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The Ear in the Wall Part 22

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Once or twice there were flashes of the old Kahn, but for the most part he seemed to have crumpled up. Often I thought he was not the equal of even a police court lawyer. The spectators seemed to know that something was wrong, though they could not tell just what it was.

Kahn's colleagues whispered among themselves. He made his points, but they lacked the fire and dash and audacity that once had caused the epigram that Kahn's appearance in court indicated two things--the guilt of the accused and a verdict of acquittal.

Even Justice Pomeroy seemed to notice it. Kahn had tried many a case before him and the old judge had a wholesome respect for the wiley lawyer. But to-day the court found nothing so grave as the strange dilatoriness of the counsel.

Once the judge had to interfere with the remark, "I may remind the learned counsel for the defence that the court intends to finish this case before adjournment for the day, if possible; if not, then we shall sit to-night."

Kahn seemed not to grasp the situation, as he had of old. He actually hurried up the presentation of the case, oblivious to the now black looks that were directed at him by his own client. If he had expected to recover his old-time equanimity as the case proceeded, he failed.

For no one better than he knew what that little photograph of Carton's meant--disgrace, disbarment, perhaps prison itself. What was this Dopey Jack when ruin stared himself so relentlessly in the face in the person of Carton, calm and cool?

At last the summing up was concluded and both sides rested. Judge Pomeroy charged the jury, I thought with eminent fairness and impartiality, even, perhaps, glossing over some points which Kahn's weak presentation might have allowed him to make more of if Kahn had been bolder and stronger in pressing them.

The jury filed out and the anxious waiting began. On all sides was the buzz of conversation. Kahn himself sat silent, gazing for the most part at the papers before him. There must have been some wrangling of the jury, for twice hope of the gangsters revived when they sent in for the record.

But it was not over an hour later when the jury finally filed back again into their box. As Judge Pomeroy faced them and asked the usual question, the spectators hung, breathless, on the words of the foreman as the jurors stood up silently in their places. There was a tense hush in the courtroom, as every eye was fastened on the face of the foreman.

The hush seemed to embarra.s.s him. But finally he found his voice.

Nervously, as if he were taking his own life in his hands he delivered the verdict.

"We find the defendant guilty as charged in the indictment!"

Instantly, before anyone could move, the dignified judge faced the prisoner deliberately.

"You have heard the verdict," he said colourlessly. "I shall sentence you Friday."

Three court attendants were at Dopey Jack's side in a moment, but none too soon. The pent-up feeling of the man idolized by blackmailers, and man-killers, and batteners on street-women, who held nothing as disgrace but a sign of respect for law or remorse for capture, burst forth.

He cast one baleful look at Kahn as they hurried him to the wire-screened pa.s.sageway. "It's all a frame-up--a d.a.m.ned frame-up!" he shouted.

As he disappeared a murmer of amazement ran through the room. The unthinkable had happened. An East Side idol had fallen.

XIV

THE BEAUTY PARLOUR

"It seems strange," remarked Kennedy the following morning when we had met in his laboratory for our daily conference to plan our campaign, "that although we seem to be on the right trail we have not a word yet about Betty Blackwell herself. Carton has just telephoned that her mother, poor woman, is worrying her heart out and is a mere shadow of her former self."

"We must get some word," a.s.serted Miss Kendall. "This silence is almost like the silence of death."

"I'm afraid I shall have to impose on you that task," said Kennedy thoughtfully to her. "There seems to be no course open to us but to transfer our watch from Dr. Harris to this Marie. Of course it is too early to hear from our search by means of the portrait parle. But we have both seen Dr. Harris and Marie enter the beauty parlour of Madame Margot. Now, I don't mean to cast aspersions on your own good looks, Miss Kendall. They are of the sort with which no beauty parlour except Nature can compete."

A girl of another type than Clare would probably have read a half dozen meanings into his sincere compliment. But then, I reflected that a man of another type than Craig could not have made the remark without expecting her to do so. There was a frankness between them which, I must confess, considerably relieved me. I was not prepared to lose Kennedy, even to Miss Kendall.

She smiled. "You want me to try a course in artificial beautification, don't you?"

"Yes. Walter doesn't need it, and as for me, nothing could make me a modern Adonis. Seriously, though, a man couldn't get in there, I suppose. At least that is one of the many things I want you to find out. Under the circ.u.mstances, you are the only person in whom I have confidence enough to believe that she can get at the facts there. Find out all you can about the character of the place and the people who frequent it. And if you can learn anything about that Madame Margot who runs the place, so much the better."

"I'll try," she said simply.

Kennedy resumed his tests of the powder in the packets which Dr. Harris had been distributing, and I endeavoured to make myself as little in the way as possible. It was not until the close of the afternoon that a taxicab drove up and deposited Miss Kendall at the door.

