The Complete Writings of Charles Dudley Warner Part 128

"Yes. Miss Esch.e.l.le almost had a career there last season."

"Why almost?"

"Well--you will pardon me--one needs for success in these days to be not only very clever, but equally daring. It is every day more difficult to make a sensation."

"I thought her, across the house," Margaret said, "very pretty and attractive. I did not know you were so satirical, Mr. Lyon. Do you mean that one must be more daring, as you call it, in London than in New York?"

"I hope it will not hurt your national pride, Miss Debree, if I say that there is always the greater compet.i.tion in the larger market."

"Oh, my pride," Margaret answered, "does not lie in that direction."

"And to do her justice, I don't think Miss Esch.e.l.le's does, either. She appears to be more interested now in New York than in London."

He laughed as he said this, and Margaret laughed also, and then stopped suddenly, thinking of the roses that came that morning. Could she be comparing the Londoner with the handsome American who sat by her side at the opera last night? She was half annoyed with herself at the thought.

"And are not you also interested in New York, Mr. Lyon?" my wife asked.

"Yes, moderately so, if you will permit me to say it." It was an effort on his part to keep up the conversation, Margaret was so wholly unresponsive; and afterwards, knowing how affairs stood with them, I could understand his well-bred misery. The hardest thing in the world is to suffer decorously and make no sign in the midst of a society which insists on stoicism, no matter how badly one is hurt. The Society for First Aid to the Injured hardens its heart in these cases. "I have never seen another place," he continued, "where the women are so busy in improving themselves. Societies, clubs, parlor lectures, readings, recitations, musicales, cla.s.ses--it fatigues one to keep in sight of them. Every afternoon, every evening, something. I doubt if men are capable of such incessant energy, Mrs. Fairchild."

"And you find they have no time to be agreeable?"

"Quite the contrary. There is nothing they are not interesting in, nothing about which they cannot talk, and talk intensely. They absorb everything, and have the gift of acquiring intelligence without, as one of them told me, having to waste time in reading. Yes, it is a most interesting city."

The coming in of Mr. Morgan gave another turn to the talk. He had been to see a rural American play, an exhibition of country life and character, constructed in absolute disregard of any traditions of the stage.

"I don't suppose," Mr. Morgan said, "a foreigner would understand it; it would be impossible in Paris, incomprehensible in London."

"Yes, I saw it," said Mr. Lyon, thus appealed to. "It was very odd, and seemed to amuse the audience immensely. I suppose one must be familiar with American farm life to see the points of it. I confess that while I sat there, in an audience so keenly in sympathy with the play--almost a part of it, one might say--I doubted if I understood your people as well as I thought I did when I had been here a week only. Perhaps this is the beginning of an American drama."

"Some people say that it is."

"But it is so local!"

"Anything that is true must be true to local conditions, to begin with.

The only question is, is it true to human nature? What puzzled me in this American play was its raising the old question of nature and art. You've seen Coquelin? Well, that is acting, as artificial as a sonnet, the perfection of training, skill in an art. You never doubt that he is performing in a play for the entertainment of an audience. You have the same enjoyment of it that you have of a picture--a picture, I mean, full of character and sentiment, not a photograph. But I don't think of Denman Thompson as an actor trained to perfection in a dramatic school, but as a New Hampshire farmer. I don't admire his skill; I admire him. There is plenty that is artificial, vulgarly conventional, in his play, plenty of imitation of the rustic that shows it is imitation, but he is the natural man. If he is a stage illusion, he does not seem so to me." "Probably to an American audience only he does not," Mr. Lyon remarked.

"Well, that is getting to be a tolerably large audience."

"I doubt if you will change the laws of art," said Mr. Lyon, rising to go.

"We shall hope to see you again at our house," my wife said.

"You are very good. I should like it; but my time is running out."

"If you cannot come, you may leave your adieus with Miss Debree, who is staying some time in the city," my wife said, evidently to Margaret's annoyance. But she could do no less than give him her city address, though the information was not accompanied by any invitation in her manner.

Margaret was to stay some time with two maiden ladies, old friends of her mother, the Misses Arbuser. The Arbusers were people of consequence in their day, with a certain social prestige; in fact, the excellent ladies were two generations removed from successful mercantile life, which in the remote prospective took on an old-family solidity. Nowhere else in the city could Margaret have come closer in contact with a certain phase of New York life in which women are the chief actors--a phase which may be a transition, and may be only a craze. It is not so much a condescension of society to literature as it is a discovery that literature and art, in the persons of those who produce both, may be sources of amus.e.m.e.nt, or perhaps, to be just, of the enlargement of the horizon and the improvement of the mind. The society mind was never before so hospitable to new ideas and new sensations. Charities, boards of managers, missions, hospitals, news-rooms, and lodging-houses for the illiterate and the homeless--these are not sufficient, even with b.a.l.l.s, dancing cla.s.ses, and teas, for the superfluous energies of this restless, improving generation; there must be also radical clubs, reading cla.s.ses, study cla.s.ses, ethical, historical, scientific, literary lectures, the reading of papers by ladies of distinction and gentlemen of special attainments--an unremitting pursuit of culture and information. Curiosity is awake. The extreme of social refinement and a mild Bohemianism almost touch. It pa.s.ses beyond the affectation of knowing persons who write books and write for the press, artists in paint and artists in music.

