The Complete Writings of Charles Dudley Warner Part 75

John hoped it would be slippery--very--when he walked home with Cynthia, as he determined to do, but he did not dare to say so, and the conversation ran aground again. John thought about his dog and his sled and his yoke of steers, but he didn't see any way to bring them into conversation. Had she read the "Swiss Family Robinson"?

Only a little ways. John said it was splendid, and he would lend it to her, for which she thanked him, and said, with such a sweet expression, she should be so glad to have it from him. That was encouraging.

And then John asked Cynthia if she had seen Sally Hawkes since the husking at their house, when Sally found so many red ears; and didn't she think she was a real pretty girl.

"Yes, she was right pretty;" and Cynthia guessed that Sally knew it pretty well. But did John like the color of her eyes?

No; John didn't like the color of her eyes exactly.

"Her mouth would be well enough if she did n't laugh so much and show her teeth."

John said her mouth was her worst feature.

"Oh, no," said Cynthia warmly; "her mouth is better than her nose."

John did n't know but it was better than her nose, and he should like her looks better if her hair was n't so dreadful black.

But Cynthia, who could afford to be generous now, said she liked black hair, and she wished hers was dark. Whereupon John protested that he liked light hair--auburn hair--of all things.

And Cynthia said that Sally was a dear, good girl, and she did n't believe one word of the story that she only really found one red ear at the husking that night, and hid that and kept pulling it out as if it were a new one.

And so the conversation, once started, went on as briskly as possible about the paring-bee, and the spelling-school, and the new singing-master who was coming, and how Jack Thompson had gone to Northampton to be a clerk in a store, and how Elvira Reddington, in the geography cla.s.s at school, was asked what was the capital of Ma.s.sachusetts, and had answered "Northampton," and all the school laughed. John enjoyed the conversation amazingly, and he half wished that he and Cynthia were the whole of the party.

But the party had meantime got into operation, and the formality was broken up when the boys and girls had ventured out of the parlor into the more comfortable living-room, with its easy-chairs and everyday things, and even gone so far as to penetrate the kitchen in their frolic. As soon as they forgot they were a party, they began to enjoy themselves.

But the real pleasure only began with the games. The party was nothing without the games, and, indeed, it was made for the games.

Very likely it was one of the timid girls who proposed to play something, and when the ice was once broken, the whole company went into the business enthusiastically. There was no dancing. We should hope not. Not in the deacon's house; not with the deacon's daughters, nor anywhere in this good Puritanic society. Dancing was a sin in itself, and no one could tell what it would lead to. But there was no reason why the boys and girls shouldn't come together and kiss each other during a whole evening occasionally. Kissing was a sign of peace, and was not at all like taking hold of hands and skipping about to the sc.r.a.ping of a wicked fiddle.

In the games there was a great deal of clasping hands, of going round in a circle, of pa.s.sing under each other's elevated arms, of singing about my true love, and the end was kisses distributed with more or less partiality, according to the rules of the play; but, thank Heaven, there was no fiddler. John liked it all, and was quite brave about paying all the forfeits imposed on him, even to the kissing all the girls in the room; but he thought he could have amended that by kissing a few of them a good many times instead of kissing them all once.

But John was destined to have a damper put upon his enjoyment. They were playing a most fascinating game, in which they all stand in a circle and sing a philandering song, except one who is in the center of the ring, and holds a cushion. At a certain word in the song, the one in the center throws the cushion at the feet of some one in the ring, indicating thereby the choice of a "mate" and then the two sweetly kneel upon the cushion, like two meek angels, and--and so forth. Then the chosen one takes the cushion and the delightful play goes on. It is very easy, as it will be seen, to learn how to play it. Cynthia was holding the cushion, and at the fatal word she threw it down, not before John, but in front of Ephraim Leggett. And they two kneeled, and so forth. John was astounded. He had never conceived of such perfidy in the female heart. He felt like wiping Ephraim off the face of the earth, only Ephraim was older and bigger than he. When it came his turn at length,--thanks to a plain little girl for whose admiration he did n't care a straw,--he threw the cushion down before Melinda Mayhew with all the devotion he could muster, and a dagger look at Cynthia. And Cynthia's perfidious smile only enraged him the more. John felt wronged, and worked himself up to pa.s.s a wretched evening.

When supper came, he never went near Cynthia, and busied himself in carrying different kinds of pie and cake, and red apples and cider, to the girls he liked the least. He shunned Cynthia, and when he was accidentally near her, and she asked him if he would get her a gla.s.s of cider, he rudely told her--like a goose as he was--that she had better ask Ephraim. That seemed to him very smart; but he got more and more miserable, and began to feel that he was making himself ridiculous.

Girls have a great deal more good sense in such matters than boys.

Cynthia went to John, at length, and asked him simply what the matter was. John blushed, and said that nothing was the matter. Cynthia said that it wouldn't do for two people always to be together at a party; and so they made up, and John obtained permission to "see"

Cynthia home.

