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"Ma'am?" said the waiter.
"I've changed my mind," she replied, quickly. The waiter, his elation restored, gave of his viands with the superfluous bounty loved by his race when distributing the product of the wealthy.
When he had gone, "Give me everything that's hot," said Joe. "You can keep the salad."
"I couldn't eat it or anything else," she answered, thrusting the plate between the palms.
For a time there was silence. From within the house came the continuous babble of voices and laughter, the clink of cutlery on china. The young people spent a long time over their supper. By-and-by the waiter returned to the veranda, deposited a plate of colored ices upon Ariel's knees with a n.o.ble gesture, and departed.
"No ice for me," said Joe.
"Won't you please go now?" she entreated!
"It wouldn't be good manners," he responded. "They might think I only came for supper--"
"Hand me back the things. The waiter might come for them any minute."
"Not yet. I haven't quite finished. I eat with contemplation, Ariel, because there's more than the mere food and the warmth of it to consider. There's the pleasure of being entertained by the great Martin Pike. Think what a real kindness I'm doing him, too. I increase his good deeds and his hospitality without his knowing it or being able to help it. Don't you see how I boost his standing with the Recording Angel? If Lazarus had behaved the way I do, Dives needn't have had those worries that came to him in the after-life."
"Give me the dish and coffee-cup," she whispered, impatiently.
"Suppose the waiter came and had to look for them? Quick!"
"Take them, then. You'll see that jealousy hasn't spoiled my appet.i.te--"
A bottle-shaped figure appeared in the window and she had no time to take the plate and cup which were being pushed through the palm-leaves.
She whispered a syllable of warning, and the dishes were hurriedly withdrawn as Norbert Flitcroft, wearing a solemn expression of injury, came out upon the veranda.
He halted suddenly. "What's that?" he asked, with suspicion.
"Nothing," answered Ariel, sharply. "Where?"
"Behind those palms."
"Probably your own shadow," she laughed; "or it might have been a draught moving the leaves."
He did not seem satisfied, but stared hard at the spot where the dishes had disappeared, meantime edging back cautiously nearer the window.
"They want you," he said, after a pause. "Some one's come for you."
"Oh, is grandfather waiting?" She rose, at the same time letting her handkerchief fall. She stooped to pick it up, with her face away from Norbert and towards the palms, whispering tremulously, but with pa.s.sionate urgency, "Please GO!"
"It isn't your grandfather that has come for you," said the fat one, slowly. "It is old Eskew Arp. Something's happened."
She looked at him for a moment, beginning to tremble violently, her eyes growing wide with fright.
"Is my grandfather--is he sick?"
"You better go and see. Old Eskew's waiting in the hall. He'll tell you."
She was by him and through the window instantly. Norbert did not follow her; he remained for several moments looking earnestly at the palms; then he stepped through the window and beckoned to a youth who was lounging in the doorway across the room.
"There's somebody hiding behind those plants," he whispered, when his friend reached him. "Go and tell Judge Pike to send some of the n.i.g.g.e.rs to watch outside the porch, so that he doesn't get away. Then tell him to get his revolver and come here."
Meanwhile Ariel had found Mr. Arp waiting in the hall, talking in a low voice to Mrs. Pike.
"Your grandfather's all right," he told the frightened girl, quickly.
"He sent me for you, that's all. Just hurry and get your things."
She was with him again in a moment, and seizing the old man's arm, hurried him down the steps and toward the street almost at a run.
"You're not telling me the truth," she said. "You're not telling me the truth!"
"Nothing has happened to Roger," panted Mr. Arp. "Nothing to mind, I mean. Here! We're going this way, not that." They had come to the gate, and as she turned to the right he pulled her round sharply to the left. "We're not going to your house."
"Where are we going?"
"We're going to your uncle Jonas's."
"Why?" she cried, in supreme astonishment. "What do you want to take me there for? Don't you know that he's stopped speaking to me?"
"Yes," said the old man, grimly, with something of the look he wore when delivering a clincher at the "National House,"--"he's stopped speaking to everybody."
V
BEAVER BEACH
The Canaan Daily Tocsin of the following morning "ventured the a.s.sertion" upon its front page that "the scene at the Pike Mansion was one of unalloyed festivity, music, and mirth; a fairy bower of airy figures wafting here and there to the throb of waltz-strains; a veritable Temple of Terpsich.o.r.e, shining forth with a myriad of lights, which, together with the generous profusion of floral decorations and the mingled delights afforded by Minds's orchestra of Indianapolis and Caterer Jones of Chicago, was in all likelihood never heretofore surpa.s.sed in elegance in our city.... Only one incident," the Tocsin remarked, "marred an otherwise perfect occasion, and out of regard for the culprit's family connections, which are prominent in our social world, we withhold his name. Suffice it to say that through the vigilance of Mr. Norbert Flitcroft, grandson of Colonel A. A.
Flitcroft, who proved himself a thorough Lecoq (the celebrated French detective), the rascal was seized and recognized. Mr. Flitcroft, having discovered him in hiding, had a cordon of waiters drawn up around his hiding-place, which was the charmingly decorated side piazza of the Pike Mansion, and sent for Judge Pike, who came upon the intruder by surprise. He evaded the Judge's indignant grasp, but received a well-merited blow over the head from a poker which the Judge had concealed about his person while pretending to approach the hiding-place casually. Attracted to the scene by the cries of Mr.