"You cannot be sure in the most exclusive circle"--it was Carmen Esch.e.l.le who said this--"that you will not meet an author or even a journalist."

Not all the women, however, adore letters or affect enthusiasm at drawing-room lectures; there are some bright and cynical ones who do not, who write papers themselves, and have an air of being behind the scenes.

Margaret had thought that she was fully occupied in the country, with her teaching, her reading, her literature and historical clubs, but she had never known before what it was to be busy and not have time for anything, always in pursuit of some new thing, and getting a fragment here and there; life was a good deal like reading the dictionary and remembering none of the words. And it was all so cosmopolitan and all-embracingly sympathetic. One day it was a paper by a Servian countess on the social life of the Servians, absorbingly interesting both in itself and because it was a countess who read it; and this was followed by the singing of an Icelandic tenor and a Swedish soprano, and a recital on the violin by a slight, red-haired, middle-aged woman from London. All the talents seem to be afloat and at the service of the strenuous ones who are cultivating themselves.

The first function at which Margaret a.s.sisted in the long drawing-rooms of the Arbusers was a serious one--one that combined the charm of culture with the temptations of benevolence. The rooms were crowded with the fashion of the town, with a sprinkling of clergymen and of thin philanthropic gentlemen in advanced years. It was a four-o'clock, and the a.s.sembly had the cheerfulness of a reception, only that the display of toilets was felt to be sanctified by a purpose. The performance opened with a tremendous prelude on the piano by Herr Bloomgarten, who had been Liszt's favorite pupil; indeed, it was whispered that Liszt had said that, old as he was, he never heard Bloomgarten without learning something. There was a good deal of subdued conversation while the pianist was in his extreme agony of execution, and a hush of extreme admiration--it was divine, divine, ravishing--when he had finished. The speaker was a learned female pundit from India, and her object was to interest the women of America in the condition of their unfortunate Hindoo sisters. It appeared that thousands and tens of thousands of them were doomed to early and lifelong widowhood, owing to the operation of cruel caste laws, which condemned even girls betrothed to deceased Brahmins to perpetual celibacy. This fate could only be alleviated by the education and elevation of women. And money was needed for schools, especially for medical schools, which would break down the walls of prejudice and enfranchise the s.e.x. The appeal was so charmingly made that every one was moved by it, especially the maiden ladies present, who might be supposed to enter into the feelings of their dusky sisters beyond the seas. The speaker said, with a touch of humor that always intensifies a serious discourse, that she had been told that in one of the New England States there was a superfluity of unmarried women; but this was an entirely different affair; it was a matter of choice with these highly educated and accomplished women. And the day had come when woman could make her choice! At this there was a great clapping of hands.

It was one thing to be free to lead a life of single self-culture, and quite another to be compelled to lead a single fife without self-culture.

The address was a great success, and much enthusiasm spread abroad for the cause of the unmarried women of India.

In the audience were Mrs. Esch.e.l.le and her daughter. Margaret and Carmen were made acquainted, and were drawn together by curiosity, and perhaps by a secret feeling of repulsion. Carmen was all candor and sweetness, and absorbingly interested in the women of India, she said. With Margaret's permission she would come and see her, for she believed they had common friends.

It would seem that there could not be much sympathy between natures so opposed, persons who looked at life from such different points of view, but undeniably Carmen had a certain attraction for Margaret. The New Englander, whose climate is at once his enemy and his tonic, always longs for the tropics, which to him are a region of romance, as Italy is to the German. In his nature, also, there is something easily awakened to the allurements of a sensuous existence, and to a desire for a freer experience of life than custom has allowed him. Carmen, who showed to Margaret only her best side--she would have been wise to exhibit no other to Henderson, but women of her nature are apt to cheapen themselves with men--seemed an embodiment of that graceful gayety and fascinating worldliness which make the world agreeable.

