The Complete Novels Of George Orwell Part 31

MR TALLBOYS [ [chanting]: I am poured out like water, and all my bones are out of joint: My heart also in the midst of my body is like unto melting wax!...

[Once more the people pile themselves on the bench. But the temperature is now not many degrees above freezing-point, and the wind is blowing more cuttingly. The people wriggle their wind-nipped faces into the heap like sucking pigs struggling for their mother's teats. One's interludes of sleep shrink to a few seconds, and one's dreams grow more monstrous, troubling, and undreamlike. There are times when the nine people are talking almost normally, times when they can even laugh at their situation, and times when they press themselves together in a kind of frenzy, with deep groans of pain. Mr Tallboys suddenly becomes exhausted and his monologue degenerates into a stream of nonsense. He drops his vast bulk on top of the others, almost suffocating them. The heap rolls apart. Some remain on the bench, some slide to the ground and collapse against the parapet or against the others' knees. The policeman enters the Square and orders those on the ground to their feet. They get up, and collapse again the moment he is gone. There is no sound from the ten people save of snores that are partly groans. Their heads nod like those of joined porcelain Chinamen as they fall asleep and reawake as rhythmically as the ticking of a clock. Three strikes somewhere. A voice yells like a trumpet from the eastern end of the Square:'Boys! Up you get! The noospapers is come!']

CHARLIE [ [starting from his sleep]: The perishing papers! C'm on, Ginger! Run like h.e.l.l!

[They run, or shamble, as fast as they can to the corner of the Square, where three youths are distributing surplus posters given away in charity by the morning newspapers. Charlie and Ginger come back with a thick wad of posters. The five largest men now jam themselves together on the bench, Deafie and the four women sitting across their knees; then, with infinite difficulty (as it has to be done from the inside), they wrap themselves in a monstrous coc.o.o.n of paper, several sheets thick, tucking the loose ends into their necks or b.r.e.a.s.t.s or between their shoulders and the back of the bench. Finally nothing is uncovered save their heads and the lower part of their legs. For their heads they fashion hoods of paper. The paper constantly comes loose and lets in cold shafts of wind, but it is now possible to sleep for as much as five minutes consecutively. At this time-between three and five in the morningit is customary with the police not to disturb the Square sleepers. A measure of warmth steals through everyone and extends even to their feet. There is some furtive fondling of the women under cover of the paper. Dorothy is too far gone to care.By a quarter past four the paper is all crumpled and torn to nothing, and it is far too cold to remain sitting down. The people get up, swear, find their legs somewhat rested, and begin to slouch to and fro in couples, frequently halting from mere la.s.situde. Every belly is now contorted with hunger. Ginger's tin of condensed milk is torn open and the contents devoured, everyone dipping their fingers into it and licking them. Those who have no money at all leave the Square for the Green Park, where they will be undisturbed till seven. Those who can command even a halfpenny make for Wilkins's cafe not far from the Charing Cross Road. It is known that the cafe will not open till five o'clock; nevertheless, a crowd is waiting outside the door by twenty to five.]

MRS MCELLIGOT: Got your halfpenny, dearie? Dey won't let more'n four of us in on one cup o'tea, de stingy ole gets! Got your halfpenny, dearie? Dey won't let more'n four of us in on one cup o'tea, de stingy ole gets!

MR TALLBOYS [ [singing]: The roseate hu-ues of early da-awn GINGER: G.o.d, that bit of sleep we 'ad under the newspapers done me some good. [ G.o.d, that bit of sleep we 'ad under the newspapers done me some good. [Singing] But I'm dancing with tearsin my eyes CHARLIE: Oh, boys, boys! Look through that perishing window, will you? Look at the 'eat steaming down the window pane! Look at the tea-urns jest on the boil, and them great piles of 'ot toast and 'am sandwiches, and them there sausages sizzling in the pan! Don't it make your belly turn perishing summersaults to see 'em? Oh, boys, boys! Look through that perishing window, will you? Look at the 'eat steaming down the window pane! Look at the tea-urns jest on the boil, and them great piles of 'ot toast and 'am sandwiches, and them there sausages sizzling in the pan! Don't it make your belly turn perishing summersaults to see 'em?

DOROTHY: I've got a penny. I can't get a cup of tea for that, can I? I've got a penny. I can't get a cup of tea for that, can I?