Flitcroft, who, standing behind Judge Pike, accidentally received a blow from the same weapon, all the guests of the evening sprang to view the scene, only to behold the culprit leap through a crevice between the strips of canvas which enclosed the piazza. He was seized by the colored coachman of the Mansion, Sam Warden, and immediately pounced upon by the cordon of Caterer Jones's dusky a.s.sistants from Chicago, who were in ambush outside. Unfortunately, after a brief struggle he managed to trip Warden, and, the others stumbling upon the prostrate body of the latter, to make his escape in the darkness.
"It is not believed by many that his intention was burglary, though what his designs were can only be left to conjecture, as he is far beyond the age when boys perform such actions out of a sense of mischief. He had evidently occupied his hiding-place some time, and an idea of his coolness may be obtained from his having procured and eaten a full meal through an unknown source. Judge Pike is justly incensed, and swears that he will prosecute him on this and other charges as soon as he can be found. Much sympathy is felt for the culprit's family, who feel his shame most keenly, but who, though sorrowing over the occurrence, declare that they have put up with his derelictions long enough, and will do nothing to step between him and the Judge's righteous indignation."
The Pike Mansion, "scene of festivity, music, and mirth" (not quite so unalloyed, after all, the stricken Flitcroft keeping his room for a week under medical supervision), had not been the only bower of the dance in Canaan that evening: another Temple of Terpsich.o.r.e had shone forth with lights, though of these there were not quite a myriad. The festivities they illumined obtained no mention in the paper, nor did they who trod the measures in this second temple exhibit any sense of injury because of the Tocsin's omission. Nay, they were of that cla.s.s, shy without being bashful, exclusive yet not proud, which shuns publicity with a single-heartedness almost unique in our republic, courting observation neither in the prosecution of their professions nor in the pursuit of happiness.
Not quite a mile above the northernmost of the factories on the water-front, there projected into the river, near the end of the crescent bend above the town, a long pier, relic of steamboat days, rotting now, and many years fallen from its maritime uses. About midway of its length stood a huge, crazy shed, long ago utilized as a freight storeroom. This had been patched and propped, and a dangerous-looking veranda attached to it, over-hanging the water.
Above the doorway was placed a sign whereon might be read the words, "Beaver Beach, Mike's Place." The sh.o.r.e end of the pier was so ruinous that pa.s.sage was offered by a single row of planks, which presented an appearance so temporary, as well as insecure, that one might have guessed their office to be something in the nature of a drawbridge.
From these a narrow path ran through a marsh, left by the receding river, to a country road of desolate appearance. Here there was a rough enclosure, or corral, with some tumble-down sheds which afforded shelter, on the night of Joseph Louden's disgrace, for a number of s.h.a.ggy teams attached to those decrepit and musty vehicles known picturesquely and accurately as Night-Hawks. The presence of such questionable shapes in the corral indicated that the dance was on at Beaver Beach, Mike's Place, as surely as the short line of cabs and family carriages on upper Main Street made it known that gayety was the order of the night at the Pike Mansion. But among other differences was this, that at the hour when the guests of the latter were leaving, those seeking the hospitalities of Beaver Beach had just begun to arrive.
By three o'clock, however, joy at Mike's Place had become beyond question unconfined, and the tokens of it were audible for a long distance in all directions. If, however, there is no sound where no ear hears, silence rested upon the country-side until an hour later.
Then a lonely figure came shivering from the direction of the town, not by the road, but slinking through the snow upon the frozen river. It came slowly, as though very tired, and cautiously, too, often turning its head to look behind. Finally it reached the pier, and stopped as if to listen.
Within the house above, a piano of evil life was being beaten to death for its sins and clamoring its last cries horribly. The old shed rattled in every part with the thud of many heavy feet, and trembled with the shock of noise--an incessant roar of men's voices, punctuated with women's screams. Then the riot quieted somewhat; there was a clapping of hands, and a violin began to squeak measures intended to be Oriental. The next moment the listener scrambled up one of the rotting piles and stood upon the veranda. A shaft of red light through a broken shutter struck across the figure above the shoulders, revealing a b.l.o.o.d.y handkerchief clumsily knotted about the head, and, beneath it, the face of Joe Louden.
He went to the broken shutter and looked in. Around the blackened walls of the room stood a bleared mob, applausively watching, through a fog of smoke, the contortions of an old woman in a red calico wrapper, who was dancing in the centre of the floor. The fiddler--a rubicund person evidently not suffering from any great depression of spirit through the circ.u.mstance of being "out on bail," as he was, to Joe's intimate knowledge--sat astride a barrel, resting his instrument upon the foamy tap thereof, and playing somewhat after the manner of a 'cellist; in no wise incommoded by the fact that a tall man (known to a few friends as an expert in the porch-climbing line) was sleeping on his shoulder, while another gentleman (who had prevented many cases of typhoid by removing old plumbing from houses) lay on the floor at the musician's feet and endeavored to a.s.sist him by plucking the strings of the fiddle.
Joe opened the door and went in. All of the merry company (who were able) turned sharply toward the door as it opened; then, recognizing the new-comer, turned again to watch the old woman. One or two nearest the door asked the boy, without great curiosity, what had happened to his head. He merely shook it faintly in reply, and crossed the room to an open hallway beyond. At the end of this he came to a frowzy bedroom, the door of which stood ajar. Seated at a deal table, and working by a dim lamp with a broken chimney, a close-cropped, red-bearded, red-haired man in his shirt-sleeves was jabbing gloomily at a column of figures scrawled in a dirty ledger. He looked up as Joe appeared in the doorway, and his eyes showed a slight surprise.