The Complete Writings of Charles Dudley Warner Part 213

"Oh, is that all?" And Mrs. Mavick spoke as if her mind were relieved.

"What could you expect from such a sudden proposal to a young girl, almost a child, wholly unused to the world? I should have done the same thing at her age. It will look different to her when she reflects, and understands what the position is that is offered her. Leave that to me."

Lord Montague shook his head and screwed up his keen little eyes.

His mind was in full play. "I know women, Mrs. Mavick, and I tell you there is something behind this. Somebody has been in the stable." The n.o.ble lord usually dropped into slang when he was excited.

"I don't understand your language," said Mrs. Mavick, straightening herself up in her seat.

"I beg pardon. It is just a way of speaking on the turf. When a favorite goes lame the morning of the race, we know some one has been tampering with him. I tell you there is some one else. She has some one else in her mind. That's the reason of it."

"Nonsense." cried Mrs. Mavick, with the energy of conviction.

"It's impossible. There is n.o.body, couldn't be anybody. She has led a secluded life till this hour. She hasn't a fancy, I know."

"I hope you are right," he replied, in the tone of a man wishing to take a cheerful view. "Perhaps I don't understand American girls."

"I think I do," she said, smiling. "They are generally amenable to reason. Evelyn now has something definite before her. I am glad you proposed."

And this was the truth. Mrs. Mavick was elated. So far her scheme was completely successful. As to Evelyn, she trusted to various influences she could bring to bear. Ultimate disobedience of her own wishes she did not admit as a possible thing.

A part of her tactics was the pressure of public opinion, so far as society represents it--that is, what society expects. And therefore it happened in a few days that a strong suspicion got about that Lord Montague had proposed formally to the heiress. The suspicion was strengthened by appearances. Mrs. Mavick did not deny the rumor. That there was an engagement was not affirmed, but that the honor had been or would be declined was hardly supposable.

In the painful interview between mother and daughter concerning this proposal, Evelyn had no reason to give for her opposition, except that she did not love him. This point Mrs. Mavick skillfully evaded and minimized. Of course she would love him in time. The happiest marriages were founded on social fitness and the judgment of parents, and not on the inexperienced fancies of young girls. And in this case things had gone too far to retreat. Lord Montague's attentions had been too open and undisguised. He had been treated almost as a son by the house.

Society looked upon the affair as already settled. Had Evelyn reflected on the mortification that would fall upon her mother if she persisted in her unreasonable att.i.tude? And Mrs. Mavick shed actual tears in thinking upon her own humiliation.

The ball which followed these private events was also a part of Mrs.

Mavick's superb tactics. It would be in a way a verification of the public rumors and a definite form of pressure which public expectation would exercise upon the lonely girl.

The splendor of this function is still remembered. There were, however, features in the glowing descriptions of it which need to be mentioned.

It was a.s.sumed that it was for a purpose, that it was in fact, if not a proclamation, at least an intimation of a new and brilliant Anglo-Saxon alliance. No one a.s.serted that an engagement existed. But the prominent figures in the spectacle were the English lord and the young and beautiful American heiress. There were portraits of both in half-tone.

The full names and t.i.tles expectant of Lord Montague were given, a history of the dukedom of Tewkesbury and its ancient glory, with the long line of n.o.ble names allied to the young lord, who was a social star of the first magnitude, a great traveler, a sportsman of the stalwart race that has the world for its field. ("Poor little Monte," said the managing editor as he pa.s.sed along these embellishments with his approval.)

On the other hand, the proposed alliance was no fall in dignity or family to the English house. The heiress was the direct descendant of the Esch.e.l.les, an old French family, distinguished in camp and court in the glorious days of the Grand Monarch.

XXIII

Probably no man ever wrote and published a book, a magazine story, or a bit of verse without an instant decision to repeat the experiment. The inclination once indulged becomes insatiable. It is not altogether the gratified vanity of seeing one's self in print, for, before printing was, the composers and reciters of romances and songs were driven along the same path of unrest and anxiety, when once they had the least recognition of their individual distinction. The impulse is more subtle than the desire for wealth or the craving for political place. In some cases it is in simple obedience to the longing to create; in others it is a lower ambition for notoriety, for praise.