SNOUTER: - lot of sausages we'll get this morning with fourpence between us. 'Alf a cup of tea and a - doughnut more likely. There's a breakfus' for you! - lot of sausages we'll get this morning with fourpence between us. 'Alf a cup of tea and a - doughnut more likely. There's a breakfus' for you!

MRS MCELLIGOT: You don't need buy a cup o' tea all to yourself. I got a halfpenny an' so's Daddy, an' we'll put'm to your penny an' have a cup between de t'ree of us. He's got sores on his lip, but h.e.l.l! who cares? Drink near de handle an' dere's no harm done. You don't need buy a cup o' tea all to yourself. I got a halfpenny an' so's Daddy, an' we'll put'm to your penny an' have a cup between de t'ree of us. He's got sores on his lip, but h.e.l.l! who cares? Drink near de handle an' dere's no harm done.

[A quarter to five strikes.]

MRS BENDIGO: I 'd bet a dollar my ole man's got a bit of 'addock to 'is breakfast. I 'ope it b.l.o.o.d.y chokes 'im. I 'd bet a dollar my ole man's got a bit of 'addock to 'is breakfast. I 'ope it b.l.o.o.d.y chokes 'im.

GINGER [ [singing]: But I'm dan-cing with tearsin my eyes MR TALLBOYS [ [singing]: Early in the morning my song shall rise to Thee!

MRS MCELLIGOT: You gets a bit o' kip in dis place, dat's one comfort. Dey lets you sleep wid your head on de table till seven o'clock. It's a b.l.o.o.d.y G.o.dsend to us Square Tobies. You gets a bit o' kip in dis place, dat's one comfort. Dey lets you sleep wid your head on de table till seven o'clock. It's a b.l.o.o.d.y G.o.dsend to us Square Tobies.

CHARLIE [ [slavering like a dog]: Sausages! Perishing sausages! Welsh rabbit!'Ot dripping toast! And a rump-steak two inches thick with chips and a pint of Ole Burton! Oh, perishing Jesus!

[He bounds forward, pushes his way through the crowd and rattles the handle of the gla.s.s door. The whole crowd of people, about forty strong, surge forward and attempt to storm the door, which is stoutly held within by Mr Wilkins, the proprietor of the cafe. He menaces them through the gla.s.s. Some press their b.r.e.a.s.t.s and faces against the window as though warming themselves. With a whoop and a rush Florry and four other girls, comparatively fresh from having spent part of the night in bed, debouch from a neighbouring alley, accompanied by a gang of youths in blue suits. They hurl themselves upon the rear of the crowd with such momentum that the door is almost broken. Mr Wilkins pulls it furiously open and shoves the leaders back. A fume of sausages, kippers, coffee, and hot bread streams into the outer cold.]

YOUTHS' VOICES FROM THE REAR: Why can't he - open before five? We're starving for our - tea! Ram the - door in! [ Why can't he - open before five? We're starving for our - tea! Ram the - door in! [etc., etc.]

MR WILKINS: Get out! Get out, the lot of you! Or by G.o.d not one of you comes in this morning! Get out! Get out, the lot of you! Or by G.o.d not one of you comes in this morning!

GIRLS' VOICES FROM THE REAR: Mis-ter Wil-kins! Mis-ter Wil-kins! Mis-ter Wil-kins! Mis-ter Wil-kins! Be Be a sport and let us in! I'll give y'a kiss all free for nothing. a sport and let us in! I'll give y'a kiss all free for nothing. Be Be a sport now! [ a sport now! [etc., etc.]

MR WILKINS: Get on out of it! We don't open before five, and you know it. [ Get on out of it! We don't open before five, and you know it. [Slams the door.]

MRS MCELLIGOT: Oh, holy Jesus, if dis ain't de longest ten minutes o' de whole b.l.o.o.d.y night! Well, I'll give me poor ole legs a rest, anyway. [ Oh, holy Jesus, if dis ain't de longest ten minutes o' de whole b.l.o.o.d.y night! Well, I'll give me poor ole legs a rest, anyway. [Squats on her heels coal-miner-fashion. Many others do the same.]

GINGER:'Oo's got a 'alfpenny? I'm ripe to go fifty-fifty on a doughnut.

YOUTHS' VOICES [ [imitating military music, then singing]: '-!' was all the band could play; '-! -' And the same to you!

DOROTHY [ [to Mrs McElligot]: Look at us all! Just look at us! What clothes! What faces!

