The Face and the Mask Part 16

"Well, the consequence of this fall in temperature is that the convalescent's mind turns toward thoughts of suicide. Then is the time he should be watched by his friends. Then was the time Mr. Barrie Kipson's friends did _not_ watch him. You remember the 21st, of course. No? It was a most depressing day. Fog all around and mud under foot. Very good. He resolves on suicide. He wishes to be unidentified, if possible but forgets his season ticket. My experience is that a man about to commit a crime always forgets something."

"But how do you account for the disappearance of the money?"

"The money has nothing to do with the matter. If he was a deep man, and knew the stupidness of Scotland Yard, he probably sent the notes to an enemy. If not, they may have been given to a friend. Nothing is more calculated to prepare the mind for self-destruction than the prospect of a night ride on the Scotch Express, and the view from the windows of the train as it pa.s.ses through the northern part of London is particularly conducive to thoughts of annihilation."

"What became of the weapon?"

"That is just the point on which I wish to satisfy myself. Excuse me for a moment."

Mr. Sherlaw Kombs drew down the window on the right hand side, and examined the top of the casing minutely with a magnifying gla.s.s.

Presently he heaved a sigh of relief, and drew up the sash.

"Just as I expected," he remarked, speaking more to himself than to me.

"There is a slight dent on the top of the window-frame. It is of such a nature as to be made only by the trigger of a pistol falling from the nerveless hand of a suicide. He intended to throw the weapon far out of the window, but had not the strength. It might have fallen into the carriage. As a matter of fact, it bounced away from the line and lies among the gra.s.s about ten feet six inches from the outside rail. The only question that now remains is where the deed was committed, and the exact present position of the pistol reckoned in miles from London, but that, fortunately, is too simple to even need explanation."

"Great heavens, Sherlaw!" I cried. "How can you call that simple? It seems to me impossible to compute."

We were now flying over Northern London, and the great detective leaned back with every sign of _ennui_, closing his eyes. At last he spoke wearily:

"It is really too elementary, Whatson, but I am always willing to oblige a friend. I shall be relieved, however, when you are able to work out the A B C of detection for yourself, although I shall never object to helping you with the words of more than three syllables.

Having made up his mind to commit suicide, Kipson naturally intended to do it before he reached Brewster, because tickets are again examined at that point. When the train began to stop at the signal near Pegram, he came to the false conclusion that it was stopping at Brewster. The fact that the shot was not heard is accounted for by the screech of the air- brake, added to the noise of the train. Probably the whistle was also sounding at the same moment. The train being a fast express would stop as near the signal as possible. The air-brake will stop a train in twice its own length. Call it three times in this case. Very well. At three times the length of this train from the signalpost towards London, deducting half the length of the train, as this carriage is in the middle, you will find the pistol."

"Wonderful!" I exclaimed.

"Commonplace," he murmured.

At this moment the whistle sounded shrilly, and we felt the grind of the air-brakes.

"The Pegram signal again," cried Kombs, with something almost like enthusiasm. "This is indeed luck. We will get out here, Whatson, and test the matter."

As the train stopped, we got out on the right-hand side of the line.

The engine stood panting impatiently under the red light, which changed to green as I looked at it. As the train moved on with increasing speed, the detective counted the carriages, and noted down the number.

It was now dark, with the thin crescent of the moon hanging in the western sky throwing a weird half-light on the shining metals. The rear lamps of the train disappeared around a curve, and the signal stood at baleful red again. The black magic of the lonesome night in that strange place impressed me, but the detective was a most practical man.

He placed his back against the signal-post, and paced up the line with even strides, counting his steps. I walked along the permanent way beside him silently. At last he stopped, and took a tapeline from his pocket. He ran it out until the ten feet six inches were unrolled, scanning the figures in the wan light of the new moon. Giving me the end, he placed his knuckles on the metals, motioning me to proceed down the embankment. I stretched out the line, and then sank my hand in the damp gra.s.s to mark the spot.

