The Diary and Letters of Madame D'Arblay Volume I Part 3

It is from no unfriendly feeling to Madame D'Arblay's memory that we have expressed ourselves, so strongly on the subject of her style. On the contrary, we conceive that we have really rendered a service to her reputation. That her later works were complete failures is a fact too notorious to be dissembled, and some persons, we believe, have consequently taken up a notion that she was from the first an overrated writer, and that she had not the powers which were necessary to maintain her on the eminence on which good luck and fashion had placed her. We believe, on the contrary, that her early popularity was no more than the just reward of distinguished merit, and would never have undergone an eclipse if she had only been content to go on writing in her mother tongue. If she failed when she quitted her own province and attempted to occupy one in which she had neither part nor lot, this reproach is common to her with a crowd of distinguished men. Newton failed when he turned from the courses of the stars and the ebb and flow of the ocean to apocalyptic seals and vials. Bentley failed when he turned from Homer and Aristophanes to edit the "Paradise Lost." Enigo failed when he attempted to rival the Gothic churches of the fourteenth century. Wilkie failed when he took it into his head that the "Blind Fiddler" and the "Rent Day" were unworthy of his powers, and challenged compet.i.tion with Lawrence as a portrait painter. Such failures should be noted for the instruction of posterity, but they detract little from the permanent reputation of those who have really done great things.

Yet one word more. It is not only on account of the intrinsic merit of Madame D'Arblay's early works that she is ent.i.tled to honourable mention. Her appearance is an important epoch in our literary history.

"Evelina" was the first tale written by a woman, and purporting to be a picture of life and manners, that lived or deserved to live. "The Female Quixote" is no exception. That work has undoubtedly great merit, when considered as a wild, satirical harlequinade; but if we consider it as a picture of life and manners, we must p.r.o.nounce it more absurd than any of the romances which it was designed to ridicule.[29]

Indeed, most of the popular novels which preceded "Evelina" were such as no lady would have written; and many of them were such as no lady could without confusion own that she had read. The very name of novel was held in horror among religious people. In decent families, which did not profess extraordinary sanct.i.ty, there was a strong feeling against all such works.

Anthony Absolute, two or three years before "Evelina" appeared, spoke the sense of the great body of fathers and husbands when he p.r.o.nounced the circulating library an evergreen tree of diabolical knowledge. This feeling on the part of the grave and reflecting increased the evil from which it had sprung. The novelist having little character to lose, and having few readers among serious people, took without scruple liberties which in our generation seem almost incredible.

Miss Burney did for the English novel what Jeremy Collier[30] did for the English drama; and she did it in a better way. She first showed that a tale might be written in which both the fashionable and the vulgar life of London might be exhibited with great force and with broad comic humour, and which yet should not contain a single line inconsistent with rigid morality or even with virgin delicacy. She took away the reproach which lay on a most useful and delightful species of composition. She vindicated the right of her s.e.x to an equal share in a fair and n.o.ble province of letters. Several accomplished women have followed in her track. At present, the novels which we owe to English ladies form no small part of the literary glory of our Country. No cla.s.s of works is more honourably distinguished by fine observation, by grace, by delicate wit, by pure moral feeling. Several among the successors of Madame D'Arblay have equalled her; two, we think, have surpa.s.sed her. But the fact that she has been surpa.s.sed gives her an additional claim to our respect and grat.i.tude; for, in truth, we owe to her not only "Evelina,"

"Cecilia," and "Camilla," but also "Mansfield Park" and "The Absentee."

DIARY AND LETTERS OF MADAME D'ARBLAY.

SECT. 1 (1778.)

MISS BURNEY PUBLISHES HER FIRST NOVEL AND FINDS HERSELF FAMOUS.

[Miss Burney's first novel, "Evelina," had been submitted in ma.n.u.script to the great publisher, Dodsley, who refused to look at an anonymous work. It was then offered to Lowndes, who published it. The negotiations with the publisher were carried on by f.a.n.n.y's brother Charles, and her cousin, Edward Burney. These two, with her sisters, and her aunts Anne and Rebecca (Dr. Burney's sisters), appear to have been the only persons entrusted with the secret. It will be most convenient here, at the commencement of--"The Diary," to give a few necessary details respecting the Burney family.

