The Crayon Papers Part 10

The enterprise was now prosecuted with increased ardor. Several months were expended on the task, and three sides of the chapel wall were uncovered; they were all painted in fres...o...b.. Giotto, with the history of the Magdalen, exhibiting her conversion, her penance, and her beatification.

The figures, however, were all those of saints and angels; no historical portraits had yet been discovered, and doubts began to be entertained whether there were any. Still the recovery of an indisputable work of Giotto's was considered an ample reward for any toil; and the Ministers of the grandduke, acting under his directions, a.s.sumed on his behalf the past charges and future management of the enterprise.

At length, on the uncovering of the fourth wall, the undertaking was crowned with complete success. A number of historical figures were brought to light, and among them the undoubted likeness of Dante. He was represented in full length, in the garb of the time, with a book under his arm, designed most probably to represent the "Vita Nuova," for the "Comedia" was not yet composed, and to all appearance from thirty to thirty-five years of age. The face was in profile and in excellent preservation, excepting that at some former period a nail had unfortunately been driven into the eye. The outline of the eyelid was perfect, so that the injury could easily be remedied. The countenance was extremely handsome, yet bore a strong resemblance to the portraits of the poet taken later in life.

It is not easy to appreciate the delight of Mr. Wilde and his coadjutors at this triumphant result of their researches; nor the sensation produced, not merely in Florence but throughout Italy, by this discovery of a veritable portrait of Dante, in the prime of his days. It was some such sensation as would be produced in England by the sudden discovery of a perfectly well authenticated likeness of Shakespeare; with a difference in intensity proportioned to the superior sensitiveness of the Italians.

The recovery of this portrait of the "divine poet" has occasioned fresh inquiry into the origin of the masks said to have been made from a cast of his face taken after death. One of these masks, in the possession of the Marquess of Torrigiani, has been p.r.o.nounced as certainly the _original_. Several artists of high talent have concurred in this opinion; among these may be named Jesi, the first engraver in Florence; Seymour Kirkup, Esq., a painter and antiquary; and our own countryman Powers, whose genius, by the way, is very highly appreciated by the Italians.

We may expect from the accomplished pen of Carlo Torrigiani, son of the marquess, and who is advantageously known in this country, from having traveled here, an account of this curious and valuable relic, which has been upward of a century in the possession of his family.

Should Mr. Wilde finish his biographical work concerning Dante, which promises to be a proud achievement in American literature, he intends, I understand, to apply for permission to have both likenesses copied, and should circ.u.mstances warrant the expense, to have them engraved by eminent artists. We shall then have the features of Dante while in the prime of life as well as at the moment of his death.

G. C.

THE TAKING OF THE VEIL

One of the most remarkable personages in Parisian society during the last century was Renee Charlotte Victoire de Froulay De Tesse, Marchioness De Crequi. She sprang from the highest and proudest of the old French n.o.bility, and ever maintained the most exalted notions of the purity and antiquity of blood, looking upon all families that could not date back further than three or four hundred years as mere upstarts. When a beautiful girl, fourteen years of age, she was presented to Louis XIV., at Versailles, and the ancient monarch kissed her hand with great gallantry; after an interval of about eighty-five years, when nearly a hundred years old, the same testimonial of respect was paid her at the Tuileries by Bonaparte, then First Consul, who promised her the rest.i.tution of the confiscated forests formerly belonging to her family. She was one of the most celebrated women of her time for intellectual grace and superiority, and had the courage to remain at Paris and brave all the horrors of the revolution, which laid waste the aristocratical world around her.

The memoirs she has left behind abound with curious anecdotes and vivid pictures of Parisian life during the latter days of Louis XIV., the regency of the Duke of Orleans, and the residue of the last century; and are highly ill.u.s.trative of the pride, splendor, and licentiousness of the French n.o.bility on the very eve of their tremendous downfall.

I shall draw forth a few scenes from her memoirs, taken almost at random, and which, though given as actual and well-known circ.u.mstances, have quite the air of romance.

All the great world of Paris were invited to be present at a grand ceremonial, to take place in the church of the Abbey Royal of Panthemont.

Henrietta de Lenoncour, a young girl, of a n.o.ble family, of great beauty, and heiress to immense estates, was to take the black veil. Invitations had been issued in grand form, by her aunt and guardian, the Countess Brigitte de Rupelmonde, canoness of Mauberge. The circ.u.mstance caused great talk and wonder in the fashionable circles of Paris; everybody was at a loss to imagine why a young girl, beautiful and rich, in the very springtime of her charms, should renounce a world which she was so eminently qualified to embellish and enjoy.

