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"Perfectly, madam. At the same time, I am afraid I must own that the advertis.e.m.e.nt has produced a favorable impression on me."
"I fail entirely to see why," Miss Wigger remarked.
"There is surely," Linley repeated, "something straightforward--I might almost say, something innocent--in the manner in which the writer expresses herself. She seems to be singularly modest on the subject of her own attainments, and unusually considerate of the interests of others. I hope you will permit me--?"
Before he could add, "to see the young lady," the door was opened: a young lady entered the room.
Was she the writer of the advertis.e.m.e.nt? He felt sure of it, for no better reason than this: the moment he looked at her she interested him.
It was an interest new to Linley, in his experience of himself. There was nothing to appeal to his admiration (by way of his senses) in the pale, worn young creature who stood near the door, resigned beforehand to whatever reception she might meet with. The poor teacher made him think of his happy young wife at home--of his pretty little girl, the spoiled child of the household. He looked at Sydney Westerfield with a heartfelt compa.s.sion which did honor to them both.
"What do you mean by coming here?" Miss Wigger inquired.
She answered gently, but not timidly. The tone in which the mistress had spoken had evidently not shaken her resolution, so far.
"I wish to know," she said, "if this gentleman desires to see me on the subject of my advertis.e.m.e.nt?"
"Your advertis.e.m.e.nt?" Miss Wigger repeated. "Miss Westerfield! how dare you beg for employment in a newspaper, without asking my leave?"
"I only waited to tell you what I had done, till I knew whether my advertis.e.m.e.nt would be answered or not."
She spoke as calmly as before, still submitting to the insolent authority of the schoolmistress with a steady fort.i.tude very remarkable in any girl--and especially in a girl whose face revealed a sensitive nature. Linley approached her, and said his few kind words before Miss Wigger could a.s.sert herself for the third time.
"I am afraid I have taken a liberty in answering you personally, when I ought to have answered by letter. My only excuse is that I have no time to arrange for an interview, in London, by correspondence. I live in Scotland, and I am obliged to return by the mail to-night."
He paused. She was looking at him. Did she understand him?
She understood him only too well. For the first time, poor soul, in the miserable years of her school life, she saw eyes that rested on her with the sympathy that is too truly felt to be uttered in words. The admirable resignation which had learned its first hard lesson under her mother's neglect--which had endured, in after-years, the daily persecution that heartless companionship so well knows how to inflict--failed to sustain her, when one kind look from a stranger poured its balm into the girl's sore heart. Her head sank; her wasted figure trembled; a few tears dropped slowly on the bosom of her shabby dress. She tried, desperately tried, to control herself. "I beg your pardon, sir," was all she could say; "I am not very well."
Miss Wigger tapped her on the shoulder and pointed to the door. "Are you well enough to see your way out?" she asked.
Linley turned on the wretch with a mind divided between wonder and disgust. "Good G.o.d, what has she done to deserve being treated in that way?" he asked.
Miss Wigger's mouth widened; Miss Wigger's forehead developed new wrinkles. To own it plainly, the schoolmistress smiled.
When it is of serious importance to a man to become acquainted with a woman's true nature--say, when he contemplates marriage--his one poor chance of arriving at a right conclusion is to find himself provoked by exasperating circ.u.mstances, and to fly into a pa.s.sion. If the lady flies into a pa.s.sion on her side, he may rely on it that her faults are more than balanced by her good qualities. If, on the other hand, she exhibits the most admirable self-control, and sets him an example which ought to make him ashamed of himself, he has seen a bad sign, and he will do well to remember it.
Miss Wigger's self-control put Herbert Linley in the wrong, before she took the trouble of noticing what he had said.
"If you were not out of temper," she replied, "I might have told you that I don't allow my house to be made an office for the engagement of governesses. As it is, I merely remind you that your carriage is at the door."
He took the only course that was open to him; he took his hat.
Sydney turned away to leave the room. Linley opened the door for her.
"Don't be discouraged," he whispered as she pa.s.sed him; "you shall hear from me." Having said this, he made his parting bow to the schoolmistress. Miss Wigger held up a peremptory forefinger, and stopped him on his way out. He waited, wondering what she would do next. She rang the bell.
"You are in the house of a gentlewoman," Miss Wigger explained. "My servant attends visitors, when they leave me." A faint smell of soap made itself felt in the room; the maid appeared, wiping her smoking arms on her ap.r.o.n. "Door. I wish you good-morning"--were the last words of Miss Wigger.
Leaving the house, Linley slipped a bribe into the servant's hand. "I am going to write to Miss Westerfield," he said. "Will you see that she gets my letter?"
"That I will!"
He was surprised by the fervor with which the girl answered him.
Absolutely without vanity, he had no suspicion of the value which his winning manner, his kind brown eyes, and his sunny smile had conferred on his little gift of money. A handsome man was an eighth wonder of the world, at Miss Wigger's school.
At the first stationer's shop that he pa.s.sed, he stopped the carriage and wrote his letter.