By his first wife, Esther Sleepe, Dr. Burney became the father of seven children:--

1. Esther ("Hetty"), born 1749; married, in 1770, her cousin Charles Rousseau Burney, eldest son of Dr. Burney's elder brother, Richard Burney, of Worcester. Hetty's husband is always called "Mr. Burney" in the "Diary". He was a musician.

2. James, the sailor, afterwards Admiral Burney, known to readers of "Elia." He was born June 5, 1750; accompanied the great discoverer, Captain Cook, on his second and third voyages; served in the East Indies in 1783, after which he retired from active service. In 1785 he married Miss Sally Payne, and the rest of his life was devoted to literature and whist. His "History of the Discoveries in the South Sea or Pacific Ocean" is still a standard work. James died November 17, 1821.

3. Charles born June, 1751; died young.

4--"Frances" our "f.a.n.n.y," born June 13, 1752.

5. Susanna Elizabeth, the "peculiar darling of the whole house of Dr. Burney, as well as of his heart"--so f.a.n.n.y writes of her favourite sister. She was born about 1755, and married, in the beginning Of 1781, Captain Molesworth Phillips, who, as Cook's lieutenant of marines, had seen the discoverer murdered by savages, in February, 1779, and narrowly escaped with his own life on that occasion. Susan died January 6, 1800.

6. Charles, afterwards Dr. Charles, the distinguished Greek scholar; born December 4, 1757. After his death, in 1817, his magnificent library was purchased for the British Museum, at a cost Of 13,500 pounds.

7. Charlotte Ann, born about 1759. She married Clement Francis, in February, 1786. He died in 1792, and she married again in 1798, Mrs. Barrett, the editress of the "Diary and Letters of Madame d'Arblay," was Charlotte's daughter by her first marriage.

By his second wife, Elizabeth Allen, whom he married in 1767, Dr. Burney had two children--a son, Richard Thomas, and a daughter, Sarah Harriet. The latter followed the career of her famous half-sister, and acquired some distinction as a novelist. Cousins Richard and Edward were younger sons of Uncle Richard Burney, of Worcester. Edward was successful as an artist, especially as a book- ill.u.s.trator. He painted the portrait of f.a.n.n.y Burney, a reproduction of which forms the frontispiece to the present volume. Some of his work may be seen in the South Kensington Museum.

Chesington, where we shall presently find f.a.n.n.y on a visit to Mr. Crisp, was an old roomy mansion, standing in the midst of a lonely common in Surrey, between Kingston and Epsom. It had belonged to Mr. Crisp's friend, Christopher Hamilton, and on his death became the property of his unmarried sister, Mrs. Sarah Hamilton, who, being in poor circ.u.mstances, let part of the house to a farmer, and took boarders. Of the latter, Mr. Crisp was the most constant, boarding at Chesington for nearly twenty years, and dying there in 1783. Kitty Cooke, whose name occurs in the "Diary," was the niece of Mrs. Hamilton, and resided with her at Chesington. Mrs. Sophia Gast, whom we find a frequent visitor there, was the sister of Mr. Crisp, and resided at Burford, in Oxfordshire.

Chesington Hall, the name the old manor house goes by in the locality, is still standing, and is a plain brick building with a small bell turret in the roof, but in other respects it has been somewhat modernized since the days of f.a.n.n.y Burney. The common has been parcelled out into fields, and a picturesque country road now gives access to the front entrance to the house. From the lawn at the back a narrow avenue of venerable trees, which throw out their long arms in strange grotesque fashion, leads directly to the little village church where Mr. Crisp is buried.--ED.]

"EVELINA" AND THE MYSTERY ATTENDING ITS PUBLICATION.

This year was ushered in by a grand and most important event! At the latter end of January, the literary world was favoured with the first publication of the ingenious, learned, and most profound f.a.n.n.y Burney!

