The Exiles and Other Stories Part 18

"My dear," he remonstrated, gently, "you mustn't tell me I've told you all my old stories before. It isn't fair. Now that I am married, you see, I can't go about and have new experiences, and I've got to make use of the old ones."

"Oh, I'm so sorry," exclaimed the Picture, remorsefully. "I didn't mean to be rude. Please tell me about it. I should like to hear it again, ever so much. I _should_ like to hear it again, really."

"Nonsense," said Stuart, laughing and shaking his head. "I was only joking; personally I hate people who tell long stories. That doesn't matter. I was thinking of something else."

He continued thinking of something else, which was, that though he had been in jest when he spoke of having given up the chance of meeting fresh experiences, he had nevertheless described a condition, and a painfully true one. His real life seemed to have stopped, and he saw himself in the future looking back and referring to it, as though it were the career of an entirely different person, of a young man, with quick sympathies which required satisfying, as any appet.i.te requires food. And he had an uncomfortable doubt that these many ever-ready sympathies would rebel if fed on only one diet.

The Picture did not interrupt him in his thoughts, and he let his mind follow his eyes as they wandered over the objects above him on the mantel-shelf. They all meant something from the past--a busy, wholesome past which had formed habits of thought and action, habits he could no longer enjoy alone, and which, on the other hand, it was quite impossible for him to share with any one else. He was no longer to be alone.

Stuart stirred uneasily in his chair and poked at the fire before him.

"Do you remember the day you came to see me," said the Picture, sentimentally, "and built the fire yourself and lighted some girl's letters to make it burn?"

"Yes," said Stuart, "that is, I _said_ that they were some girl's letters. It made it more picturesque. I am afraid they were bills. I should say I did remember it," he continued, enthusiastically. "You wore a black dress and little red slippers with big black rosettes, and you looked as beautiful as--as night--as a moonlight night."

The Picture frowned slightly.

"You are always telling me about how I looked," she complained; "can't you remember any time when we were together without remembering what I had on and how I appeared?"

"I cannot," said Stuart, promptly. "I can recall lots of other things besides, but I can't forget how you looked. You have a fashion of emphasizing episodes in that way which is entirely your own. But, as I say, I can remember something else. Do you remember, for instance, when we went up to West Point on that yacht? Wasn't it a grand day, with the autumn leaves on both sides of the Hudson, and the dress parade, and the dance afterward at the hotel?"

"Yes, I should think I did," said the Picture, smiling. "You spent all your time examining cannon, and talking to the men about 'firing in open order,' and left me all alone."

"Left you all alone! I like that," laughed Stuart; "all alone with about eighteen officers."

"Well, but that was natural," returned the Picture. "They were men.

It's natural for a girl to talk to men, but why should a man want to talk to men?"

"Well, I know better than that now," said Stuart.

He proceeded to show that he knew better by remaining silent for the next half hour, during which time he continued to wonder whether this effort to keep up a conversation was not radically wrong. He thought of several things he might say, but he argued that it was an impossible situation where a man had to make conversation with his own wife.

The clock struck ten as he sat waiting, and he moved uneasily in his chair.

"What is it?" asked the Picture; "what makes you so restless?"

Stuart regarded the Picture timidly for a moment before he spoke. "I was just thinking," he said, doubtfully, "that we might run down after all, and take a look in at the last act; it's not too late even now.

They're sure to run behind on the first night. And then," he urged, "we can go around and see Seldon. You have never been behind the scenes, have you? It's very interesting."

"No, I have not; but if we do," remonstrated the Picture, pathetically, "you _know_ all those men will come trooping home with us. You know they will."

"But that's very complimentary," said Stuart. "Why, I like my friends to like my wife."

"Yes, but you know how they stay when they get here," she answered; "I don't believe they ever sleep. Don't you remember the last supper you gave me before we were married, when Mrs. Starr and you all were discussing Mr. Seldon's play? She didn't make a move to go until half-past two, and I was _that_ sleepy I couldn't keep my eyes open."

"Yes," said Stuart, "I remember. I'm sorry. I thought it was very interesting. Seldon changed the whole second act on account of what she said. Well, after this," he laughed with cheerful desperation, "I think I shall make up for the part of a married man in a pair of slippers and a dressing-gown, and then perhaps I won't be tempted to roam abroad at night."

