The Daughters of Danaus Part 39

Lord Engleton brought a portfolio full of sketches for her to see.

"Lady Engleton has been busy."

As Hadria laid down the last sketch, her eyes wandered round the softly-lighted, dimly beautiful room, and suddenly she was seized with a swift, reasonless, overpowering sense of happiness that she felt to be atmospheric and parenthetical in character, but all the more keen for that reason, while it lasted. The second black inexorable semicircle was ready to enclose the little moment, but its contents had the condensed character of that which stands within limits, and reminded her, with a little sting, as of spur to horse, of her sharp, terrible apt.i.tude for delight and her hunger for it. Why not, why not? What pinched, ungenerous philosophy was it that insisted on voluntary starvation? One saw its offspring in the troops of thin white souls that hurry, like ghosts, down the avenues of Life.

Again Professor Theobald's stealthy glance was directed towards Mrs.

Temperley.

"He is as determined to a.n.a.lyse me as if I were a chemical compound,"

she said to herself.

"Perhaps we may as well join the group," suggested Lord Engleton.

It opened to admit the new comers, disclosing Miss Du Prel, in a gown of pale amber brocade, enthroned upon a straight-backed antique sofa. The exquisiteness of the surroundings which Lady Engleton had a peculiar gift in arranging, the mellow candle-light, the flowers and colours, seem to have satisfied in Valeria an inborn love of splendour that often opened hungry and unsatisfied jaws.

She had never looked so brilliant or so handsome.

Professor Theobald's face cleared. He explained to Mrs. Temperley that they had been discussing the complexity of human character, and had come to the conclusion that it was impossible to really understand even the simplest man or woman alive. Professor Theobald said that it was a dispensation of Providence which intended the human race for social life. Lady Engleton upbraided the author of the cynical utterance.

"Which of us can dare to face his own basest self?" the culprit demanded. "If any one is so bold, I fear I must accuse him (or even her) of lack of self-knowledge rather than give praise for spotlessness."

"Oh, I don't believe all these dreadful things about my fellows!" cried Miss Du Prel, flinging up her fine head defiantly; "one is likely to find in them more or less what one expects. It's the same everywhere. If you go seeking mole-hills and worms, and put nose to ground on the scent for carrion, you will find them all, with the range of snow-capped Alps in full view, and the infinite of blue above your blind head!"

Hadria, in justice, could not refuse to acknowledge that Professor Theobald was open-minded.

"True," he said, "it is dangerous to seek for evil, unless you naturally love it, and then----"

"You are past praying for," said Professor Fortescue.

"Or at least you never pray," added Hadria.

Both Professors looked at her, each with an expression of enquiry. It was difficult to understand from exactly what sources of experience or intuition the singular remark could have sprung.

The conversation took a slight swerve.

Professor Theobald contended that all our fond distinctions of vice and virtue, right and wrong, were mere praise and blame of conditions and events.

"We like to fancy the qualities of character inherent, while really they are laid on by slow degrees, like paint, and we name our acquaintance by the colour of his last coat."

This view offended Miss Du Prel. Joseph Fleming and Lord Engleton rallied round her. Hubert Temperley joined them. Man, the sublime, the summit of the creation, the end and object of the long and painful processes of nature; sin-spotted perhaps, weak and stumbling, but still the masterpiece of the centuries--was this great and mysterious creature to be thought of irreverently as a mere plain surface for _paint_? Only consider it! Professor Theobald's head went down between his shoulders as he laughed.

"The sublime creature would not look well _un_painted, believe me."

"He dare not appear in that plight even to himself, if Theobald be right in what he stated just now," said Professor Fortescue.

"Life to a character is like varnish to wood," a.s.serted Miss Du Prel; "it brings out the grain."

"Ah!" cried Professor Theobald, "Then _you_ insist on varnish, I on paint."

"There is a difference."

"And it affects your respective views throughout," added Professor Fortescue, "for if the paint theory be correct, then it is true that to know one's fellows is impossible, you can only know the upper coat; whereas if the truth lies in varnish, the substance of the nature is revealed to you frankly, if you have eyes to trace the delicacies of the markings, which tell the secrets of sap and fibre, of impetus and check: all the inner marvels of life and growth that go forward in that most botanic thing, the human soul."

"Professor Fortescue is eloquent, but he makes one feel distressingly vegetable," said Temperley.

"Oh! not unless one has a human soul," Lady Engleton rea.s.sured him.

"Am I to understand that you would deprive me of mine?" he asked, with a courtly bow.

"Not at all; souls are private property, or ought to be."

"I wish one could persuade the majority of that!" cried Professor Fortescue.

"Impossible," said Theobald. "The chief interest of man is the condition of his neighbour's soul."

"Could he not be induced to look after his own?" Hadria demanded.

"All fun would be over," said Professor Fortescue.

"I wish one could have an Act of Parliament, obliging every man to leave his neighbour's soul in peace."

"You would sap the very source of human happiness and enterprise,"

Professor Fortescue a.s.serted, fantastically.

"I should be glad if I could think the average human being had the energy to look after _any_ business; even other people's!" cried Lady Engleton.

"I believe that, as a matter of fact, the soul is a hibernating creature," said Theobald, with a chuckle.

"It certainly has its drowsy winters," observed Hadria.

"Ah! but its spring awakenings!" cried Miss Du Prel.

The chime of a clock startled them with its accusation of lingering too long. The hostess remonstrated at the breaking up the party. Why should they hurry away?

"The time when we could lay claim to have 'hurried' has long since pa.s.sed, Lady Engleton," said Hubert, "we can only plead forgiveness by blaming you for making us too happy."

Professor Theobald went to the window. "What splendid moonlight! Lady Engleton, don't you feel tempted to walk with your guests to the end of the avenue?"

The idea was eagerly adopted, and the whole party sallied forth together into the brilliant night. Long black shadows of their forms stalked on before them, as if, said Valeria, they were messengers from Hades come to conduct each his victim to the abode of the shades.

Professor Theobald shuddered.

"I hate that dreadful chill idea of the Greeks. I have much too strong a hold on this pleasant earth to relish the notion of that gloomy under-world yet a while. What do you say, Mrs. Temperley?"

She made some intentionally trite answer.

Professor Theobald's quick eyes discovered a glow-worm, and he shouted to the ladies to come and see the little green lantern of the spring.

The mysterious light was bright enough to irradiate the blades of gra.s.s around it, and even to cast a wizard-like gleam on the strange face of the Professor as he bent down close to the ground.