The Complete Writings of Charles Dudley Warner Part 203

The naming of the book had been almost as difficult as the creation. His first choice had been "The Lily of the Valley," but Balzac had pre-empted that. And then he had thought of "The Enclosed Garden" (Hortus Clausus), the t.i.tle of a lovely picture he had seen. That was Biblical, but in the present ignorance of the old scriptures it would be thought either agricultural or sentimental. It is not uncommon that a book owes its notoriety and sale to its t.i.tle, and it is not easy to find a t.i.tle that will attract attention without being too sensational. The t.i.tle chosen was paradoxical, for while a nun might be a puritan, it was unthinkable that a Puritan should be a nun.

Mr. Brad said he liked it, because it looked well and did not mean anything; he liked all such t.i.tles, the "Pious Pirate," the "Lucid Lunatic," the "Sympathetic Siren," the "Guileless Girl," and so on.

The announcement of publication had the effect of putting Philip in high spirits for the Mavick reception-spirits tempered, however, by the embarra.s.sment natural to a modest man that he would be painfully conspicuous. This first placarding of one's name is a peculiar and mixed sensation. The letters seem shamefully naked, and the owner seems exposed and to have parted with a considerable portion of his innate privacy. His first fancy is that everybody will see it. But this fancy only comes once. With experience he comes to doubt if anybody except himself will see it.

To those most concerned the Mavick reception was the event of a lifetime.

To the town--that is, to a thousand or two persons occupying in their own eyes an exclusive position it was one of the events of the season, and, indeed, it was the sensation for a couple of days. The historian of social life formerly had put upon him the task of painfully describing all that went to make such an occasion brilliant--the house itself, the decorations, the notable company, men distinguished in the State or the Street, women as remarkable for their beauty as for their courage in its exhibition, the whole world of fashion and of splendid extravagance upon which the modiste and the tailor could look with as much pride as the gardener does upon a show of flowers which his genius has brought to perfection.

The historian has no longer this responsibility. It is transferred to a kind of trust. A race of skillful artists has arisen, who, in combination with the caterers, the decorators, and the milliners, produce a composite piece of literature in which all details are woven into a splendid whole--a composition rhetorical, humorous, lyrical, a n.o.ble apotheosis of wealth and beauty which carefully satisfies individual vanity and raises in the mind a n.o.ble picture of modern civilization.

The pen and the pencil contribute to this splendid result in the daily chronicle of our life. Those who are not present are really witnesses of the scene, and this pictorial and literary triumph is justified in the fact that no other effort of the genius of reproduction is so eagerly studied by the general public. Not only in the city, but in the remote villages, these accounts are perused with interest, and it must be taken as an evidence of the new conception of the duties of the favored of fortune to the public pleasure that the partic.i.p.ants in these fetes overcome, though reluctantly, their objection to notoriety.

No other people in the world are so hospitable as the Americans, and so willing to incur discomfort in showing hospitality. No greater proof of this can be needed than the effort to give princely entertainments in un-princely houses, where opposing streams of guests fight for progress in scant pa.s.sages and on narrow stairways, and pack themselves in stifling rooms. The Mavick house, it should be said, was perfectly adapted to the throng that seemed to fill but did not crowd it. The s.p.a.cious halls, the n.o.ble stairways, the ample drawing-rooms, the ballroom, the music-room, the library, the picture-gallery, the dining-room, the conservatory--into these the crowd flowed or lingered without confusion or annoyance and in a continual pleasure of surprise.

"The best point of view," said an artist of Philip's acquaintance, "is just here." They were standing in the great hall looking up at that n.o.ble gallery from which flowed down on either hand a broad stairway.

"I didn't know there was so much beauty in New York. It never before had such an opportunity to display itself. There is room for the exhibition of the most elaborate toilets, and the costumes really look regal in such a setting."

When Philip was shown to the dressing-room, conscious that the servant was weighing him lightly in the social scale on account of his early arrival, he found a few men who were waiting to make their appearance more seasonable. They were young men, who had the air of being bored by this sort of thing, and greeted each other with a look of courteous surprise, as much as to say, "h.e.l.lo! you here?" One of them, whom Philip knew slightly, who had the reputation of being the distributer if not the fountain of social information, and had the power of attracting gossip as a magnet does iron filings, gave Philip much valuable information concerning the function.