"You must wear the gown they are going to give you at Oxford," said the Picture, smiling placidly. "The one Aunt Lucy was telling me about. Why do they give you a gown?" she asked. "It seems such an odd thing to do."

"The gown comes with the degree, I believe," said Stuart.

"But why do they give _you_ a degree?" persisted the Picture; "you never studied at Oxford, did you?"

Stuart moved slightly in his chair and shook his head. "I thought I told you," he said, gently. "No, I never studied there. I wrote some books on--things, and they liked them."

"Oh, yes, I remember now, you did tell me," said the Picture; "and I told Aunt Lucy about it, and said we would be in England during the season when you got your degree, and she said you must be awfully clever to get it. You see--she does appreciate you, and you always treat her so distantly."

"Do I?" said Stuart, quietly. "I'm sorry."

"Will you have your portrait painted in it?" asked the Picture.

"In what?"

"In the gown. You are not listening," said the Picture, reproachfully.

"You ought to. Aunt Lucy says it's a beautiful shade of red silk, and very long. Is it?"

"I don't know," said Stuart. He shook his head, and dropping his chin into his hands, stared coldly down into the fire. He tried to persuade himself that he had been vainglorious, and that he had given too much weight to the honor which the University of Oxford would bestow upon him; that he had taken the degree too seriously, and that the Picture's view of it was the view of the rest of the world. But he could not convince himself that he was entirely at fault.

"Is it too late to begin on Guizot?" suggested his Picture, as an alternative to his plan. "It sounds so improving."

"Yes, it is much too late," answered Stuart, decidedly. "Besides, I don't want to be improved. I want to be amused, or inspired, or scolded. The chief good of friends is that they do one of these three things, and a wife should do all three."

"Which shall I do?" asked the Picture, smiling good-humoredly.

Stuart looked at the beautiful face and at the reclining figure of the woman to whom he was to turn for sympathy for the rest of his life, and felt a cold shiver of terror, that pa.s.sed as quickly as it came.

He reached out his hand and placed it on the arm of the chair where his wife's hand should have been, and patted the place kindly. He would shut his eyes to everything but that she was good and sweet and his wife. Whatever else she lacked that her beauty had covered up and hidden, and the want of which had Iain unsuspected in their previous formal intercourse, could not be mended now. He would settle his step to hers, and eliminate all those interests from his life which were not hers as well. He had chosen a beautiful idol, and not a companion, for a wife. He had tried to warm his hands at the fire of a diamond.

Stuart's eyes closed wearily as though to shut out the memories of the past, or the foreknowledge of what the future was sure to be. His head sank forward on his breast, and with his hand shading his eyes, he looked beyond, through the dying fire, into the succeeding years.

The gay little French clock on the table sounded the hour of midnight briskly, with a pert, insistent clamor, and at the same instant a boisterous and unruly knocking answered it from outside the library door.

Stuart rose uncertainly from his chair and surveyed the tiny clock face with a startled expression of bewilderment and relief.

"Stuart!" his friends called impatiently from the hall. "Stuart, let us in!" and without waiting further for recognition a merry company of gentlemen pushed their way noisily into the room.

"Where the devil have you been?" demanded Weimer. "You don't deserve to be spoken to at all after quitting us like that. But Seldon is so good-natured," he went on, "that he sent us after you. It was a great success, and he made a rattling good speech, and you missed the whole thing; and you ought to be ashamed of yourself. We've asked half the people in front to supper--two stray Englishmen, all the Wilton girls and their governor, and the chap that wrote the play. And Seldon and his brother Sam are coming as soon as they get their make-up off.

Don't stand there like that, but hurry. What have you been doing?"

Stuart gave a nervous, anxious laugh. "Oh, don't ask me," he cried.

"It was awful. I've been trying an experiment, and I had to keep it up until midnight, and--I'm so glad you fellows have come," he continued, halting midway in his explanation. "I _was_ blue."

"You've been asleep in front of the fire," said young Sloane, "and you've been dreaming."

"Perhaps," laughed Stuart, gayly, "perhaps. But I'm awake now, in any event. Sloane, old man," he cried, dropping both hands on the youngster's shoulders, "how much money have you? Enough to take me to Gibraltar? They can cable me the rest."

"Hoorah!" shouted Sloane, waltzing from one end of the room to the other. "And we're off to Ab-yss-in-ia in the morn-ing," he sang.