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The Dressmakers: Silk Is For Seduction Part 8

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"You've certainly fascinated my friend Aronduille. He wonders where you learned to curtsey and dance and speak so well."

There was the barest pause before she answered. "Like a lady, you mean? But I'm only aping my betters."

"And where did you learn to ape them, I wonder?" he said. "Do you not work from dawn till dusk? Are dressmakers not apprenticed at an early age?"

"Nine years old," she said. "How knowledgeable you are, suddenly, of my trade."

"I asked my valet," he said.



She laughed. "Your valet," she said. "Oh, that's rich. Literally."

"But you have a maid," he said. "A slight girl with fair hair."

Instantly the laughter in her eyes vanished. "You noticed my maid?"

"At the promenade, yes."

"You're above-average observant."

"Madame, I notice everything about you, purely in the interests of self-preservation."

"Call me cynical, but I suspect there's nothing pure about it," she said.

The dance was drawing to a close. He was distantly aware of the music subsiding, but more immediately aware of her: the heat between them, physical and mental, and the turbulence she made.

"And yet you court me," he said.

"Solely in the interests of commerce," she said.

"Interesting," he said. "I wonder at your methods for attracting business. You say you wish to dress my d.u.c.h.ess-and you start by making off with my stickpin."

"I won it fair and square," she said.

The dance ended, but still he held her. "You tease and provoke and dare and infuriate me," he said.

"Oh, that I do for fun," she said.

"For fun," he said. "You like to play with fire, madame."

"As do you," she said.

Tense seconds ticked by before he noticed that the music had fully stopped, and people were watching them while pretending not to. He let go of her, making a show of smoothing her lace-tidying her up, as one might a child. He smiled a patronizing little smile he knew would infuriate her, then bowed politely.

She made him an equally polite curtsey, then opened her fan and lifted it to her face, hiding all but her mocking dark eyes. "If you'd wanted a tame pet, your grace, you should have picked another woman."

She slipped away into the crowd, the black lace and red bows fluttering about the shimmering pink-tinged gold of her gown.

Chapter Five.

Masked b.a.l.l.s are over for the season, but dress b.a.l.l.s are as frequent as they were in the beginning of the winter. Some of the most novel dancing dresses are of gauze figured in a different colour from the ground, as jonquille and lilac, white and emerald green, or rose, ecre and cherry-colour.

Costume of Paris by a Parisian correspondent, The Court Magazine and Belle a.s.semblee, 1835 Marcelline swiftly made her way out of the ballroom and into the corridor. She started toward the stairway.

"I picked you?" came a familiar, low voice from close behind her.

Startled, she spun around-and collided with Clevedon. She stumbled, and he caught hold of her shoulders and righted her.

"Delicious exit line," he said. "But we're not quite done."

"Oh, I think we are," she said. "I've looked my fill tonight. My card will be in the hands of at least one reporter by tomorrow, along with a detailed description of my dress. Several ladies will be writing to their friends and family in London about my shop. And you and I have caused more talk than is altogether desirable. At the moment, I'm not absolutely certain I can turn the talk to account. Your grasping me in this primitive fashion doesn't improve matters. May I point out as well that you're wrinkling my lace."

He released her, and for one demented instant, she missed the warmth and the pressure of his hands.

"I did not pick you," he said. "You came to the theater and flaunted yourself and did your d.a.m.ndest to rivet my attention."

"If you think that was my d.a.m.ndest, you're sadly inexperienced," she said.

He studied her face for a moment, his green eyes glittering.

If he took hold of her again and shook her until her teeth rattled, she wouldn't be surprised. She was provoking him, and it wasn't the wisest thing to do, but she was provoked, too, frustrated on any number of counts, mainly the obvious one.

"I brought you," he said tightly. "I'll take you back to your hotel."

"There's no reason for you to leave the party," she said. "I'll find a fiacre to take me back."

"The party is boring," he said. "You're the only interesting thing in it. You'd scarcely left before it deflated, audibly, like a punctured hot-air balloon. I heard the sigh of escaping excitement behind me as I stepped into the corridor."

"It didn't occur to you that the deflation was on account of your departure?" she said.

"No," he said. "And don't try flattery. It sits ill on you. In fact, it turns your face slightly green. I do wonder how you get on with your clients. Surely you're obliged to flatter and cajole."

"I flatter in the same way I do everything else," she said. "Beautifully. If I turned green it was due to shock at your flattering me."

"Then collect your wits before we descend the stairs. If you take a tumble and crack your head, suspicion will instantly fall on me."

She needed to collect her wits, and not for fear of tumbling down the stairs. She hadn't yet recovered from the waltz with him: the heat, the giddiness, the almost overpowering physical awareness-and most alarming, the yearning coursing through her, racing in her veins, beating in her heart, and weakening her mind as though she'd drunk some kind of poison.

She started down the stairs.

As the buzz of the party grew more distant, she became aware of his light footfall behind her, and of the deserted atmosphere of the lower part of the house.

Risk-taking was in her blood, and conventional morality had not been part of her upbringing. If this had been another man, she wouldn't have hesitated. She would have led him to a dark corner or under the stairs and had him. She would have lifted her skirts and taken her pleasure-against a wall or a door or on a windowsill-and got it out of her system.

But this wasn't another man, and she'd already let temper and pride get the better of her judgment.

Leonie had warned her, before she left: "We'll never have another chance like this. Don't b.u.g.g.e.r it up."

The h.e.l.l of it was, Marcelline wouldn't know whether or not she'd botched it until it was too late.

He said nothing for a time, and she wondered if he, too, was pondering the stories shortly to fly about London, and deciding how best to deal with them.