One morning, a few days after the Indian function, Margaret was alone in her own cozy sitting-room. Nothing was wanting that luxury could suggest to make it in harmony with a beautiful woman, nothing that did not flatter and please, or nurse, perhaps, a personal sense of beauty, and impart that glow of satisfaction which comes when the senses are adroitly ministered to. Margaret had been in a mood that morning to pay extreme attention to her toilet. The result was the perfection of simplicity, of freshness, of maiden purity, enhanced by the touch of art. As she surveyed herself in the pier-gla.s.s, and noted the refined lines of the morning-gown which draped but did not conceal the more exquisite lines of her figure, and adjusted a rose in her bosom, she did not feel like a Puritan, and, although she may not have noted the fact, she did not look like one. It was not a look of vanity that she threw into the mirror, or of special self-consciousness; in her toilet she had obeyed only her instinct (that infallible guide in a woman of refinement), and if she was conscious of any emotion, it was of the stirring within her of the deepest womanly nature.

In fact, she was restless. She flung herself into an easy-chair before the fire, and took up a novel. It was a novel with a religious problem.

In vain she tried to be interested in it. At home she would have absorbed it eagerly; they would have discussed it; the doubts and suggestions in it would have a.s.sumed the deepest personal importance. It might have made an era in her thoughtful country life. Here it did not so appeal to her; it seemed unreal and shadowy in a life that had so much more of action than of reflection in it. It was a life fascinating and exciting, and profoundly unsatisfactory. Yet, after all, it was more really life than that placid vegetation in the country. She felt that in the whirl of only a few days of it--operas, receptions, teas, readings, dances, dinners, where everybody sparkled with a bewildering brilliancy, and yet from which one brought away nothing but a sense of strain; such gallantry, such compliments, such an easy tossing about of every topic under heaven; such an air of knowing everything, and not caring about anything very much; so much mutual admiration and personal satisfaction! She liked it, and perhaps was restless because she liked it. To be admired, to be deferred to--was there any harm in that? Only, if one suffers admiration today, it becomes a necessity tomorrow. She began to feel the influence of that life which will not let one stand still for a moment. If it is not the opera, it is a charity; if it is not a lover, it is some endowed cot in a hospital. There must be something going on every day, every hour.

Yes, she was restless, and could not read. She thought of Mr. Henderson.

He had called formally. She had seen him, here and there, again and again. He had sought her out in all companies; his face had broken into a smile when he met her; he had talked with her lightly, gayly; she remembered the sound of his voice; she had learned to know his figure in a room among a hundred; and she blushed as she remembered that she had once or twice followed him with her eyes in a throng. He was, to be sure, nothing to her; but he was friendly; he was certainly entertaining; he was a part, somehow, of this easy-flowing life.

Miss Esch.e.l.le was announced. Margaret begged that she would come upstairs without ceremony. The mutual taking-in of the pretty street costume and the pretty morning toilet was the work of a moment--the photographer has invented no machine that equals a woman's eyes for such a purpose.

"How delightful it is! how altogether charming!" and Margaret felt that she was included with the room in this admiration. "I told mamma that I was coming to see you this morning, even if I missed the Nestors'

luncheon. I like to please myself sometimes. Mamma says I'm frivolous, but do you know"--the girls were comfortably seated by the fire, and Carmen turned her sweet face and candid eyes to her companion--"I get dreadfully tired of all this going round and round. No, I don't even go to the Indigent Mothers' Home; it's part of the same thing, but I haven't any gift that way. Ah, you were reading--that novel."

"Yes; I was trying to read it; I intend to read it."

"Oh, we have had it! It's a little past now, but it has been all the rage. Everybody has read it; that is, I don't know that anybody has read it, but everybody has been talking about it. Of course somebody must have read it, to set the thing agoing. And it has been discussed to death. I sometimes feel as if I had changed my religion half a dozen times in a fortnight. But I haven't heard anything about it for a week. We have taken up the Hindoo widows now, you know." And the girl laughed, as if she knew she were talking nonsense.

"And you do not read much in the city?" Margaret asked, with an answering smile.

"Yes; in the summer. That is, some do. There is a reading set. I don't know that they read much, but there is a reading set. You know, Miss Debree, that when a book is published--really published, as Mr. Henderson says--you don't need to read it. Somehow it gets into the air and becomes common property. Everybody hears the whole thing. You can talk about it from a notice. Of course there are some novels that one must read in order to understand human nature. Do you read French?"

"Yes; but not many French novels; I cannot."

"Nor can I," said Carmen, with a sincere face. "They are too realistic for me." She was at the moment running over in her mind a "situation" in a paper-covered novel turned down on her nightstand. "Mr. Henderson says that everybody condemns the French novels, and that people praise the novels they don't read."

"You know Mr. Henderson very well?"

"Yes; we've known him a long time. He is the only man I'm afraid of."

"Afraid of?"

"Well, you know he is a sort of Club man; that style of man provokes your curiosity, for you never can tell how much such men know. It makes you a little uneasy."

Carmen was looking into the fire, as if abstractedly reflecting upon the nature of men in general, but she did not fail to notice a slight expression of pain on Margaret's face.

"But there is your Mr. Lyon--"

Margaret laughed. "You do me too much honor. I think you discovered him first."