The Emancipated Part 2

Miss Doran has no prejudices, and, in the vulgar sense of the word, no principles. She is familiar with the Latin cla.s.sics and with the Parisian feuilletons; she knows all about the newest religion, and can tell you Sarcey's opinion of the newest play. Miss Doran will discuss with you the merits of Sarah Bernhardt in 'La Dame aux Camelias,' or the literary theories of the brothers Goncourt. I am not sure that she knows much about Shakespeare, but her appreciation of Baudelaire is exquisite. I don't think she is naturally very cruel, but she can plead convincingly the cause of vivisection. Miss Doran--"

Spence interrupted him with a burst of laughter.

"All which, my dear fellow, simply means that you--"

Mallard, in his turn, interrupted gruffly.

"Precisely: that I am the wrong man to hold even the position of steward to one so advanced. What have I to do with heiresses and fashionable ladies? I have my work to get on with, and it shall not suffer from the intrusion of idlers."

"I see you direct your diatribe half against Mrs. Lessingham. How has she annoyed you?"

"Annoyed me? You never were more mistaken. It's with myself that I am annoyed."

"On what account?"

"For being so absurd as to question sometimes whether my responsibility doesn't extend beyond stock and share. I ask myself whether Doran--who so befriended me, and put such trust in me, and paid me so well in advance for the duties I was to undertake--didn't take it for granted that I should exercise some influence in the matter of his daughter's education? Is she growing up what he would have wished her to be? And if--"

"Why, it's no easy thing to say what views he had on this subject. The lax man, we know, is often enough severe with his own womankind. But as you have given me no description of what Cecily really is, I can offer no judgment. Wait till I have seen her. Doubtless she fulfils her promise of being beautiful?"

"Yes; there is no denying her beauty."

"As for her _modonite_, why, Mr. Ross Mallard is a singular person to take exception on that score."

"I don't know about that. When did I say that the modern woman was my ideal?"

"When had you ever a good word for the system which makes of woman a dummy and a kill-joy?"

"That has nothing to do with the question," replied Mallard, preserving a tone of gruff impartiality. "Have I been faithful to my stewardship?

When I consented to Cecily's--to Miss Doran's pa.s.sing from Mrs. Elgar's care to that of Mrs. Lessingham, was I doing right?"

"Mallard, you are a curious instance of the Puritan conscience surviving in a man whose intellect is liberated. The note of your character, including your artistic character, is this conscientiousness. Without it, you would have had worldly success long ago. Without it, you wouldn't talk nonsense of Cecily Doran. Had you rather she were co=operating with Mrs. Baske in a scheme to rebuild all the chapels in Lancashire?"

"There is a medium."

"Why, yes. A neither this nor that, an insipid refinement, a taste for culture moderated by reverence for Mrs. Grundy."

"Perhaps you are right. It's only occasionally that I am troubled in this way. But I heartily wish the three years remaining were over."

"And the 'definite good-bye' spoken. A good phrase, that of yours. What possessed you to come here just now, if it disturbs you to be kept in mind of these responsibilities?"

"I should find it hard to tell you. The very sense of responsibility, I suppose. But, as I said, I am not going to stay in Naples."

"You'll come and give us a 'definite good-bye' before you leave?"

Mallard said nothing, but turned and began to move on. They pa.s.sed one of the sentry-boxes which here along the ridge mark the limits of Neapolitan excise; a boy-soldier, musket in hand, cast curious glances at them. After walking in silence for a few minutes, they began to descend the eastern face of the hill, and before them lay that portion of the great gulf which pictures have made so familiar. The landscape was still visible in all its main details, still softly suffused with warm colours from the west. About the cone of Vesuvius a darkly purple cloud was gathering; the twin height of Somma stood clear and of a rich brown. Naples, the many-coloured, was seen in profile, climbing from the Castel dell' Ovo, around which the sea slept, to the rock of Sant'

Elmo; along the curve of the Chiaia lights had begun to glimmer. Far withdrawn, the craggy promontory of Sorrento darkened to profoundest blue; and Capri veiled itself in mist.

CHAPTER II

CECILY DORAN

Villa Sannazaro had no architectural beauty; it was a building of considerable size, irregular, in need of external repair. Through the middle of it ran a great archway, guarded by copies of the two Molossian hounds which stand before the Hall of Animals in the Vatican; beneath the arch, on the right-hand side, was the main entrance to the house. If you pa.s.sed straight through, you came out upon a terrace, where grew a magnificent stone-pine and some robust agaves. The view hence was uninterrupted, embracing the line of the bay from Posillipo to Cape Minerva. From the parapet bordering the platform you looked over a descent of twenty feet, into a downward sloping vineyard.