"Mrs. Mavick has done it this time. Everybody has tumbled in.

Washington is drained of its foreign diplomats, the heavy part of the cabinet is moved over to represent the President, who sent a gracious letter, the select from Boston, the most ancient from Philadelphia, and I know that Chicago comes in a special train. Oh, it's the thing. I a.s.sure you there was a scramble for invitations in the city. Lots of visiting n.o.bility--Count de l'Auney, I know, and that little sn.o.b, Lord Montague."

"Who is he?"

"Lord Crewe Monmouth Fitzwilliam, the Marquis of Montague, eldest son of the Duke of Tewkesbury. He's a daisy.

"They say he is over here looking for capital to carry on his peer business when he comes into it. Don't know who put up the money for the trip. These foreigners keep a sharp eye on our market, I can tell you.

They say she is a nice little girl, rather a blue-stocking, face rather intelligent than pretty, but Montague won't care for that--excuse the old joke, but it is the figure Monte is after. He hasn't any manners, but he's not a bad sort of a fellow, generally good-natured, immensely pleased with New York, and an enthusiastic connoisseur in club drinks."

At the proper hour--the hour, it came into, his mind, when the dear ones at Rivervale had been long in sleep, lulled by the musical flow of the Deerfield--Philip made his way to the reception room, where there actually was some press of a crowd, in lines, to approach the attraction of the evening, and as he waited his turn he had leisure to observe the brilliant scene. There was scarcely a person in the room he knew. One or two ladies gave him a preoccupied nod, a plain little woman whom he had talked with about books at a recent dinner smiled upon him encouragingly. But what specially impressed him at the moment was the seriousness of the function, the intentness upon the presentation, and the look of worry on the faces of the women in arranging trains and avoiding catastrophes.

As he approached he fancied that Mr. Mavick looked weary and bored, and that a shade of abstraction occasionally came over his face as if it were difficult to keep his thoughts on the changing line.

But his face lighted up a little when he took Philip's hand and exchanged with him the commonplaces of the evening. But before this he had to wait a moment, for he was preceded by an important personage. A dapper little figure, trim, neat, at the moment drew himself up before Mrs. Mavick, brought his heels together with a click, and made a low bow. Doubtless this was the French count. Mrs. Mavick was radiant. Philip had never seen her in such spirits or so fascinating in manner.

"It is a great honor, count."

"It ees to me," said the count, with a marked accent; "I a.s.sure you it is like Paris in ze time of ze monarchy. Ah, ze Great Republic, madame--so it was in France in ze ancien regime. Ah, mademoiselle! Permit me," and he raised her hand to his lips; "I salute--is it not" (turning to Mrs.

Mavick)--"ze princess of ze house?"

The next man who shook hands with the host, and then stood in an easy att.i.tude before the hostess, attracted Philip's attention strongly, for he fancied from the deference shown him it must be the lord of whom he had heard. He was a short, little man, with heavy limbs and a clumsy figure, reddish hair, very thin on the crown, small eyes that were not improved in expression by white eyebrows, a red face, smooth shaven and freckled. It might have been the face of a hostler or a billiard-marker.

"I am delighted, my lord, that you could make room in your engagements to come."

"Ah, Mrs. Mavick, I wouldn't have missed it," said my lord, with easy a.s.surance; "I'd have thrown over anything to have come. And, do you know" (looking about him coolly), "it's quite English, 'pon my honor, quite English--St. James and that sort of thing."

"You flatter me, my lord," replied the lady of the house, with a winning smile.

"No, I do a.s.sure you, it's bang-up. Ah, Miss Mavick, delighted, delighted. Most charming. Lucky for me, wasn't it? I'm just in time."

"You've only recently come over, Lord Montague?" asked Evelyn.

"Been here before--Rockies, shooting, all that. Just arrived now --beastly trip, beastly."

"And so you were glad to land?"

"Glad to land anywhere. But New York suits me down to the ground.

It goes, as you say over here. You know Paris?"

"We have been in Paris. You prefer it?"

