The Evolution of the Dragon Part 9

"The Sumerian account of Beginnings centres around the production by the G.o.ds of water, Enki and his consort Nin-ella (or Dangal), of a great number of ca.n.a.ls bringing rain to the desolate fields of a dry continent. Life both of vegetables and animals follows the profusion of the vivifying waters.... In the process of life's production besides Enki, the personality of his consort is very conspicuous. She is called _Nin-Ella_, 'the pure Lady,' _Damgal-Nunna_, the 'great Lady of the Waters,' _Nin-Tu_, 'the Lady of Birth'" (p. 301). The child of Enki and Nin-ella was the ancestor of mankind.[114]

"In later traditions, the personality of that Great Lady seems to have been overshadowed by that of Ishtar, who absorbed several of her functions" (p. 301).

Professor Carnoy fully demonstrates the derivation of certain early so-called "Aryan" beliefs from Chaldea. In the Iranian account of the creation "the great spring Ardvi Sura Anahita is the life-increasing, the herd-increasing, the fold-increasing who makes prosperity for all countries (Yt. 5, 1) ... that precious spring is worshipped as a G.o.ddess ... and is personified as a handsome and stately woman. She is a fair maid, most strong, tall of form, high-girded. Her arms are white and thick as a horse's shoulder or still thicker. She is full of gracefulness" (Yt. 5, 7, 64, 78). "Professor c.u.mont thinks that Anahita is Ishtar ... she is a G.o.ddess of fecundation and birth.

Moreover in Achaemenian inscriptions Anahita is a.s.sociated with Ahura Mazdah and Mithra, a triad corresponding to the Chaldean triad: Sin-Shamash-Ishtar. [Greek: Anaitis] in Strabo and other Greek writers is treated as [Greek: Aphrodite]" (p. 302).

But in Mesopotamia also the same views were entertained as in Egypt of the functions of statues.

"The statues hidden in the recesses of the temples or erected on the summits of the 'Ziggurats' became imbued, by virtue of their consecration, with the actual body of the G.o.d whom they represented."

Thus Marduk is said to "inhabit his image" (Maspero, _op. cit._ p. 64).

This is precisely the idea which the Egyptians had. Even at the present day it survives among the Dravidian peoples of India.[115] They make images of their village deities, which may be permanent or only temporary, but in any case they are regarded not as actual deities but as the "bodies" so to speak into which these deities can enter. They are sacred only when they are so animated by the G.o.ddess. The ritual of animation is essentially identical with that found in Ancient Egypt.

Libations are poured out; incense is burnt; the bleeding right fore-leg of a buffalo const.i.tutes the blood-offering.[116] When the deity is reanimated by these procedures and its consciousness restored by the blood-offering it can hear appeals and speak.

The same att.i.tude towards their idols was adopted by the Polynesians.

"The priest usually addressed the image, into which it was imagined the G.o.d entered when anyone came to inquire his will."[117]

But there are certain other aspects of these Indian customs that are of peculiar interest. In my Ridgeway essay (_op. cit. supra_) I referred to the means by which in Nubia the degradation of the oblong Egyptian _mastaba_ gave rise to the simple stone circle. This type spread to the west along the North African littoral, and also to the Eastern desert and Palestine. At some subsequent time mariners from the Red Sea introduced this practice into India.

[It is important to bear in mind that two other cla.s.ses of stone circles were invented. One of them was derived, not from the _mastaba_ itself, but from the enclosing wall surrounding it (see my Ridgeway essay, Fig.

13, p. 531, and compare with Figs. 3 and 4, p. 510, for ill.u.s.trations of the transformed _mastaba_-type). This type of circle (enclosing a dolmen) is found both in the Caucasus-Caspian area as well as in India.

A highly developed form of this encircling type of structure is seen in the famous rails surrounding the Buddhist _stupas_ and _dagabas_. A third and later form of circle, of which Stonehenge is an example, was developed out of the much later New Empire Egyptian conception of a temple.]

But at the same time, as in Nubia, and possibly in Libya, the _mastaba_ was being degraded into the first of the three main varieties of stone circle, other, though less drastic, forms of simplification of the _mastaba_ were taking place, possibly in Egypt itself, but certainly upon the neighbouring Mediterranean coasts. In some respects the least altered copies of the _mastaba_ are found in the so-called "giant's graves" of Sardinia and the "horned cairns" of the British Isles. But the real features of the Egyptian _serdab_, which was the essential part, the nucleus so to speak, of the _mastaba_, are best preserved in the so-called "holed dolmens" of the Levant, the Caucasus, and India.

[They also occur sporadically in the West, as in France and Britain.]

Such dolmens and more simplified forms are scattered in Palestine,[118]

but are seen to best advantage upon the Eastern Littoral of the Black Sea, the Caucasus, and the neighbourhood of the Caspian. They are found only in scattered localities between the Black and Caspian Seas. As de Morgan has pointed out,[119] their distribution is explained by their a.s.sociation with ancient gold and copper mines. They were the tombs of immigrant mining colonies who had settled in these definite localities to exploit these minerals.