I doubt not but this memorable affair will, in future times, mark the period whence chronologers will date the zenith of the polite arts in this island!

This admirable auth.o.r.ess has named her most elaborate performance, "Evelina; or, a Young Lady's Entrance into the World."

Perhaps this may seem a rather bold attempt and t.i.tle, for a female whose knowledge of the world is very confined, and whose inclinations, as well as situation, incline her to a private and domestic life. All I can urge is, that I have only presumed to trace the accidents and adventures to which a "young woman" is liable; I have not pretended to show the world what it actually is, but what it appears to a girl of seventeen, and so far as that, surely any girl who is past seventeen may safely do? The motto of my excuse shall be taken from Pope's "Temple of Fame ":

In every work regard the writer's end None e'er can compa.s.s more than they intend.

About the middle of January, my cousin Edward brought me a parcel, under the name of Grafton. I had, some little time before, acquainted both my aunts of my frolic. They will, I am sure, be discreet; indeed, I exacted a vow from them Of strict secrecy; and they love me with such partial kindness, that I have a pleasure in reposing much confidence in them.

I immediately conjectured what the parcel was, and found the following letter.

Fleet-street, Jan. 7, 1778.

Sir,

I take the liberty to send you a novel, which a gentleman, your acquaintance, said you would hand to him. I beg with expedition, as 'tis time it should be published, and 'tis requisite he first revise it, or the reviewers may find a flaw.--I am, sir, your obedient servant, Thomas Lowndes.

To Mr. Grafton,

To be left at the Orange Coffee-house.

My aunts, now, would take no denial to my reading it to them, in order to mark errata; and to cut the matter short, I was compelled to communicate the affair to my cousin Edward, and then to obey their commands.

Of course, they were all prodigiously charmed with it. My cousin now became my agent, as deputy to Charles, with Mr. Lowndes, and when I had made the errata, carried it to him.

The book, however, was not published till the latter end of the month. A thousand little odd incidents happened about this time, but I am not in a humour to recollect them; however, they were none of them productive of a discovery either to my father or mother.

My little book, I am told, is now at all the circulating libraries. I have an exceeding odd sensation, when I consider that it is now in the power of any and every body to read what I so carefully h.o.a.rded even from my best friends, till this last month or two; and that a work which was so lately lodged, in all privacy, in my bureau, may now be seen by every butcher and baker, cobbler and tinker, throughout the three kingdoms, for the small tribute of threepence.

My aunt Anne and Miss Humphries being settled at this time at Brompton, I was going thither with Susan to tea, when Charlotte acquainted me that they were then employed in reading "Evelina" to the invalid, my cousin Richard. My sister had recommended it to Miss Humphries, and my aunts and Edward agreed that they would read it, but without mentioning anything of the author.

This intelligence gave me the utmost uneasiness--I foresaw a thousand dangers of a discovery--I dreaded the indiscreet warmth of all my confidants. In truth, I was quite sick with apprehension, and was too uncomfortable to go to Brompton, and Susan carried my excuses.

Upon her return, I was somewhat tranquillised, for she a.s.sured me that there was not the smallest suspicion of the author, and that they had concluded it to be the work of a man! and Miss Humphries, who read it aloud to Richard said several things in its commendation, and concluded them by exclaiming, "It's a thousand pities the author should lie concealed!"

Finding myself more safe than I had apprehended, I ventured to go to Brompton next day. In my way up-stairs, I heard Miss Humphries in the midst of Mr. Villars' letter of consolation upon Sir John Belmont's rejection of his daughter; and just as I entered the room, she cried out, "How pretty that is!"

How much in luck would she have thought herself, had she known who heard her!

In a private confabulation which I had with my aunt Anne, she told me a thousand things that had been said in its praise, and a.s.sured me they had not for a moment doubted that the work was a man's.

Comforted and made easy by these a.s.surances, I longed for the diversion of hearing their observations, and therefore (though rather mal a propos) after I had been near two hours in the room, I told Miss Humphries that I was afraid I had interrupted her, and begged she would go on with what she was reading.