The Entire March Family Trilogy Part 116

XLV.

The life of the Nuremberg patriciate, now extinct in the control of the city which it builded so strenuously and maintained so heroically, is still insistent in all its art. This expresses their pride at once and their simplicity with a childish literality. At its best it is never so good as the good Italian art, whose influence is always present in its best. The coloring of the great canvases is Venetian, but there is no such democracy of greatness as in the painting at Venice; in decoration the art of Nuremberg is at best quaint, and at the worst puerile.

Wherever it had obeyed an academic intention it seemed to March poor and coa.r.s.e, as in the bronze fountain beside the Church of St. Lawrence. The water spins from the pouted b.r.e.a.s.t.s of the beautiful figures in streams that cross and interlace after a fancy trivial and gross; but in the base of the church there is a time-worn Gethsemane, exquisitely affecting in its simple-hearted truth. The long ages have made it even more affecting than the sculptor imagined it; they have blurred the faces and figures in pa.s.sing till their features are scarcely distinguishable; and the sleeping apostles seem to have dreamed themselves back into the mother-marble. It is of the same tradition and impulse with that supreme glory of the native sculpture, the ineffable tabernacle of Adam Krafft, which climbs a column of the church within, a miracle of richly carven story; and no doubt if there were a Nuremberg sculptor doing great things today, his work would be of kindred inspiration.

The descendants of the old patrician who ordered the tabernacle at rather a hard bargain from the artist still worship on the floor below, and the descendants of his neighbor patricians have their seats in the pews about, and their names cut in the proprietary plates on the pew-tops. The vergeress who showed the Marches through the church was devout in the praise of these aristocratic fellow-citizens of hers. "So simple, and yet so n.o.ble!" she said. She was a very romantic vergeress, and she told them at unsparing length the legend of the tabernacle, how the artist fell asleep in despair of winning his patron's daughter, and saw in a vision the master-work with the lily-like droop at top, which gained him her hand. They did not realize till too late that it was all out of a novel of Georg Ebers's, but added to the regular fee for the church a gift worthy of an inedited legend.

Even then they had a pleasure in her enthusiasm rarely imparted by the Nuremberg manner. They missed there the constant, sweet civility of Carlsbad, and found themselves falling flat in their endeavors for a little cordiality. They indeed inspired with some kindness the old woman who showed them through that cemetery where Albert Durer and Hans Sachs and many other ill.u.s.trious citizens lie buried under monumental bra.s.ses of such beauty:

"That kings to have the like, might wish to die."

But this must have been because they abandoned themselves so willingly to the fascination of the bronze skull on the tomb of a fourteenth-century patrician, which had the uncommon advantage of a lower jaw hinged to the upper. She proudly clapped it up and down for their astonishment, and waited, with a toothless smile, to let them discover the bead of a nail artfully figured in the skull; then she gave a shrill cackle of joy, and gleefully explained that the wife of this patrician had killed him by driving a nail into his temple, and had been fitly beheaded for the murder.

She cared so much for nothing else in the cemetery, but she consented to let them wonder at the richness of the sculpture in the level tombs, with their escutcheons and memorial tablets, overrun by the long gra.s.s and the matted ivy; she even consented to share their indignation at the destruction of some of the bra.s.ses and the theft of others. She suffered more reluctantly their tenderness for the old, old crucifixion figured in sculpture at one corner of the cemetery, where the anguish of the Christ had long since faded into the stone from which it had been evoked, and the thieves were no longer distinguishable in their penitence or impenitence; but she parted friends with them when she saw how much they seemed taken with the votive chapel of the n.o.ble Holzschuh family, where a line of wooden shoes puns upon the name in the frieze, like the line of dogs which chase one another, with bones in their mouths, around the Canossa palace at Verona. A sense of the beautiful house by the Adige was part of the pleasing confusion which possessed them in Nuremberg whenever they came upon the expression of the gothic spirit common both to the German and northern Italian art. They knew that it was an effect which had pa.s.sed from Germany into Italy, but in the liberal air of the older land it had come to so much more beauty that now, when they found it in its home, it seemed something fetched from over the Alps and coa.r.s.ened in the attempt to naturalize it to an alien air.