Now the same types of dolmens, also a.s.sociated with ancient mines,[120]

are found in India. There is some evidence to suggest that these degraded types of Egyptian _mastabas_ were introduced into India at some time after the adoption of the other, the Nubian modification of the _mastaba_ which is represented by the first variety of stone circle.[121]

I have referred to these Indian dolmens for the specific purpose of ill.u.s.trating the complexities of the processes of diffusion of culture.

For not only have several variously specialized degradation-products of the same original type of Egyptian _mastaba_ reached India, possibly by different routes and at different times, but also many of the ideas that developed out of the funerary ritual in Egypt--of which the _mastaba_ was merely one of the manifestations--made their way to India at various times and became secondarily blended with other expressions of the same or a.s.sociated ideas there. I have already referred to the essential elements of the Egyptian funerary ritual--the statues, incense, libations, and the rest--as still persisting among the Dravidian peoples.

But in the Madras Presidency dolmens are found converted into Siva temples.[122] Now in the inner chamber of the shrine--which represents the h.o.m.ologue of the _serdab_--in place of the statue or bas-relief of the deceased or of the deity, which is found in some of them (see Plate I), there is the stone _linga-yoni_ emblem in the position corresponding to that in which, in the later temple in the same locality (Kambaduru), there is an image of Parvati, the consort of Siva.

The earliest deities in Egypt, both Osiris and Hathor, were really expressions of the creative principle. In the case of Hathor, the G.o.ddess was, in fact, the personification of the female organs of reproduction.[123] In these early Siva temples in India these principles of creation were given their literal interpretation, and represented frankly as the organs of reproduction of the two s.e.xes. The G.o.ds of creation were symbolized by models in stone of the creating organs.

Further ill.u.s.trations of the same principle are witnessed in the Indonesian megalithic monuments which Perry calls "dissoliths".[124]

The later Indian temples, both Buddhist and Hindu, were developed from these early dolmens, as Mr. Longhurst's reports so clearly demonstrate.

But from time to time there was an influx of new ideas from the West which found expression in a series of modifications of the architecture.

Thus India provides an admirable ill.u.s.tration of this principle of culture contact. A series of waves of megalithic culture introduced purely Western ideas. These were developed by the local people in their own way, constantly intermingling a variety of cultural influences to weave them into a distinctive fabric, which was compounded partly of imported, partly of local threads, woven locally into a truly Indian pattern. In this process of development one can detect the effects of Mycenaean accretions (see for example Longhurst's Plate XIII), probably modified during its indirect transmission by Phnician and later influences; and also the more intimate part played by Babylonian, Egyptian, and, later, Greek and Persian art and architecture in directing the course of development of Indian culture.

Incidentally, in the course of the discussions in the foregoing pages, I have referred to the profound influence of Egyptian, Babylonian and Indian ideas in Eastern Asia. Perry's important book (_op. cit. supra_) reveals their efforts in Indonesia. Thence they spread across the Pacific to America.

In the "Migrations of Early Culture" (p. 114) I called attention to the fact that among the Aztecs water was poured upon the head of the mummy.

This ritual procedure was inspired by the Egyptian idea of libations, for, according to Bra.s.seur de Bourbourg, the pouring out of the water was accompanied by the remark "C'est cette eau que tu as recue en venant an monde".

But incense-burning and blood-offering were also practised in America.

In an interesting memoir[125] on the practice of blood-letting by piercing the ears and tongue, Mrs. Zelia Nuttall reproduces a remarkable picture from a "partly unpublished MS. of Sahagun's work preserved in Florence". "The image of the sun is held up by a man whose body is partly hidden, and two men, seated opposite to each other in the foreground, are in the act of piercing the helices or external borders of their ears." But in addition to these blood-offerings to the sun, two priests are burning incense in remarkably Egyptian-like censers, and another pair are blowing conch-sh.e.l.l trumpets.

[Ill.u.s.tration: Fig. 6.--Representation of the ancient Mexican Worship of the Sun.

The image of the sun is held up by a man in front of his face; two men blow conch-sh.e.l.l trumpets; another pair burn incense; and a third pair make blood-offerings by piercing their ears--after Zelia Nuttall.]

But it was not merely the use of incense and libations and the ident.i.ties in the wholly arbitrary attributes of the American pantheon that reveal the sources of their derivation in the Old World. When the Spaniards first visited Yucatan they found traces of a Maya baptismal rite which the natives called _zihil_, signifying "to be born again". At the ceremony also incense was burnt.[126]

The forehead, the face, the fingers and toes were moistened. "After they had been thus sprinkled with water, the priest arose and removed the cloths from the heads of the children, and then cut off with a stone knife a certain bead that was attached to the head from childhood."[127]

[The custom of wearing such a bead during childhood is found in Egypt at the present day.]