It was after half-past nine when the great festivities at the Deacon's broke up, and John walked home with Cynthia over the shining crust and under the stars. It was mostly a silent walk, for this was also an occasion when it is difficult to find anything fit to say.

And John was thinking all the way how he should bid Cynthia good-night; whether it would do and whether it wouldn't do, this not being a game, and no forfeits attaching to it. When they reached the gate, there was an awkward little pause. John said the stars were uncommonly bright. Cynthia did not deny it, but waited a minute and then turned abruptly away, with "Good-night, John!"

"Good-night, Cynthia!"

And the party was over, and Cynthia was gone, and John went home in a kind of dissatisfaction with himself.

It was long before he could go to sleep for thinking of the new world opened to him, and imagining how he would act under a hundred different circ.u.mstances, and what he would say, and what Cynthia would say; but a dream at length came, and led him away to a great city and a brilliant house; and while he was there, he heard a loud rapping on the under floor, and saw that it was daylight.

XIV

THE SUGAR CAMP

I think there is no part of farming the boy enjoys more than the making of maple sugar; it is better than "blackberrying," and nearly as good as fishing. And one reason he likes this work is, that somebody else does the most of it. It is a sort of work in which he can appear to be very active, and yet not do much.

And it exactly suits the temperament of a real boy to be very busy about nothing. If the power, for instance, that is expended in play by a boy between the ages of eight and fourteen could be applied to some industry, we should see wonderful results. But a boy is like a galvanic battery that is not in connection with anything; he generates electricity and plays it off into the air with the most reckless prodigality. And I, for one, would n't have it otherwise.

It is as much a boy's business to play off his energies into s.p.a.ce as it is for a flower to blow, or a catbird to sing s.n.a.t.c.hes of the tunes of all the other birds.

In my day maple-sugar-making used to be something between picnicking and being shipwrecked on a fertile island, where one should save from the wreck tubs and augers, and great kettles and pork, and hen's eggs and rye-and-indian bread, and begin at once to lead the sweetest life in the world. I am told that it is something different nowadays, and that there is more desire to save the sap, and make good, pure sugar, and sell it for a large price, than there used to be, and that the old fun and picturesqueness of the business are pretty much gone. I am told that it is the custom to carefully collect the sap and bring it to the house, where there are built brick arches, over which it is evaporated in shallow pans, and that pains is taken to keep the leaves, sticks, and ashes and coals out of it, and that the sugar is clarified; and that, in short, it is a money-making business, in which there is very little fun, and that the boy is not allowed to dip his paddle into the kettle of boiling sugar and lick off the delicious sirup. The prohibition may improve the sugar, but it is cruel to the boy.

As I remember the New England boy (and I am very intimate with one), he used to be on the qui vive in the spring for the sap to begin running. I think he discovered it as soon as anybody. Perhaps he knew it by a feeling of something starting in his own veins,--a sort of spring stir in his legs and arms, which tempted him to stand on his head, or throw a handspring, if he could find a spot of ground from which the snow had melted. The sap stirs early in the legs of a country-boy, and shows itself in uneasiness in the toes, which get tired of boots, and want to come out and touch the soil just as soon as the sun has warmed it a little. The country-boy goes barefoot just as naturally as the trees burst their buds, which were packed and varnished over in the fall to keep the water and the frost out.

Perhaps the boy has been out digging into the maple-trees with his jack-knife; at any rate, he is pretty sure to announce the discovery as he comes running into the house in a great state of excitement--as if he had heard a hen cackle in the barn--with "Sap's runnin'!"

And then, indeed, the stir and excitement begin. The sap-buckets, which have been stored in the garret over the wood-house, and which the boy has occasionally climbed up to look at with another boy, for they are full of sweet suggestions of the annual spring frolic,--the sap-buckets are brought down and set out on the south side of the house and scalded. The snow is still a foot or two deep in the woods, and the ox-sled is got out to make a road to the sugar camp, and the campaign begins. The boy is everywhere present, superintending everything, asking questions, and filled with a desire to help the excitement.

It is a great day when the cart is loaded with the buckets and the procession starts into the woods. The sun shines almost un.o.bstructedly into the forest, for there are only naked branches to bar it; the snow is soft and beginning to sink down, leaving the young bushes spindling up everywhere; the s...o...b..rds are twittering about, and the noise of shouting and of the blows of the axe echoes far and wide. This is spring, and the boy can scarcely contain his delight that his out-door life is about to begin again.

In the first place, the men go about and tap the trees, drive in the spouts, and hang the buckets under. The boy watches all these operations with the greatest interest. He wishes that sometime, when a hole is bored in a tree, the sap would spout out in a stream as it does when a cider-barrel is tapped; but it never does, it only drops, sometimes almost in a stream, but on the whole slowly, and the boy learns that the sweet things of the world have to be patiently waited for, and do not usually come otherwise than drop by drop.