"What luck?" greeted Kennedy eagerly, as she entered. "Do you feel thoroughly beautified?"

"Don't make me smile," she replied, as she swept in with an air that would have done credit to the star in a comic opera. "I'd hate to crack or even crease the enamel on my face. I've been steamed and frozen, beaten and painted and---"

"I'm sorry to have been the cause of such cruel and unusual punishment," apologized Craig.

"No, indeed. Why, I enjoyed it. Let me tell you about the place."

She leaned against the laboratory table, certainly an incongruous picture in her new role as contrasted with the stained and dirty background of paraphernalia of medico-legal investigation. I could not help feeling that if Clare Kendall ever had decided to go in for such things, Marie herself would have had to look sharp to her laurels.

"As you enter the place," she began, "you feel a delightful warmth and there is an odour of attar of roses in the air. There are thick half-inch carpets that make walking a pleasure and dreamy Sleepy Hollow rockers that make it an impossibility. It is all very fascinating.

"There are dull-green lattices, little gateways with roses, white enamel with cute little diamond panes of gla.s.s for windows, inviting bowers of artificial flowers and dim yellow lights. It makes you feel like a sybarite just to see it. It's a cosmetic Arcadia for that fundamental feminine longing for beauty.

"Well, first there are the little dressing-rooms, each with a bed, a dresser and mirror, and everything in such good taste. After you leave them you go to a white, steamy room and there they bake you. It's a long process of gentle showers, hot and cold, after that, and ma.s.sage.

"I thought I was through. But it seems that I had only just started.

There was a battery of white manicure tables, and then the hairdressers and the artists who lay on these complexions--what do you think of mine? I can't begin to tell all the secrets of the curls and puffs, and reinforcements, hygienic rolls, transformations, fluffy puffers, and all that, or of the complexions. Why, you can choose a complexion, like wall-paper or upholstery. They can make you as pale as a sickly heroine or they can make you as yellow as a bathing girl. There is nothing they can't do. I asked just for fun. I could have come out as dusky as a gipsy.

"They tried electrolysis on my eyebrows, and one attendant suggested a hypodermic injection of perfume. Ever hear of that? She thought 'new mown hay' was the best to saturate the skin with. Then another suggested, as long as I had chosen this moonbeam make-up, that perhaps I'd like a couple of dimples. They could make them permanent or lasting only a few hours. I declined. But there is nothing so wild that they haven't either thought of themselves or imported from Paris or somewhere else. I heard them discussing someone who wanted odd eyes--made by pouring in certain liquids. They don't seem to care how they affect sight, hearing, skin, or health. It is decoration run mad."

"How about the people there?" asked Kennedy.

"Oh, I must tell you about that. There's so much to tell, I hardly know where to begin--or stop. I saw some flashy people. You know one customer attracts her friends and so on. There is every cla.s.s there from the demi-monde up to actresses and really truly society. And they have things for all prices from the comparatively cheap to the most extravagant. They're very accommodating and, in a way, democratic."

"Did it seem--straight?" asked Kennedy.

"On the surface, yes, as far as I could judge. But I'll have to go back again for that. For instance, there was one thing that seemed queer to me. I had finished the steaming and freezing and was resting. A maid brought a tray of cigarettes, those dainty little thin ones with gilt tips. There seemed to be several kinds. I managed to try some of them.

One at least I know was doped, although I only had a whiff of it. I think after they got to know you they'd serve anything from a c.o.c.ktail in a teacup to the latest fads. I am sure that I saw one woman taking some veronal in her coffee."

"Veronal?" commented Craig. "Then that may be where Dr. Harris comes in."

"Partly, I think. I've got to find out more about what is hidden there.

Once I heard a man's voice and I know it was Dr. Harris's."

"Harris! Why, the elevator boy at the Montmartre said he was painting the town," I observed.

"I don't believe it. I think he has all he can do keeping up with the beauty shop. You see, it is more than a ma.s.sage parlour. They do real decorative surgery, as it is called. They'll engage to give you a new skin as soft and pink as a baby's. Or they will straighten a nose, or turn an ear. They have light treatment for complexions--the ruby ray, the violet ray, the phosph.o.r.escent ray.

"You would laugh at the fake science that is being handed out to those gullible fools. They can get rid of freckles and superfluous hair, of course. But they'll even tell you that they can change your mouth and chin, your eyes, your cheeks. I should be positively afraid of some of their electrical appliances there. They sweat down your figure or build it up--just as you please.

"Oh, no one need be plain in these days, not as long as Madame Margot's exists. That is where I think Dr. Harris comes in. He can pose as a full-fledged, blown-in-the-bottle cosmetic surgeon. I'll bet there is no limit to the agonized beautification that they can put you through if they think they can play you for a sucker."

"By the way, did you see Madame Margot herself?" asked Craig.

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The Ear in the Wall Part 22 summary

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