"Good G.o.d!" I cried, aghast, "what is this?"

"It is the pistol," said Kombs quietly.

It was!!

Journalistic London will not soon forget the sensation that was caused by the record of the investigations of Sherlaw Kombs, as printed at length in the next day's _Evening Blade_. Would that my story ended here. Alas! Kombs contemptuously turned over the pistol to Scotland Yard. The meddlesome officials, actuated, as I always hold, by jealousy, found the name of the seller upon it. They investigated. The seller testified that it had never been in the possession of Mr.

Kipson, as far as he knew. It was sold to a man whose description tallied with that of a criminal long watched by the police. He was arrested, and turned Queen's evidence in the hope of hanging his pal.

It seemed that Mr. Kipson, who was a gloomy, taciturn man, and usually came home in a compartment by himself, thus escaping observation, had been murdered in the lane leading to his house. After robbing him, the miscreants turned their thoughts towards the disposal of the body--a subject that always occupies a first-cla.s.s criminal mind before the deed is done. They agreed to place it on the line, and have it mangled by the Scotch Express, then nearly due. Before they got the body half- way up the embankment the express came along and stopped. The guard got out and walked along the other side to speak with the engineer. The thought of putting the body into an empty first-cla.s.s carriage instantly occurred to the murderers. They opened the door with the deceased's key. It is supposed that the pistol dropped when they were hoisting the body in the carriage.

The Queen's evidence dodge didn't work, and Scotland Yard ign.o.bly insulted my friend Sherlaw Kombs by sending him a pa.s.s to see the villains hanged.

DEATH COMETH SOON OR LATE.

It was Alick Robbins who named the invalid the Living Skeleton, and probably remorse for having thus given him a t.i.tle so descriptively accurate, caused him to make friends with the Living Skeleton, a man who seemed to have no friends.

Robbins never forgot their first conversation. It happened in this way.

It was the habit of the Living Skeleton to leave his hotel every morning promptly at ten o'clock, if the sun was shining, and to shuffle rather than walk down the gravel street to the avenue of palms. There, picking out a seat on which the sun shone, the Living Skeleton would sit down and seem to wait patiently for someone who never came. He wore a shawl around his neck and a soft cloth cap on his skull. Every bone in his face stood out against the skin, for there seemed to be no flesh, and his clothes hung as loosely upon him as they would have upon a skeleton. It required no second glance at the Living Skeleton to know that the remainder of his life was numbered by days or hours, and not by weeks or months. He didn't seem to have energy enough even to read, and so it was that Robbins sat down one day on the bench beside him, and said sympathetically:--

"I hope you are feeling better to-day."

The Skeleton turned towards him, laughed a low, noiseless, mirthless laugh for a moment, and then said, in a hollow, far-away voice that had no lungs behind it: "I am done with feeling either better or worse."

"Oh, I trust it is not so bad as that," said Robbins; "the climate is doing you good down here, is it not?"

Again the Skeleton laughed silently, and Robbins began to feel uneasy.

The Skeleton's eyes were large and bright, and they fastened themselves upon Robbins in a way that increased that gentleman's uneasiness, and made him think that perhaps the Skeleton knew he had so named him.

"I have no more interest in climate," said the Skeleton. "I merely seem to live because I have been in the habit of living for some years; I presume that is it, because my lungs are entirely gone. Why I can talk or why I can breathe is a mystery to me. You are perfectly certain you can hear me?"

"Oh, I hear you quite distinctly," said Robbins.

"Well, if it wasn't that people tell me that they can hear me, I wouldn't believe I was really speaking, because, you see, I have nothing to speak with. Isn't it Shakespeare who says something about when the brains are out the man is dead? Well, I have seen some men who make me think Shakespeare was wrong in his diagnosis, but it is generally supposed that when the lungs are gone a man is dead. To tell the truth, I _am_ dead, practically. You know the old American story about the man who walked around to save funeral expenses; well, it isn't quite that way with me, but I can appreciate how the man felt.

