The Complete Writings of Charles Dudley Warner Part 20

"Have you," he went on, "ever stolen, or told any lie?"

I was able to say no, except admitting as to the first, usual college "conveyances," and as to the last, an occasional "blinder" to the professors. He was gracious enough to say that these could be overlooked as incident to the occasion.

"Have you ever been dissipated, living riotously and keeping late hours?"

"Yes."

This also could be forgiven me as an incident of youth.

"Did you ever," he went on, "commit the crime of using intoxicating drinks as a beverage?"

I answered that I had never been a habitual drinker, that I had never been what was called a "moderate drinker," that I had never gone to a bar and drank alone; but that I had been accustomed, in company with other young men, on convivial occasions to taste the pleasures of the flowing bowl, sometimes to excess, but that I had also tasted the pains of it, and for months before my demise had refrained from liquor altogether. The holy man looked grave, but, after reflection, said this might also be overlooked in a young man.

"What," continued he, in tones still more serious, "has been your conduct with regard to the other s.e.x?"

I fell upon my knees in a tremor of fear. I pulled from my bosom a little book like the one Leperello exhibits in the opera of "Don Giovanni." There, I said, was a record of my flirtation and inconstancy. I waited long for the decision, but it came in mercy.

"Rise," he cried; "young men will be young men, I suppose. We shall forgive this also to your youth and penitence."

"Your examination is satisfactory, he informed me," after a pause; "you can now enter the abodes of the happy."

Joy leaped within me. We approached the gate. The key turned in the lock. The gate swung noiselessly on its hinges a little open. Out flashed upon me unknown splendors. What I saw in that momentary gleam I shall never whisper in mortal ears. I stood upon the threshold, just about to enter.

"Stop! one moment," exclaimed St. Peter, laying his hand on my shoulder; "I have one more question to ask you."

I turned toward him.

"Young man, did you ever use tobacco?"

"I both smoked and chewed in my lifetime," I faltered, "but..."

"THEN TO h.e.l.l WITH YOU!" he shouted in a voice of thunder.

Instantly the gate closed without noise, and I was flung, hurled, from the battlement, down! down! down! Faster and faster I sank in a dizzy, sickening whirl into an unfathomable s.p.a.ce of gloom. The light faded. Dampness and darkness were round about me. As before, for days and days I rose exultant in the light, so now forever I sank into thickening darkness,--and yet not darkness, but a pale, ashy light more fearful.

In the dimness, I at length discovered a wall before me. It ran up and down and on either hand endlessly into the night. It was solid, black, terrible in its frowning ma.s.siveness.

Straightway I alighted at the gate,--a dismal crevice hewn into the dripping rock. The gate was wide open, and there sat-I knew him at once; who does not?--the Arch Enemy of mankind. He c.o.c.ked his eye at me in an impudent, low, familiar manner that disgusted me. I saw that I was not to be treated like a gentleman.

"Well, young man," said he, rising, with a queer grin on his face,"

what are you sent here for?

"For using tobacco," I replied.

"Ho!" shouted he in a jolly manner, peculiar to devils, "that's what most of 'em are sent here for now."

Without more ado, he called four lesser imps, who ushered me within.

What a dreadful plain lay before me! There was a vast city laid out in regular streets, but there were no houses. Along the streets were places of torment and torture exceedingly ingenious and disagreeable.

For miles and miles, it seemed, I followed my conductors through these horrors, Here was a deep vat of burning tar. Here were rows of fiery ovens. I noticed several immense caldron kettles of boiling oil, upon the rims of which little devils sat, with pitchforks in hand, and poked down the helpless victims who floundered in the liquid. But I forbear to go into unseemly details. The whole scene is as vivid in my mind as any earthly landscape.

After an hour's walk my tormentors halted before the mouth of an oven,--a furnace heated seven times, and now roaring with flames.

They grasped me, one hold of each hand and foot. Standing before the blazing mouth, they, with a swing, and a "one, two, THREE...."

I again a.s.sure the reader that in this narrative I have set down nothing that was not actually dreamed, and much, very much of this wonderful vision I have been obliged to omit.

Haec fabula docet: It is dangerous for a young man to leave off the use of tobacco.

FIFTH STUDY

I

I wish I could fitly celebrate the joyousness of the New England winter. Perhaps I could if I more thoroughly believed in it. But skepticism comes in with the south wind. When that begins to blow, one feels the foundations of his belief breaking up. This is only another way of saying that it is more difficult, if it be not impossible, to freeze out orthodoxy, or any fixed notion, than it is to thaw it out; though it is a mere fancy to suppose that this is the reason why the martyrs, of all creeds, were burned at the stake.

There is said to be a great relaxation in New England of the ancient strictness in the direction of toleration of opinion, called by some a lowering of the standard, and by others a raising of the banner of liberality; it might be an interesting inquiry how much this change is due to another change,--the softening of the New England winter and the shifting of the Gulf Stream. It is the fashion nowadays to refer almost everything to physical causes, and this hint is a gratuitous contribution to the science of metaphysical physics.

