The Elson Readers Part 37

And when again the genial hour Awakes the painted tribes of light, I'll not o'erlook the modest flower That made the weds of April bright.

NOTES AND QUESTIONS

Discussion. 1. When does the poet say the violet makes its appearance?

2. Why is the violet called a "modest" flower? 3. Why does the violet make glad the heart of the poet? When the woods and fields are full of flowers, does he notice the violet? 4. What does "alone" add to the meaning of line 8, page 298? 5. What is meant by "her train," line 9, page 298? 6. What are "the hands of Spring"? 7. In what sense is the sun the "parent" of the violet? 8. Why does Bryant say the violet's seat is low? 9. What does the poet say the violet's "early smile" has often done for him? 10. Point out the stanzas in which the poet tells you where he finds the violet; the stanzas in which he tells you about the appearance and character of the flower; the stanzas in which he rebukes himself for pa.s.sing it by, and makes a promise. 11. Why does Bryant stop to view the violet in April and pa.s.s it by in May? 12.

With what does the poet compare this treatment of the violet? 13. What does the poet say he regrets? 14. What other flowers come very early in the spring? How do you feel when you see them? 15. Which stanza of the poem do you like best? 16. What other poem on the violet have you read? 17. Tell what you can about the author. 18. Find in the Glossary the meaning of: beechen; russet; train; jet; unapt. 19. p.r.o.nounce: ere; parent; gorgeous; humble; genial.

Phrases for Study

modest bell, stayed my walk, their green resume, in darker fortunes tried, virgin air, ape the ways of pride, pale skies, genial hour, flaunting nigh, painted tribes of light.

THE GLADNESS OF NATURE

Is this a time to be cloudy and sad, When our Mother Nature laughs around, When even the deep blue heavens look glad, And gladness breathes from the blossoming ground?

There are notes of joy from the hangbird and wren, And the gossip of swallows through all the sky; The ground squirrel gayly chirps by his den, And the wilding bee hums merrily by.

The clouds are at play in the azure s.p.a.ce, And their shadows at play on the bright green vale, And here they stretch to the frolic chase, And there they roll on the easy gale.

There's a dance of leaves in that aspen bower; There's a t.i.tter of winds in that beechen tree; There's a smile on the fruit, and a smile on the flower, And a laugh from the brook that runs to the sea.

And look at the broad-faced sun, how he smiles On the dewy earth that smiles in his ray, On the leaping waters and gay young isles, Ay, look, and he'll smile thy gloom away.

NOTES AND QUESTIONS

Discussion. 1. What season is described here? 2. What are the signs that Nature is glad? How do all these things affect the poet? How do you sometimes feel on a cold, rainy day? 3. What signs of gladness are mentioned in the first two stanzas? 4. Which of these have you seen in springtime? 5. Have you ever seen clouds that seemed to chase one another? 6. What is meant by "a laugh from the brook"? 7. What does the poet say the sun will do for us? 8. Do you think spring is "a time to be cloudy and sad"? Why? 9. Why do city boys and girls like to visit the country? 10. Read again "A Forward Look," pages 19-20, and then point out fancies that Bryant uses in this poem to help us see the beauty and wonder of Nature. 11. Commit to memory the stanza that you like best. 12. p.r.o.nounce: wilding; azure; isles; ay.

Phrases for Study

gladness breathes, frolic chase, blossoming ground, aspen bower, gossip of swallows, t.i.tter of winds, azure s.p.a.ce, broad-faced sun.

JOHN GREENLEAF WHITTIER

John Greenleaf Whittier (1807-1892) was born near the town of Haverhill, Ma.s.sachusetts, not far from Hawthorne's birthplace. He had very little opportunity for education beyond what the district school afforded, for his parents were too poor to send him away to school.

His two years' attendance at Haverhill Academy was paid for by his own work at making ladies' slippers for twenty-five cents a pair. He began writing verses almost as soon as he learned to write at all, but his father discouraged this ambition as frivolous, saying it would never give him bread. His family were Quakers, st.u.r.dy of stature as of character. He is called "The Quaker Poet."

Whittier led the life of a New England farm boy, used to hard work and few pleasures. His library consisted of practically one book, the family Bible. Later, a copy of Burns's poems was loaned to him by the district schoolmaster. Like Burns he had great sympathy with the humble and the poor. In his poems. Whittier described the scenes and told the legends of his own locality. Home Ballads and Songs of Labor, in which "The Huskers" and "The Corn-Song" appear, are among his most widely read books. They picture country life and the scenes of the simple occupations common in his part of the country. Whittier was intensely patriotic and religious by nature. His happiness lay in his a.s.sociation with his friends, with children, animals, and the outdoor world.

In these respects he was like Bryant, a man who found pleasure in simple things. Like Bryant, also, he was interested in public affairs.

Any injustice to the poor he opposed pa.s.sionately. He wrote many poems in protest against slavery. He wrote, also, ballads of early New England history, and some of our most beautiful religious poetry comes from his pen. His life was less filled with business cares than that of Bryant, but it was equally full of interests that made him happy and source of help and joy to others.

