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The Deliverance Part 24

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"Oh, I've jest been to borrow some Jamaica ginger from Mrs.

Weatherby," explained Sol Peterkin, carefully closing the shutter after his entrance.

"My wife's took so bad that I'm beginnin' to fear she'll turn out as po' a bargain as the last. It's my luck--I always knew I was ill-fated--but, Lord a-mercy, how's a man goin' to tell the state of a woman's innards from the way she looks on top? All the huggin' in the world won't make her wink an eyelash, an' then there'll crop out heart disease or dropsy befo' the year is up.

When I think of the trouble I had pickin' that thar woman it makes me downright sick. It ain't much matter about the colour or the shape, I said--a freckled face an' a scrawny waist I kin stand--only let it be the quality that wears. If you believe it, suh, I chose the very ugliest I could find, thinkin' that the Lord might be mo' willin' to overlook her--an' now this is what's come of it. She's my fourth, too, an' I'll begin to be a joke when I go out lookin' for a fifth. Naw, suh; if Mary dies, pure shame will keep me a widower to my death."

"Thar ain't but one thing sartain about marriage, in my mind,"

commented Matthew Field, "an' that is that it gits most of its colour from the distance that comes between. The more your mouth waters for a woman, the likelier 'tis that 'tain't the woman for you--that's my way of thinkin'. The woman a man don't git somehow is always the woman he ought to have had. It's a curious, mixed-up business, however you look at it."

"That's so," said Tom Spade; "I always noticed it. The woman who is your wife may be a bouncin' beauty, an' the woman who ain't may be as ugly as sin, but you'd go twice as far to kiss her all the same. Thar is always a sight more spice about the woman who ain't."

"Jest look at Eliza, now," pursued Matthew, wrapped in the thought of his own domestic infelicities. "What I could never understand about Eliza was that John Sales went clean to the dogs because he couldn't git her. To think of sech a thing happenin', jest as if I was to blame, when if I'd only known it I could hev turned about an' taken her sister Lizzie. Thar were five of 'em in all, an' I settled on Eliza, as it was, with my eyes blindfold. Poor John--poor John! It was sech a terrible waste of wantin'."

"Well, it's a thing to stiddy about," said old Jacob, with a sigh. "They tell me now that that po' young gal of Bill Fletcher's has found it a th.o.r.n.y bed, to be sho'. Her letters are all bright an' pleasant enough, they say, filled with fine clothes an' the names of strange places, but a gentleman who met her somewhar over thar wrote Fletcher that her husband used her like a dumb brute."

Christopher started and looked up inquiringly.

"Have you heard anything about that, Jim?" he asked in a queer voice.

"Nothin' more. Fletcher told me he had written to her to come home, but she answered that she would stick to Wyndham for better or for worse. It's a great pity--the marriage promised so well, too."

"Oh, the gal's got a big heart; I could tell it from her eyes,"

said old Jacob. "When you see those dark, solemn eyes, lookin'

out of a pale, peaked face, it means thar's a heart behind 'em, an' a heart that bodes trouble some day, whether it be in man or woman."

Christopher pa.s.sed his hand across his brow and stood staring vacantly at the smouldering logs. He could not tell whether the news saddened or rejoiced him, but, at least, it brought Maria's image vividly before his eyes. The spell of her presence was over him again, and he felt, as he had felt on that last evening, the mysterious attraction of her womanhood. So intense was the visionary appeal that it had for the moment almost the effect of hallucination; it was as if she still entreated him across all the distance. The brooding habit of his mind had undoubtedly done much to conserve his emotion, as had the rural isolation in which he lived. In a city life the four years would probably have blotted out her memory; but where comparison was impossible, and lighter distractions almost unheard of, what chance was there for him to forget the single pa.s.sionate experience he had known?

Among his primitive neighbours Maria had flitted for a time like a bewildering vision; then the great distant world had caught her up into its brightness, and the desolate waste country was become the guardian of the impression she had left.

"If thar's a man who has had bad luck with his children, it's Bill Fletcher," old Jacob was saying thoughtfully. "He's been a hard man an' a mean one, too, an' when he couldn't beg or borrow it's my opinion that he never hesitated to put forth his hand an'

steal. Thar's a powerful lot of judgment in dumb happenin's, an'

when you see a family waste out an' run to seed like that it usually means that the good Lord is havin' His way about matters.

It takes a mighty sharp eye to tell the difference between judgment an' misfortune, an' I've seen enough in this world to know that, no matter how skilfully you twist up good an' evil, G.o.d Almighty may be a long time in the unravelling, but He'll straighten 'em out at last. Now as to Bill Fletcher, his sins got in the bone an' they're workin' out in the blood. Look at his son Bill--didn't he come out of the army to drink himself to death?

Then his granddaughter Maria has gone an' mismarried a somebody, an' this boy that he'd set his heart on is goin' to the devil so precious fast that he ain't got time to look behind him."