The hindrance to entering fully into the joyousness of a New England winter, except far inland among the mountains, is the south wind. It is a grateful wind, and has done more, I suspect, to demoralize society than any other. It is not necessary to remember that it filled the silken sails of Cleopatra's galley. It blows over New England every few days, and is in some portions of it the prevailing wind. That it brings the soft clouds, and sometimes continues long enough to almost deceive the expectant buds of the fruit trees, and to tempt the robin from the secluded evergreen copses, may be nothing; but it takes the tone out of the mind, and engenders discontent, making one long for the tropics; it feeds the weakened imagination on palm-leaves and the lotus. Before we know it we become demoralized, and shrink from the tonic of the sudden change to sharp weather, as the steamed hydropathic patient does from the plunge. It is the insidious temptation that a.s.sails us when we are braced up to profit by the invigorating rigor of winter.

Perhaps the influence of the four great winds on character is only a fancied one; but it is evident on temperament, which is not altogether a matter of temperature, although the good old deacon used to say, in his humble, simple way, that his third wife was a very good woman, but her "temperature was very different from that of the other two." The north wind is full of courage, and puts the stamina of endurance into a man, and it probably would into a woman too if there were a series of resolutions pa.s.sed to that effect. The west wind is hopeful; it has promise and adventure in it, and is, except to Atlantic voyagers America-bound, the best wind that ever blew.

The east wind is peevishness; it is mental rheumatism and grumbling, and curls one up in the chimney-corner like a cat. And if the chimney ever smokes, it smokes when the wind sits in that quarter.

The south wind is full of longing and unrest, of effeminate suggestions of luxurious ease, and perhaps we might say of modern poetry,--at any rate, modern poetry needs a change of air. I am not sure but the south is the most powerful of the winds, because of its sweet persuasiveness. Nothing so stirs the blood in spring, when it comes up out of the tropical lat.i.tude; it makes men "longen to gon on pilgrimages."

I did intend to insert here a little poem (as it is quite proper to do in an essay) on the south wind, composed by the Young Lady Staying With Us, beginning,--

"Out of a drifting southern cloud My soul heard the night-bird cry,"

but it never got any farther than this. The Young Lady said it was exceedingly difficult to write the next two lines, because not only rhyme but meaning had to be procured. And this is true; anybody can write first lines, and that is probably the reason we have so many poems which seem to have been begun in just this way, that is, with a south-wind-longing without any thought in it, and it is very fortunate when there is not wind enough to finish them. This emotional poem, if I may so call it, was begun after Herbert went away. I liked it, and thought it was what is called "suggestive;"

although I did not understand it, especially what the night-bird was; and I am afraid I hurt the Young Lady's feelings by asking her if she meant Herbert by the "night-bird,"--a very absurd suggestion about two unsentimental people. She said, "Nonsense;" but she afterwards told the Mistress that there were emotions that one could never put into words without the danger of being ridiculous; a profound truth.

And yet I should not like to say that there is not a tender lonesomeness in love that can get comfort out of a night-bird in a cloud, if there be such a thing. a.n.a.lysis is the death of sentiment.

But to return to the winds. Certain people impress us as the winds do. Mandeville never comes in that I do not feel a north-wind vigor and healthfulness in his cordial, sincere, hearty manner, and in his wholesome way of looking at things. The Parson, you would say, was the east wind, and only his intimates know that his peevishness is only a querulous humor. In the fair west wind I know the Mistress herself, full of hope, and always the first one to discover a bit of blue in a cloudy sky. It would not be just to apply what I have said of the south wind to any of our visitors, but it did blow a little while Herbert was here.

II

In point of pure enjoyment, with an intellectual sparkle in it, I suppose that no luxurious lounging on tropical isles set in tropical seas compares with the positive happiness one may have before a great woodfire (not two sticks laid crossways in a grate), with a veritable New England winter raging outside. In order to get the highest enjoyment, the faculties must be alert, and not be lulled into a mere recipient dullness. There are those who prefer a warm bath to a brisk walk in the inspiring air, where ten thousand keen influences minister to the sense of beauty and run along the excited nerves.

There are, for instance, a sharpness of horizon outline and a delicacy of color on distant hills which are wanting in summer, and which convey to one rightly organized the keenest delight, and a refinement of enjoyment that is scarcely sensuous, not at all sentimental, and almost pa.s.sing the intellectual line into the spiritual.

I was speaking to Mandeville about this, and he said that I was drawing it altogether too fine; that he experienced sensations of pleasure in being out in almost all weathers; that he rather liked to breast a north wind, and that there was a certain inspiration in sharp outlines and in a landscape in trim winter-quarters, with stripped trees, and, as it were, scudding through the season under bare poles; but that he must say that he preferred the weather in which he could sit on the fence by the wood-lot, with the spring sun on his back, and hear the stir of the leaves and the birds beginning their housekeeping.

A very pretty idea for Mandeville; and I fear he is getting to have private thoughts about the Young Lady. Mandeville naturally likes the robustness and sparkle of winter, and it has been a little suspicious to hear him express the hope that we shall have an early spring.

I wonder how many people there are in New England who know the glory and inspiration of a winter walk just before sunset, and that, too, not only on days of clear sky, when the west is aflame with a rosy color, which has no suggestion of languor or unsatisfied longing in it, but on dull days, when the sullen clouds hang about the horizon, full of threats of storm and the terrors of the gathering night. We are very busy with our own affairs, but there is always something going on out-doors worth looking at; and there is seldom an hour before sunset that has not some special attraction. And, besides, it puts one in the mood for the cheer and comfort of the open fire at home.

Probably if the people of New England could have a plebiscitum on their weather, they would vote against it, especially against winter.