In any case the experiment of authorship, in however humble, a way, has an a.n.a.logy to that other tempting occupation of making "investments" in the stock-market: the first trial is certain to lead to another. If the author succeeds in any degree, his spirit rises to another attempt in the hope of a wider recognition. If he fails, that is a reason why he should convince his fellows that the failure was not inherent in himself, but in ill-luck or a misdirection of his powers. And the experiment has another a.n.a.logy to the n.o.ble occupation of levying toll upon the change of values--a first brilliant success is often a misfortune, inducing an overestimate of capacity, while a very moderate success, recognized indeed only as a trial, steadies a man, and sets him upon that serious diligence upon which alone, either in art or business, any solid fortune is built.

Philip was fortunate in that his first novel won him a few friends and a little recognition, but no popularity. It excited neither envy nor hostility. In the perfunctory and somewhat commercial good words it received, he recognized the good-nature of the world. In the few short reviews that dealt seriously with his work, he was able, when the excitement of seeing himself discussed had subsided, to read between the lines why The Puritan Nun had failed to make a larger appeal. It was idyllic and poetic, but it lacked virility; it lacked also simplicity in dealing with the simple and profound facts of life. He had been too solicitous to express himself, to write beautifully, instead of letting the human emotions with which he had to deal show themselves. One notice had said that it was too "literary"; by which, of course, the critic meant that he did not follow the solid traditions, the essential elements in all the great masterpieces of literature that have been created. And yet he had shown a quality, a facility, a promise, that had gained him a foothold and a support in the world of books and of the making of books.

And though he had declined Mr. Ault's tempting offer to illuminate his transcontinental road with a literary torch, he none the less was pleased with this recognition of his capacity and the value of his name.

To say that Philip lived on hope during this summer of heat, suspensions, and business derangement would be to allow him a too substantial subsistence. Evelyn, indeed, seemed, at the distance of Newport, more unattainable than ever, and the scant news he had of the drama enacted there was a perpetual notice to him of the social gulf that lay between them. And yet his dream was sustained by occasional a.s.surances from Miss McDonald of her confidence in Evelyn's belief in him, nay, of her trust, and she even went so far as to say affection. So he went on building castles in the air, which melted and were renewed day after day, like the transient but unfailing splendor of the sunset.

There was a certain exaltation in this indulgence of his pa.s.sion that stimulated his creative faculties, and, while his daily tasks kept him from being morbid, his imagination was free to play with the construction of a new story, to which his recent experience would give a certain solidity and a knowledge of the human struggle as it is.

He found himself observing character more closely than before, looking for it not so much in books as in the people he met. There was Murad Ault, for instance. How he would like to put him into a book!

Of course it would not do to copy a model, raw, like' that, but he fell to studying his traits, trying to see the common humanity exhibited in him. Was he a type or was he a freak? This was, however, too dangerous ground until he knew more of life.

The week's vacation allowed him by his house was pa.s.sed in Rivervale.

There, in the calmness of country life, and in the domestic atmosphere of affection which believed in him, he was far enough removed from the scene of the spectres of his imagination to see them in proper perspective, and there the lines of his new venture were laid down, to be worked out later on, he well knew, in the anxiety and the toil which should endue the skeleton with life. Rivervale, to be sure, was haunted by the remembrance of Evelyn; very often the familiar scenes filled him with an intolerable longing to see again the eyes that had inspired him, to hear the voice that was like no other in the world, to take the little hand that had often been so frankly placed in his, and to draw to him the form in which was embodied all the grace and tender witchery of womanhood.

But the knowledge of what she expected of him was an inspiration, always present in his visions of her.

Something of his hopes and fears Alice divined, and he felt her sympathy, although she did not intrude upon his reticence by any questions. They talked about Evelyn, but it was Evelyn in Rivervale, not in Newport. In fact, the sensible girl could regard her cousin's pa.s.sion as nothing more than a romance in a young author's life, and to her it was a sign of his security that he had projected a new story.

With instinctive perception of his need, she was ever turning his thoughts upon his literary career. Of course she and all the household seemed in a conspiracy to flatter and encourage the vanity of authorship.