MRS BENDIGO: You're no Greta Garbo yourself, if you don't mind my mentioning it. You're no Greta Garbo yourself, if you don't mind my mentioning it.

MRS WAYNE: Well, now, the time Well, now, the time do do seem to pa.s.s slowly when you're waiting for a nice cup of tea, don't it now? seem to pa.s.s slowly when you're waiting for a nice cup of tea, don't it now?

MR TALLBOYS [ [chanting]: For our soul is brought low, even unto the dust: our belly cleaveth unto the ground!

CHARLIE: Kippers! Perishing piles of 'em! I can smell 'em through the perishing gla.s.s. Kippers! Perishing piles of 'em! I can smell 'em through the perishing gla.s.s.

GINGER [ [singing]: But I'm dan-cing with tears-in my eyes- 'Cos the girl-in my arms-isn't you-o-ou![Much time pa.s.ses. Five strikes. Intolerable ages seem to pa.s.s. Then the door is suddenly wrenched open and the people stampede in to fight for the corner seats. Almost swooning in the hot air, they fling themselves down and sprawl across the tables, drinking in the heat and the smell of food through all their pores.]

MR WILKINS: Now then, all! You know the rules, I s'pose. No hokey-pokey this morning! Sleep till seven if you like, but if I see any man asleep after that, out he goes on his neck. Get busy with that tea, girls! Now then, all! You know the rules, I s'pose. No hokey-pokey this morning! Sleep till seven if you like, but if I see any man asleep after that, out he goes on his neck. Get busy with that tea, girls!

A DEAFENING CHORUS OF YELLS: Two teas 'ere! Large tea and a doughnut between us four! Kippers! Mis-ter Wil-kins! 'Ow much them sausages? Two slices! Mis-ter Wil-kins! Got any f.a.g papers? Kipp- Two teas 'ere! Large tea and a doughnut between us four! Kippers! Mis-ter Wil-kins! 'Ow much them sausages? Two slices! Mis-ter Wil-kins! Got any f.a.g papers? Kipp-ers! [etc., etc.]

MR WILKINS: Shut up, shut up! Stop that hollering or I don't serve any of you. Shut up, shut up! Stop that hollering or I don't serve any of you.

MRS MCELLIGOT: D'you feel de blood runnin' back into your toes, dearie? D'you feel de blood runnin' back into your toes, dearie?

MRS WAYNE: He do speak rough to you, don't he? Not what I'd call a reely gentlemanly kind of man. He do speak rough to you, don't he? Not what I'd call a reely gentlemanly kind of man.

SNOUTER: This is - starvation Corner, this is. Cripes! Couldn't I do a couple of them sausages! This is - starvation Corner, this is. Cripes! Couldn't I do a couple of them sausages!

THE TARTS [ [in chorus]: Kippers 'ere!'Urry up with them kippers! Mis-ter Wil-kins! Kippers all round! And And a doughnut! a doughnut!

CHARLIE: Not 'alf! Got to fill up on the smell of 'em this morning. Sooner be 'ere than on the perishing Square, Not 'alf! Got to fill up on the smell of 'em this morning. Sooner be 'ere than on the perishing Square, all all the same. the same.

GINGER:'Ere, Deafie! You've 'ad your 'alf! Gimme me that bleeding cup.

MR TALLBOYS [ [chanting]: Then was our mouth filled with laughter, and our tongue with joy!...

MRS MCELLIGOT: BeG.o.d I'm half asleep already. It's de heat o' de room as does it. BeG.o.d I'm half asleep already. It's de heat o' de room as does it.

MR WILKINS: Stop that singing there! You know the rules. Stop that singing there! You know the rules.

THE TARTS [ [in chorus]: Kipp-ers!

SNOUTER: - doughnuts! Cold prog! It turns my belly sick. - doughnuts! Cold prog! It turns my belly sick.

DADDY: Even the tea they give you ain't no more than water with a bit of dust in it. [ Even the tea they give you ain't no more than water with a bit of dust in it. [Belches.]

CHARLIE: Bes' thing'ave a bit of shut-eye and forget about it. Dream about perishing cut off the joint and two veg. Less get our 'eads on the table and pack up comfortable. Bes' thing'ave a bit of shut-eye and forget about it. Dream about perishing cut off the joint and two veg. Less get our 'eads on the table and pack up comfortable.

