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The Custom of the Country Part 4

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Undine, who rose too late to share the family breakfast, usually had her chocolate brought to her in bed by Celeste, after the manner described in the articles on "A Society Woman's Day" which were appearing in Boudoir Chat. Her mere appearance in the restaurant therefore prepared her parents for those symptoms of excessive tension which a nearer inspection confirmed, and Mr. Spragg folded his paper and hooked his gla.s.ses to his waistcoat with the air of a man who prefers to know the worst and have it over.

"An opera box!" faltered Mrs. Spragg, pushing aside the bananas and cream with which she had been trying to tempt an appet.i.te too languid for fried liver or crab mayonnaise.

"A parterre box," Undine corrected, ignoring the exclamation, and continuing to address herself to her father. "Friday's the stylish night, and that new tenor's going to sing again in 'Cavaleeria,'" she condescended to explain.

"That so?" Mr. Spragg thrust his hands into his waistcoat pockets, and began to tilt his chair till he remembered there was no wall to meet it.

He regained his balance and said: "Wouldn't a couple of good orchestra seats do you?"



"No; they wouldn't," Undine answered with a darkening brow. He looked at her humorously. "You invited the whole dinner-party, I suppose?"

"No--no one."

"Going all alone in a box?" She was disdainfully silent. "I don't s'pose you're thinking of taking mother and me?"

This was so obviously comic that they all laughed--even Mrs. Spragg--and Undine went on more mildly: "I want to do something for Mabel Lips...o...b.. make some return. She's always taking me 'round, and I've never done a thing for her--not a single thing."

This appeal to the national belief in the duty of reciprocal "treating"

could not fail of its effect, and Mrs. Spragg murmured: "She never HAS, Abner,"--but Mr. Spragg's brow remained unrelenting.

"Do you know what a box costs?"

"No; but I s'pose you do," Undine returned with unconscious flippancy.

"I do. That's the trouble. WHY won't seats do you?"

"Mabel could buy seats for herself."

"That's so," interpolated Mrs. Spragg--always the first to succ.u.mb to her daughter's arguments.

"Well, I guess I can't buy a box for her."

Undine's face gloomed more deeply. She sat silent, her chocolate thickening in the cup, while one hand, almost as much beringed as her mother's, drummed on the crumpled table-cloth.

"We might as well go straight back to Apex," she breathed at last between her teeth.

Mrs. Spragg cast a frightened glance at her husband. These struggles between two resolute wills always brought on her palpitations, and she wished she had her phial of digitalis with her.

"A parterre box costs a hundred and twenty-five dollars a night," said Mr. Spragg, transferring a toothpick to his waistcoat pocket.

"I only want it once."

He looked at her with a quizzical puckering of his crows'-feet. "You only want most things once. Undine."

It was an observation they had made in her earliest youth--Undine never wanted anything long, but she wanted it "right off." And until she got it the house was uninhabitable.

"I'd a good deal rather have a box for the season," she rejoined, and he saw the opening he had given her. She had two ways of getting things out of him against his principles; the tender wheedling way, and the harsh-lipped and cold--and he did not know which he dreaded most. As a child they had admired her a.s.sertiveness, had made Apex ring with their boasts of it; but it had long since cowed Mrs. Spragg, and it was beginning to frighten her husband.

"Fact is, Undie," he said, weakening, "I'm a little mite strapped just this month."

Her eyes grew absent-minded, as they always did when he alluded to business. THAT was man's province; and what did men go "down town" for but to bring back the spoils to their women? She rose abruptly, leaving her parents seated, and said, more to herself than the others: "Think I'll go for a ride."

"Oh, Undine!" fluttered Mrs. Spragg. She always had palpitations when Undine rode, and since the Aaronson episode her fears were not confined to what the horse might do.

"Why don't you take your mother out shopping a little?" Mr. Spragg suggested, conscious of the limitation of his resources.

Undine made no answer, but swept down the room, and out of the door ahead of her mother, with scorn and anger in every line of her arrogant young back. Mrs. Spragg tottered meekly after her, and Mr. Spragg lounged out into the marble hall to buy a cigar before taking the Subway to his office.

Undine went for a ride, not because she felt particularly disposed for the exercise, but because she wished to discipline her mother. She was almost sure she would get her opera box, but she did not see why she should have to struggle for her rights, and she was especially annoyed with Mrs. Spragg for seconding her so half-heartedly. If she and her mother did not hold together in such crises she would have twice the work to do.