"For some thing. Paris as it was in the Empire. For sport, no.

For horses, no. And" (looking boldly into her face) "when you speak of American women, Paris ain't in it, as you say over here."

And the n.o.ble lord, instead of pa.s.sing on, wheeled about and took a position near Evelyn, so that he could drop his valuable observations into her ear as occasion offered.

To Philip Mrs. Mavick was civil, but she did not beam upon him, and she did not detain him longer than to say, "Glad to see you." But Evelyn --could Philip be deceived?--she gave him her hand cordially and looked into his eyes trustfully, as she had the habit of doing in the country, and as if it were a momentary relief to her to encounter in all this parade a friend.

"I need not say that I am glad you could come. And oh" (there was time only for a word), "I saw the announcement. Later, if you can, you will tell me more about it."

Lord Montague stared at him as if to say, "Who the deuce are you?" and as Philip met his gaze he thought, "No, he hasn't the manner of a stable boy; no one but a born n.o.bleman could be so confident with women and so supercilious to men."

But my lord, was little in his thought. It was the face of Evelyn that he saw, and the dainty little figure; the warmth of the little hand still thrilled him. So simple, and only a bunch of violets in her corsage for all ornament! The clear, dark complexion, the sweet mouth, the wonderful eyes! What could Jenks mean by intimating that she was plain?

Philip drifted along with the crowd. He was very much alone. And he enjoyed his solitude. A word and a smile now and then from an acquaintance did not tempt him to come out of his seclusion. The gay scene pleased him. He looked for a moment into the ballroom. At another time he would have tried his fortune in the whirl. But now he looked on as at a spectacle from which he was detached. He had had his moment and he waited for another. The voluptuous music, the fascinating toilets, the beautiful faces, the graceful forms that were woven together in this shifting kaleidoscope, were, indeed, a part of his beautiful dream. But how unreal they all were! There was no doubt that Evelyn's eyes had kindled for him as for no one else whom she had greeted. She singled him out in all this crush, her look, the cordial pressure of her hand, conveyed the feeling of comradeship and understanding. This was enough to fill his thought with foolish antic.i.p.ations. Is there any being quite so happy, quite so stupid, as a lover? A lover, who hopes everything and fears everything, who goes in an instant from the heights of bliss to the depths of despair.

When the "reception" was over and the company was breaking up into groups and moving about, Philip again sought Evelyn. But she was the centre of a somewhat noisy group, and it was not easy to join it.

Yet it was something that he could feast his eyes on her and was rewarded by a look now and then that told him she was conscious of his presence.

Encouraged by this, he was making his way to her, when there was a movement towards the supper-room, and Mrs. Mavick had taken the arm of the Count de l'Auney, and the little lord was jauntily leading away Evelyn. Philip had a pang of disgust and jealousy. Evelyn was actually chatting with him and seemed amused. Lord Montague was evidently laying himself out to please and exerting all the powers of his subtle humor and exploiting his newly acquired slang. That Philip could hear as they moved past him. "The brute!" Philip said to himself, with the injustice which always clouds the estimate of a lover of a rival whose accomplishments differ from his own.

In the supper-room, however, in the confusion and crowding of it, Philip at length found his opportunity to get to the side of Evelyn, whose smile showed him that he was welcome. It was in that fortunate interval when Lord Montague was showing that devotion to women was not incompatible with careful attention to terrapin and champagne. Philip was at once inspired to say:

"How lovely it is! Aren't you tired?"

"Not at all. Everybody is very kind, and some are very amusing. I am learning a great deal," and there was a quizzical look in her eyes, "about the world."

"Well," said Philip, "t's all here."

"I suppose so. But do you know," and there was quite an ingenuous blush in her cheeks as she said it, "it isn't half so nice, Mr. Burnett, as a picnic in Zoar."

"So you remember that?" Philip had not command of himself enough not to attempt the sentimental.

"You must think I have a weak memory," she replied, with a laugh.

"And the story? When shall we have it?"

"Soon, I hope. And, Miss Mavick, I owe so much of it to you that I hope you will let me send you the very first copy from the press."

"Will you? And do you Of course I shall be pleased and" (making him a little curtsy) "honored, as one ought to say in this company."