But why should he fret about gossip? He was a man, and men were expected to chase women, especially in Paris. It was practically his patriotic duty. Lady Clara certainly hadn't made any fuss about his affairs. It would have been common knowledge if she had. Since Longmore behaved much the same as his friend did, Marcelline doubted it had even dawned on the earl to mention the subject when issuing the ultimatum, whatever that was.

Still, all the duke's other liaisons in Paris had been ladies or sought-after members of the demimonde. Those sorts of conquests were prestigious.

But a dressmaker-a common shopkeeper-wasn't Clevedon's usual thing, and anything unusual could set the ton on its ear.

These cogitations took her to the ground floor. They did nothing to quiet her agitation.

She waited while he told the porter to summon his carriage.

When Clevedon turned back to her, she said, "How do you propose to explain this evening to Lady Clara? Or do you never explain yourself to her?"

"Don't speak of her," he said.

"You're ridiculous," she said. "You say it as though my uttering her name will somehow contaminate her. That must be your guilty conscience speaking, because it most a.s.suredly isn't your intellect. You know that she's the one I want. She's the one I came to Paris for. 'Don't speak of her,' indeed." She imitated his haughty tone. "Is that what you do with everything uncomfortable? Pretend it isn't there? She's there, you stubborn man. The woman you're going to marry by summer's end. You ought to speak of her. You ought to be reminding me of her vast superiority to me-except as regards dress, that is."

"I had originally planned," he said levelly, "to write to Clara as I always do. I had planned to repeat the most fatuous conversations to which I was subjected in the course of the evening. I had planned to give my impressions of the company. I had planned to describe my sufferings from boredom-a boredom endured entirely on her account, in order provide her entertainment."

"How n.o.ble of you."

Something flickered in his eyes, and it was like the flash of a lighthouse, seen through a storm.

She knew she approached dangerous waters, but if she didn't get him under control, she risked smashing her business to pieces.

"And you'd completely disregard my part in events?" Marcelline said. "Stupid question. It's tactless to mention the women of dubious character you encounter in the course of your travels and entertainments. On the present occasion, however, I'd recommend against that approach. News of our exciting arrival at the party will soon be racing across the Channel, to arrive in London as early as Tuesday. I suggest you tackle the subject straight on. Tell her you brought me to win a wager. Or you did it for a joke."

"By G.o.d, you're the most managing female," he said.

"I'm trying to manage my future," she said. She heard the slight wobble in her voice. Alarmed, she took a calming breath. His gaze became heavy-lidded and shifted to her neckline. Her reaction to that little attention was the opposite of calming.

Devil take him! He was the one who belonged on a leash.

She started for the gate. The porter hastily opened it.

"The carriage hasn't arrived yet," Clevedon said. "Do you mean to wait on the street for it, like a clerk waiting for the omnibus?"

"I am not traveling in that or any other carriage with you," she said. "We'll go our separate ways this night."

"I cannot allow you to travel alone," he said. "That's asking for trouble."

And traveling with him in a closed carriage, in the dead of night, in her state of mind-or not mind-wasn't? She needed to get away from him, not simply for appearances' sake, but to think. There had to be a way to salvage this situation.

"I'm not a sheltered miss," she said. "I've traveled Paris on my own for years."

"Without a servant?"

She wished she had something heavy to throw at his thick head.

She'd grown up on the streets of Paris and London and other cities. She came from a family that lived by its wits. The stupid or naive did not survive. The only enemy they hadn't been able to outwit or outrun was the cholera.

"Yes, without a servant," she said. "Shocking, I know. To do anything without servants is unthinkable to you."

"Not true," he said. "I can think of several things to do that do not require servants."

"How inventive of you," she said.

"In any event, the point is moot," he said. "Here's my carriage."

While she'd been trying not to think of the several activities one might perform without servants' a.s.sistance, the carriage had drawn up to the entrance.

"Adieu, then," she said. "I'll find a fiacre in the next street."

"It's raining," he said.

"It is not..."

She felt a wet plop on her shoulder. Another on her head.

A footman leapt down from the back of the carriage, opened an umbrella, and hurried toward them. By the time he reached them, the occasional plop had already built to a rapid patter. She felt Clevedon's hand at her back, nudging her under the umbrella, and guiding her to the carriage steps.

It was the touch of his hand, the possessive, protective gesture. That was what undid her.

She told herself she wasn't made of sugar and wouldn't melt. She told herself she'd walked in the rain many times. Her self didn't listen.

Her self was trapped in feelings: the big hand at her back, the big body close by. The night was growing darker and colder while the rain beat down harder. She was strong and independent and she'd lived on the streets, yet she'd always craved, as any animal does, shelter and protection.

She was weak in that way. Self-denial wasn't instinctive.

She couldn't break way from him or turn away from the open carriage door where shelter waited. She didn't want to be cold and wet, walking alone in the dark in Paris.

And so she climbed the steps and sank gratefully onto the well-cushioned seat, and told herself that catching a fatal chill or being attacked and raped in a dirty alley would not do her daughter or her sisters any good.

He sat opposite.

The door closed.

She felt the slight bounce as the footman returned to his perch. She heard his rap on the roof, signaling the coachman to start.

The carriage moved forward gently enough, but the streets here were far from smooth, and despite springs and well-cushioned seats, she felt the motion. The silence within was like the silence before a thunderstorm. She became acutely conscious of the wheels rattling over the stones and the rain drumming on the roof... and, within, the too-fierce pounding of her heart.

"Going to find a fiacre," he said. "Really, you are ridiculous."

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The Dressmakers: Silk Is For Seduction Part 8 summary

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