Was not all the village talking about the reputation he had conferred on it? Was it not proud of him? Indeed, it did imagine that the world outside of Rivervale was very much interested in him, and that he was already an author of distinction. The county Gazette had announced, as an important piece of news, that the author of The Puritan Nun was on a visit to his relatives, the Maitlands. This paragraph seemed to stand out in the paper as an almost immodest exposure of family life, read furtively at first, and not talked of, and yet every member of the family was conscious of an increase in the family importance. Aunt Patience discovered, from her outlook on the road, that summer visitors had a habit of driving or walking past the house and then turning back to look at it again.

So Philip was not only distinguished, but he had the power of conferring distinction. No one can envy a young author this first taste of fame, this home recognition. Whatever he may do hereafter, how much more substantial rewards he may attain, this first sweetness of incense to his ambition will never come to him again.

When Philip returned to town, the city was still a social desert, and he plunged into the work piled up on his desk, the never-ceasing acc.u.mulation of ma.n.u.scripts, most of them sh.e.l.ls which the workers have dredged up from the mud of the literary ocean, in which the eager publisher is always expecting to find pearls. Even Celia was still in the country, and Philip's hours spared from drudgery were given to the new story. His days, therefore, pa.s.sed without incident, but not without pleasure. For whatever annoyances the great city may have usually, it is in the dull season--that is, the season of its summer out-of-doors animation--a most attractive and, even stimulating place for the man who has an absorbing pursuit, say a work in creative fiction. Undisturbed by social claims or public interests, the very noise and whirl of the gay metropolis seem to hem him in and protect the world of his own imagination.

The first disturbing event in this serenity was the report of the Mavick ball, already referred to, and the interpretation put upon it by the newspapers. In this light his plans seemed the merest moonshine. What became of his fallacious hope of waiting when events were driving on at this rate? What chance had he in such a social current? Would Evelyn be strong enough to stem it and to wait also? And to wait for what? For the indefinite and improbable event of a poor author, hardly yet recognized as an author, coming into position, into an income (for that was the weak point in his aspirations) that would not be laughed at by the millionaire. When he coolly considered it, was it reasonable to expect that Mr. and Mrs. Mavick would ever permit Evelyn to throw away the brilliant opportunity for their daughter which was to be the crowning end of their social ambition? The mere statement of the proposition was enough to overwhelm him.

That this would be the opinion of the world he could not doubt.

He felt very much alone. It was not, however, in any resolve to make a confidante of Celia, but in an absolute need of companionship, that he went to see if she had returned. That he had any personal interest in this ball he did not intend to let Celia know, but talk with somebody he must. Of his deep affection for this friend of his boyhood, there was no doubt, nor of his knowledge of her devotion to his interests. Why, then, was he reserved with her upon the absorbing interest of his life?

Celia had returned, before the opening of the medical college, full of a new idea. This was nothing new in her restless nature; but if Philip had not been blinded by the common selfishness of his s.e.x, he might have seen in the gladness of her welcome of him something more than mere sisterly affection.

"Are you real glad to see me, Phil? I thought you might be lonesome by this time in the deserted city."

"I was, horribly." He was still holding her hand. "Without a chance to talk with you or Alice, I am quite an orphan."

"Ah! You or Alice!" A shade of disappointment came over her face as she dropped his hand. But she rallied in a moment.

"Poor boy! You ought to have a guardian. What heroine of romance are you running after now?"

"In my new story?"

"Of course."

"She isn't very well defined in my mind yet. But a lovely girl, without anything peculiar, no education to speak of, or career, fascinating in her womanhood, such as might walk out of the Bible. Don't you think that would be a novelty? But it is the most difficult to do."

"Negative. That sort has gone out. Philip, why don't you take the heroine of the Mavick ball? There is a theme." She was watching him shrewdly, and saw the flush in his face as he hurriedly asked,

"Did you ever see her?"

"Only at a distance. But you must know her well enough for a literary purpose. The reports of the ball give you the setting of the drama."

"Did you read them?"

"I should say I did. Most amusing."

"Celia, don't you think it would be an ungentlemanly thing to take a social event like that?"

"Why, you must take life as it is. Of course you would change the details. You could lay the scene in Philadelphia. n.o.body would suspect you then."