A lady of high rank, who visited the beautiful novice at the grate of her convent-parlor, got a clew to the mystery. She found her in great agitation; for a time she evidently repressed her feelings, but they at length broke forth in pa.s.sionate exclamations. "Heaven grant me grace,"

said she, "some day or other to pardon my cousin Gondrecourt the sorrows he has caused me!"

"What do you mean?--what sorrows, my child?" inquired her visitor. "What has your cousin done to affect you?"

"He is married!" cried she in accents of despair, but endeavoring to repress her sobs.

"Married! I have heard nothing of the kind, my dear. Are you perfectly sure of it?"

"Alas! nothing is more certain; my aunt de Rupelmonde informed me of it."

The lady retired, full of surprise and commiseration. She related the scene in a circle of the highest n.o.bility, in the saloon of the Marshal Prince of Beauvau, where the unaccountable self-sacrifice of the beautiful novice was under discussion.

"Alas!" said she, "the poor girl is crossed in love; she is about to renounce the world in despair, at the marriage of her cousin De Gondrecourt."

"What!" cried a gentleman present, "the Viscount de Gondrecourt married!

Never was there a greater falsehood. And 'her aunt told her so'! Oh! I understand the plot. The countess is pa.s.sionately fond of Gondrecourt, and jealous of her beautiful niece; but her schemes are vain; the viscount holds her in perfect detestation."

There was a mingled expression of ridicule, disgust, and indignation at the thought of such a rivalry. The Countess Rupelmonde was old enough to be the grandmother of the viscount. She was a woman of violent pa.s.sions, and imperious temper; robust in person, with a masculine voice, a dusky complexion, green eyes, and powerful eyebrows.

"It is impossible," cried one of the company, "that a woman of the countess's age and appearance can be guilty of such folly. No, no; you mistake the aim of this detestable woman. She is managing to get possession of the estate of her lovely niece."

This was admitted to be the most probable; and all concurred in believing the countess to be at the bottom of the intended sacrifice; for although a canoness, a dignitary of a religious order, she was p.r.o.nounced little better than a devil incarnate.

The Princess de Beauvau, a woman of generous spirit and intrepid zeal, suddenly rose from the chair in which she had been reclining. "My prince,"

said she, addressing her husband, "if you approve of it, I will go immediately and have a conversation on this subject with the archbishop.

There is not a moment to spare. It is now past midnight; the ceremony is to take place in the morning. A few hours and the irrevocable vows will be p.r.o.nounced."

The prince inclined his head in respectful a.s.sent. The princess set about her generous enterprise with a woman's promptness. Within a short time her carriage was at the iron gate of the archiepiscopal palace, and her servants rang for admission. Two Switzers, who had charge of the gate, were fast asleep in the porter's lodge, for it was half-past two in the morning.

It was some time before they could be awakened, and longer before they could be made to come forth.

"The Princess de Beauvau is at the gate!"

Such a personage was not to be received in deshabille. Her dignity and the dignity of the archbishop demanded that the gate should be served in full costume. For half an hour, therefore, had the princess to wait, in feverish impatience, until the two dignitaries of the porter's lodge arrayed themselves; and three o'clock sounded from the tower of Notre Dame before they came forth. They were in grand livery, of a buff color, with amaranth galloons, plaited with silver, and fringed sword-belts reaching to their knees, in which were suspended long rapiers. They had small three-cornered hats, surmounted with plumes; and each bore in his hand a halbert. Thus equipped at all points, they planted themselves before the door of the carriage; struck the ends of their halberts on the ground with emphasis; and stood waiting with official importance, but profound respect, to know the pleasure of the princess.

She demanded to speak with the archbishop. A most reverential bow and shrug accompanied the reply, that "His Grandeur was not at home."

Not at home! Where was he to be found? Another bow and shrug: "His Grandeur either was, or ought to be, in retirement in the seminary of St. Magloire; unless he had gone to pa.s.s the Fete of St. Bruno with the reverend Carthusian fathers of the Rue d'Enfer; or perhaps he might have gone to repose himself in his castle of Conflans-sur-Seine. Though, on further thought, it was not unlikely he might have gone to sleep at St. Cyr, where the Bishop of Chartres never failed to invite him for the anniversary soiree of Madame de Maintenon."

The princess was in despair at this multiplicity of crossroads pointed out for the chase; the brief interval of time was rapidly elapsing; day already began to dawn; she saw there was no hope of finding the archbishop before the moment of his entrance into the church for the morning's ceremony; so she returned home quite distressed.

At seven o'clock in the morning the princess was in the parlor of the monastery of De Panthemont, and sent in an urgent request for a moment's conversation with the Lady Abbess. The reply brought was, that the abbess could not come to the parlor, being obliged to attend in the choir at the canonical hours. The princess entreated permission to enter the convent, to reveal to the Lady Abbess in two words something of the greatest importance. The abbess sent word in reply, that the thing was impossible, until she had obtained permission from the Archbishop of Paris. The princess retired once more to her carriage, and now, as a forlorn hope, took her station at the door of the church to watch for the arrival of the prelate.