Undine hated "scenes": she was essentially peace-loving, and would have preferred to live on terms of unbroken harmony with her parents. But she could not help it if they were unreasonable. Ever since she could remember there had been "fusses" about money; yet she and her mother had always got what they wanted, apparently without lasting detriment to the family fortunes. It was therefore natural to conclude that there were ample funds to draw upon, and that Mr. Spragg's occasional resistances were merely due to an imperfect understanding of what const.i.tuted the necessities of life.

When she returned from her ride Mrs. Spragg received her as if she had come back from the dead. It was absurd, of course; but Undine was inured to the absurdity of parents.

"Has father telephoned?" was her first brief question.

"No, he hasn't yet."

Undine's lips tightened, but she proceeded deliberately with the removal of her habit.

"You'd think I'd asked him to buy me the Opera House, the way he's acting over a single box," she muttered, flinging aside her smartly-fitting coat. Mrs. Spragg received the flying garment and smoothed it out on the bed. Neither of the ladies could "bear" to have their maid about when they were at their toilet, and Mrs. Spragg had always performed these ancillary services for Undine.

"You know, Undie, father hasn't always got the money in his pocket, and the bills have been pretty heavy lately. Father was a rich man for Apex, but that's different from being rich in New York."

She stood before her daughter, looking down on her appealingly.

Undine, who had seated herself while she detached her stock and waistcoat, raised her head with an impatient jerk. "Why on earth did we ever leave Apex, then?" she exclaimed.

Mrs. Spragg's eyes usually dropped before her daughter's inclement gaze; but on this occasion they held their own with a kind of awe-struck courage, till Undine's lids sank above her flushing cheeks.

She sprang up, tugging at the waistband of her habit, while Mrs. Spragg, relapsing from temerity to meekness, hovered about her with obstructive zeal. "If you'd only just let go of my skirt, mother--I can unhook it twice as quick myself."

Mrs. Spragg drew back, understanding that her presence was no longer wanted. But on the threshold she paused, as if overruled by a stronger influence, and said, with a last look at her daughter: "You didn't meet anybody when you were out, did you, Undie?"

Undine's brows drew together: she was struggling with her long patent-leather boot.

"Meet anybody? Do you mean anybody I know? I don't KNOW anybody--I never shall, if father can't afford to let me go round with people!"

The boot was off with a wrench, and she flung it violently across the old-rose carpet, while Mrs. Spragg, turning away to hide a look of inexpressible relief, slipped discreetly from the room.

The day wore on. Undine had meant to go down and tell Mabel Lips...o...b..about the Fairford dinner, but its aftertaste was flat on her lips. What would it lead to? Nothing, as far as she could see. Ralph Marvell had not even asked when he might call; and she was ashamed to confess to Mabel that he had not driven home with her.

Suddenly she decided that she would go and see the pictures of which Mrs. Fairford had spoken. Perhaps she might meet some of the people she had seen at dinner--from their talk one might have imagined that they spent their lives in picture-galleries.

The thought reanimated her, and she put on her handsomest furs, and a hat for which she had not yet dared present the bill to her father. It was the fashionable hour in Fifth Avenue, but Undine knew none of the ladies who were bowing to each other from interlocked motors. She had to content herself with the gaze of admiration which she left in her wake along the pavement; but she was used to the homage of the streets and her vanity craved a choicer fare.

When she reached the art gallery which Mrs. Fairford had named she found it even more crowded than Fifth Avenue; and some of the ladies and gentlemen wedged before the pictures had the "look" which signified social consecration. As Undine made her way among them, she was aware of attracting almost as much notice as in the street, and she flung herself into rapt att.i.tudes before the canvases, scribbling notes in the catalogue in imitation of a tall girl in sables, while ripples of self-consciousness played up and down her watchful back.

Presently her attention was drawn to a lady in black who was examining the pictures through a tortoise-sh.e.l.l eye-gla.s.s adorned with diamonds and hanging from a long pearl chain. Undine was instantly struck by the opportunities which this toy presented for graceful wrist movements and supercilious turns of the head. It seemed suddenly plebeian and promiscuous to look at the world with a naked eye, and all her floating desires were merged in the wish for a jewelled eye-gla.s.s and chain. So violent was this wish that, drawn on in the wake of the owner of the eye-gla.s.s, she found herself inadvertently b.u.mping against a stout tight-coated young man whose impact knocked her catalogue from her hand.

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The Custom of the Country Part 4 summary

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