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"It's work, all right," smiled Kennedy, adding, "at least it would be if it weren't lightened by your help."
It was the middle of the afternoon when Craig and I left the laboratory to keep our appointment with Miss Kendall at the Futurist Tea Room, where we hoped to find Dr. Harris's friend "Marie," who seemed to want to see him so badly.
A long line of touring and town cars as well as taxicabs bore eloquent testimony not only to the popularity of this tea room and cabaret, but to the growth of afternoon dancing. One never realizes how large a leisure cla.s.s there is in the city until after a visit to anything from a baseball game to a matinee--and a dance. People seemed literally to be flocking to the Futurist. They seemed to like its congeniality, its tone, its "atmosphere."
As we left our hats to the tender mercies of the "boys" who had the checking concession we could see that the place was rapidly filling up.
"If we are to get a table that we want here, we'd better get it now,"
remarked Kennedy, slipping the inevitable piece of change to the head waiter. "If we sit over there in that sort of little bower we can see when Miss Kendall arrives and we shall not be so conspicuous ourselves, either."
The Futurist was not an especially ornate place, although a great deal of money had evidently been expended in fitting it up to attract a recherche clientele.
Our table, which Kennedy had indicated, was, as he had said, in a sort of little recess, where we could see without being much observed ourselves, although that seemed almost an impossibility in such a place. In fact, I noticed before we had had time to seat ourselves that we had already attracted the attention of two show girls who sat down the aisle and were amusing themselves at watching us by means of a mirror. It would not have been very difficult to persuade them to dispense with the mirror.
A moment later Clare Kendall entered and paused at the door an instant, absorbing the gay scene as only a woman and a detective could. Craig rose and advanced to meet her, and as she caught sight of us her face brightened. The show girls eyed her narrowly and with but slight approval.
"We feel more at ease with a lady in the party," remarked Craig, as they reached the table and I rose to greet her. "Two men alone here are quite as noticeable as two ladies. Walter, I know, was quite uncomfortable."
"To say nothing of the fact which you omitted," I retaliated, "that it is a pleasure to be with Miss Kendall--even if we must talk shop all the time."
Clare smiled, for her quick intuition had already taken in and dismissed as of no importance the two show girls. We ordered as a matter of course, then settled back for a long interval until the waiter out of the goodness of his heart might retrieve whatever was possible from the mob of servitors where refreshments were dispensed.
"Opposite us," whispered Clare, resting her chin on her interlocked fingers and her elbows on the tip-edge of the table, "do you see that athletic-looking young lady, who seems to be ready for anything from tea to tango? Well, the man with her is Martin Ogleby."
Ogleby was of the tall, sloping-shouldered variety, whom one can see on the Avenue and in the clubs and hotels in such numbers that it almost seems that there must be an establishment for turning them out, even down to a trademark concealed somewhere about them, "Made in England."
Only Ogleby seemed a little different in the respect that one felt that if all the others were stamped by the same die, he was the die, at least. Compared to him many of the others took on the appearance of spurious counterfeits.
"Dr. Harris," Craig whispered, indicating to us the direction with his eyes.
Outside on a settee, we could see in the corridor a man waiting, restless and ill at ease. Now and then he looked covertly at his watch as if he expected someone who was late and he wondered if anything could be amiss.
Just then a superbly gowned woman alighted from a cab. The starter bowed as if she were familiar. It was evident that this was the woman for whom Harris waited, the "Marie" of the letter.
She was a carefully groomed woman, as artificial as French heels. Yet indeed it was that studied artificiality which const.i.tuted her chief attraction. As Harris greeted her I noted that Clare was amazed at the daring cut of her gown, which excited comment even at the Futurist.
Her smooth, full, well-rounded face with its dark olive skin and just a faint trace of colour on either cheek, her snappy hazel eyes whose fire was heightened by the penciling of the eyebrows, all were a marvel of the dexterity of her artificial beautifier. And yet in spite of all there was an air of unextinguishable coa.r.s.eness about her which it was difficult to describe, but easy to feel. "Her lips are too thick and her mouth too large," remarked Clare, "and yet in some incomprehensible way she gives you the impression of daintiness. What is it?"
"The woman is frankly deceptive from the tip of her aigrette to the toes of her shoes," observed Craig.
"And yet," smiled Clare, watching with interest the little stir her arrival had made among the revellers, "you can see that she is the envy of every woman here who has slaved and toiled for that same effect without approaching within miles of it or attracting one quarter the notice for her pains that this woman receives."