MRS MCELLIGOT: Lean up agen me shoulder, dearie. I've got more flesh on me bones'n what you have. Lean up agen me shoulder, dearie. I've got more flesh on me bones'n what you have.

GINGER: I'd give a tanner for a bleeding f.a.g, if I 'ad a bleeding tanner. I'd give a tanner for a bleeding f.a.g, if I 'ad a bleeding tanner.

CHARLIE: Pack up. Get your 'ead agenst mine, Snouter. That's right. Jesus, won't I perishing sleep! Pack up. Get your 'ead agenst mine, Snouter. That's right. Jesus, won't I perishing sleep!

[A dish of smoking kippers is borne past to the tarts' table.]

SNOUTER [ [drowsily]: More - kippers. Wonder 'ow many times she's bin on 'er back to pay for that lot.

MRS MCELLIGOT [ [half-asleep]: 'Twas a pity, 'twas a real pity, when Michael went off on his jack an' left me wid de b.l.o.o.d.y baby an' all....

MRS BENDIGO [ [furiously, following the dish of kippers with accusing finger]: Look at that, girls! Look at that! Kippers! Kippers! Don't it make you b.l.o.o.d.y wild? Don't it make you b.l.o.o.d.y wild? We We don't get kippers for breakfast, do we, girls? b.l.o.o.d.y tarts swallering down kippers as fast as they can turn 'em out of the pan, and us 'ere with a cup of tea between four of us and lucky to get that! Kippers! don't get kippers for breakfast, do we, girls? b.l.o.o.d.y tarts swallering down kippers as fast as they can turn 'em out of the pan, and us 'ere with a cup of tea between four of us and lucky to get that! Kippers!

MR TALLBOYS [ [stage curate-wise]: The wages of sin is kippers.

GINGER: Don't breathe in my face, Deafie. I can't bleeding stand it. Don't breathe in my face, Deafie. I can't bleeding stand it.

CHARLIE [ [in his sleep]: Charles-Wisdom-drunk-and-incapable-drunk?-yes-six-shillings-move-on-next DOROTHY [ [on Mrs McElligot's bosom]: Oh, joy, joy!

[They are asleep.]

2.

And so it goes on.

Dorothy endured this life for ten days...o...b.. exact, nine days and ten nights. It was hard to see what else she could do. Her father, seemingly, had abandoned her altogether, and though she had friends in London who would readily have helped her, she did not feel that she could face them after what had happened, or what was supposed to have happened. And she dared not apply to organized charity because it would almost certainly lead to the discovery of her name, and hence, perhaps, to a fresh hullabaloo about the 'Rector's Daughter'.

So she stayed in London, and became one of that curious tribe, rare but never quite extinct-the tribe of women who are penniless and homeless, but who make such desperate efforts to hide it that they very nearly succeed; women who wash their faces at drinking fountains in the cold of the dawn, and carefully uncrumple their clothes after sleepless nights, and carry themselves with an air of reserve and decency, so that only their faces, pale beneath sunburn, tell you for certain that they are dest.i.tute. It was not in her to become a hardened beggar like most of the people about her. Her first twenty-four hours on the Square she spent without any food whatever, except for the cup of tea that she had had overnight and a third of a cup more that she had had at Wilkins's cafe in the morning. But in the evening, made desperate by hunger and the others' example, she walked up to a strange woman, mastered her voice with an effort, and said: 'Please, Madam, could you give me twopence? I have had nothing to eat since yesterday.' The woman stared, but she opened her purse and gave Dorothy threepence. Dorothy did not know it, but her educated accent, which had made it impossible to get work as a servant, was an invaluable a.s.set to her as a beggar.

After that she found that it was really very easy to beg the daily shilling or so that was needed to keep her alive. And yet she never begged-it seemed to her that actually she could not do it-except when hunger was past bearing or when she had got to lay in the precious penny that was the pa.s.sport to Wilkins's cafe in the morning. With n.o.bby, on the way to the hopfields, she had begged without fear or scruple. But it had been different then; she had not known what she was doing. Now, it was only under the spur of actual hunger that she could screw her courage to the point, and ask for a few coppers from some woman whose face looked friendly. It was always women that she begged from, of course. She did once try begging from a man-but only once.