After a while the splendid company invited to this great ceremony began to arrive. The beauty, rank, and wealth of the novice had excited great attention; and, as everybody was expected to be present on the occasion, everybody pressed to secure a place. The street reverberated with the continual roll of gilded carriages and chariots; coaches of princes and dukes, designated by imperials of crimson velvet, and magnificent equipages of six horses, decked out with nodding plumes and sumptuous harnessing. At length the equipages ceased to arrive; empty vehicles filled the street; and, with a noisy and party-colored crowd of lackeys in rich liveries, obstructed all the entrances to De Panthemont.

Eleven o'clock had struck; the last auditor had entered the church; the deep tones of the organ began to swell through the sacred pile, yet still the archbishop came not! The heart of the princess beat quicker and quicker with vague apprehension; when a valet, dressed in cloth of silver, trimmed with crimson velvet, approached her carriage precipitately. "Madame," said he, "the archbishop is in the church; he entered by the portal of the cloister; he is already in the sanctuary; the ceremony is about to commence!"

What was to be done? To speak with the archbishop was now impossible, and yet on the revelation she was to make to him depended the fate of the lovely novice. The princess drew forth her tablets of enameled gold, wrote a few lines therein with a pencil, and ordered her lackey to make way for her through the crowd, and conduct her with all speed to the sacristy.

The description given of the church and the a.s.semblage on this occasion presents an idea of the aristocratical state of the times, and of the high interest awakened by the affecting sacrifice about to take place. The church was hung with superb tapestry, above which extended a band of white damask, fringed with gold, and covered with armorial escutcheons. A large pennon, emblazoned with the arms and alliances of the high-born damsel, was suspended, according to custom, in place of the lamp of the sanctuary. The l.u.s.ters, girandoles, and candelabras of the king had been furnished in profusion, to decorate the sacred edifice, and the pavements were all covered with rich carpets.

The sanctuary presented a reverend and august a.s.semblage of bishops, canons, and monks of various orders, Benedictines, Bernardines, Raccollets, Capuchins, and others, all in their appropriate robes and dresses. In the midst presided the Archbishop of Paris, Christopher de Beaumont; surrounded by his four arch priests and his vicars-general. He was seated with his back against the altar. When his eyes were cast down, his countenance, pale and severe, is represented as having been somewhat sepulchral and death-like; but the moment he raised his large, dark, sparkling eyes, the whole became animated; beaming with ardor, and expressive of energy, penetration, and firmness.

The audience that crowded the church was no less ill.u.s.trious. Excepting the royal family, all that was elevated in rank and t.i.tle was there; never had a ceremonial of the kind attracted an equal concourse of the high aristocracy of Paris.

At length the grated gates of the choir creaked on their hinges, and Madame de Richelieu, the high and n.o.ble Abbess of De Panthemont, advanced to resign the novice into the hands of her aunt, the Countess Canoness De Rupelmonde. Every eye was turned with intense curiosity to gain a sight of the beautiful victim. She was sumptuously dressed, but her paleness and languor accorded but little with her brilliant attire. The Canoness De Rupelmonde conducted her niece to her praying-desk, where, as soon as the poor girl knelt down, she sank as if exhausted. Just then a sort of murmur was heard at the lower end of the church, where the servants in livery were gathered. A young man was borne forth, struggling in convulsions. He was in the uniform of an officer of the guards of King Stanislaus, Duke of Lorraine. A whisper circulated that it was the young Viscount de Gondrecourt, and that he was a lover of the novice. Almost all the young n.o.bles present hurried forth to proffer him sympathy and a.s.sistance.

The Archbishop of Paris remained all this time seated before the altar; his eyes cast down, his pallid countenance giving no signs of interest or partic.i.p.ation in the scene around him. It was noticed that in one of his hands, which was covered with a violet glove, he grasped firmly a pair of tablets, of enameled gold.

The Canoness de Rupelmonde conducted her niece to the prelate, to make her profession of self-devotion, and to utter the irrevocable vow. As the lovely novice knelt at his feet, the archbishop fixed on her his dark, beaming eyes, with a kind but earnest expression. "Sister!" said he, in the softest and most benevolent tone of voice, "What is your age?"

"Nineteen years, monseigneur," eagerly interposed the Countess de Rupelmonde.

"_You_ will reply to me by-and-by, madame," said the archbishop, dryly. He then repeated his question to the novice, who replied in a faltering voice, "Seventeen years."

"In what diocese did you take the white veil?"

"In the diocese of Toul."