Still I take a keen interest in life, although you might not think so.

You see, I haven't much time left; I am going to die at eight o'clock on the 30th of April. Eight o'clock at night, not in the morning, just after _table d'hote_."

"You are going to _what_!" cried Robbins in astonishment.

"I'm going to die that day. You see I have got things to such a fine point, that I can die any time I want to. I could die right here, now, if I wished. If you have any mortal interest in the matter I'll do it, and show you what I say is true. I don't mind much, you know, although I had fixed April the 30th as the limit. It wouldn't matter a bit for me to go off now, if it would be of any interest to you."

"I beg you," said Robbins, very much alarmed, "not to try any experiments on my account. I am quite willing to believe anything you say about the matter--of course you ought to know."

"Yes, I do know." answered the Living Skeleton sadly. "Of course I have had my struggle with hope and fear, but that is all past now, as you may well understand. The reason that I have fixed the date for April 30th is this: you see I have only a certain amount of money--I do not know why I should make any secret of it. I have exactly 240 francs today, over and above another 100 francs which I have set aside for another purpose. I am paying 8 francs a day at the Golden Dragon; that will keep me just thirty days, and then I intend to die."

The Skeleton laughed again, without sound, and Robbins moved uneasily on the seat.

"I don't see," he said finally, "what there is to laugh about in that condition of affairs."

"I don't suppose there is very much; but there is something else that I consider very laughable, and that I will tell you if you will keep it a secret. You see, the Golden Dragon himself--I always call our innkeeper the Golden Dragon, just as you call me, the Living Skeleton."

"Oh, I--I--beg your pardon," stammered Robbins, "I----."

"It really doesn't matter at all. You are perfectly right, and I think it a very apt term. Well, the old Golden Dragon makes a great deal of his money by robbing the dead. You didn't know that, did you? You thought it was the living who supported him, and goodness knows he robs _them_ when he has a chance. Well, you are very much mistaken.

When a man dies in the Golden Dragon, he, or his friends rather, have to pay very sweetly for it. The Dragon charges them for re-furnishing the room. Every stick of furniture is charged for, all the wall-paper, and so on. I suppose it is perfectly right to charge something, but the Dragon is not content with what is right. He knows he has finally lost a customer, and so he makes all he can out of him. The furniture so paid for, is not re-placed, and the walls are not papered again, but the Dragon doesn't abate a penny of his bill on that account. Now, I have inquired of the furnishing man, on the street back of the hotel, and he has written on his card just the cost of mattress, sheets, pillows, and all that sort of thing, and the amount comes to about 50 francs. I have put in an envelope a 50-franc note, and with it the card of the furniture man. I have written a letter to the hotel-keeper, telling him just what the things will cost that he needs, and have referred the Dragon to the card of the furniture man who has given me the figures. This envelope I have addressed to the Dragon, and he will find it when I am dead. This is the joke that old man Death and myself have put up on our host, and my only regret is that I shall not be able to enjoy a look at the Dragon's countenance as he reads my last letter to him. Another sum of money I have put away, in good hands where he won't have a chance to get it, for my funeral expenses, and then you see I am through with the world. I have n.o.body to leave that I need worry about, or who would either take care of me or feel sorry for me if I needed care or sympathy, which I do not. So that is why I laugh, and that is why I come down and sit upon this bench, in the sunshine, and enjoy the posthumous joke."

Robbins did not appear to see the humor of the situation quite as strongly as the Living Skeleton did. At different times after, when they met he had offered the Skeleton more money if he wanted it, so that he might prolong his life a little, but the Skeleton always refused.

A sort of friendship sprang up between Robbins and the Living Skeleton, at least, as much of a friendship as can exist between the living and the dead, for Robbins was a muscular young fellow who did not need to live at the Riviera on account of his health, but merely because he detested an English winter. Besides this, it may be added, although it really is n.o.body's business, that a Nice Girl and her parents lived in this particular part of the South of France.