For the rest, she grew used to the life that she was leading-used to the enormous sleepless nights, the cold, the dirt, the boredom, and the horrible communism of the Square. After a day or two she had ceased to feel even a flicker of surprise at her situation. She had come, like everyone about her, to accept this monstrous existence almost as though it were normal. The dazed, witless feeling that she had known on the way to the hopfields had come back upon her more strongly than before. It is the common effect of sleeplessness and still more of exposure. To live continuously in the open air, never going under a roof for more than an hour or two, blurs your perceptions like a strong light glaring in your eyes or a noise drumming in your ears. You act and plan and suffer, and yet all the while it is as though everything were a little out of focus, a little unreal. The world, inner and outer, grows dimmer till it reaches almost the vagueness of a dream.

Meanwhile, the police were getting to know her by sight. On the Square people are perpetually coming and going, more or less unnoticed. They arrive from nowhere with their drums and their bundles, camp for a few days and nights, and then disappear as mysteriously as they come. If you stay for more than a week or thereabouts, the police will mark you down as an habitual beggar, and they will arrest you sooner or later. It is impossible for them to enforce the begging laws at all regularly, but from time to time they make a sudden raid and capture two or three of the people they have had their eye on. And so it happened in Dorothy's case.

One evening she was 'knocked off', in company with Mrs McElligot and another woman whose name she did not know. They had been careless and begged off a nasty old lady with a face like a horse, who had promptly walked up to the nearest policeman and given them in charge.

Dorothy did not mind very much. Everything was dreamlike now-the face of the nasty old lady, eagerly accusing them, and the walk to the station with a young policeman's gentle, almost deferential hand on her arm; and then the white-tiled cell, with the fatherly sergeant handing her a cup of tea through the grille and telling her that the magistrate wouldn't be too hard on her if she pleaded guilty. In the cell next door Mrs McElligot stormed at the sergeant, called him a b.l.o.o.d.y get, and then spent half the night in bewailing her fate. But Dorothy had no feeling save vague relief at being in so clean and warm a place. She crept immediately on to the plank bed that was fixed like a shelf to the wall, too tired even to pull the blankets about her, and slept for ten hours without stirring. It was only on the following morning that she began to grasp the reality of her situation, as the Black Maria rolled briskly up to Old Street Police Court, to the tune of 'Adeste fideles' shouted by five drunks inside.

CHAPTER 4.

1.

Dorothy had wronged her father in supposing that he was willing to let her starve to death in the street. He had, as a matter of fact, made efforts to get in touch with her, though in a roundabout and not very helpful way.

His first emotion on learning of Dorothy's disappearance had been rage pure and simple. At about eight in the morning, when he was beginning to wonder what had become of his shaving water, Ellen had come into his bedroom and announced in a vaguely panic-stricken tone: 'Please, Sir, Miss Dorothy ain't in the house, Sir. I can't find her nowhere!'

'What?' said the Rector.

'She ain't in the house, Sir! And her bed don't look as if it hadn't been slept in, neither. It's my belief as she's gorn gorn, Sir!'

'Gone!' exclaimed the Rector, partly sitting up in bed. 'What do you mean-gone?'

'Well, Sir, I believe she's run away from 'ome, Sir!'

'Run away from home! At this this hour of the morning? And what about my breakfast, pray?' hour of the morning? And what about my breakfast, pray?'

By the time the Rector got downstairs-unshaven, no hot water having appeared-Ellen had gone down into the town to make fruitless inquiries for Dorothy. An hour pa.s.sed, and she did not return. Whereupon there occurred a frightful, unprecedented thing-a thing never to be forgotten this side of the grave; the Rector was obliged to prepare his own breakfast-yes, actually to mess about with a vulgar black kettle and rashers of Danish bacon-with his own sacerdotal hands.

After that, of course, his heart was hardened against Dorothy for ever. For the rest of the day he was far too busy raging over unpunctual meals to ask himself why why she had disappeared and whether any harm had befallen her. The point was that the confounded girl (he said several times 'confounded girl', and came near to saying something stronger) she had disappeared and whether any harm had befallen her. The point was that the confounded girl (he said several times 'confounded girl', and came near to saying something stronger) had had disappeared, and had upset the whole household by doing so. Next day, however, the question became more urgent, because Mrs Semprill was now publishing the story of the elopement far and wide. Of course, the Rector denied it violently, but in his heart he had a sneaking suspicion that it might be true. It was the kind of thing, he now decided, that Dorothy disappeared, and had upset the whole household by doing so. Next day, however, the question became more urgent, because Mrs Semprill was now publishing the story of the elopement far and wide. Of course, the Rector denied it violently, but in his heart he had a sneaking suspicion that it might be true. It was the kind of thing, he now decided, that Dorothy would would do. A girl who would suddenly walk out of the house without even taking thought for her father's breakfast was capable of anything. do. A girl who would suddenly walk out of the house without even taking thought for her father's breakfast was capable of anything.