Formerly the residence of an old Neapolitan family, the villa had gone the way of many such ancestral abodes, and was now let out among several tenants.

The Spences were established here for the winter. On the occasion of his marriage, three years ago, Edward Spence relinquished his connection with a shipping firm, which he represented in Manchester, and went to live in London; a year and a half later he took his wife to Italy, where they had since remained. He was not wealthy, but had means sufficient to his demands and prospects. Thinking for himself in most matters, he chose to abandon money-making at the juncture when most men deem it inc.u.mbent upon them to press their efforts in that direction; business was repugnant to him, and he saw no reason why he should sacrifice his own existence to put a possible family in more than easy circ.u.mstances, He had the inclinations of a student, but was untroubled by any desire to distinguish himself, freedom from the demands of the office meant to him the possibility of living where he chose, and devoting to his books the best part of the day instead of its fragmentary leisure. His choice in marriage was most happy. Eleanor Spence had pa.s.sed her maiden life in Manchester, but with parents of healthy mind and of more literature than generally falls to the lot of a commercial family. Pursuing a natural development, she allied herself with her husband's freedom of intellect, and found her nature's opportunities in the life which was to him most suitable. By a rare chance, she was the broader-minded of the two, the more truly impartial. Her emanc.i.p.ation from dogma had been so gradual, so unconfused by external pressure, that from her present standpoint she could look back with calmness and justice on all the stages she had left behind. With her cousin Miriam she could sympathize in a way impossible to Spence, who, by-the-bye, somewhat misrepresented his wife in the account he gave to Mallard of their Sunday experiences.

Puritanism was familiar to her by more than speculation; in the compa.s.sion with which she regarded Miriam there was no mixture of contempt, as in her husband's case. On the other hand, she did not pretend to read completely her con sin's heart and mind; she knew that there was no simple key to Miriam's character, and the quiet study of its phases from day to day deeply interested her.

Cecily Doran had been known to Spence from childhood; her father was his intimate friend. But Eleanor had only made the girl's acquaintance in London, just after her marriage, when Cecily was spending a season there with her aunt, Mrs. Lessingham. Mallard's ward was then little more than fifteen; after several years of weak health, she had entered upon a vigorous maidenhood, and gave such promise of free, joyous, aspiring life as could not but strongly affect the sympathies of a woman like Eleanor. Three years prior to that, at the time of her father's death, Cecily was living with Mrs. Elgar, a widow, and her daughter Miriam, the latter on the point of marrying (at eighteen) one Mr. Baske, a pietistic mill-owner, aged fifty. It then seemed very doubtful whether Cecily would live to mature years; she had been motherless from infancy, and the difficulty with those who brought her up was to repress an activity of mind which seemed to be one cause of her bodily feebleness. In those days there was a strong affection between her and Miriam Elgar, and it showed no sign of diminution in either when, on Mrs. Elgar's death, a year and a half after Miriam's marriage, Cecily pa.s.sed into the care of her father's sister, a lady of moderate fortune, of parts and attainments, and with a great love of cosmopolitan life. A few months more and Mrs. Baske was to be a widow, childless, left in possession of some eight hundred a year, her house at Bartles, and a local importance to which she was not indifferent.

With the exception of her brother, away in London, she had no near kin.

It would now have been a great solace to her if Cecily Doran could have been her companion; but the young girl was in Paris, or Berlin, or St.

Petersburg, and, as Miriam was soon to learn, the material distance between them meant little in comparison with the spiritual remoteness which resulted from Cecily's education under Mrs. Lessingham. They corresponded, however, and at first frequently; but letters grew shorter on both sides, and arrived less often. The two were now to meet for the first time since Cecily was a child of fourteen.

The ladies arrived at the villa about eleven o'clock. Miriam had shown herself indisposed to speak of them, both last evening, when Mallard was present, and again this morning when alone with her relatives; at breakfast she was even more taciturn than usual, and kept her room for an hour after the meal. Then, however, she came to sit with Eleanor, and remained when the visitors were announced.

Mrs. Lessingham did not answer to the common idea of a strong-minded woman. At forty-seven she preserved much natural grace of bearing, a good complexion, pleasantly mobile features. Her dress was in excellent taste, tending to elaboration, such as becomes a lady who makes some figure in the world of ease. Little wrinkles at the outer corners of her eyes a.s.sisted her look of placid thought fulness; when she spoke, these were wont to disappear, and the expression of her face became an animated intelligence, an eager curiosity, or a vivacious good-humour, Her lips gave a hint of sarcasm, but this was reserved for special occasions; as a rule her habit of speech was suave, much observant of amenities. One might have imagined that she had enjoyed a calm life, but this was far from being the case. The daughter of a country solicitor, she married early--for love, and the issue was disastrous.