"I shall be glad indeed if I can offer you a happier life than the life you are leading now. It rests with you to help me do this. Will you send me the address of your parents, if they are in London, or the name of any friend with whom I can arrange to give you a trial as governess to my little girl? I am waiting your answer in the neighborhood. If any hinderance should prevent you from replying at once, I add the name of the hotel at which I am staying--so that you may telegraph to me, before I leave London to-night."
The stationer's boy, inspired by a private view of half-a-crown, set off at a run--and returned at a run with a reply.
"I have neither parents nor friends, and I have just been dismissed from my employment at the school. Without references to speak for me, I must not take advantage of your generous offer. Will you help me to bear my disappointment, permitting me to see you, for a few minutes only, at your hotel? Indeed, indeed, sir, I am not forgetful of what I owe to my respect for you, and my respect for myself. I only ask leave to satisfy you that I am not quite unworthy of the interest which you have been pleased to feel in--S.W."
In those sad words, Sydney Westerfield announced that she had completed her education.
THE STORY
FIRST BOOK.
Chapter I. Mrs. Presty Presents Herself.
NOT far from the source of the famous river, which rises in the mountains between Loch Katrine and Loch Lomond, and divides the Highlands and the Lowlands of Scotland, travelers arrive at the venerable gray walls of Mount Morven; and, after consulting their guide books, ask permission to see the house.
What would be called, in a modern place of residence, the first floor, is reserved for the occupation of the family. The great hall of entrance, and its quaint old fireplace; the ancient rooms on the same level opening out of it, are freely shown to strangers. Cultivated travelers express various opinions relating to the family portraits, and the elaborately carved ceilings. The uninstructed public declines to trouble itself with criticism. It looks up at the towers and the loopholes, the battlements and the rusty old guns, which still bear witness to the perils of past times when the place was a fortress--it enters the gloomy hall, walks through the stone-paved rooms, stares at the faded pictures, and wonders at the lofty chimney-pieces hopelessly out of reach. Sometimes it sits on chairs which are as cold and as hard as iron, or timidly feels the legs of immovable tables which might be legs of elephants so far as size is concerned. When these marvels have been duly admired, and the guide books are shut up, the emanc.i.p.ated tourists, emerging into the light and air, all find the same social problem presented by a visit to Mount Morven: "How can the family live in such a place as that?"
If these strangers on their travels had been permitted to ascend to the first floor, and had been invited (for example) to say good-night to Mrs. Linley's pretty little daughter, they would have seen the stone walls of Kitty's bed-chamber snugly covered with velvet hangings which kept out the cold; they would have trod on a doubly-laid carpet, which set the chilly influences of the pavement beneath it at defiance; they would have looked at a bright little bed, of the last new pattern, worthy of a child's delicious sleep; and they would only have discovered that the room was three hundred years old when they had drawn aside the window curtains, and had revealed the adamantine solidity of the outer walls. Or, if they had been allowed to pursue their investigations a little further, and had found their way next into Mrs. Linley's sitting room, here again a transformation scene would have revealed more modern luxury, presented in the perfection which implies restraint within the limits of good taste. But on this occasion, instead of seeing the head of a lively little child on the pillow, side by side with the head of her doll, they would have encountered an elderly lady of considerable size, fast asleep and snoring in a vast armchair, with a book on her lap. The married men among the tourists would have recognized a mother-in-law, and would have set an excellent example to the rest; that is to say, the example of leaving the room.
The lady composed under the soporific influence of literature was a person of importance in the house--holding rank as Mrs. Linley's mother; and being otherwise noticeable for having married two husbands, and survived them both.
The first of these gentlemen--the Right Honorable Joseph Norman--had been a member of Parliament, and had taken office under Government. Mrs.
Linley was his one surviving child. He died at an advanced age; leaving his handsome widow (young enough, as she was always ready to mention, to be his daughter) well provided for, and an object of matrimonial aspiration to single gentlemen who admired size in a woman, set off by money. After hesitating for some little time, Mrs. Norman accepted the proposal of the ugliest and dullest man among the ranks of her admirers.
Why she became the wife of Mr. Presty (known in commercial circles as a merchant enriched by the sale of vinegar) she was never able to explain.
Why she lamented him, with tears of sincere sorrow, when he died after two years of married life, was a mystery which puzzled her nearest and dearest friends. And why when she indulged (a little too frequently) in recollections of her married life, she persisted in putting obscure Mr.
Presty on a level with distinguished Mr. Norman, was a secret which this remarkable woman had never been known to reveal. Presented by their widow with the strictest impartiality to the general view, the characters of these two husbands combined, by force of contrast, the ideal of manly perfection. That is to say, the vices of Mr. Norman were the virtues of Mr. Presty; and the vices of Mr. Presty were the virtues of Mr. Norman.
Returning to the sitting-room after bidding Kitty goodnight, Mrs. Linley discovered the old lady asleep, and saw that the book on her mother's lap was sliding off. Before she could check the downward movement, the book fell on the floor, and Mrs. Presty woke.
"Oh, mamma, I am so sorry! I was just too late to catch it."