Two days later the newspapers got hold of the story, and a nosy young reporter came down to Knype Hill and began asking questions. The Rector made matters worse by angrily refusing to interview the reporter, so that Mrs Semprill's version was the only one that got into print. For about a week, until the papers got tired of Dorothy's case and dropped her in favour of a plesiosaurus that had been seen at the mouth of the Thames, the Rector enjoyed a horrible notoriety. He could hardly open a newspaper without seeing some flaming headline about 'Rector's Daughter. Further Revelations', or 'Rector's Daughter. Is she in Vienna? Reported seen in Low-cla.s.s Cabaret'. Finally there came an article in the Sunday Spyhole Spyhole, which began, 'Down in a Suffolk Rectory a broken old man sits staring at the wall', and which was so absolutely unbearable that the Rector consulted his solicitor about an action for libel. However, the solicitor was against it; it might lead to a verdict, he said, but it would certainly lead to further publicity. So the Rector did nothing, and his anger against Dorothy, who had brought this disgrace upon him, hardened beyond possibility of forgiveness.

After this there came three letters from Dorothy, explaining what had happened. Of course the Rector never really believed that Dorothy had lost her memory. It was too thin a story altogether. He believed that she either had had eloped with Mr Warburton, or had gone off on some similar escapade and had landed herself penniless in Kent; at any rate-this he had settled once and for all, and no argument would ever move him from itwhatever had happened to her was entirely her own fault. The first letter he wrote was not to Dorothy herself but to his cousin Tom, the baronet. For a man of the Rector's upbringing it was second nature, in any serious trouble, to turn to a rich relative for help. He had not exchanged a word with his cousin for the last fifteen years, since they had quarrelled over a little matter of a borrowed fifty pounds; still, he wrote fairly confidently, asking Sir Thomas to get in touch with Dorothy if it could be done, and to find her some kind of job in London. For of course, after what had happened, there could be no question of letting her come back to Knype Hill. eloped with Mr Warburton, or had gone off on some similar escapade and had landed herself penniless in Kent; at any rate-this he had settled once and for all, and no argument would ever move him from itwhatever had happened to her was entirely her own fault. The first letter he wrote was not to Dorothy herself but to his cousin Tom, the baronet. For a man of the Rector's upbringing it was second nature, in any serious trouble, to turn to a rich relative for help. He had not exchanged a word with his cousin for the last fifteen years, since they had quarrelled over a little matter of a borrowed fifty pounds; still, he wrote fairly confidently, asking Sir Thomas to get in touch with Dorothy if it could be done, and to find her some kind of job in London. For of course, after what had happened, there could be no question of letting her come back to Knype Hill.

Shortly after this there came two despairing letters from Dorothy, telling him that she was in danger of starvation and imploring him to send her some money. The Rector was disturbed. It occurred to himit was the first time in his life that he had seriously considered such a thingthat it is is possible to starve if you have no money. So, after thinking it over for the best part of a week, he sold out ten pounds' worth of shares and sent a cheque for ten pounds to his cousin, to be kept for Dorothy till she appeared. At the same time he sent a cold letter to Dorothy herself, telling her that she had better apply to Sir Thomas Hare. But several more days pa.s.sed before this letter was posted, because the Rector had qualms about addressing a letter to 'Ellen Millborough'he dimly imagined that it was against the law to use false namesand, of course, he had delayed far too long. Dorothy was already in the streets when the letter reached 'Mary's'. possible to starve if you have no money. So, after thinking it over for the best part of a week, he sold out ten pounds' worth of shares and sent a cheque for ten pounds to his cousin, to be kept for Dorothy till she appeared. At the same time he sent a cold letter to Dorothy herself, telling her that she had better apply to Sir Thomas Hare. But several more days pa.s.sed before this letter was posted, because the Rector had qualms about addressing a letter to 'Ellen Millborough'he dimly imagined that it was against the law to use false namesand, of course, he had delayed far too long. Dorothy was already in the streets when the letter reached 'Mary's'.