Above her right temple, just at the roots of the hair, a scar was discoverable; it was the memento of an occasion on which her husband aimed a blow at her with a mantelpiece ornament, and came within an ace of murder. Intimates of the household said that the provocation was great--that Mrs. Lessingham's gift of sarcasm had that morning displayed itself much too brilliantly. Still, the missile was an extreme retort, and on the whole it could not be wondered at that husband and wife resolved to live apart in future. Mr. Lessingham was, in fact, an aristocratic boor, and his wife never puzzled so much over any intellectual difficulty as she did over the question how, as a girl, she came to imagine herself enamoured of him. She was not, perhaps, singular in her concernment with such a personal problem.

"It is six years since I was in Italy," she said, when greetings were over, and she had seated herself. "Don't you envy me my companion, Mrs.

Spence? If anything could revive one's first enjoyment, it would be the sight of Cecily's."

Cecily was sitting by Miriam, whose hand she had only just relinquished. Her anxious and affectionate inquiries moved Miriam to a smile which seemed rather of indulgence than warm kindness.

"How little we thought where our next meeting would be!" Cecily was saying, when the eyes of the others turned upon her at her aunt's remark.

n.o.ble beauty can scarcely be dissociated from harmony of utterance; voice and visage are the correspondent means whereby spirit addresses itself to the ear and eye. One who had heard Cecily Doran speaking where he could not see her, must have turned in that direction, have listened eagerly for the sounds to repeat themselves, and then have moved forward to discover the speaker. The divinest singer may leave one unaffected by the tone of her speech. Cecily could not sing, but her voice declared her of those who think in song, whose minds are modulated to the poetry, not to the prose, of life.

Her enunciation had the peculiar finish which is acquired in intercourse with the best cosmopolitan society, the best in a worthy sense. Four years ago, when she left Lancashire, she had a touch of provincial accent,--Miriam, though she spoke well, was not wholly free from it,--but now it was impossible to discover by listening to her from what part of England she came. Mrs. Lessingham, whose admirable tact and adaptability rendered her unimpeachable in such details, had devoted herself with artistic zeal to her niece's training for the world; the pupil's natural apt.i.tude ensured perfection in the result.

Cecily's manner accorded with her utterance; it had every charm derivable from youth, yet nothing of immaturity. She was as completely at her ease as Mrs. Lessingham, and as much more graceful in her self-control as the advantages of nature made inevitable.

Miriam looked very cold, very severe, very English, by the side of this brilliant girl. The thinness and pallor of her features became more noticeable; the provincial faults of her dress were painfully obvious.

Cecily was not robust, but her form lacked no development appropriate to her years, and its beauty was displayed by Parisian handiwork. In this respect, too, she had changed remarkably since Miriam last saw her, when she was such a frail child. Her hair of dark gold showed itself beneath a hat which Eleanor Spence kept regarding with frank admiration, so novel it was in style, and so perfectly suitable to its wearer. Her gloves, her shoes, were no less perfect; from head to foot nothing was to be found that did not become her, that was not faultless in its kind.

At the same time, nothing that suggested idle expense or vanity. To dwell at all upon the subject would be a disproportion, but for the note of contrast that was struck. In an a.s.sembly of well-dressed people, no one would have remarked Cecily's attire, unless to praise its quiet distinction. In the Spences' sitting-room it became another matter; it gave emphasis to differences of character; it distinguished the atmosphere of Cecily's life from that breathed by her old friends.

"We are going to read together Goethe's 'Italienische Reise,'"

continued Mrs. Lessingham. "It was of quite infinite value to me when I first was here. In each town I _tuned_ my thoughts by it, to use a phrase which sounds like affectation, but has a very real significance."

"It was much the same with me," observed Spence.

"Yes, but you had the inestimable advantage of knowing the cla.s.sics.

And Cecily, I am thankful to say, at least has something of Latin; an ode of Horace, which I look at with fretfulness, yields her its meaning. Last night, when I was tired and willing to be flattered, she tried to make me believe it was not yet too late to learn."

"Surely not," said Eleanor, gracefully.

"But Goethe--you remember he says that the desire to see Italy had become an illness with him. I know so well what that means. Cecily will never know; the happiness has come before longing for it had ceased to be a pleasure."