In the Germanic Museum they fled to the Italian painters from the German pictures they had inspired; in the great hall of the Rathhaus the n.o.ble Processional of Durer was the more precious, because his Triumph of Maximilian somehow suggested Mantegna's Triumph of Caesar. There was to be a banquet in the hall, under the mighty fresco, to welcome the German Emperor, coming the next week, and the Rathhaus was full of work-people furbishing it up against his arrival, and making it difficult for the custodian who had it in charge to show it properly to strangers. She was of the same enthusiastic sisterhood as the vergeress of St. Lawrence and the guardian of the old cemetery, and by a mighty effort she prevailed over the workmen so far as to lead her charges out through the corridor where the literal conscience of the brothers Kuhn has wrought in the roof to an exact image of a tournament as it was in Nuremberg four hundred years ago. In this relief, thronged with men and horses, the gala-life of the past survives in unexampled fulness; and March blamed himself after enjoying it for having felt in it that toy-figure quality which seems the final effect of the German gothicism in sculpture.

XLVI.

On Sunday Mrs. March partially conformed to an earlier New England ideal of the day by ceasing from sight-seeing. She could not have understood the sermon if she had gone to church, but she appeased the lingering conscience she had on this point by not going out till afternoon. Then she found nothing of the gayety which Sunday afternoon wears in Catholic lands. The people were resting from their week-day labors, but they were not playing; and the old churches, long since converted to Lutheran uses, were locked against tourist curiosity.

It was as it should be; it was as it would be at home; and yet in this ancient city, where the past was so much alive in the perpetual picturesqueness, the Marches felt an incongruity in it; and they were fain to escape from the Protestant silence and seriousness of the streets to the shade of the public garden they had involuntarily visited the evening of their arrival.

On a bench sat a quiet, rather dejected man, whom March asked some question of their way. He answered in English, and in the parley that followed they discovered that they were all Americans. The stranger proved to be an American of the sort commonest in Germany, and he said he had returned to his native country to get rid of the ague which he had taken on Staten Island. He had been seventeen years in New York, and now a talk of Tammany and its chances in the next election, of pulls and deals, of bosses and heelers, grew up between the civic step-brothers, and joined them is a common interest. The German-American said he was bookkeeper in some gla.s.s-works which had been closed by our tariff, and he confessed that he did not mean to return to us, though he spoke of German affairs with the impartiality of an outsider. He said that the Socialist party was increasing faster than any other, and that this tacitly meant the suppression of rank and the abolition of monarchy. He warned March against the appearance of industrial prosperity in Germany; beggary was severely repressed, and if poverty was better clad than with us, it was as hungry and as hopeless in Nuremberg as in New York. The working cla.s.ses were kindly and peaceable; they only knifed each other quietly on Sunday evenings after having too much beer.

Presently the stranger rose and bowed to the Marches for good-by; and as he walked down the aisle of trees in which they had been fitting together, he seemed to be retreating farther and farther from such Americanism as they had in common. He had reverted to an entirely German effect of dress and figure; his walk was slow and Teutonic; he must be a type of thousands who have returned to the fatherland without wishing to own themselves its children again, and yet out of heart with the only country left them.

"He was rather pathetic, my dear," said March, in the discomfort he knew his wife must be feeling as well as himself. "How odd to have the lid lifted here, and see the same old problems seething and bubbling in the witch's caldron we call civilization as we left simmering away at home!

And how hard to have our tariff reach out and s.n.a.t.c.h the bread from the mouths of those poor gla.s.s-workers!"

"I thought that was hard," she sighed. "It must have been his bread, too."

"Let's hope it was not his cake, anyway. I suppose," he added, dreamily, "that what we used to like in Italy was the absence of all the modern activities. The Italians didn't repel us by a.s.suming to be of our epoch in the presence of their monuments; they knew how to behave as pensive memories. I wonder if they're still as charming."

"Oh, no," she returned, "nothing is as charming as it used to be. And now we need the charm more than ever."

He laughed at her despair, in the tacit understanding they had lived into that only one of them was to be desperate at a time, and that they were to take turns in cheering each other up. "Well, perhaps we don't deserve it. And I'm not sure that we need it so much as we did when we were young. We've got tougher; we can stand the cold facts better now.

