The Exiles and Other Stories Part 10

"Of course it is not real, of course it is not She," he a.s.sured himself. "Because She would not do such a thing. Before all these people She would not do it."

But he trembled and his heart throbbed so cruelly that he could not bear the pain.

She was pretending to cry.

"They wired us you had started for Tampa on the hospital ship," She was saying, "and Aunt and I went all the way there before we heard you had been sent North. We have been on the cars a week. That is why I missed you. Do you understand? It was not my fault. I tried to come.

Indeed, I tried to come."

She turned her head and looked up fearfully at the young Doctor.

"Tell me, why does he look at me like that?" she asked. "He doesn't know me. Is he very ill? Tell me the truth." She drew in her breath quickly. "Of course you will tell me the truth."

When she asked the question he felt her arms draw tight about his shoulders. It was as though she was holding him to herself, and from some one who had reached out for him. In his trouble he turned to his old friend and keeper. His voice was hoa.r.s.e and very low.

"Is this the same young lady who was on the transport--the one you used to drive away?"

In his embarra.s.sment, the hospital steward blushed under his tan, and stammered.

"Of course it's the same young lady," the Doctor answered, briskly.

"And I won't let them drive her away." He turned to her, smiling gravely. "I think his condition has ceased to be dangerous, madam," he said.

People who in a former existence had been his friends, and Her brother, gathered about his stretcher and bore him through the crowd and lifted him into a carriage filled with cushions, among which he sank lower and lower. Then She sat beside him, and he heard Her brother say to the coachman, "Home, and drive slowly and keep on the asphalt."

The carriage moved forward, and She put her arm about him, and his head fell on her shoulder, and neither of them spoke. The vision had lasted so long now that he was torn with the joy that after all it might be real. But he could not bear the awakening if it were not, so he raised his head fearfully and looked up into the beautiful eyes above him. His brows were knit, and he struggled with a great doubt and an awful joy.

"Dearest," he said, "is it real?"

"Is it real?" she repeated.

Even as a dream, it was so wonderfully beautiful that he was satisfied if it could only continue so, if but for a little while.

"Do you think," he begged again, trembling, "that it is going to last much longer?"

She smiled, and, bending her head slowly, kissed him.

"It is going to last--always," she said.

THE LION AND THE UNICORN

Prentiss had a long lease on the house, and because it stood in Jermyn Street the upper floors were, as a matter of course, turned into lodgings for single gentlemen; and because Prentiss was a Florist to the Queen, he placed a lion and unicorn over his flower-shop, just in front of the middle window on the first floor. By stretching a little, each of them could see into the window just beyond him, and could hear all that was said inside; and such things as they saw and heard during the reign of Captain Carrington, who moved in at the same time they did! By day the table in the centre of the room was covered with maps, and the Captain sat with a box of pins, with different-colored flags wrapped around them, and amused himself by sticking them in the maps and measuring the s.p.a.ces in between, swearing meanwhile to himself. It was a selfish amus.e.m.e.nt, but it appeared to be the Captain's only intellectual pursuit, for at night the maps were rolled up, and a green cloth was spread across the table, and there was much company and popping of soda-bottles, and little heaps of gold and silver were moved this way and that across the cloth. The smoke drifted out of the open windows, and the laughter of the Captain's guests rang out loudly in the empty street, so that the policeman halted and raised his eyes reprovingly to the lighted windows, and cabmen drew up beneath them and lay in wait, dozing on their folded arms, for the Captain's guests to depart. The Lion and the Unicorn were rather ashamed of the scandal of it, and they were glad when, one day, the Captain went away with his tin boxes and gun-cases piled high on a four-wheeler.

Prentiss stood on the sidewalk and said, "I wish you good luck, sir."

And the Captain said, "I'm coming back a Major, Prentiss." But he never came back. And one day--the Lion remembered the day very well, for on that same day the newsboys ran up and down Jermyn Street shouting out the news of "a 'orrible disaster" to the British arms. It was then that a young lady came to the door in a hansom, and Prentiss went out to meet her and led her up-stairs. They heard him unlock the Captain's door and say, "This is his room, miss," and after he had gone they watched her standing quite still by the centre-table. She stood there a very long time looking slowly about her, and then she took a photograph of the Captain from the frame on the mantel and slipped it into her pocket, and when she went out again her veil was down, and she was crying. She must have given Prentiss as much as a sovereign, for he called her "Your ladyship," which he never did under a sovereign.

And she drove off, and they never saw her again either, nor could they hear the address she gave the cabman. But it was somewhere up St.

John's Wood way.

After that the rooms were empty for some months, and the Lion and the Unicorn were forced to amuse themselves with the beautiful ladies and smart-looking men who came to Prentiss to buy flowers-and "b.u.t.tonholes," and the little round baskets of strawberries, and even the peaches at three shillings each, which looked so tempting as they lay in the window, wrapped up in cotton-wool, like jewels of great price.

Then Philip Carroll, the American gentleman, came, and they heard Prentiss telling him that those rooms had always let for five guineas a week, which they knew was not true; but they also knew that in the economy of nations there must always be a higher price for the rich American, or else why was he given that strange accent, except to betray him into the hands of the London shopkeeper, and the London cabby?