Dr. Harris was evidently in his element at the attention which his companion attracted. They seemed to be on very good terms indeed, and one felt that Bohemianism could go no further.
They paused, fortunately, at a just vacated table around an "L" from us and sat down. For once waiters seemed to vie in serving rather than in neglecting.
By this time I had gained the impression that the Futurist was all that its name implied--not up to the minute, but decidedly ahead of it.
There was an exotic flavour to the place, a peculiar fascination, that was foreign rather than American, at seeing demi-monde and decency rubbing elbows. I felt sure that a large percentage of the women there were really young married women, whose first step downward was truly nothing worse than saying they had been at their whist clubs when in reality it was tango and tea. What the end might be to one who let the fascination blind her perspective I could imagine.
Dr. Harris and "Marie" were nearer the dancing floor than we were, but seemed oblivious to it. Now and then as the music changed we could catch a word or two.
He was evidently making an effort to be gay, to counteract the feeling which she had concealed as she came in, but which had the upper hand now that they were seated.
"Won't you dance?" I heard him say.
"No, Harry. I came here to tell you about how things are going."
There was a harshness about her voice which I recognized as belonging exclusively to one cla.s.s of women in the city. She lowered it as she went on talking earnestly.
"It looks as though someone has squealed, but who--" I caught in the fragmentary lulls of the revelry.
"I didn't know it was as bad as that," Dr. Harris remarked.
They talked almost in whispers for several moments while I strained my ears to catch a syllable, but without success. What were they talking about? Was it about Dopey Jack? Or did they know something about Betty Blackwell? Perhaps it was about the Black Book. Even when the music stopped they talked without dropping a word.
The music started again. There was no mistaking the appeal that the rocking whirl of the rhythmic dance made. From the side of the table where Kennedy was seated he could catch an occasional glimpse of the face of Marie. I noticed that he had torn a blank page off the back of the menu and with a stub of a pencil was half idly writing.
At the top he had placed the word, "Nose," followed by "straight, with nostrils a trifle flaring," and some other words I could not quite catch. Beneath that he had written "Ears," which in turn was followed by some words which he was setting down carefully. Eyes, chin, and mouth followed, until I began to realize that he was making a sort of scientific a.n.a.lysis of the woman's features.
"I shall need some more--" I caught as the music softened unexpectedly.
A singer on the little platform was varying the programme now by a solo and I shifted my chair so as to get a better view and at the same time also a look at the table around the corner from us.
As I did so I saw Dr. Harris reach into his breast pocket and take out a little package which he quickly handed to Marie. As their hands met, their eyes met also. I fancied that the doctor struggled to demagnetize, so to speak, the look which she gave him.
"You'll come to see me--afterwards?" she asked, dropping the little package into her handbag of gold mesh and rattling the various accoutrements of beautification which tinkled next to it.
Harris nodded.
"You're a life saver to some--" floated over to me from Marie.
The solo had been completed and the applause was dying away.
"... tells me he needs ... badly off ... don't forget to see ..."
The words came in intervals. What they meant I did not know, but I strove to remember them. Evidently Marie and a host of others were depending on Harris for something. At any rate, it seemed, now that she had talked she felt easier in mind, as one does after carrying a weight a long time in secret.
"Tanguez-vous?" he asked as the orchestra struck up again.
"Yes--thank you, Harry--just one."
We watched the couple attentively as they were alternately lost and found in the dizzy swaying ma.s.s. The music became wilder and they threw themselves into the abandon of the dance.
They had been absorbed so much in each other and the unburdening of whatever it was she had wanted to tell him, that neither had noticed the other couple on the other side of the floor whose presence had divided our own attention.
Martin Ogleby and his partner were not dancing. It was warm and they were among the lucky ones who had succeeded in getting something besides a cheque from the waiters. Two tall gla.s.ses of ginger ale with a long curl of lemon peel sepentining through the cracked ice stood before them.
The dance had brought Dr. Harris and Marie squarely around to within a few feet of where Ogleby was sitting. As Harris swung around she faced Ogleby in such a way that he could not avoid her, nor could she have possibly missed seeing him.
For a moment their eyes met. Not a muscle in either face moved. It was as if they were perfect strangers. She turned and murmured something to her partner. Ogleby leaned over, without the least confusion, and made a witty remark to his partner. It was over in a minute. The acting of both could not have been better if they had deliberately practised their parts. What did it mean?