Then the camp is to be cleared of snow. The shanty is re-covered with boughs. In front of it two enormous logs are rolled nearly together, and a fire is built between them. Forked sticks are set at each end, and a long pole is laid on them, and on this are hung the great caldron kettles. The huge hogsheads are turned right side up, and cleaned out to receive the sap that is gathered. And now, if there is a good "sap run," the establishment is under full headway.

The great fire that is kindled up is never let out, night or day, as long as the season lasts. Somebody is always cutting wood to feed it; somebody is busy most of the time gathering in the sap; somebody is required to watch the kettles that they do not boil over, and to fill them. It is not the boy, however; he is too busy with things in general to be of any use in details. He has his own little sap-yoke and small pails, with which he gathers the sweet liquid. He has a little boiling-place of his own, with small logs and a tiny kettle.

In the great kettles the boiling goes on slowly, and the liquid, as it thickens, is dipped from one to another, until in the end kettle it is reduced to sirup, and is taken out to cool and settle, until enough is made to "sugar off." To "sugar off" is to boil the sirup until it is thick enough to crystallize into sugar. This is the grand event, and is done only once in two or three days.

But the boy's desire is to "sugar off" perpetually. He boils his kettle down as rapidly as possible; he is not particular about chips, sc.u.m, or ashes; he is apt to burn his sugar; but if he can get enough to make a little wax on the snow, or to sc.r.a.pe from the bottom of the kettle with his wooden paddle, he is happy. A good deal is wasted on his hands, and the outside of his face, and on his clothes, but he does not care; he is not stingy.

To watch the operations of the big fire gives him constant pleasure.

Sometimes he is left to watch the boiling kettles, with a piece of pork tied on the end of a stick, which he dips into the boiling ma.s.s when it threatens to go over. He is constantly tasting of it, however, to see if it is not almost sirup. He has a long round stick, whittled smooth at one end, which he uses for this purpose, at the constant risk of burning his tongue. The smoke blows in his face; he is grimy with ashes; he is altogether such a ma.s.s of dirt, stickiness, and sweetness, that his own mother would n't know him.

He likes to boil eggs in the hot sap with the hired man; he likes to roast potatoes in the ashes, and he would live in the camp day and night if he were permitted. Some of the hired men sleep in the bough shanty and keep the fire blazing all night. To sleep there with them, and awake in the night and hear the wind in the trees, and see the sparks fly up to the sky, is a perfect realization of all the stories of adventures he has ever read. He tells the other boys afterwards that he heard something in the night that sounded very much like a bear. The hired man says that he was very much scared by the hooting of an owl.

The great occasions for the boy, though, are the times of "sugaring-off." Sometimes this used to be done in the evening, and it was made the excuse for a frolic in the camp. The neighbors were invited; sometimes even the pretty girls from the village, who filled all the woods with their sweet voices and merry laughter and little affectations of fright. The white snow still lies on all the ground except the warm spot about the camp. The tree branches all show distinctly in the light of the fire, which sends its ruddy glare far into the darkness, and lights up the bough shanty, the hogsheads, the buckets on the trees, and the group about the boiling kettles, until the scene is like something taken out of a fairy play. If Rembrandt could have seen a sugar party in a New England wood, he would have made out of its strong contrasts of light and shade one of the finest pictures in the world. But Rembrandt was not born in Ma.s.sachusetts; people hardly ever do know where to be born until it is too late.

Being born in the right place is a thing that has been very much neglected.

At these sugar parties every one was expected to eat as much sugar as possible; and those who are practiced in it can eat a great deal. It is a peculiarity about eating warm maple sugar, that though you may eat so much of it one day as to be sick and loathe the thought of it, you will want it the next day more than ever. At the "sugaring-off"

they used to pour the hot sugar upon the snow, where it congealed, without crystallizing, into a sort of wax, which I do suppose is the most delicious substance that was ever invented. And it takes a great while to eat it. If one should close his teeth firmly on a ball of it, he would be unable to open his mouth until it dissolved.

The sensation while it is melting is very pleasant, but one cannot converse.

The boy used to make a big lump of it and give it to the dog, who seized it with great avidity, and closed his jaws on it, as dogs will on anything. It was funny the next moment to see the expression of perfect surprise on the dog's face when he found that he could not open his jaws. He shook his head; he sat down in despair; he ran round in a circle; he dashed into the woods and back again. He did everything except climb a tree, and howl. It would have been such a relief to him if he could have howled. But that was the one thing he could not do.

XV

THE HEART OF NEW ENGLAND

It is a wonder that every New England boy does not turn out a poet, or a missionary, or a peddler. Most of them used to. There is everything in the heart of the New England hills to feed the imagination of the boy, and excite his longing for strange countries.