They made me shiver once, but now they give me a sort of agreeable thrill. Besides, if, life kept up its pretty illusions, if it insisted upon being as charming as it used to be, how could we ever bear to die? We've got that to consider." He yielded to the temptation of his paradox, but he did not fail altogether of the purpose with which he began, and they took the trolley back to their hotel cheerful in the intrepid fancy that they had confronted fate when they had only had the hardihood to face a phrase.

They agreed that now he ought really to find out something about the contemporary life of Nuremberg, and the next morning he went out before breakfast, and strolled through some of the simpler streets, in the hope of intimate impressions. The peasant women, serving portions of milk from house to house out of the cans in the little wagons which they drew themselves, were a touch of pleasing domestic comedy; a certain effect of tragedy imparted itself from the lamentations of the sucking-pigs jolted over the pavements in handcarts; a certain majesty from the long procession of yellow mail-wagons, with drivers in the royal Bavarian blue, trooping by in the cold small rain, impa.s.sibly dripping from their glazed hat-brims upon their uniforms. But he could not feel that these things were any of them very poignantly significant; and he covered his retreat from the actualities of Nuremberg by visiting the chief book-store and buying more photographs of the architecture than he wanted, and more local histories than he should ever read. He made a last effort for the contemporaneous life by asking the English-speaking clerk if there were any literary men of distinction living in Nuremberg, and the clerk said there was not one.

He went home to breakfast wondering if he should be able to make his meagre facts serve with his wife; but he found her far from any wish to listen to them. She was intent upon a pair of young lovers, at a table near her own, who were so absorbed in each other that they were proof against an interest that must otherwise have pierced them through.

The bridegroom, as he would have called himself, was a pretty little Bavarian lieutenant, very dark and regular, and the bride was as pretty and as little, but delicately blond. Nature had admirably mated them, and if art had helped to bring them together through the genius of the bride's mother, who was breakfasting with them, it had wrought almost as fitly. Mrs. March queried impartially who they were, where they met, and how, and just when they were going to be married; and March consented, in his personal immunity from their romance, to let it go on under his eyes without protest. But later, when they met the lovers in the street, walking arm in arm, with the bride's mother behind them gloating upon their bliss, he said the woman ought, at her time of life, to be ashamed of such folly. She must know that this affair, by nine chances out of ten, could not fail to eventuate at the best in a marriage as tiresome as most other marriages, and yet she was abandoning herself with those ignorant young people to the illusion that it was the finest and sweetest thing in life.

"Well, isn't it?" his wife asked.

"Yes, that's the worst of it. It shows how poverty-stricken life really is. We want somehow to believe that each pair of lovers will find the good we have missed, and be as happy as we expected to be."

"I think we have been happy enough, and that we've had as much good as was wholesome for us," she returned, hurt.

"You're always so concrete! I meant us in the abstract. But if you will be personal, I'll say that you've been as happy as you deserve, and got more good than you had any right to."

She laughed with him, and then they laughed again to perceive that they were walking arm in arm too, like the lovers, whom they were insensibly following.

He proposed that while they were in the mood they should go again to the old cemetery, and see the hinged jaw of the murdered Paumgartner, wagging in eternal accusation of his murderess. "It's rather hard on her, that he should be having the last word, that way," he said. "She was a woman, no matter what mistakes she had committed."

"That's what I call 'ba.n.a.le'," said Mrs. March.

"It is, rather," he confessed. "It makes me feel as if I must go to see the house of Durer, after all."

"Well, I knew we should have to, sooner or later."

It was the thing that they had said would not do, in Nuremberg, because everybody did it; but now they hailed a fiacre, and ordered it driven to Durer's house, which they found in a remote part of the town near a stretch of the city wall, varied in its picturesqueness by the interposition of a dripping grove; it was raining again by the time they reached it. The quarter had lapsed from earlier dignity, and without being squalid, it looked worn and hard worked; otherwise it could hardly have been different in Durer's time. His dwelling, in no way impressive outside, amidst the environing quaintness, stood at the corner of a narrow side-hill street that sloped cityward; and within it was stripped bare of all the furniture of life below-stairs, and above was none the cozier for the stiff appointment of a show-house. It was cavernous and cold; but if there had been a fire in the kitchen, and a table laid in the dining-room, and beds equipped for nightmare, after the German fashion, in the empty chambers, one could have imagined a kindly, simple, neighborly existence there. It in no wise suggested the calling of an artist, perhaps because artists had not begun in Durer's time to take themselves so objectively as they do now, but it implied the life of a prosperous citizen, and it expressed the period.