The American walked to the window toward the west, which was the window nearest the Lion, and looked out into the graveyard of St.

James's Church, that stretched between their street and Piccadilly.

"You're lucky in having a bit of green to look out on," he said to Prentiss. "I'll take these rooms--at five guineas. That's more than they're worth, you know, but as I know it, too, your conscience needn't trouble you."

Then his eyes fell on the Lion, and he nodded to him gravely. "How do you do?" he said. "I'm coming to live with you for a little time. I have read about you and your friends over there. It is a hazard of new fortunes with me, your Majesty, so be kind to me, and if I win, I will put a new coat of paint on your shield and gild you all over again."

Prentiss smiled obsequiously at the American's pleasantry, but the new lodger only stared at him.

"He seemed a social gentleman," said the Unicorn, that night, when the Lion and he were talking it over. "Now the Captain, the whole time he was here, never gave us so much as a look. This one says he has read of us."

"And why not?" growled the Lion. "I hope Prentiss heard what he said of our needing a new layer of gilt. It's disgraceful. You can see that Lion over Scarlett's, the butcher, as far as Regent Street, and Scarlett is only one of Salisbury's creations. He received his Letters-Patent only two years back. We date from Palmerston."

The lodger came up the street just at that moment, and stopped and looked up at the Lion and the Unicorn from the sidewalk, before he opened the door with his night-key. They heard him enter the room and feel on the mantel for his pipe, and a moment later he appeared at the Lion's window and leaned on the sill, looking down into the street below and blowing whiffs of smoke up into the warm night-air.

It was a night in June, and the pavements were dry under foot and the streets were filled with well-dressed people, going home from the play, and with groups of men in black and white, making their way to supper at the clubs. Hansoms of inky-black, with shining lamps inside and out, dashed noiselessly past on mysterious errands, chasing close on each other's heels on a mad race, each to its separate goal. From the cross streets rose the noises of early night, the rumble of the 'buses, the creaking of their brakes as they unlocked, the cries of the "extras," and the merging of thousands of human voices in a dull murmur. The great world of London was closing its shutters for the night and putting out the lights; and the new lodger from across the sea listened to it with his heart beating quickly, and laughed to stifle the touch of fear and homesickness that rose in him.

"I have seen a great play to-night," he said to the Lion, "n.o.bly played by great players. What will they care for my poor wares? I see that I have been over-bold. But we cannot go back now--not yet."

He knocked the ashes out of his pipe, and nodded "good-night" to the great world beyond his window. "What fortunes lie with ye, ye lights of London town?" he quoted, smiling. And they heard him close the door of his bedroom, and lock it for the night.

The next morning he bought many geraniums from Prentiss and placed them along the broad cornice that stretched across the front of the house over the shop-window. The flowers made a band of scarlet on either side of the Lion as brilliant as a Tommy's jacket.

"I am trying to propitiate the British Lion by placing flowers before his altar," the American said that morning to a visitor.

"The British public, you mean," said the visitor; "they are each likely to tear you to pieces."

"Yes, I have heard that the pit on the first night of a bad play is something awful," hazarded the American.

"Wait and see," said the visitor.

"Thank you," said the American, meekly.

Every one who came to the first floor front talked about a play. It seemed to be something of great moment to the American. It was only a bundle of leaves printed in red and black inks and bound in brown paper covers. There were two of them, and the American called them by different names: one was his comedy and one was his tragedy.

"They are both likely to be tragedies," the Lion heard one of the visitors say to another, as they drove away together. "Our young friend takes it too seriously."

The American spent most of his time by his desk at the window writing on little blue pads and tearing up what he wrote, or in reading over one of the plays to himself in a loud voice. In time the number of his visitors increased, and to some of these he would read his play; and after they had left him he was either depressed and silent or excited and jubilant. The Lion could always tell when he was happy because then he would go to the side table and pour himself out a drink and say, "Here's to me," but when he was depressed he would stand holding the gla.s.s in his hand, and finally pour the liquor back into the bottle again and say, "What's the use of that?"

After he had been in London a month he wrote less and was more frequently abroad, sallying forth in beautiful raiment, and coming home by daylight.

And he gave suppers, too, but they were less noisy than the Captain's had been, and the women who came to them were much more beautiful, and their voices when they spoke were sweet and low. Sometimes one of the women sang, and the men sat in silence while the people in the street below stopped to listen, and would say, "Why, that is So-and-So singing," and the Lion and the Unicorn wondered how they could know who it was when they could not see her.

The lodger's visitors came to see him at all hours. They seemed to regard his rooms as a club, where they could always come for a bite to eat or to write notes; and others treated it like a lawyer's office and asked advice on all manner of strange subjects. Sometimes the visitor wanted to know whether the American thought she ought to take 10 a week and go on tour, or stay in town and try to live on 8; or whether she should paint landscapes that would not sell, or race-horses that would; or whether Reggie really loved her and whether she really loved Reggie; or whether the new part in the piece at the Court was better than the old part at Terry's, and wasn't she getting too old to play "ingenues" anyway.