Sir Thomas Hare was a widower, a good-hearted, chuckle-headed man of about sixty-five, with an obtuse rosy face and curling moustaches. He dressed by preference in checked overcoats and curly brimmed bowler hats that were at once dashingly smart and four decades out of date. At a first glance he gave the impression of having carefully disguised himself as a cavalry major of the 'nineties, so that you could hardly look at him without thinking of devilled bones with a b and s, and the tinkle of hansom bells, and the Pink 'U Pink 'U in its great 'Pitcher' days, and Lottie Collins and 'Tarara- in its great 'Pitcher' days, and Lottie Collins and 'Tarara-BOOM-deay'. But his chief characteristic was an abysmal mental vagueness. He was one of those people who say 'Don't you know?' and 'What! What!' and lose themselves in the middle of their sentences. When he was puzzled or in difficulties, his moustaches seemed to bristle forward, giving him the appearance of a well-meaning but exceptionally brainless prawn.

So far as his own inclinations went Sir Thomas was not in the least anxious to help his cousins, for Dorothy herself he had never seen, and the Rector he looked on as a cadging poor relation of the worst possible type. But the fact was that he had had just about as much of this 'Rector's Daughter' business as he could stand. The accursed chance that Dorothy's surname was the same as his own had made his life a misery for the past fortnight, and he foresaw further and worse scandals if she were left at large any longer. So, just before leaving London for the pheasant shooting, he sent for his butler, who was also his confidant and intellectual guide, and held a council of war.

'Look here, Blyth, demit,' said Sir Thomas prawnkishly (Bly was the butler's name), 'I suppose you've seen all this d.a.m.n' stuff in the newspapers, hey? This "Rector's Daughter" stuff? About this d.a.m.ned niece of mine.'

Blyth was a small sharp-featured man with a voice that never rose above a whisper. It was as nearly silent as a voice can be while still remaining a voice. Only by watching his lips as well as listening closely could you catch the whole of what he said. In this case his lips signalled something to the effect that Dorothy was Sir Thomas's cousin, not his niece.

'What, my cousin, is she?' said Sir Thomas. 'So she is, by Jove! Well, look here, Blyth, what I mean to say-it's about time we got hold of the d.a.m.n' girl and locked her up somewhere. See what I mean? Get hold of her before there's any more more trouble. She's knocking about somewhere in London, I believe. What's the best way of getting on her track? Police? Private detectives and all that? D'you think we could manage it?' trouble. She's knocking about somewhere in London, I believe. What's the best way of getting on her track? Police? Private detectives and all that? D'you think we could manage it?'

Blyth's lips registered disapproval. It would, he seemed to be saying, be possible to trace Dorothy without calling in the police and having a lot of disagreeable publicity.

'Good man!' said Sir Thomas. 'Get to it, then. Never mind what it costs. I'd give fifty quid not to have that "Rector's Daughter" business over again. And for G.o.d's sake, Blyth,' he added confidentially, 'once you've got hold of the d.a.m.n' girl, don't let her out of your sight. Bring her back to the house and d.a.m.n' well keep her here. See what I mean? Keep her under lock and key till I get back. Or else G.o.d knows what she'll be up to next.'

Sir Thomas, of course, had never seen Dorothy, and it was therefore excusable that he should have formed his conception of her from the newspaper reports.

It took Blyth about a week to track Dorothy down. On the morning after she came out of the police-court cells (they had fined her six shillings, and, in default of payment, detained her for twelve hours: Mrs McElligot, as an old offender, got seven days), Blyth came up to her, lifted his bowler hat a quarter of an inch from his head, and inquired noiselessly whether she were not Miss Dorothy Hare. At the second attempt Dorothy understood what he was saying, and admitted that she was was Miss Dorothy Hare; whereupon Blyth explained that he was sent by her cousin, who was anxious to help her, and that she was to come home with him immediately. Miss Dorothy Hare; whereupon Blyth explained that he was sent by her cousin, who was anxious to help her, and that she was to come home with him immediately.

Dorothy followed him without more words said. It seemed queer that her cousin should take this sudden interest in her, but it was no queerer than the other things that had been happening lately. They took the bus to Hyde Park Corner, Blyth paying the fares, and then walked to a large, expensive-looking house with shuttered windows, on the borderland between Knightsbridge and Mayfair. They went down some steps, and Blyth produced a key and they went in. So, after an absence of something over six weeks, Dorothy returned to respectable society, by the area door.