The Marches wrote their names in the visitors' book, and paid the visitor's fee, which also bought them tickets in an annual lottery for a reproduction of one of Durer's pictures; and then they came away, by no means dissatisfied with his house. By its a.s.sociation with his sojourns in Italy it recalled visits to other shrines, and they had to own that it was really no worse than Ariosto's house at Ferrara, or Petrarch's at Arqua, or Michelangelo's at Florence. "But what I admire," he said, "is our futility in going to see it. We expected to surprise some quality of the man left lying about in the house because he lived and died in it; and because his wife kept him up so close there, and worked him so hard to save his widow from coming to want."

"Who said she did that?"

"A friend of his who hated her. But he had to allow that she was a G.o.d-fearing woman, and had a New England conscience."

"Well, I dare say Durer was easy-going."

"Yes; but I don't like her laying her plans to survive him; though women always do that."

They were going away the next day, and they sat down that evening to a final supper in such good-humor with themselves that they were willing to include a young couple who came to take places at their table, though they would rather have been alone. They lifted their eyes for their expected salutation, and recognized Mr. and Mrs. Leffers, of the Norumbia.

The ladies fell upon each other as if they had been mother and daughter; March and the young man shook hands, in the feeling of pa.s.sengers mutually endeared by the memories of a pleasant voyage. They arrived at the fact that Mr. Leffers had received letters in England from his partners which allowed him to prolong his wedding journey in a tour of the continent, while their wives were still exclaiming at their encounter in the same hotel at Nuremberg; and then they all sat down to have, as the bride said, a real Norumbia time.

She was one of those young wives who talk always with their eyes submissively on their husbands, no matter whom they are speaking to; but she was already unconsciously ruling him in her abeyance. No doubt she was ruling him for his good; she had a livelier, mind than he, and she knew more, as the American wives of young American business men always do, and she was planning wisely for their travels. She recognized her merit in this devotion with an artless candor, which was typical rather than personal. March was glad to go out with Leffers for a little stroll, and to leave Mrs. March to listen to Mrs. Leffers, who did not let them go without making her husband promise to wrap up well, and not get his feet wet. She made March promise not to take him far, and to bring him back early, which he found himself very willing to do, after an exchange of ideas with Mr. Leffers. The young man began to talk about his wife, in her providential, her almost miraculous adaptation to the sort of man he was, and when he had once begun to explain what sort of man he was, there was no end to it, till they rejoined the ladies in the reading-room.

XLVII.

The young couple came to the station to see the Marches off after dinner the next day; and the wife left a bank of flowers on the seat beside Mrs. March, who said, as soon as they were gone, "I believe I would rather meet people of our own age after this. I used to think that you could keep young by being with young people; but I don't, now. There world is very different from ours. Our world doesn't really exist any more, but as long as we keep away from theirs we needn't realize it.

Young people," she went on, "are more practical-minded than we used to be; they're quite as sentimental; but I don't think they care so much for the higher things. They're not so much brought up on poetry as we were," she pursued. "That little Mrs. Leffers would have read Longfellow in our time; but now she didn't know of his poem on Nuremberg; she was intelligent enough about the place, but you could see that its quaintness was not so precious as it was to us; not so sacred." Her tone entreated him to find more meaning in her words than she had put into them. "They couldn't have felt as we did about that old ivied wall and that gra.s.sy, flowery moat under it; and the beautiful Damenthor and that pile-up of the roofs from the Burg; and those winding streets with their Gothic facades all, cobwebbed with trolley wires; and that yellow, aguish-looking river drowsing through the town under the windows of those overhanging houses; and the market-place, and the squares before the churches, with their queer shops in the nooks and corners round them!"

"I see what you mean. But do you think it's as sacred to us as it would have been twenty-five years ago? I had an irreverent feeling now and then that Nuremberg was overdoing Nuremberg."

"Oh, yes; so had I. We're that modern, if we're not so young as we were."

"We were very simple, in those days."

"Well, if we were simple, we knew it!"