"Oh, he's young yet," suggested Tom Spade, solemnly wagging his head, "an' Fletcher says, you know, that he's all right so long as he keeps clear of Mr. Christopher. It's Mr. Christopher, he swears, that's been the ruin of him."

Christopher met this with a sneer. "Why does he let him dog my footsteps, then?" he inquired with a laugh. "I never go to the Hall, and yet he's always after me."

"Bless you, suh, it ain't any question of lettin' an' thar never has been sence the boy first put on breeches. Why, when I refused to sell him whisky at my sto', what did he do but begin smugglin'

it out from town! Fletcher found it out an' blew him sky-high, but in less than a month it was all goin' on agin."

"An' the funny part is," said Jim Weatherby, "that you can't dislike Will Fletcher, however much you try. He's a kindhearted, jolly fellow, in spite of the devil."

"Or in spite of Mr. Christopher," added Tom, with a guffaw.

Frowning heavily, Christopher turned toward the door.

"Oh, you ask Will Fletcher who is his best friend," he said, "and let me hear his answer."

With an abrupt nod to Jacob, he went out of the tobacco barn and along the little path to the road. He had barely reached the gate, however, when Jim Weatherby ran after him with the horseshoes, and offered eagerly to come over in the morning and see that the gray mare was properly shod.

"I'm handy at that kind of thing, you know," he explained, with a blush.

"Well, if you don't mind, I wish you would come," Christopher replied, "but to save my life I can't see why you are so ready with other people's jobs."

Then, taking the horseshoes, he opened the gate and started rapidly toward home. His mind was still absorbed by old Jacob's news, and upon reaching the house he was about to pa.s.s up to his room, when Cynthia called him from the little platform beyond the back door, and going out, he found her standing pale and tearful on the kitchen threshold. Looking beyond her, he saw that Lila and Tucker were in the room, and from the intense and resolute expression in the younger sister's face he judged that she was the central figure in what appeared to be a disturbing scene.

"Christopher, you can't imagine what has happened," Cynthia began in her beautiful, tragic voice. "Lila went to church yesterday-- with whom, do you suppose?"

Christopher thought for a moment.

"Not with Bill Fletcher?" he gave out at last.

"Come, come, now, it's a long ways better than that, you'll admit, Cynthia," broke in Tucker, with a peaceful intention. "I can't help reminding you, my dear, to be thankful that it wasn't so unlikely a person as Bill Fletcher."

With a decisive gesture such as he had never believed her capable of, Lila came up to Christopher and stood facing him with beaming eyes. He had never before seen her so lovely, and he realised at the instant that it was this she had always needed to complete her beauty. From something merely white and warm and delicate she had become suddenly as radiant as a flame.

"I went with Jim Weatherby, Christopher," she said slowly, "and I'm not ashamed of it."

The admission wrung a short groan from Cynthia, who stood twisting her gingham ap.r.o.n tightly about her fingers.

"Oh, Lila, who was his grandfather?" she cried. "Well, there's this thing certain, she doesn't want to marry his grandfather,"

put in Tucker, undaunted by the failure of his former attempts at peace-making. "Not that I have anything against the old chap, for that matter; he was an honest, well-behaved old body, and used to mend my boots for me up to the day of his death. Jim gets his handy ways from him, I reckon."

Cynthia turned upon him angrily.

"Uncle Tucker, you will drive me mad," she exclaimed, the tears starting to her lashes. "It does seem to me that you, at least, might show some consideration for the family name. It's all we've left."

"And it's a good enough relic in its way," returned Tucker amicably, "though if you are going to make a business of sacrificing yourself, for heaven's sake let it be for something bigger than a relic. A live neighbour is a much better thing to make sacrifices for than a dead grandfather."

"I don't care one bit what his grandfather was or whether he ever had any or not!" cried Lila, in an outburst of indignation; "and more than that, I don't care what mine was, either. I am going to marry him--I am--I am! Don't look at me like that, Cynthia. Do you want to spoil my whole life?"

Cynthia threw out her hands with a despairing grasp of the air, as if she were reaching for the broken remnants of the family pride. "To marry a Weatherby!" she gasped. "Oh, mother! mother!

Lila, is it possible that you can be so selfish?" But Lila had won her freedom too dearly to surrender it to an appeal.

"I want to be selfish," she said stubbornly. "I have never been selfish in my life, and I want to see what it feels like. Oh, you are cruel, all of you, and you will break my heart."

Christopher's face paled and grew stern.

"We must all think of mother's wishes, Lila," he said gravely.

For the first time the girl lost her high fort.i.tude, and a babyish quiver shook her lips. Her glance wavered and fell, and with a pathetic gesture she turned from Christopher to Cynthia and from Cynthia to Tucker.

"Oh, you can't understand, Christopher!" she cried; "you have never been in love, nor has Cynthia. None of you can understand but Uncle Tucker!"

She ran to him sobbing, and he, steadying himself on a single crutch, folded his arm about her.

"I understand, child, thank G.o.d," he said softly.

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The Deliverance Part 24 summary

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