THE HUSKERS

It was late in mild October, and the long autumnal rain Had left the summer harvest-fields all green with gra.s.s again; The first sharp frosts had fallen, leaving all the woodlands gay With the hues of summer's rainbow or the meadow flowers of May.

Through a thin, dry mist, that morning, the sun rose broad and red; At first a rayless disk of fire, he brightened as he sped; Yet even his noontide glory fell chastened and subdued On the cornfields and the orchards and softly pictured wood.

And all that quiet afternoon, slow sloping to the night, He wove with golden shuttle the haze with yellow light; Slanting through the tented beeches, he glorified the hill; And, beneath it, pond and meadow lay brighter, greener still.

And shouting boys in woodland haunts caught glimpses of that sky, Flecked by the many-tinted leaves, and laughed, they knew not why; And schoolgirls, gay with aster-flowers, beside the meadow brooks, Mingled the glow of autumn with the sunshine of sweet looks.

From spire and barn looked westerly the patient weatherc.o.c.ks; But even the birches on the hill stood motionless as rocks. No sound was in the woodlands save the squirrel's dropping sh.e.l.l, And the yellow leaves among the boughs, low rustling as they fell.

The summer grains were harvested; the stubble-fields lay dry, Where June winds rolled, in light and shade, the pale green waves of rye; But still, on gentle hill-slopes, in valleys fringed with wood, ungathered, bleaching in the sun, the heavy corn crop stood.

Bent low by autumn's wind and rain, through husks that, dry and sear, Unfolded from their ripened charge, shone out the yellow ear; Beneath, the turnip lay concealed in many a verdant fold, And glistened in the slanting light the pumpkin's sphere of gold.

There wrought the busy harvester, and many a creaking wain Bore slowly to the long barn-floor its load of husk and grain; Till broad and red, as when he rose, the sun sank down at last, And like a merry guest's farewell the day in brightness pa.s.sed.

And lo! as through the western pines, on meadow, stream, and pond, Flamed the red radiance of a sky set all afire beyond, Slowly o'er the eastern sea-bluffs a milder glory shone, And the sunset and the moonrise were mingled into one!

As thus into the quiet night the twilight lapsed away, And deeper in the brightening moon the tranquil shadows lay, From many a brown old farmhouse and hamlet without name, Their milking and their home-tasks done, the merry huskers came.

Swung o'er the heaped-up harvest, from pitchforks in the mow, Shone dimly down the lanterns on the pleasant scene below, The glowing pile of husks behind, the golden ears before, And laughing eyes and busy hands and brown cheeks glimmering o'er.

Half hidden in a quiet nook, serene of look and heart, Talking their old times over, the old men sat apart; While up and down the unhusked pile, or nestling in its shade, At hide-and-seek, with laugh and shout, the happy children played.

Urged by the good host's daughter, a maiden young and fair, Lifting to light her sweet blue eyes and pride of soft brown hair, The master of the village school, sleek of hair and smooth of tongue, To the quaint tune of some old psalm, a husking-ballad sung.

NOTES AND QUESTIONS

Discussion. 1. What is the difference between the sunshine of October and that of May? 2. Why does it seem to the poet as if the sun wove with golden shuttle the yellow haze? 3. What had the frost done that made the woodlands gay? 4. What words in the second stanza make you feel that the wood was some distance away? 5. To whom does "he" in the third stanza refer? 6. What words in the second stanza explain the word "haze" in the third stanza? 7. What gave the beeches the appearance of being painted? 8. What are the colors of the woods and sky in this poem? What colors are they in the poem "The Yellow Violet"? Find the words and phrases that tell you. How many times, in this poem, does the poet use the words golden and yellow, or speak of things that suggest these colors? 9. What do you think was the reason the boys laughed when they looked up to the sky? 10. What "summer grain" is mentioned in line 11, page 304? 11. What crop was still ungathered? 12. Where were the harvesters at work? 13. What was it that set the sky "all afire beyond"? 14. Where did the husking take place? What tells you this? 15.. How did the old men spend the evening? 16. What things that we eat depend on the work of the huskers? 17. Tell what you can about the author. 18. Find in the Glossary the meaning of: shuttle; spire; sear; verdant; wain; lapsed.

19. p.r.o.nounce: autumnal; chastened; beneath; sphere; wrought; radiance; tranquil; mow; serene; psalm.

Phrases for Study

hues of summer's rainbow, patient weatherc.o.c.ks, rayless disk of fire, ripened charge, brightened as he sped; sphere of gold, glory fell chastened, milder glory shone, softly pictured wood, mingled into one, slow sloping to the night, hamlet without name, glorified the hill, golden ears before, sunshine of sweet looks, glimmering o'er, looked westerly, serene of look and heart.

THE CORN-SONG

Heap high the farmer's wintry h.o.a.rd!

Heap high the golden corn!

No richer gift has Autumn poured From out her lavish horn!

Let other lands, exulting, glean The apple from the pine, The orange from its glossy green, The cl.u.s.ter from the vine;

We better love the hardy gift Our rugged vales bestow, To cheer us when the storm shall drift Our harvest-fields with snow.