way of getting anything to eat.

The f.a.ggot-maker sent his wife out immediately to buy some meat; and as it was a long time since she had made a hearty meal, she bought as much meat as would have been enough for six or eight persons. The truth was, when she was thinking what would be enough for dinner, she forgot that her children were not at home; but as soon as she and her husband had done eating, she cried out, "Alas! where are our poor children? how they would feast on what we have left! It was all your fault, husband! I told you we should repent leaving them to starve in the forest!--Oh mercy! perhaps they have already been eaten by the hungry wolves!" The poor woman shed plenty of tears: "Alas! alas!"

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The Fairy Book Part 1 summary

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