She spent three days in the empty house before her cousin came home. It was a queer, lonely time. There were several servants in the house, but she saw n.o.body except Blyth, who brought her her meals and talked to her, noiselessly, with a mixture of deference and disapproval. He could not quite make up his mind whether she was a young lady of family or a rescued Magdalen, and so treated her as something between the two. The house had that hushed, corpselike air peculiar to houses whose master is away, so that you instinctively went about on tiptoe and kept the blinds over the windows. Dorothy did not even dare to enter any of the main rooms. She spent all the daytime lurking in a dusty, forlorn room at the top of the house which was a sort of museum of bric-a-brac dating from 1880 onwards. Lady Hare, dead these five years, had been an industrious collector of rubbish, and most of it had been stowed away in this room when she died. It was a doubtful point whether the queerest object in the room was a yellowed photograph of Dorothy's father, aged eighteen but with respectable side-whiskers, standing self-consciously beside an 'ordinary' bicyclethis was in 1888; or whether it was a little sandalwood box labelled 'Piece of Bread touched by Cecil Rhodes at the City and South Africa Banquet, June 1897'. The sole books in the room were some grisly school prizes that had been won by Sir Thomas's childrenhe had three, the youngest being the same age as Dorothy.

It was obvious that the servants had orders not to let her go out of doors. However, her father's cheque for ten pounds had arrived, and with some difficulty she induced Blyth to get it cashed, and, on the third day, went out and bought herself some clothes. She bought herself a ready-made tweed coat and skirt and a jersey to go with them, a hat, and a very cheap frock of artificial printed silk; also a pair of pa.s.sable brown shoes, three pairs of lisle stockings, a nasty, cheap little handbag, and a pair of grey cotton gloves that would pa.s.s for suede at a little distance. That came to eight pounds ten, and she dared not spend more. As for underclothes, nightdresses, and handkerchiefs, they would have to wait. After all, it is the clothes that show that matter.

Sir Thomas arrived on the following day, and never really got over the surprise that Dorothy's appearance gave him. He had been expecting to see some rouged and powdered siren who would plague him with temptations to which alas! he was no longer capable of succ.u.mbing; and this countrified, spinsterish girl upset all his calculations. Certain vague ideas that had been floating about his mind, of finding her a job as a manicurist or perhaps as a private secretary to a bookie, floated out of it again. From time to time Dorothy caught him studying her with a puzzled, prawnish eye, obviously wondering how on earth such a girl could ever have figured in an elopement. It was very little use, of course, telling him that she had not not eloped. She had given him her version of the story, and he had accepted it with a chivalrous 'Of course, m'dear, of course!' and thereafter, in every other sentence, betrayed the fact that he disbelieved her. eloped. She had given him her version of the story, and he had accepted it with a chivalrous 'Of course, m'dear, of course!' and thereafter, in every other sentence, betrayed the fact that he disbelieved her.

So for a couple of days nothing definite was done. Dorothy continued her solitary life in the room upstairs, and Sir Thomas went to his club for most of his meals, and in the evening there were discussions of the most unutterable vagueness. Sir Thomas was genuinely anxious to find Dorothy a job, but he had great difficulty in remembering what he was talking about for more than a few minutes at a time, 'Well, m'dear,' he would start off, 'you'll understand, of course, that I'm very keen to do what I can for you. Naturally, being your uncle and all thatwhat? What's that? Not your uncle? No, I suppose I'm not, by Jove! Cousinthat's it; cousin. Well, now, m'dear, being your cousin-now, what was I saying?' Then, when Dorothy had guided him back to the subject, he would throw out some such suggestion as, 'Well, now, for instance, m'dear, how would you like to be companion to an old lady? Some dear old girl, don't you know-black mittens and rheumatoid arthritis. Die and leave you ten thousand quid and care of the parrot. What, what?' which did not get them very much further. Dorothy repeated a number of times that she would rather be a housemaid or a parlourmaid, but Sir Thomas would not hear of it. The very idea awakened in him a cla.s.s-instinct which he was usually too vague-minded to remember. 'What!' he would say. 'A dashed skivvy? Girl of your upbringing? No, m'dearno, no! Can't do that that kind of thing, dash it!' kind of thing, dash it!'