In the case of the girls, their mothers "divested them of a cord which was worn during their childhood, fastened round the loins, having a small sh.e.l.l that hung in front ('una conchuela asida que les venia a dar encima de la parte honesta'--Landa). The removal of this signified that they could marry."[128]

This use of sh.e.l.ls is found in the Soudan and East Africa at the present day.[129] The girdle upon which the sh.e.l.ls were hung is the prototype of the cestus of Hathor, Ishtar, Aphrodite, Kali and all the G.o.ddesses of fertility in the Old World. It is an admirable ill.u.s.tration of the fact that not only were the finished products, the G.o.ddesses and their fantastic repertory of attributes, transmitted to the New World, but also the earliest and most primitive ingredients out of which the complexities of their traits were compounded.

In Chapter III ("The Birth of Aphrodite") I shall explain what an important part the invention of this girdle played in the development of the material side of civilization and the even vaster influence it exerted upon beliefs and ethics. It represents the first stage in the evolution of clothing; and it was responsible for originating the belief in love-philtres and in the possibility of foretelling the future.

It would lead me too far from my main purpose in this book to discuss the widespread geographical distribution and historical a.s.sociations of the customs of baptism and pouring libations among different peoples. I may, however, refer the reader to an article by Mr. Elsdon Best, ent.i.tled "Ceremonial Performances Pertaining to Birth, as Performed by the Maori of New Zealand in Past Times" (_Journal of the Royal Anthropological Inst.i.tute_, Vol. XLIV, 1914, p. 127), which sheds a clear light upon the general problem.

The whole subject of baptismal ceremonies is well worth detailed study as a remarkable demonstration of the spread of culture in early times.

[107: Donald A. Mackenzie, "Myths of Babylonia and a.s.syria," p. 44 _et seq._]

[108: Dr. Alan Gardiner has protested against the a.s.sertions of "some Egyptologists, influenced more by anthropological theorists than by the unambiguous evidence of the Egyptian texts," to the effect that "the funerary rites and practices of the Egyptians were in the main precautionary measures serving to protect the living against the dead"

(Article "Life and Death (Egyptian)," Hastings' _Encyclopaedia of Religion and Ethics_). I should like to emphasize the fact that the "anthropological theorists," who so frequently put forward these claims have little more justification for them than "some Egyptologists".

Careful study of the best evidence from Babylonia, India, Indonesia, and j.a.pan, reveals the fact that anthropologists who make such claims have in many cases misinterpreted the facts. In an article on "Ancestor Worship" by Professor n.o.bushige Hozumi in A. Stead's "j.a.pan by the j.a.panese" (1904) the true point of view is put very clearly: "The origin of ancestor-worship is ascribed by many eminent writers to the _dread of ghosts_ and the sacrifices made to the souls of ancestors for the purpose of _propitiating_ them. It appears to me more correct to attribute the origin of ancestor-worship to a contrary cause. It was the _love_ of ancestors, not the _dread_ of them" [Here he quotes the Chinese philosophers Shiu-ki and Confucius in corroboration] that impelled men to worship. "We celebrate the anniversary of our ancestors, pay visits to their graves, offer flowers, food and drink, burn incense and bow before their tombs, entirely from a feeling of love and respect for their memory, and no question of 'dread' enters our minds in doing so" (pp. 281 and 282). [See, however, Appendix B, p. 74.]]

[109: For, as I have already explained, the idea so commonly and mistakenly conveyed by the term "soul-substance" by writers on Indonesian and Chinese beliefs would be much more accurately rendered simply by the word "life," so that the stealing of it necessarily means death.]

[110: Barton, _op. cit._ p. 105.]

[111: The evidence set forth in these pages makes it clear that such ideas are not restricted to the Semites: nor is there any reason to suppose that they originated amongst them.]

[112: Albert J. Carnoy, "Iranian Views of Origins in Connexion with Similar Babylonian Beliefs," _Journal of the American Oriental Society_, Vol. x.x.xVI, 1916, pp. 300-20.]

[113: This is Professor Carnoy's summary of Professor Jastrow's views as expressed in his article "Sumerian and Akkadian Views of Beginnings".]

[114: Jastrow's interpretation of a recently-discovered tablet published by Langdon under the t.i.tle _The Sumerian Epic of Paradise, the Flood and the Fall of Man_.]

[115: I have already (p. 43) mentioned the fact that it is still preserved in China also.]

[116: Henry Whitehead (Bishop of Madras), "The Village Deities of Southern India," Madras Government Museum, Bull., Vol. V, No. 3, 1907; Wilber Theodore Elmore, "Dravidian G.o.ds in Modern Hinduism: A Study of the Local and Village Deities of Southern India," University Studies: University of Nebraska, Vol. XV, No. 1, Jan., 1915. Compare the sacrifice of the fore-leg of a living calf in Egypt--A. E. P. B.

Weigall, "An Ancient Egyptian Funeral Ceremony," _Journal of Egyptian Archaeology_, Vol. II, 1915, p. 10. Early literary references from Babylonia suggest that a similar method of offering blood was practised there.]

[117: William Ellis, "Polynesian Researches," 2nd edition, 1832, Vol. I, p. 373.]